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38 articles
Article
Sano di Pietro, Vecchietta and two Jachomo d’Andreuccios
08/2021 | 1421 | 163
Pages: 652-667
related names
Author:
Dalvit, Giulio (Dalvit, Giulio)
Subjects
places:
Illustrations
Attributed works:
1. Birth of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.8 by 47.2 cm. (University of Michigan Museum of Art, Ann Arbor).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
11. Madonna and Child, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58.7 by 39.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Reconstruction of the altarpiece for the Compagnia della Vergine by Sano di Pietro. (Michael Mallory and Gaudenz Freuler).
Attributed works:
13. Reconstruction of the Pala dei Signori by Simone Martini with the predella of the Life of the Virgin by Sano di Pietro. (Keith Christiansen).
Attributed works:
14. Virgin and Child with angels, St Dominic, St Jerome, St Augustine, St Francis and the Blessed Giovanni Colombini (the Gesuati Polyptych), by Sano di Pietro. 1444. Tempera and gold on panel, 320 by 282 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
15. Stories of the Passion, by Michele di Matteo da Bologna. 1447. Fresco. (Baptistery, Siena).
Attributed works:
16. Angel of the Annunciation, by Sano di Pietro. 1450s. From the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. Tempera and gold on panel, diameter 41.5 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Attributed works:
17. Virgin Annunciate, here attributed to Sano di Pietro, from the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. The outline indicates its original shape. 1450s. Tempera and gold on panel, 35.5 by 17.6 cm. (Clark Art Institute, Williamstown).
Attributed works:
18. Detail of Virgin and Child, attributed to Francesco di Vannuccio. c.1370–80. Tempera and gold on panel, 95 by 52 cm. (S. Domenico, Siena).
Attributed works:
19. The Andreucci coat of arms. Late seventeenth or early eighteenth century. (From G. Macchi: Memorie, Archivo di Stato, Siena, MS D106, c.3).
Attributed works:
2. Presentation of the Virgin at the temple, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vatican, Rome).
Attributed works:
20. Detail of Fig.3, showing the bowl of coins.
Attributed works:
21. Annunciation with St Ansanus and St Margaret, by Simone Martini and Lippo Memmi. 1333. Tempera and gold on panel, 184 by 168 cm. (Galleria degli Uffizi, Florence).
Attributed works:
22. Detail of Fig.3, showing one of the colonettes added in the nineteenth century.
Attributed works:
23. Detail of Fig.21, showing one of the colonettes added in the nineteenth century.
Attributed works:
24. Virgin and Child with St Peter, St John the Baptist, St Paul and St Francis (Pala della Neve), by Stefano di Giovanni, known as Sassetta. 1432. Tempera and gold on panel, 240 by 256 cm. (Galleria degli Uffizi, Florence).
Attributed works:
25. Madonna of the girdle with St Catherine of Alexandria and St Francis, by Andrea di Giusto Manzini. 1437. Tempera and gold on panel, 210 by 220 cm. (Gallerie dell’Accademia, Florence).
Attributed works:
26. Assumption of the Virgin with St Pius, St Agatha, St Callistus and St Catherine of Siena, by Lorenzo di Pietro, known as Vecchietta. c.1462. Tempera and gold on panel, 280 by 225 cm. (S. Maria Assunta, Pienza).
Attributed works:
3. Virgin and Child with a magus, St Bartholomew, St James, St Dominic, St Andrew and St Lawrence, by Lorenzo di Pietro, known as Vecchietta. 1457. Tempera and gold on panel, 235 by 198 cm. (Galleria degli Uffizi, Florence).
Attributed works:
4. Marriage of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vaticana, Rome).
Attributed works:
5. Assumption of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.2 cm. (Lindenau-Museum, Altenburg).
Attributed works:
6. Return of the Virgin to the house of her parents, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.7 by 47.4 cm. (Lindenau-Museum, Altenburg).
Attributed works:
7. St Peter, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58 by 38.5 cm. including frame not shown (Carmen Thyssen-Bornemisza Collection, on loan to the Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
8. St Ansanus, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.5 by 38.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. St Andrew, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.2 by 37.8 cm. (Metropolitan Museum of Art, New York).
Article
Reconstructing Taddeo di Bartolo’s Perugia altarpiece
01/2018 | 1378 | 160
Pages: 10-21
related names
Author:
Solberg, Gail E. (Solberg, Gail E.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the St Francis (choir) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Herculanus, Anthony of Padua, Peter, Francis, Paul, Costantius and Louis of Toulouse. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
10. Annunciation (fragment), by Taddeo di Bartolo. c.1400–05. (Musée du Petit Palais, Avignon).
Attributed works:
11. Schematic diagram of the panel for Taddeo di Bartolo's St Mary Magdalene and a narrative scene below with indications of the equidistant dowel holes. The diagram reconstructs the arched top of the picture field and the unevenly trimmed sides.
Attributed works:
12. Hypothetical reconstruction of the narrative sequences for both sides of Taddeo di Bartolo's Perugia heptaptych. Top, nave or Virgin side: (a and b) two missing scenes (the Renunciation of worldly goods? and the Death of the Knight of Celano?); (c) the Preaching to the birds; (d) missing central scene; (e) the Miraculous mass at Greccio; (f) the Miracle of the source; (g) missing final scene. Bottom, choir or St Francis side: (g’) missing scene (the Crucifix of S. Damiano or the Dream of Innocent III?); (f’) the Approval of the rule; (e’) the Vision of the fiery chariot; (d’) missing central scene; (c’) the Trial by fire; (b’) the Miracle at Arles; (a’) missing final scene (the Verification of the Stigmata?).
Attributed works:
13. St Francis preaching to the birds, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
14. Miraculous mass at Greccio by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
15. Trial by fire, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
16. Crucifix with St Francis at Christ’s feet, by the Master of St Francis. 1272. (Galleria Nazionale, Perugia).
Attributed works:
17. Assumption of the Virgin triptych by Taddeo di Bartolo. 1401. (Cathedral, Montepulciano).
Attributed works:
18. The reverses of the panels from the nave side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. (Galleria Nazionale, Perugia).
Attributed works:
19. St Sebastian, by Taddeo di Bartolo. 1403? (Museo di Capodimonte, Naples).
Attributed works:
2. Reconstruction of the Virgin and Child (nave) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Clare, John the Baptist, Mary Magdalene, the Virgin, Catherine of Alexandria, John the Evangelist and Elizabeth of Hungary. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
3. St Francis in glory, by Taddeo di Bartolo. 1403. (Galleria Nazionale, Perugia).
Attributed works:
4. St Elizabeth of Hungary, by Taddeo di Bartolo. 1403. (Museo del Tesoro, Perkins Collection, Assisi).
Attributed works:
5. St Clare, by Taddeo di Bartolo. 1403. (Museo diocesano, Gubbio).
Attributed works:
6. Christ blessing by Taddeo di Bartolo.1403. (Yale University Art Gallery, New Haven CT).
Attributed works:
7. Christ displaying his wounds, by Taddeo di Bartolo. 1403. (Galleria Nazionale dell’Umbria, Perugia).
Attributed works:
8. St Stephen, by Taddeo di Bartolo. c.1400–05. (Private collection, Germany).
Attributed works:
9. Detail of the bottom edge of Fig.8.
Advertisements
Advertisements September 2016 (front)
09/2016 | 1362 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Giovanni Boldini. Statue in the Park of Versailles]
Attributed works:
[Bottegantica, Milan. Female nude with black stockings, by Giovanni Boldini (1842-1931). Oil on panel, 33 by 55 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625 - 1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm.)]
Attributed works:
[Charles Beddington Ltd, London. An African in profile, by Lorenz Frølich (1820-1908). Oil on paper laid on canvas, 43.5 by 29.5 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22.3 cm. Signed on the shoulder "Chinard Lyon".]
Attributed works:
[Frieze Masters. Regent's Park, London. Sassetta, San Sepolcro. Altarpiece (detail). The National Gallery, London.]
Attributed works:
[Galerie Canesso, Paris. Still life with basket of grapes, pomegranates, quinces and pears, fig branch and a barrel of grapes, by Carlo Manieri (1662-1700). Oil on canvas, 145 by 195 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Manieri. Taranto (?), Documented in Rome between 1662 and 1700. Still Life with a Basket of Grapes, Pomegranates, Quinces and Pears, with a Fig Branch and Cask of Grapes.]
Attributed works:
[Galerie de Jonckheere, Geneva and Paris. The Temptation of St. Anthony (a pair), School of Hieronymus Bosch (1450-1516). Oil on panel, 115.4 by 43 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Self-Portrait. Hippolyte Flandrin (1809-64). Oil on canvas. 24.4 by 34.9 cm]
Attributed works:
[Galerie Widmer. 9001 St Gallen. Unterstrasse 11. Switzerland. Pieter Pietersz (1540-1603). Adoration of the Shepherds, 1568-69. 44 x 67 cm]
Attributed works:
[Haboldt Pictura Fine Arts, Paris, Amsterdam, New York.A Trompel'Oeil hunting trophy of two ducks and heron, by Johannes Leemans (1633-88). Oil on canvas, 108 by 134 cm]
Attributed works:
[Hazlitt. 38 Bury Street, St. James’s London. SW1Y 6BB. Joris Hoefnagel. 1532-1600. Nonesuch Palace from the South. Black chalk, pen and brown and black ink, watercolour brightened with white and gold on paper. 8 1/2 x 12 3/4 inches]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Boldini (Ferrara 1842-1931 Pais). The audience at the Opera Garnier. Oil on panel. 87.5 x 39 cms. (34 1/4 x 15 1/4 in)]
Attributed works:
[Landau Fine Art, Montreal. Menace, by Le Corbusier (1887-1965). Oil on canvas, 162 by130 cm]
Attributed works:
[Maurizio Nobile, Bologna and Paris. Moonlit seascape, by Claude-Joseph Vernet (1714-89). Oil on canvas. 135 by 100 cm]
Attributed works:
[Mayoral, Barcelona. Femmes V, by Joan Mirò (1893-1983). Oil and charcoal on canvas, 66 by 81 cm.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman. Bust-Length, in a Black Doublet with a White Lace Ruff (detail)]
Attributed works:
[Talabardon & Gautier, Paris. The porter's lodge of the Villa Borghese, Rome, by Gustaf Wilhelm Palm (1810-90). Oil on canvas mounted on board, 34 by 62.3 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755). Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Virgin and Child. Limestone, with traces of original polychrome. France, the border of Burgundy and Champagne. Mussy sur Seine, Aube (c. 1300-25). Height: 89 cm. Depth: 28 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Holy Water Font. Carved ivory relief of Maria Lactans with bloodstone bowl, mounted in gold old inventory label verso. Italy, early 17th century. Height: 12.2 cm. Width: 6.2 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Italian chiselled fluted iron powder-flask bearing the Arms of the Princes Medici, Grand-Dukes of Tuscany, Third Quarter of the 16th Century]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Queen Victoria & Prince Albert. Hitherto unknown presentation album with 62 etchings. 1840-44. Handwritten dedication for F. X. Winterhalter.]
Article
Sassetta and the Guglielmi Piccolomini altarpiece in Siena
03/2010 | 1284 | 152
Pages: 162-171
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
artists:
artists:
dates:
places:
print:
Illustrations
Attributed works:
30. Map of Siena, by Francesco Vanni, printed by Pieter de Jode the Elder. c.1595. Key: I. S. Pietro in Castelvecchio; II. via del Casato; III. Palazzo Guglielmi; IV. Palazzo Bichi; V. S. Agostino.
Attributed works:
32. (Left). St Catherine of Siena, by Liberale da Verona. 1470s. Fresco, c.280 by 90 cm. (S. Pietro in Castelvecchio, Siena).
Attributed works:
33. (Centre). St Bartholomew, by Sassetta. 1449–50. Tempera and traces of gold on panel, 139.5 by 45.5 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
34. (Right). St Francis, by Sano di Pietro. c.1451–55. Tempera and traces of gold on panel, 138.8 by 45 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
35. Annunciation to the shepherds, by Sano di Pietro, perhaps following a design by Sassetta. c.1451–55. Tempera and gold on panel, 54.5 by 69 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
36. God the Father blessing, by Sassetta. 1449–50. Tempera, silver and traces of gold on panel, 62.2 by 39.8 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Attributed works:
37. Back of the panel in Fig.36.
Attributed works:
38. Sts Hugh (of Cluny or Lincoln?) and John the Baptist and Sts Peter and John the Evangelist, by Sano di Pietro. 1450s. Tempera and traces of gold on panel, each panel c.135.5 by 73 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
39. Angel of the Annunciation, by Sano di Pietro. 1450s. Tempera and gold on panel, diameter 41.5 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Western art unattributed:
29. S. Pietro in Castelvecchio, Siena.
Western art unattributed:
31. Memorial plaque of Giovanni di Bartolomeo Guglielmi with the Piccolomini coat of arms. 1453. White marble, 60.5 by 44 cm. (S. Pietro in Castelvecchio, Siena).
Book Review
Sassetta: The Borgo San Sepolcro altarpiece
03/2010 | 1284 | 152
Pages: 183-184
related names
Reviewer:
Sliwka, Jennifer (Sliwka, Jennifer)
Subjects
artists:
dates:
dates:
print:
subjects:
Reviewed Items
works:
Sassetta: The Borgo San Sepolcro altarpiece | editor: Brüggen Israëls, Machtelt
Book Review
Sasseta's Madonna della Neve: An image of Patronage
12/2005 | 1233 | 147
Pages: 828-829
related names
Reviewer:
Norman, Diana (Norman, Diana)
Subjects
artists:
dates:
museums and institutions:
print:
Reviewed Items
subjects:
Sasseta's Madonna della Neve: An image of Patronage | author: Brüggen Israëls, Machtelt
Article
Sassetta, Fra Angelico and their patrons at S. Domenico, Cortona
11/2003 | 1208 | 145
Pages: 760-776
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
Annunciation, by Fra Angelico. Early 1430s. Tempera and gold on panel, 218.5 by 227 cm. (Museo Diocesano, Cortona).
Attributed works:
Chasuble of St Nicholas of Bari, detail of Fig.1.
Attributed works:
Coronation of the Virgn with angels and saints, by Lorenzo di Niccolò. 1402. Tempera and gold on panel, 517 by 325 cm. (S. Domenico, Cortona).
Attributed works:
Detached paint layer of Sassetta's triptych (Fig.1) seen from the reverse during the 1945-55 restoration.
Attributed works:
Early twentieth-century photograph of the Cortona triptych, by Fra Angelico (Fig.2).
Attributed works:
Madonna and Child with Sts Matthew, John the Evangelist and Mary Magdalene, the Annunciation and the Crucifiction, by Fra Angelico. c.1432. Tempera and gold on panel, 218 by 237.5 cm. (Museo Diocesano, Cortona).
Attributed works:
Madonna of humility between Sts Dominic and Peter Martyr, the four Evangelists, by Fra Angelico. c.1438. Fresco, 144 by 238 cm. (Lunette of the portal of S. Domenico, Cortona).
Attributed works:
Madonna of humility with Sts Nicholas, Michael, John the Baptist and Margaret of Hungary, the Annunciation and the Lamb of God, by Sassetta. c.1434. Tempera and gold on panel, 172 by 257 cm. (Museo Diocesano, Cortona).
Attributed works:
Madonna of humility, by Sassetta. c.1440-45. Tempera and gold on panel, 72 by 54.5 cm. (Pinacoteca Vaticana, Vatican City)
Attributed works:
Sinopia of the Madonna of humility, by Fra Angelico (Fig.13). (Museo Dicesano, Cortona).
Western art unattributed:
Coat of arms of the Dell Peccia family (?), pietra serena, above the Gospel-side chapel in S. Domenico, Cortona.
Western art unattributed:
Exterior of S. Domenico, Cortona, constructed c.1411-38.
Western art unattributed:
Hypothetical reconstruction of the ground-plan of S. Domenico, Cortona as it may have appeared c.1440: 1) Chapel of St Nicholas, patron Niccolò di Angelo, Sasseta triptych; 2) High altar, Lorenzo di Niccolò Coronation; 3) Chapel of St John the Evangelist, patron Giovanni di Tommaso, Fra Angelico triptych; 4) Rood-screen with altar of St Domenic? and the Annunciation; 5) Altar of the Annunciation, patron Giovanni di Cola Annunciation (hypothetical position); 6) Lunette above the door, Fra Angelico Madonna of humility.
Western art unattributed:
Interior of S. Domenico, Cortona
Article
Sassetta's Arte della Lana Altar-Piece and the Cult of Corpus Domini in Siena
09/2001 | 1182 | 143
Pages: 532-543
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. The Church of S. Pellegrino, Siena, with the Annex Chapel of the Arte della Lana, by Girolamo Macchi. 1708-50. Pen and Ink, c.6 by 12 cm. (From Macchi's Memorie, Siena, Archivio di Stato, MS D107, fol.120r).
Attributed works:
10. S. Bernardino Preaching on the Campo, by Sano di Pietro. Tempera on Panel, 162 by 101.5 cm. (Museo dell'Opera del Duomo, Siena).
Attributed works:
11. The Burning at the Stake of the Heretic Nicolaus, by Sassetta. 1425. Part of the Predella of the Arte della Lana Altar-Piece. Tempera on Panel, 24.6 by 38.7 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
12. A Bishop Advises the Founders of a Church to Ask a Certain Hermit for Its Dedication, by Ugolino di prete Ilario and Assistants. 1364. Fresco, c.190 by 75 cm. (Chapel of the Holy Corporal, Orvieto Cathedral).
Attributed works:
13. Nicolaus Is Accused in Front of a Bishop, by Ugolino di prete Ilario and Assistants. 1364. Fresco, c.190 by 75 cm. (Chapel of the Holy Corporal, Orvieto Cathedral).
Attributed works:
14. The Hermit Nicolaus Proposes That a New Church Be Dedicated to the Devil, by Ugolino di prete Ilario and Assistants. 1364. Fresco, c.190 by 250 cm. (Chapel of the Holy Corporal, Orvieto Cathedral).
Attributed works:
15. Nicolaus at the Stake Invokes the Devil, Who Douses the Fire, by Ugolino di prete Ilario and Assistants. 1364. Fresco, c.190 by 260 cm. (Chapel of the Holy Corporal, Orvieto Cathedral).
Attributed works:
16. At the Elevation of the Host, the Flames of Nicolaus's Stake Flare up, by Ugolino di prete Ilario and Assistants. 1364. Fresco, c.190 by 260 cm. (Chapel of the Holy Corporal, Orvieto Cathedral).
Attributed works:
2. Author's Hypothetical Reconstruction of Sassetta's Arte della Lana Altar-Piece.
Attributed works:
3. Institution of the Eucharist, by Sassetta. 1425. Part of the Predella of the Arte della Lana Altar-Piece. Tempera on Panel, 24.6 by 38.7 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
4. Miracle of the Eucharist, by Sassetta. 1425. Part of the Predella of the Arte della Lana Altar-Piece. Tempera on Panel, 24.1 by 38.2 cm. (Bowes Museum, Barnard Castle).
Attributed works:
5. Madonna and Child with St Nicholas, St Anthony Abbot (formerly Elijah) and angels (the Carmine altar-piece), by Pietro Lorenzetti. Tempera on panel, 165 by 50 cm. (main panel). Predella overpainted in the later sixteenth century. Photograph of c.1887 (formerly S. Ansano a Dofana, Montaperti, now Pinacoteca Nazionale, Siena; photo Frick Art Reference Library).
Attributed works:
6. Coronation of the Virgin, by Filippo Lippi. 1439-47. Tempera on Panel, 200 by 287 cm. (Uffizi, Florence).
Attributed works:
7. Side View of the Pinnacle with Elisha, by Sassetta. (Pinacoteca, Siena).
Attributed works:
8. Private Chapel-Cupboard. Eighteenth Century. Closed State (Palazzo Chigi Zondadari, Siena).
Attributed works:
9. Fig.8 in Open State.
Article
New Documents for Sassetta and Sano di Pietro at the Porta Romana, Siena
07/1998 | 1144 | 140
Pages: 436-444
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
1. Coronation of the Virgin (Before Restoration), by Sassetta and Sano di Pietro. Fresco, c.676 by 502 by 222 cm. (Porta Romana, Siena).
Attributed works:
2. Detail of One of Sassetta's Angels in Fig.3 with Spolvero Marks.
Attributed works:
3. Detail of the Choir of Angels at the Left in the Soffit of the Arch in Fig.1 (After Restoration), by Sassetta. Fresco, c.222 cm. Wide (S. Francesco, Siena).
Attributed works:
4. Detail of the Choir of Angels at the Top and Right in the Soffit of the Arch in Fig.1 (After Restoration), by Sassetta. Fresco, c.222 cm. Wide (S. Francesco, Siena).
Attributed works:
5. Fragment with Angels and Saints of the Coronation of the Virgin in Fig.1 (After Restoration), by Sano di Pietro. Fresco. (S. Francesco, Siena).
Attributed works:
6. Sinopia by Sano di Pietro Underlying Part of the Fresco Shown in Fig.5. (S. Francesco, Siena).
Short Notice
The Reconstruction of Sassetta's Altar-Piece for S. Francesco, Borgo San Sepolcro, a Postscript
09/1993 | 1086 | 135
Pages: 620-623
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
artists:
dates:
Illustrations
Attributed works:
19. Reconstruction of the back of Sassetta's altar-piece for S. Francesco, Borgo San Sepolcro, excluding the pilasters, pinnacles and predella panels. 19.1 St Francis giving his clothes to a poor knight and The dream of the young St Francis. (National Gallery, London). 19.2 St Francis renouncing his earthly father. (National Gallery, London). 19.3 Granting of the indulgence of the Portiuncula (?). (National Gallery, London). 19.4 Mystic marriage of St Francis with Poverty. (Musée Condé, Chantilly). 19.5 St Francis in glory. (Villa i Tatti, Settignano, Florence). 19.6 St Francis before the Sultan. (National Gallery, London). 19.7 St Francis and the wolf of Gubbio. (National Gallery, London). 19.8 St Francis receiving the stigmata. (National Gallery, London). 19.9 Funeral of St Francis and the verification of the stigmata. (National Gallery, London).
Attributed works:
20. Mystic Marriage of St Francis with Poverty, by Sassetta, from the Altar-Piece for S. Francesco, Borgo San Sepolcro. Panel, 94.5 by 56 cm. (Musée Condé, Chantilly).
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