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13 articles
Article
The ‘visual turn’ in copyright history and its relevance to art history
12/2021 | 1425 | 163
Pages: 1148-1157
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Author:
Cooper, Elena (Cooper, Elena)
Subjects
artists:
Hunt, William Holman
subjects:
Copyright / Reproductions / Copies / Law / Prints / Photographs / Art history / British art
Illustrations
Attributed works:
1. Photograph of Bianca by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
2. Photograph of The light of the world by William Holman Hunt accompanying the copyright application dated 20th January 1904. (National Archives, London, COPY1/211).
Attributed works:
3. Photograph of The Lady of Shalott by William Holman Hunt accompanying the copyright application dated 9th June 1905. (National Archives, London, COPY1/230).
Attributed works:
4. Photograph of The ship by William Holman Hunt accompanying the copyright application dated 24th October 1906. (National Archives, London, COPY1/324).
Attributed works:
5. Photograph of Master Hilary – the tracer by William Holman Hunt accompanying the copyright application dated 9th November 1906. (National Archives, London, COPY1/325).
Attributed works:
6. Master Hilary – the tracer, by William Holman Hunt. 1885(?), 1886–87. Oil on canvas, 122.2 by 66 cm. (Private collection; Bridgeman Images).
Exhibition Review
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A
11/2021 | 1424 | 163
Pages: 1058-1060
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Reviewer:
Kidd, Peter (Kidd, Peter)
Subjects
dates:
2020-2030
museums and institutions:
Victoria and Albert Museum, London, Great Britain
subjects:
Illuminated manuscripts / Renaissance art / Collectors / Patrons / Ecclesiastical / Illuminators / Medicine / Law / Literature / Literature / Forgeries / Thieves
Reviewed Items
subjects:
Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A Victoria and Albert Museum, London 8th September 2021–8th May 2022 | :
Illustrations
Attributed works:
4. Initial ‘M’ showing St Giustina, by Girolamo da Cremona, from an antiphonary, Padua. Before 1462. Water based pigments, gilding and ink on parchment, 21 by 19 cm. (Victoria and Albert Museum, London; MS 817-1894).
Attributed works:
5. Manuscript cuttings from a Sistine Chapel missal, by Vincent Raimond. c.1523–34. Collage and frame, 19th century. Water based pigments, gilding and ink on parchment, 51 by 37.5 cm. (Victoria and Albert Museum, London; MS E.4577-1910).
Short Notice
A family matter: new documents clarify a legal dispute involving Giambattista Tiepolo
09/2020 | 1410 | 162
Pages: 781-783
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Author:
Gabel, Esther (Gabel, Esther)
Subjects
artists:
Tiepolo, Giovanni Battista
dates:
1750-1759
subjects:
Documents / Family papers / Estate records / Tiepolos / Law
Illustrations
Attributed works:
7. Detail from the Banquet of Cleopatra, by Giambattista Tiepolo, showing a self-portrait of the artist (centre). 1740s. Fresco. (Palazzo Labia, Venice; Scala Images).
Book Review
Becoming Property: Art, Theory, and Law in Early Modern France. By Katie Scott
05/2020 | 1406 | 162
Pages: 460-461
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Reviewer:
Cooper, Elena (Cooper, Elena)
Subjects
subjects:
Law / Legislative bills / Copyright / France / Copying / Art criticism
Reviewed Items
subjects:
Becoming Property: Art, Theory, and Law in Early Modern France By Katie Scott. 384 pp. incl. 117 col. + b. & w. ills. (Yale University Press, New Haven and London, 2018),  55. ISBN 978–0–300–22279–1. | :
Book Review
Models of Integrity: Art and Law in Post-Sixties America. By Joan Kee
12/2019 | 1401 | 161
Pages: 1070-1072
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Reviewer:
van Haaften-Schick, Lauren (van Haaften-Schick, Lauren)
Subjects
dates:
1970-1979 / 1980-1989 / 1990-1999
subjects:
American art / Americans / Law / Art history / Conceptual art / Performance artists / Contracts
Reviewed Items
subjects:
Models of Integrity: Art and Law in Post-Sixties America By Joan Kee. 320 pp. incl. 102 col. ills. (University of California Press, Oakland, 2019), £54. ISBN 978–0–520–29938–2. | :
Illustrations
Attributed works:
7. Performance photograph of One Year Performance 1978–79, by Tehching Hsieh. New York 1978–79. Photograph Cheng Wei Kuong (courtesy the artist).
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
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Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
Subjects
art literature:
Byron, George Gordon Byron / Ford, Richard, 1796-1858 / Stirling-Maxwell, William / Dante Alighieri
artists:
Ribera, Jusepe de / Michelangelo / Martínez, Jusepe / Callot, Jacques
dates:
2010-2019
media:
Paintings / Drawings / Prints
museums and institutions:
Dulwich Picture Gallery, London, Great Britain
places:
Great Britain / London
subjects:
Spanish painting / Violence / Torture / Law / Anatomy / Ecorchés (models) / Portraits / Heraldry / Visual sources / Critical Reception / Saints / Martyrdoms / Martyrs / Blind (people) / Divine Comedy (Dante) / Classical / Marsyas / Apollo / Bartholomew, Saint / Snakes
Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
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Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
Pound, Ezra
artists:
Stieglitz, Alfred / Strand, Paul / Coburn, Alvin Langdon / Lewis, Wyndham / Braque, Georges / Kandinsky, Wassily / Mondrian, Piet / Steichen, Edward / Brancusi, Constantin / Moholy-Nagy, László / Man Ray / Picasso, Pablo / Weston, Edward / Riley, Bridget, London , Great Britain / Andre, Carl / Ruff, Thomas
artists:
Dubreuil, Pierre / Hoepffner, Marta / Lorca, German / Siskind, Aaron / Jacobi, Lotte / Kolářová, Běla / Rochat, Maya
dates:
2010-2019
media:
Photographs / Paintings / Sculpture
museums and institutions:
Tate Modern, London, Great Britain
places:
Great Britain / London
subjects:
Photography / Abstract art / Modernism / Surrealism / Minimalism / Vorticism / Law / Magazines (periodicals) / Artists' magazines
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
Book Review
De Chirico and the United Kingdom (c.1916–1978). By Victoria Noel-Johnson
08/2018 | 1385 | 160
Pages: 707-708
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Reviewer:
Radford, Robert (Radford, Robert)
Subjects
artists:
Chirico, Giorgio de
collectors and dealers:
James, Edward / Penrose, Roland / Estorick, Eric
dates:
1900-1999
museums and institutions:
Alex. Reid & Lefevre, Ltd., London, Great Britain / Wildenstein & Co, London, Great Britain / Tate Gallery, London, Great Britain
places:
Italy / Great Britain
subjects:
Italian painting / Collecting / Critical Reception / Exhibitions / Exhibition catalogues / Inventories / Correspondence / Archives / Art market / Attributions / Royal Society of British Artists / Law
Illustrations
Attributed works:
10. Seated nude with pink and yellow drape, by Giorgio de Chirico. 1947. Canvas, 109 by 84 cm. (Musée d’Art moderne de la Ville de Paris).
Article
Degas in court
05/2011 | 1298 | 153
Pages: 318-325
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Author:
Reff, Theodore (Reff, Theodore; Reff)
Subjects
artists:
Degas, Edgar
dates:
1870-1879 / 1880-1889
places:
Paris / France
print:
Degas, Edgar
subjects:
Law / Commissions / Contracts / Proceedings / Estate records / Documents / Correspondence / Payments
subjects:
French painting
Illustrations
Attributed works:
24. Portraits dans un bureau, Nouvelle-Orléans, by Edgar Degas. 1873. Canvas, 73 by 92 cm. (Musée des Beaux-Arts, Pau). Centre with newspaper is René Degas; foreground, Michel Musson; far left, Achille Degas.
Attributed works:
25. Jean-Baptise Faure, by James Grant Macandrew. Late 1860s. Albumen carte-de-viste. (National Portrait Gallery, London).
Publication Received
Sacrilege and Redemption in Renaissance Florence: the case of Antonio Rinaldeschi
10/2008 | 1267 | 50
Pages: 699
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related names
Reviewer:
Brown, Alison (Brown, Alison)
Subjects
dates:
1500-1509
places:
Florence
print:
Rinaldeschi, Antonio
subjects:
Damage to works of art / Suicide / Law
subjects:
Savonarola, Girolamo / Rinaldeschi, Antonio
Reviewed Items
subjects:
Sacrilege and Redemption in Renaissance Florence: the case of Antonio Rinaldeschi | author: Connell, William J. , author: Constable, Giles
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