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11 articles
Exhibition Review
Surréalisme
01/2025 | 1462 | 167
Pages: 57-61
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Reviewer:
Hopkins, David (Hopkins, David)
Subjects
dates:
2020-2030
museums and institutions:
Centre Georges Pompidou, Paris, France
subjects:
Surrealism / Paintings / Photomontages / Photographs / Film (cinema)
Reviewed Items
subjects:
Surréalisme Centre Pompidou, Paris 4th September 2024–13th January 2025 | :
Illustrations
Attributed works:
28. Sans titre [main-coquillage] (Untitled; handshell), by Dora Maar. 1934. Gelatin silver print, 15 by 19.8 cm. (Centre Pompidou, Musée national d’art modern, Paris; Rmn-Grand Palais, Paris).
Attributed works:
29. L’ange du foyer (Le Triomphe du surréalisme), by Max Ernst. 1937. Oil on canvas, 117.5 by 149.8 cm. (© AGAGP, Paris; private collection; photograph Vincent Everarts)
Attributed works:
30. Installation view of Surréalisme at the Centre Pompidou, Paris, 2024. (Courtesy Centre Pompidou, Paris; photograph J. Rodriguez- Garcia).
Attributed works:
31. Scylla, by Ithell Colquhoun. 1938. Oil on panel, 91.4 by 61 cm. (© Noise Abatement Society, Samaritans and Spire Healthcare; Tate).
Exhibition Review
John Heartfield: Photography Plus Dynamite
10/2020 | 1411 | 162
Pages: 878-881
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Reviewer:
Kriebel, Sabine (Kriebel, Sabine)
Subjects
artists:
Heartfield, John / Höch, Hannah / Grosz, George
dates:
2020-2030
media:
Photomontages / Photographs / Propaganda / Theatre design / Book covers
museums and institutions:
Akademie der Künste, Berlin, Germany
subjects:
Dada / Politics / German art
Reviewed Items
subjects:
John Heartfield: Photography Plus Dynamite Akademie der Künste, Berlin 2nd June–23rd August | :
Illustrations
Attributed works:
1. Installation view of a portrait of John Heartfield from the 1960s and Marcel Odenbach’s twochannel video installation at the Akademie der Künste, Berlin, 2020. (Photograph Roman März).
Attributed works:
2. Cover of Kurt Tucholsky’s Deutschland, Deutschland über alles, by John Heartfield. 1929. (© The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020; Akademie der Künste, Berlin).
Attributed works:
3. Rifles, bayonets, daggers, cannons and hand, collection of cutout photographic material amassed by Heartfield, undated. 46 individual pieces, 1925–68, gelatin silver print, cut out. (Akademie der Künste, Berlin; photograph N.N.).
Book Review
Graphic Assembly: Montage, Media, and Experimental Architecture in the 1960s
06/2020 | 1407 | 162
Pages: 553
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Reviewer:
Sadler, Simon (Sadler, Simon)
Subjects
dates:
1950-1999
subjects:
Photomontages / Modernism / Avant-garde / Architecture / Graphic design
Reviewed Items
subjects:
Graphic Assembly: Montage, Media, and Experimental Architecture in the 1960s By Craig Buckley. 400 pp. incl. 66 col. + 162 b. & w. ills. (University of Minnesota Press, Minneapolis, 2019),  27.99. ISBN 978–1–5179–0161–5. | :
Illustrations
Attributed works:
6. Continuous monument, St Moritz, by Superstudio. 1969. Cut-and-pasted paper with coloured pencil on printed paper (Courtesy Superstudio archive).
Book Review
Photography Performing Humor. Edited by Mieke Bleyen and Liesbeth Decan
03/2020 | 1404 | 162
Pages: 270-271
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Reviewer:
Graham, Seth (Graham, Seth)
Subjects
subjects:
Photography / Photomontages / Humour / Conceptual art / Performance art
Reviewed Items
subjects:
Photography Performing Humor Edited by Mieke Bleyen and Liesbeth Decan. 216 pp. incl. 15 col. + b. & w. ills. (Leuven University Press, Leuven, 2019),  36.95. ISBN 978–94–6270–165–6. | :
Illustrations
Attributed works:
9. Film still from La Défense, The Venturing Gaze, directed by Paulien Oltheten, 2017–18.
Exhibition Review
Dora Maar. Tate Modern, London
03/2020 | 1404 | 162
Pages: 251-253
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Reviewer:
Pawlik, Joanna (Pawlik, Joanna )
Subjects
artists:
Maar, Dora / Picasso, Pablo
dates:
2010-2019
museums and institutions:
Tate Modern, London, Great Britain
subjects:
Women artists / Surrealism / Photography / Photomontages / French art
Reviewed Items
subjects:
Dora Maar Tate Modern, London 20th November 2019–15th March | :
Illustrations
Attributed works:
25. Man looking inside a sidewalk inspection door, London, by Dora Maar. c.1935. Gelatin silver print, 30.5 by 23.8 cm. (Private collection; courtesy art2art Circulating Exhibitions;   ADAGP, Paris and DACS, London 2019; exh. Tate Modern, London).
Attributed works:
26. The Conversation, by Dora Maar. 1937. Oil on canvas, 162 by 130 cm. (Fundaci n Almine y Bernard Ruiz-Picasso para el Arte, Madrid; courtesy FABA;   ADAGP, Paris and DACS, London 2019; photograph Marc Domage; exh. Tate Modern London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
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Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
Picasso, Pablo / Gris, Juan / Schwitters, Kurt / Ernst, Max / Agar, Eileen / Höch, Hannah / Heartfield, John / Blake, Peter / Kennard, Peter / Spero, Nancy / Sherman, Cindy / Schneemann, Carolee
artists:
Linder
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain
styles:
Dada / Surrealism / Cubist / Futurism / Abstract art / Pop art / Constructivist / Amateur
subjects:
Collages / Photomontages
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Book Review
Explodity: Sound, Image, and Word in Russian Futurist Book Art. By Nancy Perloff & Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War. By Erika Wolf & Communist Posters. Edited by Mary Ginsberg
03/2018 | 1380 | 160
Pages: 260-261
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related names
Reviewer:
Collier, Marie (Collier, Marie)
Subjects
artists:
Malevich, Kazimir / Larionov, Mikhail / Goncharova, Natalia
dates:
1900-1999
media:
Books / Illustrations / Posters / Photomontages
places:
Russia / China / Korea / Vietnam / Cuba / Mongolia
subjects:
Futurism / Communism / Capitalism / Cold War / World War (1939-1945)
Article
The 'Bunk' collages of Eduardo Paolozzi
04/2008 | 1261 | 150
Pages: 238-249
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Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Paolozzi, Eduardo
dates:
1940-1959
print:
Paolozzi, Eduardo
subjects:
Prints / Published illustrations / Photomontages / Collages / British / Pop art
Illustrations
Attributed works:
22. Evadne in green dimension, by Eduardo Paolozzi. 1952. Collage, 33.1 by 25.4 cm. (Victoria and Albert Museum, London)
Attributed works:
23. A new brand of brilliance, by Eduardo Paolozzi. 1972. Lithograph, 29 by 41 cm. (After 1947 collage, whereabouts unknown)
Attributed works:
24. You can’t beat the real thing, by Eduardo Paolozzi. 1951. Collage, 35.7 by 24 cm. (Victoria and Albert Museum, London)
Attributed works:
25. It’s daring it’s audacious, by Eduardo Paolozzi. 1949. Collage, 32.5 by 24.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
26. Fantastic weapons contrived, by Eduardo Paolozzi. 1972. Lithograph, 26 by 35 cm. (After 1952 collage, whereabouts unknown)
Attributed works:
27. Butterfly, by Eduardo Paolozzi. 1946. Collage. (Whereabouts unknown)
Attributed works:
28. Lotterie, by Eduardo Paolozzi. 1947. Collage. (Whereabouts unknown)
Attributed works:
29. I was a rich man’s plaything, by Eduardo Paolozzi. 1947. Collage, 35.9 by 23.8 cm. (Tate, London)
Attributed works:
30. Fun helped them fight, by Eduardo Paolozzi. 1947 [1948]. Collage, 25.6 by 17.6 cm. (Victoria and Albert Museum, London)
Attributed works:
31. Will man outgrow the earth?, by Eduardo Paolozzi. 1972. Lithograph, 24 by 32 cm. (After 1952 collage, 36.3 by 25.7 cm, Victoria and Albert Museum, London)
Attributed works:
32. Was this metal monster master or slave?, by Eduardo Paolozzi. 1952. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
33. Vogue gorilla with Miss Harper, by Eduardo Paolozzi. 1950. Collage, 19.5 by 32.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
34. Trigger assembly removal, by Eduardo Paolozzi. 1972. Lithograph, 25 by 38 cm. (After 1950 collage, whereabouts unknown)
Attributed works:
35. ‘Strobe-Strip’ photographs of Winnie Garret, by Phillipe Halsman, from US Camera (1950)
Attributed works:
36. Yours till the boys come home, by Eduardo Paolozzi. 1951. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
38. See them? A baby’s life is not all sunshine!, by Eduardo Paolozzi. 1948. Collage, 28 by 38 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
39. Take-off, by Eduardo Paolozzi. 1950. Collage, 34.5 by 23.5 cm. (Dean Gallery, Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
40. You’ll soon be congratulating yourself!, by Eduardo Paolozzi. 1949. Collage, 30.5 by 23 cm. (Victoria and Albert Museum, London)
Attributed works:
41. Real gold, by Eduardo Paolozzi. 1950. Collage, 35.6 by 23.5 cm. (Tate, London)
Attributed works:
42. Refreshing and delicious, by Eduardo Paolozzi. 1949. Collage, 39.4 by 27.9 cm. (Collection Jeffery Sherwin)
Attributed works:
43. Double-page spread from the Yale Iron scrapbook, by Eduardo Paolozzi. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
44. Hi-Ho, by Eduardo Paolozzi. 1947. Collage, 37.9 by 24 cm. (Victoria and Albert Museum, London)
Western art unattributed:
37. Double-page spread from US Camera (1950) showing source material for Paolozzi’s Take-off
Publication Received
Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt
02/2007 | 1247 | 149
Pages: 115
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related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Brandt, Marianne
dates:
2000-2009 / 1920-1929 / 1930-1939
museums and institutions:
International Center of Photography, New York, United States / Bauhaus-Archiv, Berlin, Germany / Busch-Reisinger Museum, Cambridge, United States
print:
Brandt, Marianne
subjects:
Exhibition catalogues / Catalogues raisonnés / Photomontages / Bauhaus / Biographies
Reviewed Items
subjects:
Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt | author: Otto, Elizabeth
Short Notice
A Dangerous Passion: Max Beckmann's 'Aerial Acrobats'
02/2003 | 1199 | 145
Pages: 96-101
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Author:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
Beckmann, Max
dates:
1920-1929
places:
Germany
subjects:
German painting / Photographs / Photomontages
Illustrations
Attributed works:
37. Aerial acrobats, by Max Beckmann. 1928. 215 by 100 cm. (Von der Heydt-Museum, Wuppertal).
Attributed works:
40. Self-portrait as clown, by Max Beckmann. 1928. 100 by 59 cm. (Von der Heydt-Museum, Wuppertal).
Attributed works:
41. Tightrope walkers, by Max Beckmann. 1921. Drypoint, 25.8 by 25.8 cm. (Private collection, Germany).
Attributed works:
42. Lido, by Max Beckmann. 1924. 72.5 by 90.5 cm. (Saint Louis Art Museum).
Attributed works:
43. The bath, by Max Beckmann. 1930. 174 by 120 cm. (Saint Louis Art Museum).
Western art unattributed:
38. Käthchen Paulus over Frankfurt. Photomontage (from R. Bonnet: Käthchen Paulus. Die Ballonfliegerin und Fallschirmspringerin, Bad Hamburg [1965], p.7).
Western art unattributed:
39. Käthchen Paulus. Studio photograph (from R. Bonnet: Käthchen Paulus. Die Ballonfliegerin und Fallschirmspringerin, Bad Hamburg [1965], p.15).
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