52. Two laughing young men (double self-portrait), by Hans von Aachen. Before 1574. Panel, 47 by 38 cm. (Archbishop’s Palace, Kromeríz; exh. Prague Castle).
Attributed works:
53. Rape of Lucretia, by Hans von Aachen. c.1600. Canvas, 120 by 185 cm. (Kunsthistorisches Museum, Vienna; exh. Prague Castle).
Attributed works:
54. Rape of Lucretia, attributed to Hans von Aachen. Pen and brown ink over graphite or chalk, grey wash, heightened with white, 23.8 by 27.9 cm. (Staatsgalerie, Stuttgart; exh. Prague Castle).
Article
A newly discovered fragment by Geertgen tot Sint Jans
1. St Joseph, here attributed to Geertgen tot Sint Jans. c.1490. Panel, 11.4 by 9.8 cm. (Historiches Museum, Frankfurt).
Attributed works:
2. Triptych with the Adoration of the Magi, by Geertgen tot Sint Jans. c.1490. Panel, 111.2 by 69.5 cm. (central panel), 71 by 38.8 cm (wings). (Prague Castle).
Attributed works:
3. A double panel from Johann Valentin Prehn's 'Kleines Gemäldekabinett'. Reconstruction of 1988. (Historiches Museum, Frankfurt).
86. Virgin and Child. Prague, 1345-50. Tempera and gold on panel, 89 by 59.5 cm. (Cistercian Monastery of St James the Great, Zbraslav; exh. Metropolitan Museum of Art).
Western art unattributed:
87. Virgin and Child. Prague, c.1390. Limestone with orginal paint and gilding, 84 cm. high. (Church of Augustinian Canons, Sternberk; exh. Metropolitan Museum of Art, New York).
Western art unattributed:
88. Christ on the Mount of Olives. Torun, c.1390-95. Limestone with traces of paint, 84 cm. high. (Muzeum Zamkowe, Malbork; exh. Metropolitan Museum of Art, New York).
Western art unattributed:
89. Head of a prophet or an apostle. Bohemia, c.1360-80. Pen and brush ink with brown wash and white gouache, 11.3 by 8.5 cm. (Metropolitan Museum of Art, New York).
Article
'The Feast of the Rose Garlands': what remains of Dürer?
1. The Feast of the Rose Garlands, by Albrecht Dürer. 1506. Panel, 162 by 192 cm. (National Gallery, Prague).
Attributed works:
10. Detail of Fig.1, Showing the Signature of Albrecht Dürer.
Attributed works:
11. The Head of Christ, by Johann Gruss. 16 by 14 cm. (North-Bohemian Gallery of Fine Arts, Litoměřice).
Attributed works:
12. Detail of Fig.1, Showing the Madonna. Photographed in Raking Light.
Attributed works:
13. Detail of Fig.1, Showing the Pope. Photographed in Raking Light.
Attributed works:
14. Detail of Fig.1, Showing the Pope.
Attributed works:
15. Composite X-Radiograph of Fig.1.
Attributed works:
16. The Feast of the Rose Garlands, by an Anonymous Painter after Albrecht Dürer. c.1600. 160 by 193 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
17. Detail of Fig.1, Showing the Madonna.
Attributed works:
18. Diagram of the Madonna in Fig.1, by Mojmír Hamsík. The Diagram Reproduces: a) What Remains of the Original Painting (Hatching); b) The Contours of Gruss's Painting (Red); And c) The Contours of the Madonna on the Vienna Copy (Green).
Attributed works:
2. Reverse of Fig.1.
Attributed works:
3. Infra-Red Reflectogram Showing the Face of Albrecht Dürer in Fig.1.
Attributed works:
4. Infra-Red Reflectogram Showing the Face of the Man Holding the Set-Square (Hieronymus of Augsburg?) in Fig.1.
Attributed works:
5. Infra-Red Reflectogram Showing the Face of the Man Holding the Rosary (A Member of the Fugger Family?) in Fig.1.
Attributed works:
6. Infra-Red Reflectogram Showing the Face of the Man Standing near the Left Edge of the Painting (A Dignitary of S. Bartolomeo?) in Fig.1.
Attributed works:
7. The Feast of the Rose Garlands, by Václav Mánes after Albrecht Dürer. 1823. Pen and Black Ink, 59.8 by 69.4 cm. (Academy of Arts, Prague).
Attributed works:
8. Detail of Fig.7, Showing the Madonna.
Attributed works:
9. Detail of Fig.7, Showing the Signature of Albrecht Dürer.