1. A plundered exhibition in the Kherson Regional History Museum after
the retreat of the Russian army, November 2022. (Kherson Regional
History Museum; photograph Valeriia Nikolaeva).
Book Review
The Traumatic Surreal: Germanophone Women Artists and Surrealism after the Second World War
The Traumatic Surreal: Germanophone
Women Artists and Surrealism after
the Second World War
By Patricia Allmer. 280 pp. incl. numerous ills.
(Manchester University Press, 2022), £80.
ISBN 978–1–5261–4979–4 |
:
1. The Palace of Labour, Kharkiv, designed by Ippolit Pretro and
completed in 1916, which has largely been destroyed in the Russian
bombardment of the city. (Photograph Stanislav Ostrous).
Book Review
Engaging the Ottoman Empire: Vexed Mediations, 1690–1815
Engaging the Ottoman Empire: Vexed
Mediations, 1690–1815
By Daniel O’Quinn. 552 pp. incl. 29 col. + 11
b. & w. ills. (University of Pennsylvania Press,
Philadelphia, 2019), $75. ISBN 978–0–8122–
5060–2. |
:
Illustrations
Attributed works:
5. Title page of Tableau général de
l’Empire Othoman, Paris 1787–1820,
by Jean Baptiste Simonet after Jean
Michel Moreau le jeune. c.1787. Etching,
36 by 24 cm. (British Museum, London).
Book Review
Insect Artifice: Nature and Art in the Dutch Revolt. By Marisa Anne Bass
Insect Artifice: Nature and Art in the
Dutch Revolt
By Marisa Anne Bass. 312 pp. incl. 192 col. ills.
(Princeton University Press, Princeton and
Oxford, 2019), 50. ISBN 978–0–691–17715–1. |
:
Illustrations
Attributed works:
4. Swallotail butterfly, plate VII from
Animalia Rationalia et Insecta (Ignis) from
the Four Elements, by Joris Hoefnagel.
c.1575–80. Watercolour, gouache and gold
on vellum, approx. 14.3 by 18.4 cm. (National
Gallery of Art, Washington).
Exhibition Review
Theater of Operations: The Gulf Wars 1991–2011. MoMA PS1, New York
Theater of Operations: The Gulf
Wars 1991–2011
MoMA PS1, New York
3rd November 2019–1st March |
:
Illustrations
Attributed works:
28. Still from
Gulf War TV
War, by Michel
Auder. 1991,
edited 2017.
Hi8 video
and mini-DV
transferred to
digital video. 102
min. (Courtesy
the artist and
Martos Gallery,
New York; exh.
MoMA PS1, New
York).
Attributed works:
29. The fires
of Baghdad, by
Kareem Risan.
2003. Ink,
coloured pencil,
digital printing,
and collage on
paper; 13 folded
pages loose in
cover, in slipcase
32.5 by 59 cm.
(unfolded) (Azzawi
Collection,
London;
photograph
Anthony Dawton;
exh. MoMA PS1,
New York).
Attributed works:
30. Portrait of
Zain Habboo, by
Nuha Al-Radi.
1995. Painted
metal canister
and rock, 25.4
by 15.2 cm.
(Private
collection;
photograph Kris
Graves; exh.
MoMA PS1,
New York).
Book Review
Art and Emergency: Modernism in Twentieth-Century India. By Emilia Terracciano
Art and Emergency: Modernism in
Twentieth-Century India
By Emilia Terracciano. 304 pp. incl. 74 col. +
b. & w. ills. (I.B. Tauris, London, 2017), £69.
ISBN 978–1–78453–109–6. |
:
26. For Bilbao,
by Jenny Holzer.
2019. Projection,
site-specific
dimensions.
(Courtesy
the artist).
Attributed works:
27. Installation
for Bilbao, by
Jenny Holzer.
1997. Electronic
LED signs,
9 columns
site-specific
dimensions
(Courtesy the
artist and
Guggenheim
Bilbao).
Attributed works:
28. Ram, by
Jenny Holzer.
2016. Threesided
LED sign,
RGB diodes, 14
by 762 by 14
cm. (Courtesy
the artist and
Hauser & Wirth).
Book Review
Insiders/Outsiders: Refugees from Nazi Europe and their Contribution to British Visual Culture. Edited by Monica Bohm-Duchen
23. The guv’nors
in their Sunday
suits, Finsbury
Park, London,
by Don McCullin.
1958. Gelatin
silver print,
50.8 by 60.9 cm.
(Courtesy the
artist; exh. Tate
Britain, London).
Attributed works:
24. Grenade
thrower, Hue,
Vietnam, by Don
McCullin. 1968.
Gelatin silver
print, 49 by 61
cm. (Courtesy
the artist; exh.
Tate Britain,
London).
Attributed works:
25. Woods
near my house,
Somerset, by
Don McCullin.
c.1991. Gelatin
silver print, 30.7
by 41.5 cm. (Tate;
exh. Tate Britain,
London).