18. Wine cooler. Britannia standard, one of a pair, marked for the London goldsmith William Lukin (Metropolitan Museum of Art, New York)
Attributed works:
19. Candelabra. One of a pair supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
20. Soup tureen. Supplied as a matching pair to that made by Paul Crespin by George Wickes (Norwich Castle Museum and Art Gallery)
Attributed works:
21. Bread basket. Supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
22. Exchequer seal salver. Britannia standard, marked by Paul de Lamerie (Victoria and Albert Museum, London)
Attributed works:
23. The Stature of a Great Man, or the English Colossus, by George Bickham the Younger (British Museum, London)
Attributed works:
24. Scale drawing for a silver chandelier, possibly from the workshop of Paul de Lamerie (The Marquess of Cholmondeley, Houghton Hall)
Attributed works:
25. Two alternate designs for a silver chandelier crowned with an Earl's coronet and incorporating the Walpole family crest, a Saracen's head, ducally crowned, supplied by George Wickes
Attributed works:
26. A pull of the engraving of the circular Exchequer seal salver, supplied by William Lukin, engraved by Joseph Sympson (British Museum, London)
Attributed works:
27. 'Treasury' inkstand. Britannia standard, supplied by Paul de Lamerie
Book Review
I deschi da Parto e la pittura del primo rinascimento toscano
17. The Appearance of the Angel to Joachim, Attributed to Matteo di Giovanni. Panel (Sixteen Sided), 61 by 61 cm. (City Museum and Art Gallery, Birmingham.)
Attributed works:
18. The Appearance of the Angel to Joachim, by Giovanni da Milano. Detail of fresco. (Rinuccini Chapel, S. Croce, Florence.)
Attributed works:
19. The Appearance of the Angel to Joachim, by Giotto. Fresco. (Arena Chapel, Padua.)
Plate I. A, C-Pair of Salvers. Maker, John W. Stocker and Edward Peacock, London. 1705-6. Silver; Each: Diameter, 34.9 cm.; Height, 10 cm.; B-Salver. Maker, Robert Brook, Glasgow. 1683-84. Silver; Diameter, 25 cm.; Height, 6.9 cm. All in the Possession of Mr. W. Crawfurd Stirling Stuart. Some Scottish and English Plate at Castlemilk
Attributed works:
Plate I. D-Plain Punch Bowl. Maker, Robert Bruce, Edinburgh. 1692-3. Silver: Diameter, 27.9 cm.; Height, 12.7 cm. All in the Possession of Mr. W. Crawfurd Stirling Stuart. Some Scottish and English Plate at Castlemilk
Attributed works:
Plate I. E-Quaich. Maker, William Clerk, Glasgow. 1709-10. Silver; Width across Handles, 27.9 cm.; Height, 7.6 cm. Some Scottish and English Plate at Castlemilk
Attributed works:
Plate II. A-Pair of Mugs. Makers, Ker and Dempster. 1747-48. Silver; Height of Each, 6.9 cm.; B-Pair of Mugs with Two Handles. 1756-8. Silver; Height of Each, 8.5 cm. Makers, Ker and Dempster and William Dempster, Edinburgh. Some Scottish and English Plate at Castlemilk
Attributed works:
Plate II. C-Half-Pint Mug, Given to Oriel College, Oxford in 1714. Maker, William Penstone, London. 1713-14. Silver. All in the Possession of Mr. W. Crawfurd Stirling Stuart. D-Salver. Maker, Robert Luke, Glasgow. 1725-35. Silver; Diameter, 23.8 cm.; Height, 6.9 cm. E-Beaker. Maker, John Schofield, London. 1788. Silver; Height, 8.8 cm. Some Scottish and English Plate at Castlemilk
The Front and Back of a "Desco del Nozze"; By Giovanni Boccati (Given by Mrs. W. Scott Fitz to the Museum of Fine Arts, Boston, U. S. A.). Front: "Meeting of Solomon and the Queen of Sheba". Back: "Putto Holding Cornucopias". An Italian Salver of the 15th Century
Short Notice
Cassone Fronts and Salvers in American Collections-VII (Conclusion)
Plate IV. Love Disarmed: A Salver by Girolamo of Siena in the Jarves Collection, Yale University. Art in America
Western art unattributed:
Plate III. The Capture of Salerno by Robert Guiscard. Florentine: Early Fifteenth Century. In the Metropolitan Museum, New York. Art in America
Western art unattributed:
Plate III. The Triumph of Caesar. Florentine: Mid-Fifteenth Century. In the Bryande Montor Collection in the Possession of the New York Historical Society. Art in America