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104 articles
Article
Eighteenth-century English silver for King João V of Portugal
08/2024 | 1457 | 166
Pages: 826–833
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
2. Portrait of Secretary of State Diogo Mendonça Corte Real, by Guillaume François Laurent Debrie. 1730. Engraving. (From Retratos de Cardeaes, Bispos, e Varoens Portuguezes Illustres em Nobreza, Armas, Letras, e Santidade Coordenados nos Mezes de Abril e Maio do Anno do Senhor, Lisbon 1791, fol.40A; Biblioteca Nacional de Portugal, Secção de Iconografia, Lisbon).
Attributed works:
3. Portrait of King D. João V, by Pompeo Batoni. 18th century. Oil on canvas, 90 by 70 cm. (Palácio Nacional da Ajuda, Lisbon).
Attributed works:
4. Model of the sculptural group for the funerary monument of Manuel Pereira de Sampaio, by Filippo della Valle. c.1753. Terracotta and paint, height 56.5 cm. (Museu de Lisboa, Lisbon.)
Attributed works:
5. Centrepiece with Neptune, by Paul Crespin and Nicholas Sprimont. 1741–42. Embossed and chiselled gilded silver, 49 by 66 by 47 cm. (© 2024 HM King Charles III; Royal Collection Trust).
Attributed works:
6. Wine cooler made for Louis Henri de Bourbon, by Gabriel Huquier after Juste-Aurèle Meissonnier. 1748. Engraving, 17.9 by 25.9 cm. (Cooper Hewitt Design Museum, New York).
Attributed works:
7. Basin, by Paul Crespin. 1722–23. Silver, height 14.7 cm., diameter 49.5 cm. (British Museum, London).
Western art unattributed:
1. Paul Crespin. British. c.1726. Oil on canvas, 114 by 90 cm. (Victoria and Albert Museum, London).
Advertisements
Advertisements (front)
06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
Power and plate: Sir Robert Walpole’s silver
05/2015 | 1346 | 157
Pages: 318-324
related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
dates:
Illustrations
Attributed works:
18. Wine cooler. Britannia standard, one of a pair, marked for the London goldsmith William Lukin (Metropolitan Museum of Art, New York)
Attributed works:
19. Candelabra. One of a pair supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
20. Soup tureen. Supplied as a matching pair to that made by Paul Crespin by George Wickes (Norwich Castle Museum and Art Gallery)
Attributed works:
21. Bread basket. Supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
22. Exchequer seal salver. Britannia standard, marked by Paul de Lamerie (Victoria and Albert Museum, London)
Attributed works:
23. The Stature of a Great Man, or the English Colossus, by George Bickham the Younger (British Museum, London)
Attributed works:
24. Scale drawing for a silver chandelier, possibly from the workshop of Paul de Lamerie (The Marquess of Cholmondeley, Houghton Hall)
Attributed works:
25. Two alternate designs for a silver chandelier crowned with an Earl's coronet and incorporating the Walpole family crest, a Saracen's head, ducally crowned, supplied by George Wickes
Attributed works:
26. A pull of the engraving of the circular Exchequer seal salver, supplied by William Lukin, engraved by Joseph Sympson (British Museum, London)
Attributed works:
27. 'Treasury' inkstand. Britannia standard, supplied by Paul de Lamerie
Book Review
Beyond the Maker’s Mark: Paul de Lamerie Silver in the Cahn Collection
06/2007 | 1251 | 149
Pages: 419
related names
Reviewer:
Hartop, Christopher (Hartop, Christopher)
Subjects
artists:
dates:
museums and institutions:
print:
Reviewed Items
subjects:
Beyond the Maker’s Mark: Paul de Lamerie Silver in the Cahn Collection | author: Alcorn, Ellenor M.
Advertisements
Advertisements November 1998 (front)
11/1998 | 1148 | 140
Pages: i-xxiv
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
Lion Hunt, by Eugène Delacroix. 1860-61. 76.5 by 98.5 cm. (Art Institute of Chicago; Exh. Philadelphia Museum of Art)
Attributed works:
v Giovanni Benedetto Castiglione. Genoa 1609 - 1665 Mantova. Shepherds with Their Flock. Red Oil Paint on Paper 41.7 × 57.9 cm.
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Girolamo da Treviso (Treviso 1498-1544 Boulogne) The Miracle of the Donkey of St Anthony of Padua 32 × 42.5 cm. The Drawing Relates to the Frescoes at the Guidotti Chapel in the Basilica of San Petronio in Bologna.
Attributed works:
[Bernheimer, Brienner Strasse 7, Munich, Germany] Michele Marieschi. (1710 - Venice - 1743). "Capriccio with Country Houses and Arcades". Oil on Canvas 97 × 72 cm (38.2 × 28.3″)
Attributed works:
[Bernheimer, Brienner Strasse 7, Munich, Germany] Michele Marieschi. (1710 - Venice - 1743). "Capriccio with Triumphal Arch and Arcades". Oil on Canvas 97 × 72 cm (38.2 × 28.3″)
Attributed works:
[British Museum, Great Russell Street, London, UK] Nja Mahdaoui, Drum, 1997/8
Attributed works:
[Collection of Peter and Susan Wain. Exh. Olympia Fine Art and Antiques Fair, London, UK] The Socialist Peoples of Asia, Africa and Latin America Love Chairman Mao, Designed by Xiao Sirui and Wei Yongqing, Yangzhou, 1968
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pierre Puvis de Chavannes. Pencil, with Stumping, with a Pale Brown Wash around the Figures, on Light Brown Paper. Partially Squared for Transfer, and the Outline and Masculature of the Figures Extensively Pricked. The Red Wax Seal of the Pavis de Chavannes ateller on the Old Canvas Backing Inscribed by the Artist groupe des constructeurs tirant sur l'echelle in Pencil on the Verso. 798 × 990mm. (31 3/8 × 39in).
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Rose Adelaide Ducreux (1761-1802). Portrait of a Lady, Seated Full Length by a Table, Wearing a Purple and Lilac Stripped Dress and White Fichu, with Her Daughter in a White Dress and Bonnet, Holding a Posy of Flowers. Oil on Canvas, 195.6 × 130.2 cms (77 × 51¼ in)
Attributed works:
[Galerie Beres, 25 Quai Voltaire, Paris, France] Le petit écolier, 1873. Oil on Panel, 23.5 × 18.8 cm.
Attributed works:
[Galerie Fischer, Haldenstrasse 19, Lucerne, Switzerland] Joseph Vernet (Avignon 1714 - 1789 Paris) "L'écueil dangereux", in the Middle Signed and Dated 1755. Oil on Canvas, 53,5 × 65 cm
Attributed works:
[Hancock's, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] A William III Silver Tankard, by Pierre Harache, London, 1699. Ht 16 cm.
Attributed works:
[Jean Francois Beroni, 67 rue Sainte Anne, Paris, France] Michel Corneille II (Paris 1642-1708) Study of a Bearded Man Brown and Grey Ink, Heightened with White. Inscribed at Lower Left: Michel Corneille. Signed on the Back: 'Michelle Corneille fecit'. 17 1/8 x 13 3/16 in. (435 × 334 mm).
Attributed works:
[John Mitchell & Son, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] King George III Cruising in the St Fiorenzo off Portland Bill, by John Thomas Serres (1759-1825). 19 × 32.4 cm.
Attributed works:
[Mark J. West, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] A Pair of Blue Overlay Hock Bottles, c.1870
Attributed works:
[Marks Antiques, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] A Set of Four George II Silver Waiters, Maker's Mark of Paul de Lamerie, London 1738.
Attributed works:
[Maurizio Canesso, 8 rue Rossini, Paris, France] Angelo Caroselli (Rome, 1585-id., 1652). Scene of Witchcraft. Oil on Walnut Panel. 65 by 61 cm.
Attributed works:
[Monique Martel, 39 rue de Verneuil, Paris, France] François de Troy. French School 1645-1730. Study of a Seated Woman Holding a Piece of Fruit. Black Chalk Heightened with White on Blue Prepared Paper. 27.6 × 23.1 cm
Attributed works:
[Neffe-Degandt Fine Art, 32A St. George Street, London, UK] Study for the Painting "Deux femmes brodant sous une veranda" in the Collection of the Musée d'Orsay, c. 1912. Peinture à la colle on Paper Lined on Canvas. 204 × 115 cm. Signature Stamp Lower Right
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germnay] Dirck Verhaert (Active in Den Haag about 1631, in Haarlem 1637, in Leiden 1664 - Died after 1664). A River Landscape with Town and Fortress at Right. Monogram, Oil on Panel, 47 × 65 cm.
Attributed works:
[Olympia Fine Art and Antiques Fair, London, UK] Vivien by Augustus John (Detail) Oil on Panel c. 1917/18 Private Collection ® Julius White
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Lorenzo Lotto (Venice 1480 - Loreto 1556/57). Portrait of a Man with A Hat, Circa 1541 Oil on Paper Laid down on Canvas, 22 3/4 × 18¼ ins. (57.8 × 46.4 cm.). The Painting is Currently Exhibited at the Grand Palais, Paris
Attributed works:
[Rafael Valls, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] A Trompe l'oeil with Hunting Implements, by Johannes Leemans, c.1633-88. 109 × 76 cm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New York, New York] Jean-Laurent Mosnier. Portrait of the Honourable Mrs. Pelham, Circa 1793 Oil on Canvas, 61 by 49.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Frans van Mieris the Elder (Leiden 1635-1681). A Study Of A Standing Old Woman Black Chalk on Paper Signed Lower Right: F. V. Mieris, 225 × 117 mm. Estimate Dfl.140,000-180,000
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Guido Ruggieri. Fontainebleau 1531 - 1550. Jupiter Defeating the Giants. Engraving, after Perino del Vaga. 343 by 573 mm.
Attributed works:
[Villa Grisebach Aukitonen, Fasanenstra. 25, Berlin, Germany] Marc Chagall. "Le Bouquet du Soir". 1979/89. Oil. 55 × 46 cm. Estimate DM 350,000 - 450,000
Attributed works:
[W. Agnew, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] Allegorical Figure of Music, by Joseph Gott, Rome 1824-27. Terracotta, 25.5 cm.
Attributed works:
[William Thuillier, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] Portrait of a Musician, by Jacopo Amigoni, c.1720. 71 × 54.6 cm.
Western art unattributed:
[Jonathan Horne, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] A Tinglazed Bowl with Continuous Chinoiserie Decoration, Vauxhall, London, c.1720. Diameter 26 cm.
Western art unattributed:
[Ketterer Kunst, Hamburg, vorm., F. Dorling, Germany] Der Gmundisch Calender, Pergament, Germany, 1496. Johan Laurentz Jensen, Denmark, 1843.
Western art unattributed:
[Richard Philip, London. Exh. Olympia Fine Art and Antiques Fair, London, UK] St Catherine, Northern French, 15th Century. Oak, with Traces of Polychromy. Ht 95 cm.
Advertisements
Advertisements March 1997 (back)
03/1997 | 1128 | 139
Pages: 233-234
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Shrubsole, 104 East 57th Street, New York ] Pair of Fine George II Candlesticks, London 1736, by Paul de Lamerie.
Advertisements
Advertisements January 1997 (front)
01/1997 | 1126 | 139
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean Baptiste Pigalle (1714-1785). Equestrian Statue of Louis XV. Bronze. Height: 70cm. One of Six Reductions Made by Pigalle of Bouchardon's Group Destroyed in 1793
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Francisco José de Goya y Lucientes (1746 - 1828). Judith and Holfernes. Carbon Black and Watercolour on Ivory. $3frac{5}{8}times 3frac{3}{8}$ in. (9 × 8.5 cm.). Estimate: $400,000-$600,000
Attributed works:
[ Christie's, 502 Park Avenue, New York ] George II Silver Cup and Cover, Maker's Mark of Paul de Lamerie, London 1732
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Francesco Barbieri, Called Guercino. Cento 1591 - 1666 Bologna. A Kneeling Monk Holding a Candle and Bell. Pen and Brown Ink and Wash. 288 × 205 mm. $(11frac{3}{8}times 8frac{1}{8} text{in}.)$
Attributed works:
[ Concorde Art Associates ] Pierre Auguste Renoir. Portrait du Colonel Barton Howard Jenks. Signed and Dated Left Centre, A. Renoir 1865. Oil on Canvas, 29 × $23frac{3}{4}$ in. (73.7 × 60.3 cm).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Giovanni Battista Tiepolo. Venice 1696 ∼ 1770 Madrid. Study for Rinaldo. Brown Ink and Wash over Black Chalk. 190 × 152 mm
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg Saint Honoré Paris ] Jean-Baptiste Mallet (Grasse 1759 - Paris 1835). Paris and Helen. Gouache. Dimensions: Height 330 mm. Length 412 mm.
Attributed works:
[ Koopman Ltd & Rare Art (London) Ltd, The London Silver Vaults, 53/64 Chancery Lane, London ] Four George II Candlesticks. Made in London, 1749, by Paul de Lamerie. Height: $9frac{3}{4}$ in. (24.8 cm.). Weight: 96 oz. (2976 g.).
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Ippolito Scarsella, Called Lo Scarsellino. Deposition from the Cross. Oil on Canvas, 219 by 140 cm.
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola. Active Florence End 14th Century. Saint Catherinem, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Shrubsole, 43 Museum Street, London / 104 East 57th Street, New York ] Rare Large William III Silver Porringer and Cover. London 1698 by Thomas Jenkins. Height 10½″; Weight 61½ ozs.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] A Louis XV Royal Silver Tureen, Cover, Liner and Stand, Thomas Germain, Paris, 1733-1734, length $21frac{3}{4}$ in. (57 cm.), Formerly the Property of George Ortiz
Attributed works:
[ The Artemis Group, 23 East 73rd Street, New York ] Volpato and Ducros, Villa Borghese. Watercolour and Gouache over Etched Outline. 23½ × 32½ Inches.
Attributed works:
[ Venator & Hanstein, Cäcilienstraße, 48, Cologne ] G. B. Piranesi, "Sammelband" with 153 Etchings. Estimate: £ 7,500.- Result 1996: £ 18,000.-
Western art unattributed:
[ Brand Inglis ] A James I Steeple Cup. Maker's Mark: A Wheat-Ear between I F. London 1618. Height $12frac{3}{4}$ Inches. Weight: 11 oz.
Western art unattributed:
[ cover ] Thomas à Becket Casket. Limoges, c. 1180. Gilt Champlevé Enamel Plaques on Oak Core (Victoria and Albert Museum, London, Purchased with the National Heritage Memorial Fund).
Western art unattributed:
[ Les Antiquaires, Palais des Beaux-Arts, Brussels ] Private Collection • Design: Rumeurs • Photo: Kees Hageman
Advertisements
Advertisements June 1993 (front)
06/1993 | 1083 | 135
Pages: i-xl
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.
Advertisements
Advertisements June 1992 (front)
06/1992 | 1071 | 134
Pages: i - xxxvi
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Ader Tajan auctioneers, 12 rue Favart, Paris ] A Sèvres Porcelain Mounted Tulipwood Small Commode by Carlin. A Jewel Casket of the Queen Marie-Antoinette by Carlin. Gauguin. «Te Fare» (La Maison), 1892. Van Dongen. «La Baigneuse», Deauville, 1920.
Attributed works:
[ Brand Inglis, 9 Halkin Arcade, Motcomb Street, London ] A George III Cup and Cover. Samuel Hennell. London 1800. Height: 12½″.
Attributed works:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Jean de Liège (Attributed to) Figure of a Reclining Angel, Probably from the Tomb of Philippa of Hainault (†1369), Made by Jean de Liège in 1367 (Westminster Abbey) Alabaster, 8½in. Long (21.6cm)
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Martin-Claude Monot (Paris 1733-1803) Marble Bust of a Man Signed and Dated: Monot. 1769. Height: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York ] Interior of the Red Salon of Isabella Stewart Gardner's House at 152 Beacon Street, in the 1890's, Showing the Rembrandt Self Portrait and the Tragedy of Lucretia by Botticelli, Both Acquired Through Colnaghi. Photograph Courtesy of the Isabella Stewart Gardner Museum, Boston.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Peter Brueghel the Elder (?1530-1569) The Summer Engraving, Signed. 225 × 286 mm.
Attributed works:
[ Katrin Bellinger, exhib. at Harari & Johns, 12 Duke Street, London] Jacopo Robusti, il Tintoretto (1518-1594) Study after Michelangelo's Samson Verso: Study after the Same Group Black Chalk, Heightened with White, on Blue Paper; Inscribed lower Centre: Tintoretto 386 × 164 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ]The Brothers, 1991 Oil on Canvas 64¼ × 64¼ in./163.2 × 163.2 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[ Pyms Gallery, 13 Motcomb Street Belgravia, London ] Bridgit - A Picture of Miss Elvery by Sir William Orpen RA, RHA, NEAC (1878-1931). Inscribed by the Artist 'Orpen 1909' lower Left. Oil on Canvas, 112 × 86 cm (44 × 34 in).
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London / Sporting d' Hiver, Place du Casino, Monte Carlo ] A 19th Century Patinated and Gilt Bronze Console Table Made for the Hotel of the Paiva in 1864-65 by Aimé-Jules Dalou. Ht. 109cm., W.158cm., D.58cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Rembrandt Harmensz. van Rijn, Portrait of Johannes Uyttenbogaert, Bears the Signature and Date: Rembrandt ft./1633 and Bears the Inscription: AET: 76, 132 by 102 cm. From the Sale of Old Master Paintings, 8 July. Estimate on Request.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Fine Gold Enamel Opal and Pearl Brooch Pendant, by Lalique.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A George III Mahogany Kneehole Desk, Attributed to the Workshops of William Hallett/Vile. Circa 1760. Height 76.2 cm (30 in). Width 115.6 cm (45½ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Benjamin West P. R. A. The Ascension Canvas. 49½ × 34 ins (126 × 87 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Daniel Clowes (1774-1829). A Horse and Groom in the Grounds of Hooton Hall, Cheshire. Oil on Canvas, 32 × 44 in (81 × 112 cm). Signed and Dated 1816.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fisherfolk on the Beach at Scheveningen by Jan van Goyen (Leiden 1596-1656 The Hague). Signed with Monogram and Dated 1644. Oil on Panel, 51.4 × 68.6 cm (20¼ × 27 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] François Lespingola (1644-1705) A Bronze Group of the Rape of Europa Height 26.8 cm (Excluding Base).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] John Singleton Copley Portrait of Colonel Baker 1781. Oil on Canvas 30 × 25 in (76.2 × 63.5 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Marmaduke Craddock (1660-1717) English School. A Peacock with a Cockerel, Turkey, White Hen, Young Chicks and a Dove in a River Landscape. Oil on Canvas, 12 × $13frac{7}{8}$ in (30.5 × 35.2 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Madonna and Child with St. Francis and the Infant St. John the Baptist by a Ruin by Battista Luteri, Called Battista Dossi (Active 1517-Ferrara-1548). Oil on Panel, 58 × 37 cm ($22frac{7}{8}$ × $14frac{5}{8}$ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Jusepe de Ribera Called lo Spagnoletto (Jativa di Valencia 1591 - Naples 1652) St. Jerome Canvas, 76 × 65 cm. Signed and Dated at Left: 'Jusepe de Ribera español valenciano 1648'.
Attributed works:
[Asprey, 725 Fifth Avenue, New York] A Rare George II Punch Bowl and Cover by William Cripps, 1752. 4309.2 grms (152 oz). A Set of Four George II Salts by Paul de Lamerie, 1745. 1105.7 grms (39 oz).
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[Phillips, 101 New Bond Street London] Erasmus Quellinus II, (1607-1678), "Salome being Handed the Head of St. John the Baptist", Oil on Panel, 124cm × 200cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Domenico Maria Fratta (1696-1763), "The Triumph of David", Pen and Brown Ink, within a Deliniated Border, 38.7cm × 47cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Charles VI and Odette de Champdivers by Eugène Delacroix (1798-1863). Circa 1825. Signed upper Left 'E. Delacroix'. Oil on Canvas, 35.5 × 27.5 cm (14 × $10frac{13}{16}$ in).
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Myochin Sea Monster. Length, 24″; Height, 12″.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Canton Enamel Armorial Tea Caddy; The Interior Fitted with Two Canisters and a Blending Casket. Chinese, 18th Century. Height 13.4 cm. Width 28.4 cm. Depth 13.5 cm.
Western art unattributed:
[ Axel Vervoordt, Castle of 's- Gravenwezel Castle ] Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm - 60 × 73 × 61 cm.
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Giant Leaf Verdure Oudenaarde 1550-1600 H. 272 cm. × W. 376 cm.
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An Exceptional Tapestry-Woven Carpet. Bessarabian, Late 19th Century. Wool. Dimensions 297 × 287 cm (117 × 113 in).
Western art unattributed:
[ cover ] Detail of a Table Carpet. French, c.1600. Canvas Work Embroidery, Wool and Silk on Linen, Tent and Cross Stitch, 273 by 218 cm. (Whole). (The Bowes Museum, Barnard Castle).
Western art unattributed:
[ E & H Manners, 66 A Kensington Church Street, London ] A Paris Biscuit Group Impressed 'Mre de Mr le duc à Paris d'angoulème'. 1781-1789. Height: 17″, 44 cm.
Western art unattributed:
[ Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam ] A Goblet Wheel Engraved with Fishing Boats Anchored at Sea with Their Nets Cast and the Inscription 'Twelvaren Van De Groote Visscherye' (To the Prosperity of the Herring-Fishery). Multi-Knopped Stem, Folded Foot. Dutch Engraved Lead-Glass, c.1750 Height: 23,5 cm (9¼ in).
Western art unattributed:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal ] Standing Prophet Initial from a Choirbook, Tuscany, Siena (?), c. 1400 ca. 120 × 300 mm.
Western art unattributed:
[ Patrick Sandberg Antiques, 140 - 142 Kensington Church Street, London ] This Fine Adam Period Figured Mahogany and Tulipwood Crossbanded Serpentine Serving Table, Circa 1780, Is a Typical Example of Stock Always Available at Our Large Kensington Showrooms.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rare English Wine Glass, the Gilt Rimmed Bowl Engraved with Fruiting Vine and Set on a Coloured Composite Stem Comprising of Red and Blue Twists around a Central Air Twist Spiral Gauze, on a Conical Foot. Circa 1760. Height 14 cm.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rectangular Mother-of-Pearl Box in Four Colour Gold Inlaid with Sepia Mother-of-Pearl and Decorated with Mythological Beasts and Birds. The Borders Are Embellished with Chased Quatre-couleur Floral Decorations. Paris, c.1825. 3¼ × 2¼ × 1½ ins.
Western art unattributed:
[Claude Kuhn, Blumenrain 12, Basel ] Northern Italy, End of the 15th Century 'Two Yokes, One Hanging on a Wall' Pen and Brown Ink, 20.8 × 14.7 cms
Western art unattributed:
[Neumeister, Barer Str. 37, Munich] Italy, ca. 1520. Saint Peter in Prison. Alabaster, 28 × 18,5 × 17, 5 cm.
Western art unattributed:
[Trinity Fine Art Ltd, 29 Bruton Street, London] A Limoges Champlevé Enamel Chasse, Depicting the Martyrdom of St. Thomas Becket, Circa 1200-1210, Height: 16.5 cms, Width: 12.5 cms.
Supplement
Recent Acquisitions in Edinburgh Museums: Supplement
08/1990 | 1049 | 132
Pages: 609-612
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
I. Landscape with Christ and John the Baptist, by Goffredo Wals. Copper, 28.5 cm. diam. Purchased with the Aid of the National Art Collections Fund, 1990. (National Gallery of Scotland).
Attributed works:
II. The Bell Rock lighthouse, by Joseph Mallord William Turner. Water-colour and gouache with scratching out, 30.6 by 45.5 cm. Purchased with major contributions from the National Heritage Memorial Fund and the Pilgrim Trust. (National Gallery of Scotland). Robert Stevenson, who built the Bell Rock lighthouse, wrote an account of its revolutionary design and construction for which he needed an engraved view as illustration, and he asked Sir Walter Scott for an introduction to Turner. The subject of human enterprise against the sublime power of the sea obviously appealed to the artist.
Attributed works:
III. Chesterfield wine cooler, with the maker's mark of Paul Crespin overstriking that of Paul de Lamerie. 1727-28. Silver, 27.2 cm. high. The Victoria and Albert Museum and the National Museums of Scotland succeeded in raising £750,000 to save the two Chesterfield wine coolers from export, and the second is now in the V & A. Major financial assistance was received from the National Heritage Memorial Fund, the National Art Collections Fund, Christie's International, the Pilgrim Trust, the Wolfson Foundation and the Worshipful Company of Goldsmiths, London. (Royal Museum of Scotland). The pair is from the ambassadorial service issued by the Royal Jewel House to Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773) for his embassy to The Hague between 1728 and 1732.
Attributed works:
IV. Hew Dalrymple, Lord Drummore, by Allan Ramsay. 1754. 127 by 102.2 cm. Purchased with assistance from the National Heritage Memorial Fund and the National Art Collections Fund, 1989. (Scottish National Portrait Gallery). Ramsay's preliminary drawing for the portrait has been in the National Gallery of Scotland since 1860.
Attributed works:
IX. Pylons, by Tristram Hillier. 1933. 92 by 60.3 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Pylons was exhibited at the 1934 Unit One exhibition held at the Mayor Gallery, London, where it was purchased by Miss Watt. With Fig. VIII, it forms part of her remarkable collection of modern British art bequeathed to the Gallery on her death in 1989.
Attributed works:
V. Model for the monument to Henry Petty, 1st Earl of Shelburne (1675-1751, attributed to Louis François Roubiliac. Terracotta, 71 by 64 by 21 cm. Acquired in 1989. (Royal Museum of Scotland.)) This rejected proposal for the monument to the 1st Earl of Shelburne was probably made between the Earl's death on 17th April 1751 and 14th August 1751 when Peter Scheemakers apparently received the first payment for the tomb at High Wycombe, Buckinghamshire which is dated 1754. The relief, supported by three allegorial figures, shows the knighting of the Earl's father, Sir William Petty. Along the top of the plinth are traces of missing, sketchily modelled statuettes of the Earl's wife (d.1740) and other members of his family. An article by Malcolm Baker on this commission will appear in a forthcoming issue of this Magazine.
Attributed works:
VI. Self Portrait, by Robert Colquhoun. 41.2 by 33 cm. Purchased with the Help of the National Art Collections Fund (Modern Art Fund) in 1990. (Scottish National Portrait Gallery).
Attributed works:
VII. View of the square in Kastellet looking towards Kastelsvolden, by Christen Ko̵bke. c.1830. 30 by 23.5 cm. Purchased with the aid of the National Art Collections Fund, 1989. (National Gallery of Scotland). This early work by one of the Danish masters of the 'Golden Age' shows the bakery of the Kastellet, the citadel in Copenhagen which then served as a prison. The bakery was owned by Ko̵bke's father who is shown here with Major J. J. Krohn and the prison sergeant, Sporch.
Attributed works:
VIII. The ballet, by William Roberts. c.1933. 40.8 by 45.6 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Miss Watt purchased the picture from an exhibition of the London Artists Association held at the Cooling Galleries, Bond Street in 1933.
Attributed works:
X. Untitled (figure with raised arm), by Georg Baselitz. 1982-84, Painted wood, 253 by 71 by 46 cm. Purchased with assistance from the National Art Collections Fund, 1989. (Scottish National Gallery of Modern Art).
Attributed works:
XI. Mont Alba, by Charles Rennie Mackintosh. c.1923-27. Water-colour, 38.7 by 43.8 cm. Purchased 1990. (Scottish National Gallery of Modern Art). This is the first water-colour by Mackintosh to be acquired by the Gallery.
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