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34 articles
Article
‘The monarch of the glen’: painting for the new Houses of Parliament
04/2025 | 1465 | 167
Pages: 342-353
related names
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
Illustrations
Attributed works:
1. The monarch of the glen, by Thomas Landseer after Edwin Landseer. 1852. Engraving, 70 by 73 cm. (British Museum, London).
Attributed works:
10. Windsor Park, by Edwin Landseer. ?1850. Oil on canvas, 89.5 by 72.5 cm. (Wolverhampton Art Gallery; Bridgeman Images).
Attributed works:
11. The otter speared, by Edwin Landseer. c.1841–44. Oil on canvas, 200 by 153.7 cm (Laing Art Gallery, Newcastle; Bridgeman Images).
Attributed works:
12. A random shot, by Edwin Landseer. c.1847–48. Oil on canvas, 122 by 183 cm. (Bury Art Museum and Sculpture Centre; Bridgeman Images).
Attributed works:
13. Scene in Brae Mar, by Edwin Landseer. ?c.1851–57. Oil on canvas, 271.8 by 251.5 cm. (Private collection; Bridgeman Images).
Attributed works:
2. The monarch of the glen, by Edwin Landseer. 1849–51. Oil on canvas, 163.8 by 168.9 cm. (Scottish National Gallery, Edinburgh; Bridgeman Images).
Attributed works:
3. The Peers’ Refreshment Rooms, by Alfred Newman after George Somers Clarke. 1849. Lithograph, 22.1 by 27.1 cm. (From H.T. Ryde: Illustrations of the New Palace of Westminster, London 1849).
Attributed works:
4. The Peers’ Dining Room. (Photograph courtesy the House of Lords; Roger Harris).
Attributed works:
5. Alfred Denison, 1st Baron Londesborough, by James Faed after Francis Grant. c.1860. Mezzotint, 52.4 by 39.6 cm. (Royal Armouries, Leeds).
Attributed works:
6 and 7. Details of a letter from Edwin Landseer to Edward John Coleman, 9th May 1866 (Cadbury Research Library, University of Birmingham).
Attributed works:
8. The north wall of the Peers’ Refreshment Rooms, by the Office of Charles Barry. 1846. Ink and watercolour on paper, 15.5 by 13 cm. (National Archives, Kew).
Attributed works:
9. The north wall of the Peers’ Dining Room. (Estates Archive; photograph courtesy UK Parliament, London).
Exhibition Review
Romantic art, 1760–1860. New Haven
08/2015 | 1349 | 157
Pages: 574-576
related names
Reviewer:
Baumgartner, Frédérique (Baumgartner, Frédérique)
Subjects
Illustrations
Attributed works:
70. Tampoco, plate 36 from Los Desastres de la Guerra, by Francisco de Goya. c.1810-20, published 1863 (Yale University Art Gallery, New Haven)
Attributed works:
71. A lion attacking a horse, by George Stubbs. 1770 (Yale Center for British Art, New Haven)
Attributed works:
72. Femmes d'Alger, by Eugène Delacroix. 1833 (Yale University Art Gallery, New Haven)
Attributed works:
73. Hadleigh Castle, The Mouth of the Thames - Morning after a Stormy Night, by John Constable. 1829 (Yale Center for British Art, New Haven; exh. Yale University Art Gallery, New Haven)
Book Review
Cultures Crossed: John Frederick Lewis and the Art of Orientalism, E.M. Weeks
07/2015 | 1348 | 157
Pages: 485
related names
Reviewer:
Gere, Charlotte (Gere, Charlotte)
Subjects
Article
Fantin-Latour: a newly discovered album
04/2014 | 1333 | 156
Pages: 228-230
related names
Author:
Berry, Melissa (Berry, Melissa)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
22. Portrait (Self-portrait?), by Henri Fantin-Latour (Stoke-on-Trent City Archives)
Attributed works:
23. Multi-figure composition, by Charles Cuisin (Stoke-on-Trent City Archives)
Attributed works:
24. Classical composition, by Henri Fantin-Latour (Stoke-on-Trent City Archives)
Attributed works:
25. Portrait of Férlet, by Marc-Louis Emmanuel Solon (Stoke-on-Trent City Archives)
Book Review
Imperial Gothic. Religious Architecture and High Anglican Culture in the British Empire, c.1840–1870, G.A. Bremner
11/2013 | 1328 | 155
Pages: 781-782
related names
Reviewer:
Herrick, Francesca (Herrick, Francesca)
Subjects
dates:
Illustrations
Attributed works:
32. St Barnabas's Church, Petteson Memorial Chapel, Norfolk Island, New Zealand, by T.G. Jackson
Exhibition Review
Photography in London. London (James Hyman Photography)
07/2012 | 1312 | 154
Pages: 506-508
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
dates:
places:
print:
Reviewed Items
subjects:
From Sermons in Stones to Monsters of Modernity | institution: James Hyman Photography
Illustrations
Attributed works:
42. Arles, prêtre lisant dans le cloître de Saint-Trophime, by Charles Nègre. 1852. Salt print from a waxed paper negative, 16.8 by 15.1 cm. (Exh. James Hyman Photography, London).
Book Review
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
05/2012 | 1310 | 154
Pages: 355
related names
Reviewer:
Bullen, J. B. (Bullen, J. B.)
Subjects
Reviewed Items
subjects:
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination | author: MacCarthy, Fiona
Book Review
The Gargoyles of Notre-Dame. Medievalism and the Monsters of Modernity
12/2010 | 1293 | 152
Pages: 814
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
The Gargoyles of Notre-Dame. Medievalism and the Monsters of Modernity | author: Camille, Michael
Publication Received
Photography and Literature
01/2010 | 1282 | 152
Pages: 48
related names
Reviewer:
Pic, Muriel (Pic, Muriel)
Subjects
art literature:
art literature:
print:
Reviewed Items
subjects:
Photography and Literature | author: Brunet, François
Short Notice
Walter Richard Sickert’s ‘Echoes’ from the ‘London Journal’
04/2008 | 1261 | 150
Pages: 256-259
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
print:
Illustrations
Attributed works:
61. La Traviata. Echo of Sir John Gilbert R.A., by Walter Sickert. c.1927–28. Canvas, 42 by 61 cm. (Private collection; photograph courtesy the Belgrave Gallery, London)
Attributed works:
62. ‘Count de Joyeux, M. de Verboix, and Politia de Champvans’, illustration by John Gilbert for Blythe Hall, published as the cover of the London Journal, week ending 19th July 1856. (British Library, London)
Attributed works:
63. Figures in fancy dress at a banquet, by Walter Sickert. Early 1930s. Canvas, 45.7 by 71.1 cm. (Private collection)
Attributed works:
64. ‘The Banquet at the Vatican’, illustration by John Gilbert for Faust, published as the cover of the London Journal, week ending 7th March 1846. (British Library, London)
Attributed works:
65. Collaboration (after John Gilbert), by Walter Sickert. c.1928–30. Canvas, 40.6 by 61 cm. (Private collection)
Attributed works:
66. ‘Interview between Lady Louvane and Nora’, illustration by John Gilbert for The Star in the Dark, published as the cover of the London Journal, week ending 29th March 1856. (British Library, London)
Attributed works:
67. The seducer (after John Gilbert), by Walter Sickert. c.1928–30. Canvas, 42.5 by 62.5 cm. (Tate, London)
Attributed works:
68. ‘The unexpected return of Rigdon Few’, illustration by John Gilbert for Blythe Hall, published as the cover of the London Journal, week ending 14th June 1856. (British Library, London).
Attributed works:
69. Grover’s Island from Richmond Hill (after Francesco Sargent), by Walter Sickert. c.1932–33. Canvas, 57 by 89 cm. (Private collection; photograph courtesy of the Fine Art Society, London)
Attributed works:
70. ‘Richmond Hill’, illustration by Francesco Sargent, published as the cover of the London Journal, week ending 22nd July 1848. (British Library, London)
Attributed works:
71. Dublin, from Phoenix Park (after Francesco Sargent), by Walter Sickert. c.1930. Canvas, 43.8 by 73 cm. (Private collection; photograph courtesy of James Hyman Gallery, London)
Attributed works:
72. ‘Dublin, from Phoenix Park’, illustration by Francesco Sargent, published in the London Journal, week ending 1st September 1849, p.409. (British Library, London)
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