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20 articles
Book Review
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana
03/2024 | 1452 | 166
Pages: 327–328
related names
Reviewer:
Fontana, Mauro Vincenzo (Fontana, Mauro Vincenzo)
Subjects
dates:
places:
Reviewed Items
subjects:
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana Edited by Gwladys Le Cuff and Anne Lepoittevin. 323 pp. incl. 45 col. + 21 b. & w. ills. (Peter Lang, Brussels, 2022), £40. ISBN 978–2–8076–1780–3. | :
Article
Counter-Reformation ambers: Friedrich Schmidt’s workshop in Kretinga, Lithuania
09/2022 | 1434 | 164
Pages: 839-853
related names
Author:
kulka, Rahul (kulka, Rahul)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. Altar, by Friedrich Schmidt. 1678. Amber, ivory, wood, glass, silver and parchment, 29 by 20.7 by 16.5 cm. (Altonaer Museum, Hamburg; © SHMH-Altonaer Museum, permanent loan from the Federal Republic of Germany).
Attributed works:
10. Detail of the altar in Fig.1, showing an ivory panel carved with a kneeling saint.
Attributed works:
11. Detail of the casket in Figs.13 and 14, showing an ivory panel carved with the Annunciation.
Attributed works:
12. Detail of the altar in Fig.1, showing an ivory panel carved with the Annunciation.
Attributed works:
13 and 14. Casket of St Casimir (Cassetta di San Casimiro), by Friedrich Schmidt and workshop. 1678. Amber, ivory, glass, wood and silver, 35.5 by 58 by 20 cm. (Museo degli Argenti, Florence; © su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
15 and 16. Small altar with Crucifixion group, by the workshop of Friedrich Schmidt. 1677–78. Amber, ivory, glass and wood, height 59 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
17 and 18. Large altar with Crucifixion group, by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass and wood, height 136 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
19. Detail of the altar in Figs.17–18.
Attributed works:
2. The rear of the altar illustrated in Fig.1 .
Attributed works:
20. Candlestick, one of a small-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
21. Candlestick, one of a medium-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
22. Altar with Crucifixion group, by the workshop of Friedrich Schmidt, c.1678. Amber, ivory and wood, height 78 cm. (Schloss Weißenstein, Pommersfelden; from A. Rohde: Bernstein: Ein deutscher Werkstoff, Berlin 1937, fig.214).
Attributed works:
23 and 24. Reliquary by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass, wood and silver, 32 by 49.5 by 24.2 cm. (Convento di Santa Chiara, Naples; photograph © Marco Pedicini, courtesy the Central Directorate for Religious Affairs and for the Administration of the Fondo Edifici di Culto of the Ministry of the Interior).
Attributed works:
25. Candlestick, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory and wood, height 28 cm. (Museo di Capodimonte, Naples; © Su concessione del Ministero della Cultura – Museo e Real Bosco di Capodimonte).
Attributed works:
26. Altar, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and wood, height 31 cm. (Museum of Fine Arts, Boston; photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
27. Detail of the altar in Fig.28, showing a verre églomisé panel from the right side.
Attributed works:
28. St Casimir, by the Władysław Łazarski printing house. Early 20th-century reprint of an 18th-century woodblock print, 34 by 24 cm. (Częstochowa Museum; © Muzeum Częstochowskiego).
Attributed works:
29. Detail of the top of the altar in Fig.26.
Attributed works:
3. The interior of the altar illustrated in Fig.1.
Attributed works:
4. Detail of the altar illustrated in Fig.1, showing a verre églomisé panel.
Attributed works:
5. Detail of the altar illustrated in Fig.1, showing the inscription on the book.
Attributed works:
6 and 7. Details of an altar with Crucifixion group, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and silver, height 45 cm. (© Muzeum Bursztynu, Malbork; on permanent loan from Muzeum Okręgowe, Tarnów).
Attributed works:
8. Altar, attributed to the workshop of Friedrich Schmidt. After 1678. Amber, ivory and wood, 53 by 36 by 23 cm. (Ostpreussisches Landesmuseum, Lüneburg; © Ostpreußisches Landesmuseum Lüneburg, Deutschbaltische Abteilung).
Attributed works:
9. Detail of the left side of the casket in Figs.13 and 14.
Article
Philip and Peter Paul Rubens in Rome: newly discovered documents concerning their early careers
02/2019 | 1391 | 161
Pages: 120-127
related names
Author:
Paolini, Cecilia (Paolini, Cecilia)
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dates:
places:
Illustrations
Attributed works:
1. Philip Rubens, by Peter Paul Rubens. c.1610–11. Panel, 68.6 by 52.7 cm. (Detroit Institute of Arts).
Attributed works:
2. Laocoön and his sons, by Peter Paul Rubens. Black chalk and bistre on paper, 47.5 by 47.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
3. Bust of Seneca, by Cornelis Galle after Peter Paul Rubens. Engraving, 30.9 by 19 cm. From L. Annaei Senecae philosophi opera by Justus Lipsius, 2nd ed., Antwerp 1615. (The British Museum, London).
Attributed works:
4. The crowning with thorns, by Peter Paul Rubens. 1602. Panel, 224 by 180 cm. (Cathedral of Notre-Dame-du-Puy, Grasse, Bridgeman Images).
Attributed works:
5. Archduke Albert VII of Austria, by Peter Paul Rubens. c.1618. Canvas, 105 by 74 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
6. Opposite Peter Paul Rubens, Philip Rubens, Justus Lipsius and Joannes Woverius (‘The Four Philosophers’), by Peter Paul Rubens. c.1611–12. Panel, 164 by 139 cm. (Palazzo Pitti, Florence).
Publication Received
Renaissance am Rhein
02/2011 | 1295 | 153
Pages: 115
related names
Reviewer:
Jopek, Norbert (Jopek, Norbert)
Subjects
dates:
dates:
museums and institutions:
print:
Reviewed Items
subjects:
Renaissance am Rhein | author: Altringer, Lothar
Publication Received
The Artful Hermitage. The Palazzetto Farnese as a Counter-Reformation ‘diaeta’
05/2010 | 1286 | 152
Pages: 366
related names
Reviewer:
Robertson, Clare (Robertson, Clare)
Subjects
Reviewed Items
subjects:
The Artful Hermitage. The Palazzetto Farnese as a Counter-Reformation ‘diaeta’ | author: Witte, Arnold
Book Review
Glory, Laud and Honour: The Arts of the Anglican Counter-Reformation
10/2007 | 1255 | 149
Pages: 706-707
related names
Reviewer:
Watney, Simon (Watney, Simon)
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dates:
places:
print:
Reviewed Items
subjects:
Glory, Laud and Honour: The Arts of the Anglican Counter-Reformation | author: Parry, Graham
Publication Received
Collezionismo e archeologia Cristiana nel Seicento. Federico Borromeo e il Medioevo artistico tra Roma e Milano
05/1999 | 1154 | 141
Pages: 303
related names
Reviewer:
Quiviger, François (Quiviger, François; Q., F.)
Subjects
collectors and dealers:
dates:
places:
Reviewed Items
subjects:
Collezionismo e archeologia Cristiana nel Seicento. Federico Borromeo e il Medioevo artistico tra Roma e Milano | author: Agosti, Barbara
Article
Bloemaert's Altar-Pieces and Related Paintings
03/1992 | 1068 | 134
Pages: 156-164
related names
Author:
Roethlisberger, Marcel (Roethlisberger, Marcel; Bianco, Marcel Roethlisberger-; Rothlisberger, Marcel; Roethlisberger-Bianco, Marcel; Roethlisberger, Marcel G.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St Veronica, by Jacob Matham after Abraham Bloemaert. Engraving, 42.4 by 31.6 cm. (Bibliothèque Nationale, Paris).
Attributed works:
10. Philip Baptising the Moor, by Abraham Bloemaert. 219.7 by 154.2 cm. (Centraal Museum, Utrecht).
Attributed works:
11. St Boniface, by Abraham Bloemaert. 200 by 138 cm. (Roman Catholic Archbishop's Palace, Utrecht).
Attributed works:
12. The Four Church Fathers, by Abraham Bloemaert. 210 by 155 cm. (Richard L. Feigen & Co., New York).
Attributed works:
13. Christ on the Cross, by Abraham Bloemaert. 180.5 by 120.5 cm. (Old Catholic Church, Utrecht).
Attributed works:
14. Adoration of the Shepherds, by Abraham Bloemaert. 143.2 by 171.6 cm. (Niedersächsische Landesgalerie, Hannover).
Attributed works:
15. Adoration of the Shepherds, by Hendrick Bloemaert. 210 by 177 cm. (Old Catholic Church of St Gertrudis, Utrecht).
Attributed works:
16. Adoration of the Shepherds, by Hendrick Bloemaert. c.235 by 175 cm. (Roman Catholic St Cornelius Church, Limmen, near Alkmaar).
Attributed works:
2. The Four Evangelists, by Abraham Bloemaert. 178 by 222.5 cm. (The Art Museum, Princeton University).
Attributed works:
3. Christ and the Samaritan Woman, by Abraham Bloemaert. 214 by 165 cm. (Frank Simpson Gallery, London).
Attributed works:
4. Christ and the Samaritan Woman, by Abraham Bloemaert. Black Chalk, Pen and Brown Ink, Brown Wash with White Heightening, Squared, on Paper, 40.2 by 30.3 cm. (University Museum, Göttingen).
Attributed works:
5. Christ and the Samaritan woman, by Abraham Bloemaert. c.200 by 170 cm. (Or 175 by 150 cm.); Distorted Photograph. (Formerly Old Catholic of Sts Willebrord and Boniface Church, Amersfoort; Present Whereabouts Unknown).
Attributed works:
6. Coronation of the Virgin, by Abraham Bloemaert. 1619. Panel, 139 by 115 cm. (Rectory of the Roman Catholic Parish of St Petrus Canisius, Nijmegen).
Attributed works:
7. Adoration of the Shepherds, by Abraham Bloemaert. Canvas, 287 by 229 cm. (Musée du Louvre, Paris).
Attributed works:
8. Adoration of the Shepherds, by Abraham Bloemaert. 216 by 172 cm. (Roman Catholic Parish of St Jacobus, The Hague).
Attributed works:
9. Adoration of the Shepherds, by Abraham Bloemaert. 166.5 by 200 cm. (Centraal Museum, Utrecht).
Article
The Early History of Lodovico Carracci's 'Annunciation' Altar-Piece
09/1990 | 1050 | 132
Pages: 616-622
related names
Author:
Feigenbaum, Gail (Feigenbaum, Gail)
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dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Annunciation, by Lodovico Caracci. 178 by 218 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
2. Annunciation, by Lodovico Carracci. Copper, 56 by 45.5 cm. (Private Collection, Rome).
Attributed works:
3. Annunciation, by Lodovico Carracci. 135 by 98 cm. (Location Unknown).
Short Notice
Annibale Carracci's Paintings of the Blind: An Addition
01/1989 | 1030 | 131
Pages: 27-28
related names
Author:
Ottani Cavina, Anna (Ottani Cavina, Anna; Ottani, Anna; Cavina, Anna Ottani)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
30. Portrait of a Blind Woman, by Annibale Carracci. Oil on Paper Laid on Canvas, 24.5 by 18 cm. (Private Collection).
Attributed works:
31. Portrait of a Blind Man, Here Attributed to Annibale Carracci. 34.5 by 24.1 cm. (Gabinetto Disegni e Stampe, Uffizi, Florence).
Attributed works:
32. Detail of Fig.31. [Portrait of a Blind Man, Here Attributed to Annibale Carracci. 34.5 by 24.1 cm. (Gabinetto Disegni e Stampe, Uffizi, Florence).]
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