• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
2 articles
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
Subscribe to read
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
museums and institutions:
Barbican Art Gallery, London, Great Britain / Henry Moore Institute, Leeds, Great Britain / Museum of Contemporary Art, Chicago, United States / Bronx Museum of the Arts, New York, United States
museums and institutions:
Haus der Kulturen der Welt, Berlin, Germany
places:
Berlin / Chicago / England / Germany / Leeds / London / United States
places:
New York
print:
Brazilian art
subjects:
Reviews / Exhibitions / Brazilian / Art / Installations (visual works) / Sculpture / Performance art / Photographs
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).