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3 articles
Short Notice
Aby Warburg’s ‘Bilderatlas Mnemosyne’: systems of knowledge and iconography
12/2020 | 1413 | 162
Pages: 1078-1084
related names
Author:
Zöllner, Frank (Zöllner, Frank)
Subjects
artists:
artists:
dates:
subjects:
Reviewed Items
subjects:
Aby Warburg: Bilderatlas Mnemosyne – The Original, at the Haus der Kulturen der Welt, Berlin (1st September–30th November). | :
subjects:
Gemäldegalerie, Berlin, Between Cosmos and Pathos: Berlin Works from Aby Warburg’s Mnemosyne Atlas (8th August–1st November), | :
Illustrations
Attributed works:
1. Panel B from Bilderatlas Mnemosyne, photographed in October 1929. (Warburg Institute, London).
Attributed works:
2. Panel 77 from Bilderatlas Mnemosyne, as reconstructed in the exhibition Aby Warburg: Bilderatlas Mnemosyne – The Original, at the Haus der Kulturen der Welt, Berlin. (Photograph Wootton / fluid).
Attributed works:
3. Panel C from Bilderatlas Mnemosyne, photographed in October 1929. (Warburg Institute, London).
Western art unattributed:
4. A detail from Fig.2, showing W. Riemer: Eßt Fisch dann bleibt ihr schlank gesund u[nd] frisch (Eat fish and you will stay slim, healthy and fresh). 1927. Lithograph poster, 71 by 47.5 cm. (Staatliche Museen zu Berlin, Kunstbibliothek).
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).