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45 articles
Exhibition Review
The Weight of Words
11/2023 | 1448 | 165
Pages: 1228-1231
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
dates:
Reviewed Items
subjects:
The Weight of Words Henry Moore Institute, Leeds 7th July–26th November | :
Illustrations
Attributed works:
10. Twelve questions, by Bhanu Kapil. 2001/23. Printed vinyl and oranges. (Courtesy the artist; photograph Rob Harris; exh. Henry Moore Institute, Leeds).
Attributed works:
11. Installation view of The Weight of Words at the Henry Moore Institute, Leeds, 2023, showing Words come from ears, by Shilpa Gupta. 2018. Motion flapboard, 43 by 244 by 13 cm. (Photograph Min Young Lim).
Attributed works:
12. Detail of Dark water, burning world 151 moons and counting…, by Issam Kourbaj. 2016. Repurposed bicycle steel mudguards, extinguished matches and clear resin. (Photograph Rob Harris; exh. Henry Moore Institute, Leeds).
Exhibition Review
Jiro Takamatsu. Leeds
10/2017 | 1375 | 159
Pages: 841-842
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
artists:
dates:
styles:
styles:
Reviewed Items
styles:
Jiro Takamatsu: The Temperature of Sculpture at the Henry Moore Institute, Leeds. | :
Illustrations
Attributed works:
79. The string in the bottle no. 1125, by Jiro Takamatsu. 193/1985 (Stephen Friedman Gallery, London; © The Estate of Jiro Takamatsu; exh. Henry Moore Institute, Leeds).
Attributed works:
80. Smashing of everything, by Jiro Takamatsu. 1972 (Stephen Friedman Gallery, London; © The Estate of Jiro Takamatsu; exh. Henry Moore Institute, Leeds).
Exhibition Review
Paul Neagu: Palpable Sculpture
11/2015 | 1352 | 157
Pages: 803-804
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
85. Great Tactile Table, by Paul Neagu. 1970 (Tate, London; exh. Henry Moore Institute, Leeds)
Attributed works:
86. The Hand Collector, by Paul Neagu. 1970 (Laing Art Gallery, Newcastle upon Tyne; exh. Henry Moore Institute, Leeds)
Western art unattributed:
84. Paul Neagu (left) in his Palpable Art exhibition at the Richard Demarco Gallery, 8 Melville Crescent, Edinburgh, 22nd Auguat to 13th September 1969 (Photograph: Scottish National Gallery of Modern Art/Richard Demarco Archive, Edinburgh; exh. Henry Moore Institute, Leeds)
Exhibition Review
The Age of Innocence
11/2013 | 1328 | 155
Pages: 789-790
related names
Reviewer:
Hamnett, Melissa (Hamnett, Melissa)
Subjects
dates:
places:
Illustrations
Attributed works:
39. (Left) The Age of Innocence, by Alfred Drury (Leeds Museums and Galleries; (centre) The Age of Innocence, by Alfred Drury (Bradford Museums); (right) The Age of Innocence, by Alfred Drury (Harris Museum and Art Gallery, Preston and Trustees of E.A.B. Drury estate). Installation at Henry Moore Institute, Leeds, 2013
Attributed works:
40. (Left) Enid the Fair, by George Frampton (Aberdeen Art Gallery and Museum); (centre) Enid the Fair, by George Frampton (Leeds Museums and Galleries (Henry Moore Institute Archive)); (right) Lyonors, by George Frampton (Leeds Museums and Galleries (Henry Moore Institute Archive)). Installation at Henry Moore Institute, Leeds, 2013
Exhibition Review
1913: The Shape of Time. Leeds
02/2013 | 1319 | 155
Pages: 115-116
related names
Reviewer:
McKever, Rosalind (McKever, Rosalind)
Subjects
media:
places:
Illustrations
Attributed works:
45. Installation view of 1913: The Shape of Time including (background) Deconstruction of the planes of a lamp, by Ardengo Soffici (Estorick Collection, London; exh. Henry Moore Institute, Leeds); and (foreground) Development of a bottle in space, by Umberto Boccioni (Private collection; exh. Henry Moore Institute, Leeds)
Attributed works:
46. Wrestlers, by Henri Gaudier-Brzeska (Sherwin Collection, Leeds; exh. Henry Moore Institute, Leeds)
Article
Sculpture and the Museum
11/2012 | 1316 | 154
Pages: 802
related names
Reviewer:
Elliott, Patrick (Elliott, Patrick)
Subjects
dates:
Exhibition Review
Sarah Lucas. Leeds
11/2012 | 1316 | 154
Pages: 808-809
related names
Reviewer:
Taylor, Brandon (Taylor, Brandon)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
81. NUD 26, by Sarah Lucas. 2009. Tights, fluff, wire, breeze-blocks and MDF plinth, 100 by 43 by 43 cm. (Courtesy of Sadie Coles HQ, London; exh. Henry Moore Institute, Leeds).
Attributed works:
82. Installation view of Sarah Lucas: Ordinary Things, showing The king, by Sarah Lucas. 2008. Plaster, steel wire and wood, 123 by 120 by 30 cm. (Courtesy of Murderme; exh. Henry Moore Institute, Leeds).
Attributed works:
83. Au naturel, by Sarah Lucas. 1994. Mattress, melons, oranges, cucumber and bucket, 84 by 167.6 by 144.8 cm. (Courtesy of Murderme; exh. Henry Moore Institute, Leeds).
Advertisements
Advertisements November 2012 (front)
11/2012 | 1316 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Antonio Carneo (1637 Concordia Sagittaria - 1692 Portoguaro). Jephtha and his daughter. Oil on canvas. 94.5 x 133 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. A very large bronze figural candelabra after Clodion (294 cm high), France, circa 1880]
Attributed works:
[Charles Beddington, London. A capriccio of a chapel on a knoll, a church, a tower and the pyramid of Caius Cestius Beyond, by Giovanni Antonio Canal, called Il Canaletto (1697-1768). Oil on canvas, 45 by 59.3 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 Anthony van Dyck (Antwerp 1599 - 1641 London). Portrait of a lady; three-quarter-length. Oil on canvas, 25 7/8 x29 3/8 in. (98.5 cm x 74.5 cm)]
Attributed works:
[Daniel Katz, Ltd. 13 Old Bond Street. London. Jacques-Edme Dumont. Paris, 1761-1844. A portrait of General Marceau (1769-1796). Terracotta. With the name Marceau inscribed on the base 1799-1800. 49 by 28.5 by 23 cm]
Attributed works:
[David Wilson Fine Art. London. A very important mid eighteenth-century white marble portrait bust of the 'Anonymous Republican', Thomas Hollis (1720-74), by Joseph Wilton RA (1722-1803), c.1760]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. The gale on the Pont Royal, by Michel Garnier (1753-1819). Oil on canvas, 45.3 by 37 cm]
Attributed works:
[Galerie Canesso, Paris. St. Jerome, by Guido Reni (1575-1642). Oil on canvas, 65.1 by 50 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Vermiglio. Milan, 1587 (?) - après 1635. David Holding Goliath's Head. Oil on canvas, 135.5 x 96.5 cm (53 3/8 x 38 cm)]
Attributed works:
[Galerie Eric Coatalem, Paris. The toilet of Esther, by Jean-François de Troy (1679-1752). Oil on canvas, 57 by 51 cm]
Attributed works:
[Haboldt, Paris, Amsterdam and New York. Diana, goddess of the hunt and the moon, by Cornelis van Haarlem (1562-1638) Signed with monogram and dated uppler left 'CvH. 1607'. Oil on panel, 66.5 by 49 cm]
Attributed works:
[Henry Moore Institute. The Headrow, Leeds. Emil Filla: Cubist Head (1913). Private Collection. London]
Attributed works:
[Hubert Duchemin. 8 rue de Louvois. Paris. Nicola Poussin (Les Andelys 1594 - Rome 1665). The Encounter of Egeria and Numa, c.1650. Oil on canvas, 23 by 48 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Claude Joseph Vernet. Capriccio, 1775, oil on canvas, 96x128 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Franz Christoph Janneck. Christ on the Cross, ca. 1760. oil on canvas, 67 x 52.5 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Jan Davidsz de Heem. Sill life, oil on canvas, 75.6x101.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews, Rush Hour, 1930. Linocut, from of the edition of 50, 20,9 x 25,1 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Jérome Duquesnoy the younger, Brussels, 1602-Ghen, 1654. Infant Hercules Struggling with a Serpent. Marble. height 99 cm, width of base 42 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro, Market in Pontoise]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x72.5 cm]
Attributed works:
[Rafael Vals, London. A young boy pleading with his older sister for the return of his polichinelle doll, by Henri-Pierre Danloux (1753-1809). Signed 'H Danloux'. Oil on canvas, 18.4 by 16.6 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Lill Tschudi. Jeu de Boules. 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[Sanct Lucas Gallery, Vienna. An Italian harbour at sunrise, by Charles de Lacroix de Marseille (1700-82). Signed and dated 1763. Oil on canvas, 80 by 110 cm]
Attributed works:
[Stair Sainty Gallery, London. Classical landscape, with Wren's dome of King Charles court, Greenwich Hospital (today the Royal Naval Collage, Greenwich), by Marco Ricci (1676-1730). Oil on canvas, 61.3 by 101.3 cm]
Attributed works:
[Talabardon & Gautier, Paris. View od the waterfall Ermenonville, by Jean Joseph-Xavier Bidauld (1758-1846). Signed and dated 'J. ph. Bidauld / 1831'. Oil on canvas, 90 by 116.5 cm]
Attributed works:
[The Weiss Gallery, London. Louis XIII, King of France with the sash and badge of the order of St. Esprit, by Frans Pourbus the Younger (1569-1622). Oil on canvas, 71 by 55 cm]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. A George II Searlet and Gilt-japanned Secretaire Cabinet attribute to Giles Grendey. English, circa 1735. Height: 81 inches (206cm). Width: 41 1/4 inches (105 cm). Depth: 22 inches (56 cm)]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Newly discovered: The Lost Armely House carved marble Bust of "Napoleone" Bonaparte, by Joseph Gott (1786-1860) [after Canova]. Carved: 50 cm (19 1/2 inches). Depth: 22 cm (8 1/4 inches). Width: 27 cm (11 inches)]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. The Crouching Venus. By John Nost the Elder (active 1680s - 1714). Signed and dated 1702. Overall height: 93 inches (237 cm)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Nicolas Cordier (c.1567-1612). Bust of The Emperor Antonins Pius (A.D. 138-161). White marble. 86 cm high (33 3/4 in. high). 66 cm wide (26 in. wide)]
Attributed works:
[Yale Center for British Art. 1080 Chapel Street. New Haven, Connecticut. Anthony Caro, Table Piece XCVII, 1970, steel, painted tan, private collection, London.]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Hand forged iron door with remains of polychrome. Spain/Toledo, 15th century, 204 x 115 cm]
Western art unattributed:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Workshop or Follower of Peter Paul Rubens. Hélène Fourment, oil on panel 54 x 49 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Seated Madonna and Child. Meister des Schongauer-Altarchens. Limewood, with original polychrome and traces of gilding. Germany, Ulm, circa 1480-1490- H. 92/5 x W 57.5 x D. 28 cm]
Western art unattributed:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Below: A Pair of Ormolu Mounted Blue John Campana Shaped Pedestrial Urns, English, circa 1815. Height: 38.5 cm (15 1/4 inches). Diameter: 23.5 cm (9 1/4 inches)]
Western art unattributed:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Right: George II Mahogany and Parcel-gilt Side Chair. English, made for the Earl of Guildford circa 1740. Width: 69 cm (27 inches). Depth: 64 cm (25 inches). Height: 102 cm (40 inches)]
Western art unattributed:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Two-handled Cantagalli maiolica vase decorated with green and yellow leaves and enriched with ruby lustre. Florence, circa 1900. Height 54.5 cm]
Exhibition Review
British scultpure in the 1960s and 1970s. Leeds
03/2012 | 1308 | 154
Pages: 213-214
related names
Reviewer:
Howard, Maria (Howard, Maria)
Subjects
dates:
places:
Reviewed Items
subjects:
United Enemies: The Problem of British Sculpture in Britain in the 1960s and 1970s | institution: Henry Moore Institute
Illustrations
Attributed works:
44. People who make art in glass houses, by Bruce McLean. 1969. Print of vintage photograph, 70 by 50 cm. (Collection of the artist; exh. Henry Moore Institute, Leeds).
Attributed works:
45. Three figures, by John Davies. 1971. Resin, fibreglass, paint and mixed media, dimensions variable. (Courtesy of Annely Juda Fine Art, London; exh. Henry Moore Institute, Leeds).
Attributed works:
46. Installation view of Soul city (Pyramid of oranges) at the Arts Laboratory, Covent Garden, by Roelof Louw. 1967. Approx. 6,000 oranges, timber and plastic ground sheet, 198.1 by 198.1 cm. (Courtesy of the artist and Richard Saltoun/Karsten Schubert, London; exh. Henry Moore Institute, Leeds).
Exhibition Review
Arte Povera (Mario Merz). Leeds
11/2011 | 1304 | 153
Pages: 758-760
Subjects
artists:
dates:
places:
print:
print:
Reviewed Items
subjects:
Mario Merz | institution: Henry Moore Institute
Illustrations
Attributed works:
67. Che fare?, by Mario Merz. c.1968. Neon, 25 by 45 cm. (Staatliche Museen, Berlin; exh. Henry Moore Institute, Leeds).
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