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12 articles
Exhibition Review
British scultpure in the 1960s and 1970s. Leeds
03/2012 | 1308 | 154
Pages: 213-214
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Reviewer:
Howard, Maria (Howard, Maria)
Subjects
dates:
2010-2019 / 1960-1979
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
England / Leeds
print:
British sculpture
subjects:
Reviews / Exhibitions / British sculpture
Reviewed Items
subjects:
United Enemies: The Problem of British Sculpture in Britain in the 1960s and 1970s | institution: Henry Moore Institute
Illustrations
Attributed works:
44. People who make art in glass houses, by Bruce McLean. 1969. Print of vintage photograph, 70 by 50 cm. (Collection of the artist; exh. Henry Moore Institute, Leeds).
Attributed works:
45. Three figures, by John Davies. 1971. Resin, fibreglass, paint and mixed media, dimensions variable. (Courtesy of Annely Juda Fine Art, London; exh. Henry Moore Institute, Leeds).
Attributed works:
46. Installation view of Soul city (Pyramid of oranges) at the Arts Laboratory, Covent Garden, by Roelof Louw. 1967. Approx. 6,000 oranges, timber and plastic ground sheet, 198.1 by 198.1 cm. (Courtesy of the artist and Richard Saltoun/Karsten Schubert, London; exh. Henry Moore Institute, Leeds).
Exhibition Review
Arte Povera (Mario Merz). Leeds
11/2011 | 1304 | 153
Pages: 758-760
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Subjects
artists:
Merz, Mario
dates:
2010-2019
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
Leeds / England
print:
Arte povera
print:
Merz, Mario
subjects:
Reviews / Exhibitions / Arte povera
Reviewed Items
subjects:
Mario Merz | institution: Henry Moore Institute
Illustrations
Attributed works:
67. Che fare?, by Mario Merz. c.1968. Neon, 25 by 45 cm. (Staatliche Museen, Berlin; exh. Henry Moore Institute, Leeds).
Exhibition Review
Sculpture in Painting. Leeds
01/2010 | 1282 | 152
Pages: 58-59
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related names
Reviewer:
Taylor, Brandon (Taylor, Brandon)
Subjects
dates:
2000-2009
dates:
2010-2019
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
Leeds / England
print:
Paragone (concept)
print:
Sculpture
subjects:
Reviews / Exhibitions / Paintings / Sculpture / Paragone (concept) / Composition (artistic arrangement)
Reviewed Items
subjects:
Sculpture in Painting | institution: Henry Moore Institute
Illustrations
Attributed works:
71. The painter and his pug, by William Hogarth. 1745. Canvas, 108 by 87.5 cm. (Tate, London; exh. Henry Moore Institute, Leeds).
Attributed works:
72. Petrifying self-portrait, by Giorgio de Chirico. 1922. Canvas, 75 by 62 cm. (Private collection; exh. Henry Moore Institute, Leeds).
Attributed works:
73. Portrait of a lady (‘La Schiavona’), by Titian. c.1510–12. Canvas, 119.9 by 100.4 cm. (National Gallery, London; exh. Henry Moore Institute, Leeds).
Exhibition Review
Taking Shape
01/2009 | 1270 | 151
Pages: 52-53
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Reviewer:
Robinson, Alicia (Robinson, Alicia)
Subjects
dates:
2000-2009
museums and institutions:
Temple Newsam House, Leeds, Great Britain / J. Paul Getty Museum, Los Angeles, United States
places:
United States / Los Angeles / Leeds / England
print:
Decorative arts
print:
Sculpture
subjects:
Reviews / Exhibitions / Sculpture / Decorative arts / Collections, Public
Reviewed Items
subjects:
Taking Shape: Finding Sculpture in the Decorative Arts | institution: Henry Moore Institute , institution: J. Paul Getty Museum
Illustrations
Attributed works:
61. Side table, design attributed to Johann Paul Schor. Rome, c.1670. Gessoed and gilt poplar, 170 by 225 by 85 cm. (J. Paul Getty Museum, Los Angeles; exh. Henry Moore Institute, Leeds).
Attributed works:
62. Girandole (one of a pair), possibly designed by Matthias Lock; made by James Pascall. c.1774. Gilt pine and iron, 211 by 152 by 53.5 cm. (Temple Newsam, Leeds Museums and Galleries; exh. Henry Moore Institute, Leeds).
Western art unattributed:
60. Pair of decorative figures. Paris, 1738–49. Silver (1738–50) and bronze (1745–49), the lacquered painting attributed to Guillaume Martin and Etienne-Simon Martin. Each 22.8 by 11.4 by 15.2 cm. (J. Paul Getty Museum, Los Angeles; exh. Henry Moore Institute, Leeds).
Exhibition Review
Sculpture in the Home
12/2008 | 1269 | 150
Pages: 847-848
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related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
dates:
2000-2009
places:
Henry Moore Institute, Leeds, Great Britain
places:
England / Leeds
print:
British sculpture
print:
Sculpture
subjects:
Reviews / Exhibitions / British sculpture / Domestic (house related concept)
Reviewed Items
subjects:
Sculpture in the Home: Restaging a post-war initiative | institution: Henry Moore Institute
Illustrations
Attributed works:
46. Girl drying her foot, by Rosemary Young. 1954. Bronze, 42.5 cm. high. (Exh. Sculpture in the Home, 1958–59). (Arts Council Collection, London; exh. Henry Moore Institute, Leeds).
Western art unattributed:
45. View of part of the exhibition Sculpture in the Home. 2008. (Exh. Henry Moore Institute, Leeds).
Exhibition Review
Thomas Schütte. Leeds
12/2007 | 1257 | 149
Pages: 875-877
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related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Schütte, Thomas
dates:
2000-2009
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
Leeds / England
print:
Schütte, Thomas
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Fake/Function. Thomas Schütte: Early Work | institution: Henry Moore Institute
Illustrations
Attributed works:
82. Left: Ringe (Rings), by Thomas Schütte. 1981. Wood and paint, overall dimensions 700 by 500 cm.; Right: Grosse Mauer (Large wall), by Thomas Schutte. 1977. Oil paint on wood, overall dimensions 300 by 640 by 2.5 cm. (Both exh. Henry Moore Institute, Leeds).
Attributed works:
83. Lager (Store), by Thomas Schütte. 1978. Wooden board, paint and varnish, overall dimensions 137 by 500 by 68 cm. (Exh. Henry Moore Institute, Leeds).
Publication Received
Celebrating Moore. Works from the Henry Moore Foundation
12/2006 | 1245 | 148
Pages: 860
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related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Moore, Henry Spencer, 1898-1986
museums and institutions:
Henry Moore Foundation, Perry Green, Great Britain
print:
Moore, Henry Spencer, 1898-1986
subjects:
British sculpture / Collections, Public / Surveys
Reviewed Items
subjects:
Celebrating Moore. Works from the Henry Moore Foundation | author: Henry Moore Institute
Exhibition Review
Antinous. Leeds
09/2006 | 1242 | 148
Pages: 645-646
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related names
Reviewer:
Opper, Thorsten (Opper, Thorsten)
Subjects
dates:
2000-2009
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
Leeds / England
print:
Ancient sculpture
subjects:
Reviews / Exhibitions / Antiquities / Sculpture
subjects:
Marbles / Portraits
Reviewed Items
subjects:
Antinous: The Face of the Antique | institution: Henry Moore Institute
Illustrations
Attributed works:
72. Castor and Pollux, by Joseph Nollekens. 1767. Marble, 160.6 cm. high. (Victoria and Albert Museum, London; exh. Henry Moore Institute, Leeds).
Western art unattributed:
71. Antinous Mondragone. Italy, c.130 A.D. Marble, 95 cm. high. (Musée du Louvre, Paris; exh. Henry Moore Institute, Leeds).
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
museums and institutions:
Barbican Art Gallery, London, Great Britain / Henry Moore Institute, Leeds, Great Britain / Museum of Contemporary Art, Chicago, United States / Bronx Museum of the Arts, New York, United States
museums and institutions:
Haus der Kulturen der Welt, Berlin, Germany
places:
Berlin / Chicago / England / Germany / Leeds / London / United States
places:
New York
print:
Brazilian art
subjects:
Reviews / Exhibitions / Brazilian / Art / Installations (visual works) / Sculpture / Performance art / Photographs
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).
Exhibition Review
Bronze. Leeds
12/2005 | 1233 | 147
Pages: 843-844
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related names
Reviewer:
Boström, Antonia (Boström, Antonia)
Subjects
dates:
2000-2009
museums and institutions:
Henry Moore Institute, Leeds, Great Britain
places:
England / Leeds
print:
Bronzes
subjects:
Reviews / Exhibitions
subjects:
Sculpture / Bronzes
Reviewed Items
subjects:
Bronze. The Power of Life and Death | institution: Henry Moore Institute
Illustrations
Attributed works:
65. Mercury, by Johan Gregor van der Schardt. c.1570-76, 53 cm. high. (Kunsthistorisches Museum, Vienna; exh. Henry Moore Institute, Leeds).
Attributed works:
66. Fox/mouse/belt, by Mark Manders. 1993. Painted bronze, 116.8 by 40.6 by 15.2 cm. (Zeno X Gallery, Antwerp; exh. Henry Moore Institute, Leeds).
Western art unattributed:
64. Two lizards. Italian, second half of the sixteenth century. Bronze, 17.5 cm. long. (Bayerisches Nationalmuseum, Munich; exh. Henry Moore Institute, Leeds).
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