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5 articles
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
museums and institutions:
Barbican Art Gallery, London, Great Britain / Henry Moore Institute, Leeds, Great Britain / Museum of Contemporary Art, Chicago, United States / Bronx Museum of the Arts, New York, United States
museums and institutions:
Haus der Kulturen der Welt, Berlin, Germany
places:
Berlin / Chicago / England / Germany / Leeds / London / United States
places:
New York
print:
Brazilian art
subjects:
Reviews / Exhibitions / Brazilian / Art / Installations (visual works) / Sculpture / Performance art / Photographs
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).
Exhibition Review
Brazilian Baroque: New York, Bilbao and Oxford
04/2002 | 1189 | 144
Pages: 254-257
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Reviewer:
Rishel, Joseph J. (Rishel, Joseph J.; Rishel, Joseph)
Subjects
dates:
2000-2009
media:
Ashmolean Museum, Oxford, Great Britain
museums and institutions:
Guggenheim Museum Bilbao, Bilbao, Spain
museums and institutions:
Solomon R. Guggenheim Museum, New York, United States
places:
England / Oxford / Spain / Bilbao / New York / United States
subjects:
Exhibitions
subjects:
Reviews / Brazilian / Paintings / Sculpture / Baroque
Illustrations
Attributed works:
53. St Joseph of the Boots, by Antônio Francisco Lisboa, Called O Aleijadinho. Wood with Polychrome Gilding, 57.5 by 43 by 42 cm. (Collection of the Governo de Estado, São Paulo; Exh. Ashmolean Museum, Oxford).
Attributed works:
56. Sugar Plantation, by Frans Post. 1661. Panel, 43 by 48 cm. (Beatriz and Mário Pimenta Camargo Collection, São Paulo; Exh. Guggenheim Museum, New York).
Western art unattributed:
54. St Elesbaan Victorious, Brazilian, Eighteenth Century. Wood with Polychrome Gilding, 146 by 113 by 61 cm. (Our Lady of the Rosary, Olinda; Exh. Ashmolean Museum, Oxford).
Western art unattributed:
55. Detail of Altar, Brazilian, Eighteenth Century. Polychromed and Gilded Wood, 1361 by 785 by 440 cm. (São Bento Monastery, Olinda; Exh. Guggenheim Museum, New York).
Publication Received
Arquitectura e arte no Brasil colonial
02/1993 | 1079 | 135
Pages: 157
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related names
Reviewer:
Burge, Joaquim Rodrigo (Burge, Joaquim Rodrigo)
Subjects
subjects:
Brazilian / Art / Colonial
Reviewed Items
subjects:
Arquitectura e arte no Brasil colonial | author: Bury, John Bernard
Exhibition Review
Current and Forthcoming Exhibitions: Paris
11/1960 | 692 | 102
Pages: 496-497+499
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related names
Reviewer:
Morand, Kathleen (Morand, Kathleen)
Subjects
artists:
Millet, Jean-François, 1814-1875
dates:
1960-1969
museums and institutions:
Musée du Louvre, Paris, France
places:
France / Paris
subjects:
Architecture / Brazilian / Exhibitions
subjects:
Italian sculpture
Illustrations
Attributed works:
33. Homme faisant mouvoir une grande roue, by Jean-François Millet. Black Chalk on Blue-Grey Paper, 15.5 by 15.8 cm. (Cabinet des Dessins, Musée du Louvre.)