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3 articles
Exhibition Review
Art AIDS America. Tacoma, Kennesaw, New York and Chicago
12/2016 | 1365 | 158
Pages: 1007-1009
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related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
2010-2019
museums and institutions:
Alphawood Gallery, Chicago, United States / Tacoma Art Museum, Tacoma, United States / Zuckerman Museum of Art, Kennesaw, United States / Bronx Museum of the Arts, New York, United States
places:
United States / Tacoma / New York / Kennesaw / Chicago
subjects:
Reviews / Exhibitions / Politics / Medicine / Disease
Illustrations
Attributed works:
78. Untitled (self-portrait), by Mark Morrisroe. 1989 (Fotomuseum Winterthur; exh. Alphawood Gallery, Chicago)
Attributed works:
79. 24, by Kia Labeija. 2014 (Tacoma Art Museum and the Bronx Museum of the Arts, New York; exh. Alphawood Gallery, Chicago)
Attributed works:
80. Icarian I Incline, by Daniel Goldstein. 1993 (Collection of Richard Gere; exh. Alphawood Gallery, Chicago)
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
museums and institutions:
Barbican Art Gallery, London, Great Britain / Henry Moore Institute, Leeds, Great Britain / Museum of Contemporary Art, Chicago, United States / Bronx Museum of the Arts, New York, United States
museums and institutions:
Haus der Kulturen der Welt, Berlin, Germany
places:
Berlin / Chicago / England / Germany / Leeds / London / United States
places:
New York
print:
Brazilian art
subjects:
Reviews / Exhibitions / Brazilian / Art / Installations (visual works) / Sculpture / Performance art / Photographs
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).