Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
