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Advertisements September 1997 (front)
09/1997 | 1134 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Edvard Munch (Loeiten 1863 - 1944 Ekely near Oslo). Girl and Boy at a Chicken Run. Lithograph 1912. Schiefler 372, b. Signed and Marked "Tryk 4.". Printed on Heavy Greyish-Brown Laid Paper. Image Dimensions: 43.5 by 38 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Nicolò di Pietro. (Venice, Documented between 1394 and 1427). "Christ AS Saviour". Tempera on Panel, 70 × 55.5 cm
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltiare, Paris ] Edward Luttrell, fl.c. 1680-1724. Three Male Heads. Pastel on Copper, 9.4 × 25.4 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, New York ] Eustache le Sueur 1616 - Paris - 1655. St. Paul Exorcising a Possessed Man Also Known as St. Paul Healing the Sick. Oil on Canvas: 175.1 × 131.7 cms
Attributed works:
[ Cover ] Costume of a mourner, Made by Marie Muelle in the Atelier of Paul Poiret after a Design by Henri Matisse. 1919. Felt and Velvet, 160 by 168 cm. (Musée d'art et d'histoire, Geneva)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] C. R. W. Nevenson 1889-1946. The Road to Ypres. Oil on Canvas. 51 × 92 cms.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Holbein, Hans, the Younger (1497-1543). Successor. Portrait of Henry VIII of England. Oil on Wood. 75 × 65 cm.
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Claude-Joseph Vernet (Avignon 1714 - 1789 Paris). Canvas 35 × 45 cm (13.8 by 17.7 in.)
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Jean Etienne Liotard. (1702 - Geneva - 1789). A Tea Set with a Sweet. Oil on Canvas 30 × 64 cm (11.8 by 25.2 in.) Signed Lower Right: J. E. Liotard
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning, Munich ] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona). Kneeling Angel. Black Chalk, Pen and Brown Ink, Brown Wash on an Old Mount. 172 × 108 mm.
Attributed works:
[ Hall & Knight Ltd., 21 East 67th Street / 15th Duke Street, St. James, London ] Giovan Francesco Maineri (c. 1460/70- after 1506). Christ Carrying the Cross. Oil on Panel, 12 × 8½ Inches (31 × 22 cm)
Attributed works:
[ Maison d' Art, Park Palace, 27 Avenue de la Costa, Monaco ] Bartolomeo Guidobono Savona 1654 - Turin 1709. The Virgin and Child Oil on Canvas, 64 × $37frac{3}{4}$ in. (162.6 × 95.9 cm.)
Attributed works:
[ Neumeister Barer Str. 37, Munich ] Abraham Govaerts (1589-1625) and Thomas Francken (1574-1625). The Virgin and Child in Wooded Landscape. Oil on Panel. 50 × 64 cm. Provenance: Monastery Nonnberg, Salzburg.
Attributed works:
[ Phillips, 101 New Bond Street, London ] Camille Pissarro, "Camille Pissarro par lui-même", (Delteil 90), Etching and Drypoint, Circa 1890, Second State, Signed and Numbered from the Edition of Twenty Eight.
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Abraham de Verwer (Circa 1585-1650) Flemish School. A Dutch States Yacht with Numerous Smalschips and Barges on a River Estuary beside a Village. Oil on Panel. $12frac{1}{8}$ × $14frac{1}{8}$ Inches (30.8 × 35.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Jan Brueghel The Younger (1601-1678) Flemish School. A River Landscape with Windmills and Ferry Boats. Oil on Copper. 19¼ × 26 Inches (49 × 66 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Brueghel The Younger (1564-1638) Flemish School. The Adoration of the Magi. Oil on Panel. 15½ × 22¼ Inches (39.2 × 56.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Snayers (1592-1667) Flemish School. The Conversion of St. Paul. Oil on Panel. 7½ × 9½ Inches (19 × 24.2 cms). Signed and Dated 1656.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre-Nolasque Bergeret, Marius Meditating on the Ruins of Carthage, 1807. Oil on Canvas, 129.5 by 96.5 cm. Signed in Monogram and Dated: "P. N. B. AN 1807"
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Antoine-Louis Barye: Man on Horseback. Wax, ht. 19.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Charles Mellin: Triumph of Galatea. Oil on Canvas, 121 by 123.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Eugène Delacroix: Charles V and Odette de Champdivers. Oil on Canvas. 33.5 × 27.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Gherardo Starnina: Madonna of Humility, c.1410. Tempera on Panel, 93.5 × 60 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Godfried Schalcken: A Gentleman Offering a Lady a Ring in a Bedroom. Oil on Panel, 37.2 × 29.2 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Baptiste Carpeaux: La Danse. Terracotta, ht 52 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Etienne Liotard: A Tea Set. Signed. Oil on Canvas, 30 × 64 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Juan de Arellano: Irises, Tulips, Roses and Other Flowers in a Glass Vase. Signed. Oil on Canvas, 84 × 62.8 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Léon Mathieu Cochereau: Le peintre, le modèle et son chaperon. Oil on Canvas, 46 × 55 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Mario Nuzzi: Portrait of a Young Boy with Fruit and a Parrot. Oil on Canvas, 101 × 81 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Nicolas-Bernard Lépicier: Jeune homme à la pipe. Ink and Wash with Traces of Red Chalk, 28.2 by 20.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Paul-César Helleu: Atelier Edgar Degas. Black and Red Chalk with White Hightening, 26 by 37 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Pierre Mignard: Time Clipping Cupid's Wings. Signed and Dated, 'P. Mignard Pinxit 1694 / Aetatis 82. Oil on Canvas, 66 × 54 cm.
Attributed works:
[ Tate Gallery, Millbank, London (BP) ] Thomas Girtin, The White House at Chelsea, 1800
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Vienna ] Eugène Boudin "Rotterdam, le port de bourse". Oil on Canvas, 40 × 55 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham Gloucester ] An Excellent Early 19th-Century Mahogany two Pillar Table with Turning Bases to Support Leaves. Of Fine Colour and Quality. Circa 1820. Length 8′4″ Width 4′2″ Height $2^{prime }3frac{3}{4}^{prime prime}$
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Advertisements November 1995 (front)
11/1995 | 1112 | 137
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street, St James, London ] Rembrandt Harmensz. van Rijn 1606-1669. Nude Woman Seated with Hat beside Her, 1658, Etching Printed on Japan Paper, 196 × 129 mm. B.199
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk. 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A Berlin - Grunewald ] After Pieter Brueghel the Elder. The Witch of Mallegem. Engraving. Bastelaer 193, Hollstein 193 I-II (Of V). An Unrecorded State before the Letters in the Lower Plate-Margin.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Bernardo Strozzi (Genoa, 1581/2 - Venice, 1644). "Saint Ann (?)". Oil on Canvas, 43.5 × 56 cm
Attributed works:
[ Bukowski's, Aresnalsgatan 4, Stockholm ] Giovanni Panini. His School. Oil on Canvas. (128 × 172).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris ] A Small Rock Crystal Cup. Byzantine Period. 9.5cm High - 17cm Wide
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Theodore Gericault Rouen 1791 - Paris 1824. The Bride of Abydos. Oil on Paper Laid down on Canvas: 17 × 19 cms Stretcher Bears Label with the Following Inscription: Le Gidour (sic) par Gericault donne au duc de Nemours par le general Bro. Scene de pirate. Chateâu d'Eu 1850. Reverse of Canvas Stamped with Number, 15344, and a Crown above a Monogram Reputedly of the Orleans Family.
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Vittore Ghislandi, Called Fra Galgario 1655 - Bergamo - 1743. Portrait of a Gentleman. Oil on Canvas. 100 × 73 cm
Attributed works:
[ Cover ] Virgin and Child with Sts Peter and Paul, by Giuseppe Cesari, Called Il Cavaliere d'Arpino. 1608-09. 174.2 by 119.9 cm. (Nelson-Atkins Museum of Art, Kansas City; Purchase: Nelson Trust [91 14]).
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Theodor Hosemann. The Admired Groom. Oil on Canvas. 1869. Signed and Dated.
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Tsugouharu Foujita. Filette au fichu. Watercolour and Indian Ink. 1939. Signed and Dated.
Attributed works:
[ Galerie d' Arte Armondi, S. R. L, C.so Palestro, 37/B, Brescia ] The Holy Family with St John the Baptist by Andrea del Brescianino (Siena XVIth c.). Oil on Panel, 104 × 83 cm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert) (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Giovanni Battista Gaulli, Known as Il Baciccio (1639 - 1709). Marco, Cardinal Gallo. Oil on Canvas, 74 × 59,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Sabbatini c. 1530-1576. The Dead Christ Supported by Angels. Etching, after the Painting in Bologna.
Attributed works:
[ Kate Ganz Limited, New York ] Domenico Zampieri, Called Domenichino. Bologna 1581 - Naples 1641. Landscape with Trees, a Town, a Horse and Rider and Some Figures Pen and Brown Ink on Ivory Coloured Paper. $7frac{1}{8}times 4frac{1}{4}$ × 4¼ Inches. 18.1 × 10.8 cms.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jean-Baptiste Wicar, 1762-1834. Black Chalk, White Heightening. 278 × 97mm. Preparatory for La Résurrection du fils de la veuve de Naïm, 1816
Attributed works:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich ] Abraham Hondius (1625 Rotterdam - 1695 London), Setting-Out with Falcons. Signed and Dated 1654. Oil on Panel. 95 × 124 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Enea Vico (Parma 1523-1567) Punishment of the Courtesan Who Had Mocked Virgil, after Perino del Vaga. Engraving, 1542. Bartsch 46, Only State
Attributed works:
[ Olympia Fine Art & Antiques Fair, London ] Alfred Lord Tennyson by Samuel Lawrence (Detail), Circa 1840, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Edouard Manet, Civil War, 1871-1873
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Jacopo Bellini Venice, c. 1400 - 1470/71. Two Saints, Parts of an Altarpiece, Circa 1440/1450. Tempera and Gold on Panel, Each 89 × 28.5 cm. (Painted Surface: 86.4 × 24 cm.)
Attributed works:
[ R. S. Johnson Fine Art, 645 n. Michigan Ave., Chicago ] Edgar Degas (1834-1917). Ht: 321 mm.; $12frac{5}{8}$ Inches. Femme s'essuyant (Bronze), 1896-1911. No. 43/0 (Ref: Rewald no. LXXII)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Lavinia Fontana, Holy Family with Infant St. John the Baptist and Saint Catherine, Circa 1570-75, Oil on Panel, 85 × 66 cm.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. Fisherman. 1909. Oil on Canvas. 96.5 × 71.1 cm. (38 × 28 in.) Monogrammed and Dated. Estimate: DM 350,000-450,000
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Giambattista Tiepolo (Venice 1696-1770 Madrid), Portrait of Giulio Contarini, after the Bust of Alessandro Vittoria. Oil on Paper, 310 × 200 mm (12¼ × $8frac{7}{8}$ Inches). Inscribed Upper Left, Tiziano Vecelli
Non-western art unattributed:
[ Grace Wu Bruce Co., Ltd, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wine Table, Chinese, Late 16th to Early 17th Century
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] A Chinese Painted Pottery Figure of a Musicienne. Sui Dynasty (A. D. 581-618). Height $8frac{3}{4}$ Inches (22.2 cm)
Western art unattributed:
[ Donati Arte Classica, Via Nassa 3, Lugano ] Torso of a Young Man. Standing Nude Figure, Wearing a Short Cloak. Roman, 1st-2nd c. A. D. Marble, ht. 38 cm.
Western art unattributed:
[ Trinity Fine Art Ltd & Michael Tollemache Limited, Newhouse Galleries Inc., 19th East 66th Street, New York ] Two Mosan Enamelled Plaques of Christ Blessing. Circa 1160-70, Gilt Copper, 7.4 × 7.4 cms. and 7.2 × 7.2 cms.
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Advertisements September 1995 (front)
09/1995 | 1110 | 137
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Man of War, Sailing to the Left, in the Background a Town. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 102. Early Print.
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Three Men of War in a Tempest, Sailing to the Right. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 105, I (Of II). Early Print.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Domenico Cresti Called Il Passignano (Passignano (FI), 1559 - Firenze, 1638). "Ecce Homo". Oil on Slate, 40 × 53 cm
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Emil Nolde. Prophet. Woodcut. (1912). Signed and Titled. 415 × 325 mm Sheetsize. Schiefler-Mosel 110.
Attributed works:
[ Claude Kuhn, Blumenrain 12, Basel ] Jacopo Ligozzi. Head of a Man with a Turban. Pen and Brown Ink over Some Red Chalk, 9.4 × 7.2 cms
Attributed works:
[ Cover ] After Belshazzar's Feast, by Frank Auerbach. 1990. Acrylic on Board, 55.9 by 69.8 cm. (Marlborough Fine Art, London, Ltd
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Johann Heinrich Fiissli or Henry Fuseli (Zurich 1741-1825 Putney Hill), the Expulsion from Paradise, 1803-1805, Oil on Canvas, 0,91 × 0,71 m
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Chaudet, Antoine-Denis (1763 Paris 1810). Busts of Napoleon Bonaparte and Marie-Louise as a Roman Couple. Paris ca. 1810.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Amphora Vase, Manufacture Imperiale de Sèvres and Numbered, Sèvres 1811. Representing Napoleon as an Ancient Hero Being Crowned by Fama. H 105 cm.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Firedogs, Empire, Attributed to P. P. Thomire, Paris ca. 1810.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jacob Toorenvliet. Copper 23.5 × 19 cms. Leyden, 1635 - 1719. Signed J. Toorenvliet Fecit A. D. 1676
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696 - 1770). Christ and the Woman of Samaria. Pen and Brown Ink and Wash over Black Chalk, 29.8 × 21.7 cm
Attributed works:
[ Heribert Tenschert, Kirchplatz 14-15, Rotthalmünster ] Judgement Day. Full Page Miniature (One of 24 Large and 24 Smaller Ones) from the Book of Hours of Christophe de Champagne, Painted Probably by François Fouquet; Tours, around 1480-85. In Mint Condition. From the Cortland F. Bishop and L. Dupont Collections.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Salvator Rosa (1615-1673). The Genius of Salvator Rosa. Etching and Drypoint, Circa 1662. Bartsch 24; Theodoli 113, Only State
Attributed works:
[ Paul Prouté, S.A., 74 rue de Seine, Paris ] Giovanni Battista Barbieri, Il Guercino (Cento 1591 + Bologne 1666). Saint Joseph and the Infant Jesus. Red Chalk, 250 × 193. Ex Collections Sir Joshua Reynolds (Lugt 2364) and William Esdaile (L. 2617).
Attributed works:
[ Tate Gallery, Millbank, London ] Henry Moore, Recumbent Figure, 1938
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Middle Rhenish Master. Late 15th Century. Sts Stephen and John the Baptist. Virgin and Child with St Mary Magdalene. Oil and Gold on Panel: 38 × 28 cms (Each One)
Western art unattributed:
[ Galerie Günter Puhze, Stadstrasse 28, Freiburg ] Bronze Statuette of Marsyas, Roman 1st-2nd Cent. AD, Height: 26cm
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Μunich ] From a Collection of Rare Early German Stone- and Hafner-Ware. Bartmannskrug, Cologne, 16th Century. H. 16 cm. Feldflasche, Saxony, Late 16th Century. H. 23,5 cm (Provenance Collection Bondy, Vienna). Kurfürstenkrug, Raeren, Early 17th Century. H. 17 cm.
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Advertisements September 1994 (front)
09/1994 | 1098 | 136
Pages: i-xxiv
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Jan Wyck, Battle between Turks and Poles. Painting, about 1685. Monogrammed. 63 × 76 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] "Portrait of a Man in Armour". Oil on Canvas, cm 199 × 133. Giuseppe Vermiglio (Active c.1604-1635)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Israhel van Meckenem. St.Thomas and St.James The Lesser.Engraving. 205 (211) × 143 mm Sheetsize. Bartsch 81. Lehrs and Hollstein 296 I (of II).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed Terracotta Bust of a Man
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Gustave Courbet (French, 1819-1877), Flowers, Signed Gustave Courbet, Lower Left, Oil on Canvas, $9frac{3}{4}times 7frac{3}{4}$ (24.7 × 19.6 cm.).
Attributed works:
[ Concha Barrios, Claudio Coello 14 and 17, Madrid ] Massino Stanzione (Orta di Atela 1585 - Naples 1656), St. Agatha (detail), oil on canvas, 144 x 187 cms.
Attributed works:
[ cover ] Angel Appearing to St Jerome, by Guido Reni. 198 by 174 cm. (The Detroit Institute of Arts).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Cristoforo Munari. (Reggio Emilia 1667-1720 Pisa). Still Life with Lute and Violin. Oil on Canvas (One of a Pair). 52.5 by 40.25 Inches; 133.5 by 102 cms.
Attributed works:
[ Galerie Eric Coatalem, 93 Rue du Faubourg St. Honoré, Paris ] The Saint Family, St. John the Baptist, St. Elizabeth and Two Angels. Oil on Canvas, 75 × 101.5 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] François Boucher (1703 Paris 1770). Une dame à sa toilette, ca. 1738. Oil on Canvas. 34×30 in. (86.3×76 cm). Domenico di Michelino (Florenz 1417-1491). The Madonna and Child with Saints. Tempera on Panel, Gold Ground. 38.5×25.5 in. (98×65 cm). Lit.: van Marle, 1927; B. Berenson, 1932 and 1963.
Attributed works:
[ Galerie Michel Descours, 44 rue Auguste - Comte, Lyon ] Giovanni Francesco Barbieri Called il Guercino (Cento 1591-1666 Bologna). The Martyrdom of Saint Sebastian. Red Chalk on Paper. 370 × 270 mm
Attributed works:
[ Gallery Kekko, 14 Prince Arthur, Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696-1770). The Head of Hermes. Red and White Chalk on Blue Paper, 28.4 × 19.6 cm Watermark: Three Crescent Moons
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Table Lamp with Orchids and Bats. Emile Gallé, Nancy, 1901-1903. Colourless Glass, the Interior Overlaid with Opal Glass, the Exterior with Violet and Yellow Glass. In Several Working Processes Continuously Etched to Depict Orchids - On the Foot - And Five Bats with Diabolic Grimaces - On the Shade. The Ground Partially Cut. Relief Signature on Foot and Shade. Original Metal Mount with Light-Fixture in Foot and Shade. Height 63 cm. Diam of Shade 35 cm.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Daniele Crespi. (Busto Arsizio ca. 1598/1600 + Milano 1630). A Kneeling Saint (Saint Charles Borromeo?) Adoring the Virgin Surrounded by Angels. Pen and Brown Ink, Heightened with White on Paper Prepared with Brown Pencil, 220 × 175.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Théodore Géricault, Brutus Condemning His Sons to Death, Circa 1815. Pencil on Pale Green Paper $3frac{7}{8} text{by} 5 frac{3}{8}$ Inches (10 by 13.5 cm.). Also: A Pendant Drawing, a Study for The Oath of Brutus, Which Is in the Nelson-Atkins Museum of Art
Attributed works:
[ The Fine Arts Gallery of New Orleans, 614 Canal Street, New Orleans ] 53.5 × 101.5 Inches (136 × 258 cm). A Wooded Landscape with Figures Near a Stream. Oil on Canvas
Attributed works:
[ The University of Chicago Press ] Richard Serra, Photo by Nancy Lee Katz
Attributed works:
[ Venator & Hanstein KG, Cäcilienstrasse 48, Cologne ] Albrecht Dürer: St. Hubertus. Engraving, ca 1501
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Portal of the Church of Madonna dell'Orto after Restoration
Advertisements
Advertisements September 1993 (front)
09/1993 | 1086 | 135
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.
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05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
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09/1991 | 1062 | 133
Pages: xL
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Agostino Carracci (1557-1602). Cupid Overpowering Pan, The Head of a Monk (verso) Black and White Chalk on Blue Paper, 345 × 255 mm
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Bonino da Campione Madonna and Child. (Lombard, Active 1345-97) Marble 71 cm. High.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Cornelis Cornelis. van Haarlem (1562-1638) An Allegory of Time. Oil on Panel 33 × 45.8 cms. Monogrammed and Dated: CVH 1628
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Francesco Capella Called Daggia (1711-1784) Holy Family. Oil on Canvas 46 × 37 cms
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Girolamo Macchietti (Florence, 1535-1592). Christ, St Catherine and St John the Baptist Brown Ink and Wash, Heightened with White or Blue Paper.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Giuseppe Zocchi (Florence, 1711 or 1717-1767). View of the Uffizi and Palazzo Vecchio from the Arno. Oil on Canvas, 65.5 by 94 cms.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Benvenuto Tisi Called il Garofalo (c. 1476-1559). Adoration of the Shepherds. Panel, 9 × 11½ in (22.8 × 29.2 cm)
Attributed works:
[Arno Winterberg, Blumenstrasse 15, Heidelberg] Christian Wilhelm Ernst Dietrich, Called Dietricy, The Bath of Diana. Brown Ink and Wash, Heightened with White. Signed and Dated. 37,3 × 27,6 cm.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] John Heiss (Memmingen 1660-Augsburg 1704). Moses and the Brazen Serpent. Canvas, 97.7 × 134.7 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Michael Ribestein (Active in Berlin between 1550 and 1565). The Agony in the Garden. Pen and Black Ink, Heightened with White (Partly Oxidised) on Chestnut Prepared Paper. 154 × 116 mm. From the A. Beurdeley Collection (L.421).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Bernardino Fungai 1460 - Fongaia - 1516 Virgin and Child Tempera and Gold on Panel: 42.8 × 29cms
Attributed works:
[Cramer, 38 Javastraat, The Hague] Philips Koninck (Amsterdam 1619-1688) Portrait of a Man from the van Schoten Family Signed and Dated: P. Koninck 1656 On Canvas 94.5 × 87.5 cm (36½ by 34 in.)
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam] Le Sens des Realités. René Magritte, Oil on Canvas. 175 × 115 cm. 1963 Provenance Alexander Iolas. Private English Collection. Private Dutch Collection. Drs Loek Brons B. V., Amsterdam Lit.: René Magritte. Il Torckzyner, New York 1977. Page 155
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c. 1785.
Attributed works:
[Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam] A Pair of Beakers with Polychrome Enamelling, Southern Germany, Mid-18th Century Height: 8 and 7.8 cm.
Attributed works:
[Front cover] Friedrich Rückert, by Samuel Amsler. 1818. Pencil on off-White Paper, 19.7 by 16.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Martin Schongauer. Christ Carrying the Cross. Engraving. C. 1480.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich] Jacobus Hausser (Around 1595-1603). Mercury and Psyche. Black Chalk and Pen and Brown Ink and Grey Wash on Laid Paper. 230 × 173 mm. Signed and Dated "Jacobus Haußzer van Ach/in Rom Ad 1595".
Attributed works:
[Heide Hubner, Handelstrasse 21A, Wurzburg] Jan Tengnagel (Amsterdam 1584-1635) Eliezer Bringing Gifts to Rebecca from Abraham. Oil on Panel. 45.5 by 65 cm.
Attributed works:
[Herve Chayette Laurence Calmels, 12 Rue Rosini, Paris] Lacroix de Marseille. "Naufrage sur une côte mediterranéenne" Canvas 49 × 65,5 cm
Attributed works:
[Hildegard Fritz - Denneville Fine Arts Ltd, 31 New Bond Street, London] Eduard von Gärtner (Berlin, 1801-1877) 'The Artist's Wife and Three Eldest Children at the Coffee Table in the Conservatory of Mr. Westphal, His Landlord in Berlin'. Oil on Canvas, Signed with Monogram 'E. G.' and Dated 1836. 24 by 20 cm.
Attributed works:
[Hilmar M. Klemke oHG, Burchardstrasse 26, Munich] Isaac de Moucheron. (Amsterdam 1670-1744 Amsterdam) Villa d'Este, Tivoli Viale delle Cento Fontane. Pen and Brown Ink, Watercolour, Gouache, 225 × 341 mm. Signed at Lower Right with Pen and Brown Ink 'Moucheron Fecit'
Attributed works:
[Julius Bohler, Pacellistrasse 8, Munich] Very important Choirstall, richly carved with a relief of St. Peter, and a group of Phyllis riding on the back of Aristotle. By Rodrigo Alemán (German woodcarver active in Spain 1489-1503). Oakwood, height 316 cm, width 87 cm, depth ca. 75 cm. From the Cathedral of Plasencia, Spain, carved between 1497 and 1503.
Attributed works:
[K.J. Mullenmeister, Borsenstrasse 69, Solingen] Jacob Bogdany (? Eperjes - 1724 London). Landscape with Pheasant and Partridges. Oil on Canvas 74 × 60 cm. Signed: J. Bogdany, Painter to William III King of England 1689-1702
Attributed works:
[Lawrence, Fine Art of Crewkerne, South Street, Crewkerne, Somerset] David Vinckeboons. The Preaching of St. John the Baptist. Oil on Canvas 44 (111.7) × 34¼ (86.9)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Celia Paul, Kate, 1990. Oil on Canvas 60 × 40 in./152.4 × 101.6 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Salomon van Ruysdael c. 1601-1670. Landscape with Travellers. Canvas: 108.5 × 136 cm Signed
Attributed works:
[Otto Naumann Ltd, 4 East 74th Street, New York] Nicolaes Berchem. Haarlem, 1620-1683 Amsterdam. Extensive Landscape with a Stag Hunt. Panel, 71.5 × 97 cms. Signed Lower Right
Attributed works:
[Phillips, 101New Bond Street, London] Benjamin West P. R. A. Two Officers and a groom in a Continental Landscape, Signed and Dated 1777, 99cms × 124.5cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Benvenuto di Giovanni, Assumption of the Virgin, 1498 Tempera, 295 by 221 cm. Signed and Dated, Bottom Centre (On Cartellino): "Opus. Benvenuti. Iohanis/De. Senis. MCCCCLXXXXVIII"
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Landscape with the Predication of St. John the Baptist, 1643 Oil on Canvas, 103.5 by 146 cm ($40frac{3}{4}$ by 57½ Inches) Signed and Dated, Lower Right, BBreenbergh/Faciebat. Anno./1643
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Cornelis Saftleven (1607-1681). Rushing Man from Behind. Black Chalk. 281 × 182 mm. Monogrammed and Dated 1631
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Matteo Rosselli (1578-1651). Three Standing Women. Black, red and white chalk on blue paper. 424 × 266 mm. Final drawing for the painting of the Birth of the Virgin, in Santa Maria dei Servi, Lucca Anna Forlani-Tempesti and Ugo Ruggeri confirmed the attribution
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Giovanni Balducci, Called Il Cosci. Firenze 1560 - Napoli after 1631. "Head of an Apostle". "A Study of Male Figure" (r) 261 × 198 mm. The Drawing is Connected with the Lower Left Figure in the Painting Christ in Glory with Apostles and Saints in the Gesù Pellegrino, Florence, c. 1590.
Attributed works:
[Xaver Scheidwimmer, Barer Strasse 3, Munich] Paul de Vos (Hulst 1595-1678 Antwerp). The Flight between the Cock and the Peacock. Signed: P. de Vos Fecit. Oil on Canvas, 119 × 180 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Don Silvestro dei Gherarducci". Firenze, XIV cent. Initial "L", "Santa Caterina e una monaca in preghiera" Tempera Illuminated on vellum 190 × 170 mm.
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07/1991 | 1060 | 133
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[9th International Biennale, Monte - Carlo] A Louis XVI bois de violette and rosewood bonheur-du-jour, with gilt-bronze mounts. Estampille of P. Pioniez. 86 by 65 by 44cms. (P. Pioniez was received into the guild in August 1765.) A Louis XV clock with blanc de chine porcelain Ho-ho figurine and gilt-bronze surrounds; the dial, signed 'Autray à Paris' shows two sets of numerals, roman and arabic. 24 by 13 by 13cms. A Louis XVI pair of highly decorative sconces, gilt-bronze worked in the manner of Gouthière, 'gilder to the king.' 38.5 by 21.5 by 11cms.
Attributed works:
[9th International Biennale, Monte - Carlo] Allegory of Abundance. Oil on Copper. 40 by 30cms. Attributed to Ludovico Carracci.
Attributed works:
[9th International Biennale, Monte - Carlo] Self-Portrait by André Masson (1896-1987). Ink and Charcoal on Paper. Atelier Stamp Lower Right, 1947. 48.5 by 40.8cms.
Attributed works:
[9th International Biennale, Monte - Carlo]The Mask of Apollo by Antoine Bourdelle (1861-1929). Patinated Bronze, Parcel-Gilt. Height: 52cms. Signed 'A. Bourdelle'; From the A. Rudier Foundry.
Attributed works:
[9th International Biennale, Monte - Carlo]The Molo Seen from the S. Marco Basin by Antonio Canal, Called Canaletto (Venice, 1697-1768). Oil on Canvas. 66 by 113cms.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Madonna and Child, by Bonino da Campione (Lombard, Active 1345-97). Marble 71 cm. High.
Attributed works:
[Caylus Anticuario, Lagasca 28, Madrid] Juan de Borgoña the Younger. The Resurrection. Oil on Panel 65.5 × 56.5 cms
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Applied Figure Repoussé and Gilded Copper Limoges, Mid-13th Century Height: 20 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Angelica Kauffmann, RA Coire 1741-Rome 1807. Imitation. Oil on Canvas: 131 × 100cms. Signed at Lower Right
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam ] Le Sens des Realités. René Magritte. Oil on Canvas 175 × 115 cm 1963 Provenance Alexander iolas. Private English Collection Private Dutch Collection, Drs Loek Brons bv. Amsterdam Lit.: René Magritte, Il Torckzyner. New York 1977. Page 155.
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c.1785.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Abraham de Pape. 1620 Leiden 166. The Kitchen-Maid and the Mischief-Maker. Oil on Panel: 49 × 41cm. Signed 'Pape 1648'.
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Florence] Sigismond Coccapani, Firenze 1583-1643. St Sebastian Succoured by Irene. Oil on Canvas, 120 × 87 cms.
Attributed works:
[Katrin Bellinger, Bauchstrasse 2, Munich] Francesco Barbieri, il Guercino (Cento 1591-1666 Bologna). 'Madonna and Child' Red Chalk; 192 × 130 mm
Attributed works:
[Marlborough, 6 Albemarle Street, London] Auguste Rodin (1840-1917). La Fatigue, Marble, Length: $19frac{5}{8}$ in./49.7 cm. Width: $9frac{3}{4}$ in./24.8 cm.
Attributed works:
[Paul Proute S.A., 74 rue de Seine, Paris] Adrien van Ostade. Peasants Smoking in an Inn. Pen and Brown Ink, with Brown Wash over Black Chalk 17 × 24 cms.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans Van Lint, Called Studio (Antwerp 1684-1763 Rome). Each Signed and Dated Roma, 1746, Oil on Canvas, 31.5cm × 49cm. Estimate: £60,000-£80,000 (The Pair).
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Giovanni Francesco Barbieri, il Guercino, Reuben Showing Jacob Joseph's Bloodied Tunic Circa 1655, Oil on Canvas, 115 × 165 cm.
Attributed works:
[Spencer A. Samuels & Co., 52 East 78th Street, New York] Jan Baptist Weenix, Amsterdam 1621-1663. Hound with a Joint of Meat, a Cat, Looking On, Signed upper Right: Gio Batta Weenix. Oil on Canvas 45 by 51 Inches (114.5 by 129.5 cm.)
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] André Derain (1880-1954), Rue à Collioure, 1905. Pen and Ink, 19 × $14frac{5}{8}$ Inches. Signed and Dated Lower Right 'a Derain 1905'
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Andrea Boscoli (Florence ca. 1560-1607 Florence). Standing Academy, a Study for David Holding the Head of Goliath Inscribed, Lower Left, And.a Boscoli. Black and Red Chalks. $16frac{7}{16}$ × $8frac{7}{8}$ Inches (417 × 225 mm)
Attributed works:
[Wildenstein, 147 New Bond Street, London] Charles Lebrun, 'L'Escalier des Ambassadeurs, Versailles', c. 1670, (Detail) Red Chalk and Grey Wash, 36.8 × 52.3 cms.
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Advertisements February 1991(front)
02/1991 | 1055 | 133
Pages: i-xvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Antonello Gaggini (Palermo, 1478/79 1536). Virgin and Child and God the Father. Marble. 66 × 41 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Otto Greiner, 1869 Leipzig - München 1916. Study for 'Ganymed' (Engraving 1898. Vogel 69). Black and Red Chalk on Simili-Japan Paper. 311 × 500 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Salvator Rosa. Naples 1615 - Rome 1673. Tobias and the Angel. Oil on Canvas: 65 × 50 cms
Attributed works:
[Edmund Peel & Asociados Spanish representatives for Sotheby's, Plaza de la Independencia, Madrid/ Pasaje Domingo 2, Barcelona] Juan de Arellano (1614-1676), Vase of Flowers with Fruit, Signed Juan de Arellano, Oil on Canvas, 98.5 × 63 cm. Estimate: 70.000.000-90.000.000 ptas. (£380,000-490,000)
Attributed works:
[Front cover] Portrait of Richard Gallo, by Gustave Caillebotte. 1881. 97.2 by 116.6 cm. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
[Paul Mitchell, 99 New Bond Street, London] The Battle of Constantine and Licinius, by Peter Paul Rubens. 1622. Panel, 37.2 × 57.5cm. (The Nelson-Atkins Museum of Art, Kansas City [55-40]).
Attributed works:
[Phillips, 101 New Bond Street, London] John E. Ferneley Senior (1782-1860), "Morning, Hyde Park", Signed and Dated 1833, Oil on Canvas, 91cm × 83.5cm. Estimate: £40,000-£60,000.
Attributed works:
[Piero Corsini, 162 East 63rd Street, New York] Jusepe de Ribera. Játiva 1591 - Naples 1652. St. Matthew and the Angel. Oil on Canvas. 86.3 × 69.8 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Pierre-Narcisse Guerin, The Return of Marcus Sextus, c.1799, Oil on Paper Mounted on Canvas, 14½ by $16frac{3}{4}$ Inches (36.83 by 42.55 cm)
Attributed works:
[Sabrina Forster, Poststrasse 3, Dusseldorf]The Anonymous Liechtenstein Master Working about 1550. The Circumcision. Pen and Brown Ink, Brown Wash, Heightened with White. On Ochre Tinted Paper. 138 × 203 mm.
Attributed works:
[The European Fine Art Fair] Le Sens des Realités René Magritte. Oil on Canvas. 175 × 115 cm. 1963. Provenance: Alexander Iolas. Private English. Collection. Private Dutch Collection. Collectie Drs Loek Brons B. V. Amsterdam Lit.: René Magritte. H. Torckzyner. New York 1977. Page 155
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Leaf from a Choirbook. Bologna. Early 13th Century.
Advertisements
Advertisements October 1990 (front)
10/1990 | 1051 | 132
Pages: i-xxxii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[B.V. Vendu Notarishuis, Haringvliet 96, Rotterdam] J. H. van Mastenbroek, View of a port, Canvas 47 × 70 cm
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Pastoral Scene with Musician. Pier Francesco Mola (Coldrerio 1612-Rome 1666). Oil on Canvas, 179.7 by 118.2 cm
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Albrecht Dürer. Engraving. 1514. B. 60. M. 59a (Off). B. -Sch 59. Collection Fürst zu Oettingen-Wallerstein
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Frans Francken the Younger (Antwerp 1581-1641). The Triumph of Bacchus with Silenus. Oil on Copper, 53.3 × 75.6 cm. Signed Lower Right: Do F. Franck. IN ET. F.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Jean-Francois Millet, Called Francisque Millet-Antwerp 1642-1679/80 Paris. Mercury Discovering Herse as She Returns from the Festival of Minerva. Oil on Canvas: 75 × 120.6cms.
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Jan Bruegel the Elder. Signed and Dated: 1612. On Copper, 8 × 12¼ ins
Attributed works:
[Editions Graphique Gallery, 3 Clifford Street, London] Liberty Cymric Vase Designed by Archibald Knox
Attributed works:
[Edmund Peel & asociados (Sotheby's), Plaza de la Indipendencia 8, Madrid/ Pasaje Domingo 2, Barcelona] Luis Paret y Alcázar, A View of the Port of Bermeo, Signed and Dated: Luis Paret a 1783, Oil on Copper, 60.3×83.2 cm. Estimate: 50,000,000-70,000,000 Ptas. (£270,000-380,000)
Attributed works:
[Front cover] Venetia Stanley, Lady Digby, as Prudence, by Anthony Van Dyck. 1633. 99.7 by 79.4 cm. (National Portrait Gallery, London). The Picture Will Be Exhibited at the Van Dyck Exhibition in Washington
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Martin van Mytens (Stockholm 1695 - Vienna 1770) - "The Empress Maria-Theresa of Austria" (1717-1780). Oil on Canvas, 152 × 121 cm.
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, Hamburg] Anthony van Dyck (1599-1641). Portrait of a Lady. Oil on Panel, 40 × 31,2 cm.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Adriaen van der Spelt (Leiden c.1630-1673 Gouda). On Panel: 64 × 48cm. Signed and Dated 1658.
Attributed works:
[Groupe Gersaint, 20 rue D. - Casanova, Paris] Detail of Hubert Robert's Painting with the American Flag.
Attributed works:
[Groupe Gersaint, 20 rue D. - Casanova, Paris] Hubert Robert (Paris 1733-1808). 'The marquis de La Fayette Nearing the Coast of Europe on His Return from America in January 1779'. Canvas: 48.5 × 130 cm. Provenance: La Fayette Family, by Descent.
Attributed works:
[Habolt & Co., 137, Rue du Faubourg Saint Honore, Paris] Mariotto Albertinelli (1474 - Florence - 1515). Madonna and Child. Signed and Dated 1509. Oil on Panel. 80.5 × 58 cm
Attributed works:
[Jean Francois et Philippe Heim, 7 rue Louvois, Paris] Jean Raoux (1677-1734). Dido and Aeneas. Oil on Canvas, 1.25 × 1.83cm (Detail).
Attributed works:
[JPL Fine Arts, 26 Davies Street, London] Berthe Morisot, Fillette au volant, 1888. Pastel on Grey Paper. 54 × 41 cm. Signed Lower Right.
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Max Beckmann. The Tall Man. Drypoint. 1921. 125 Signed Proofs. Plate 5 of the Complete Portfolio «Der Jahrmarkt». Munich, R. Piper & Co., 1922.
Attributed works:
[Marlborough, 6 Albemarle Street, London] From the Sage Cycle. Sage E 1989-90. Bronze, Unique. 63 × $35frac{7}{16}times 27frac{9}{16}text{in}$./160 × 90 × 70 cm.
Attributed works:
[Peters' Oude Kunst, Spoorlaan 438, Tilburg/ Grote Markt 17, Antwerp] Jan van Os, Basket with flowers, 1744-1808. Copper 55 × 49 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] John Constable, The Lock, Oil on Canvas, 142.2 by 120.7 cm (56 by 47½in.) Exhibited Royal Academy, 1824, No. 180.
Attributed works:
[Spencer A. Samuels Gallery, 52 East 78th Street, New York] Egbert van Heemskerk Haarlem 1610-1680 Haarlem. Self Portrait. Oil on Panel. $15frac{3}{4}$ × 13 ins (40 × 33 cm). Signed with Monogram
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Rudolf Meyer von Zürich (1605 Zürich 1638). Memento Mori, Aō. 1632. Orange/Red Washes; Red Chalk, 179 × 141 mm.
Attributed works:
[Victoria Art Gallery, Bridge Street, Bath] Self Portrait 1742. Royal National Hospital for Rheumatic Diseases, Bath
Attributed works:
[W. M. Brady & Co., 3 East 76th Sreet, New York] Guercino (Cento 1591-1661 Bologna). Half Length Study of St. Helena, 1644. Pen and Brown Ink, 7¼ × 6 Inches
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Garland of Flowers Surrounding a Painting of Virgin and Child with Putti by Jan Philips van Thielen et Jan van Balen. Oil on Copper. 86.3 by 63.3cm. Signed and Dated 1649 for the Flowers and 1650 for the Characters.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Mechanical Celestial Globe. Augsburg. Gilt Bronze. H.50cm. c. 1582. Attributed to Johann Reinhold (The Movement) and Christopher Schissler (The Globe).
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Pair of Candelabras. Empire. Gilt Bronze. H. 1.54m. Signed on Socle: Thomire a Paris.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Bacchus and Ariadne by M. I. Kozlovskii (St Petersburg 1753-1802). Terracotta. 46 by 68cm.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Caricature of Charles-Pierre Jombert by François-André Vincent (1746-1816). French School. Red Chalk. 23½ by 17cm. Inscribed: Jombert (Charles-Pierre).
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Jeux Innocents by L. L. Boilly. Oil on Canvas, 56 by 46cm.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Mother and Daughter by Edouard Vuillard. 1892. Charcoal and Pastel. Stamped Lower Right. 325 by 290mm.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Night and Day by Johannes Claudius de Cock (1667-1735). White Marble. H.86½cm. Signed and Dated Joes. Claud. de Cock Inv: f. 1715.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] The Wedding Feast of Peleus and Thetis by Joachim Wtewael (1566-1638) Dated Lower Right: 1612. Oil on Copper. 36½ by 42cm.
Attributed works:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] Townhouse in Ghent by François Boulanger (1819-73). Oil on Panel. 64 by 46cm. Signed Lower Left.
Non-western art unattributed:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Feather Tabard (Detail). Nazca-Huari. c. 600-1000 A. D. 62 × 29 in/157.5 × 73.7 cm
Western art unattributed:
[E.P. Mallory & Son Ltd, 1-4 Bridge Street, Bath] A Dutch Antique Silver Tea Caddy. The Hague 1803 Made by François Simon. 13 oz 3 dwts (408 gms Approx). $5frac{1}{4}^{prime prime}times 3frac{3}{4}^{prime prime}$ (13½ × 9½ cm)
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Compagnie des Indes Ensemble of Fine Chinese Porcelain Dishes, Plates and Pot Pourris with 'Pompadour' Decoration. c. 1740.
Western art unattributed:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Console Table of Carved and Gilt Oak, Bearing the Royal Cipher, with Veined Red Marble Top. 70 by 87 by 164cm. c. 1710.
Western art unattributed:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] A Pair of Oval Salon Tables. Mahogany. 89½ by 122 by 80cm. The Legs Are in the Form of Palm Trees One with Guilded and the Other with Dark Green Leaves. Germany. c. 1820.
Western art unattributed:
[XVe Biennale Internationale Des Antiquaires, Grand Palais, Paris] The Prophet Daniel with Donor. Flemish School. Panel. 74 by 68cm. c. 1520.
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