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9 articles
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Advertisements June 1994 (front)
06/1994 | 1095 | 136
Pages: i-xl
Subjects
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Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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Advertisements May 1993 (front)
05/1993 | 1082 | 135
Pages: i-xxviii
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Baron Antoine-Jean Gros (1771-1835), 'David playing the Harp for King Saul', Signed 'Gros', Oil on Canvas, 72¼ × 89¼ in. (183.5 × 226.7 cm.) Estimate: $150,000-200,000
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St Honore, Paris/ 21 East 67th Street, New York ] Ambrosius Benson. Active in Bruges, 1519-1550. Portrait of a Lady with a Rosary. Oil on Panel: 40 × 32.7 cms
Attributed works:
[ cover ] Wooded river landscape, by Pietro da Cortona. Black chalk, brush and grey ink with grey wash, 28.3 by 42.5 cm. Purchased jointly from the Coke Collection, Holkham Hall by The Barber Institute of Fine Arts (University of Birmingham) and Birmingham Museums and Art Gallery with the aid of the National Heritage Memorial Fund and the National Art Collections Fund.
Attributed works:
[ Didier Aaron, Inc., 118 Faubourg Saint-Honore, Paris / A La Vieille Russie 781 Fifth Avenue, New York / 21 Ryder Street, London ] Hailé Selassié. Conté Crayon on Paper: $28frac{3}{8}times 21frac{1}{4}$ Inches
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Simon Vouet (1590-1649). A Portrait of Virginia da Vezzo. Oil on Canvas. 75 by 62 cm
Attributed works:
[ Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin ] Jacques Bellange (1594-1638, Nancy). The Raising of Lazarus. Etching and Burin. Robert-Dumesnil V, 6; Walch 47. Watermark: Large Grapes.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Alfred Sisley. Moret-sur-Loing-Soleil du Matin. Oil on Canvas. 1888. 60:73 cm. Daulte 678.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] This Painting by Gerard de Lairesse, Canvas oval 80 × 68 cm Will Be Offered at IIa Biennale Internazionale dell' Antiquariato Palazzo delle Esposizioni via Nazionale, 194 Roma. 7th May - 23rd May 1993
Attributed works:
[ Glerum Auctioneers, Westeinde 12, The Hague ] Adriaen van Salm. Signed A. V. Salm Fecit, Oil on Panel, a Penschildering, 60×106 cm.
Attributed works:
[ Hill-Stone, Gracie Station, New York ] Gian Giacomo Caraglio Circa 1505-1570. The Assembly of the Gods. Engraving, after Raphael. Bartsch 54, the First of Two States. A Very Fine Impression Printed in Black Ink. Some Marginal Imperfections Otherwise in Very Good Condition
Attributed works:
[ Karl & Faber, Amiraplatz 3, Munich ] Francisco de Goya (1746-1828). »Si Marina bayló, tome lo que halló«. Etching and Aquatint, »Los Proverbios", Plate 12 (Harris 259/III), from the Complete 1st Edition set, 1864.
Attributed works:
[ Kate Ganz Ltd, 41 East 57 Street, New York City ] Jean-Désiré-Gustave Courbet. Portrait of a Man with a Pipe, c.1860
Attributed works:
[ Marcello Aldega Margot Gordon ] , Giulio Morina. (Bologna 1555/60-1609 (?) Mirandela). The Adoration. Pen and Brown Ink, Wash 261 by 211 mm
Attributed works:
[ Noortman, 40-41 Old Bond Street London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] François Chauveau. Venus Asking Vulcan for Arms for Aeneas. Pen, Brown Ink and Brown Wash over Traces of Black Chalk and Stylus Indentations. 135 by 192 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder street, St James, London/ 49 East 68th Street, New York ] Gustave Courbet, Portrait of the Artist Hector Hanoteau, ca. 1863. oil on Canvas, 24 by $19frac{7}{8}$ Inches (60.9 by 50.5 cm.)
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan / Via San Francesco 4/6, Perugia ] Ambrosius Bosschaert II. Arnemuiden 1609-Utrecht 1645. Fruit in a Basket. Oil on Panel 41.7×54.3 cm. Signed with Monogram 1631+
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Remigio Cantagallina. Sansepolcro 1582-1656 Florence. View of Livorno, after 1613. Pen and Brown Ink, 203 × 345 mm.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James, London ] Marco Ricci (Belluno 1676-Venice 1729) A Capriccio of Roman Ruins Including the Colosseum and the Tomb of Caius Cestius. Oil on Canvas 124 × 101 cm (49 × 40 Inches).
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Elijah and Rebecca, by Domenico Gargiulo Called Micco Spadaro (Naples 1609-1675). Oil on Canvas, 135 × 157 cm. Signed with the Monogram: DG.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair ( The Oriental Art Gallery Limited ] A Chinese Imperial white jade vase. Qianlong period, 1736-1795. Height: 19.7 cm ($7frac{3}{4}$ Inches). A fine and rare Imperial white jade vase, the waisted cylindrical neck with an upright blade design, and two elephant ring handles to the sides, the well-rounded body decorated in relief with archaistic confronting dragons and supported on a gently curving pedestal foot. The mottled stone is a fine, white tone.
Western art unattributed:
[ Axel Vervoordt, Castle of 'S-Gravenwezel, 'S-Gravenwezel, Antwerp ] Bureau-Plat of the Chancellor of the Empress Marie-Thérèse, Vienna 1760.
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Advertisements June 1992 (front)
06/1992 | 1071 | 134
Pages: i - xxxvi
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Ader Tajan auctioneers, 12 rue Favart, Paris ] A Sèvres Porcelain Mounted Tulipwood Small Commode by Carlin. A Jewel Casket of the Queen Marie-Antoinette by Carlin. Gauguin. «Te Fare» (La Maison), 1892. Van Dongen. «La Baigneuse», Deauville, 1920.
Attributed works:
[ Brand Inglis, 9 Halkin Arcade, Motcomb Street, London ] A George III Cup and Cover. Samuel Hennell. London 1800. Height: 12½″.
Attributed works:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Jean de Liège (Attributed to) Figure of a Reclining Angel, Probably from the Tomb of Philippa of Hainault (†1369), Made by Jean de Liège in 1367 (Westminster Abbey) Alabaster, 8½in. Long (21.6cm)
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Martin-Claude Monot (Paris 1733-1803) Marble Bust of a Man Signed and Dated: Monot. 1769. Height: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York ] Interior of the Red Salon of Isabella Stewart Gardner's House at 152 Beacon Street, in the 1890's, Showing the Rembrandt Self Portrait and the Tragedy of Lucretia by Botticelli, Both Acquired Through Colnaghi. Photograph Courtesy of the Isabella Stewart Gardner Museum, Boston.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Peter Brueghel the Elder (?1530-1569) The Summer Engraving, Signed. 225 × 286 mm.
Attributed works:
[ Katrin Bellinger, exhib. at Harari & Johns, 12 Duke Street, London] Jacopo Robusti, il Tintoretto (1518-1594) Study after Michelangelo's Samson Verso: Study after the Same Group Black Chalk, Heightened with White, on Blue Paper; Inscribed lower Centre: Tintoretto 386 × 164 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ]The Brothers, 1991 Oil on Canvas 64¼ × 64¼ in./163.2 × 163.2 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[ Pyms Gallery, 13 Motcomb Street Belgravia, London ] Bridgit - A Picture of Miss Elvery by Sir William Orpen RA, RHA, NEAC (1878-1931). Inscribed by the Artist 'Orpen 1909' lower Left. Oil on Canvas, 112 × 86 cm (44 × 34 in).
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London / Sporting d' Hiver, Place du Casino, Monte Carlo ] A 19th Century Patinated and Gilt Bronze Console Table Made for the Hotel of the Paiva in 1864-65 by Aimé-Jules Dalou. Ht. 109cm., W.158cm., D.58cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Rembrandt Harmensz. van Rijn, Portrait of Johannes Uyttenbogaert, Bears the Signature and Date: Rembrandt ft./1633 and Bears the Inscription: AET: 76, 132 by 102 cm. From the Sale of Old Master Paintings, 8 July. Estimate on Request.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Fine Gold Enamel Opal and Pearl Brooch Pendant, by Lalique.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A George III Mahogany Kneehole Desk, Attributed to the Workshops of William Hallett/Vile. Circa 1760. Height 76.2 cm (30 in). Width 115.6 cm (45½ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Benjamin West P. R. A. The Ascension Canvas. 49½ × 34 ins (126 × 87 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Daniel Clowes (1774-1829). A Horse and Groom in the Grounds of Hooton Hall, Cheshire. Oil on Canvas, 32 × 44 in (81 × 112 cm). Signed and Dated 1816.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fisherfolk on the Beach at Scheveningen by Jan van Goyen (Leiden 1596-1656 The Hague). Signed with Monogram and Dated 1644. Oil on Panel, 51.4 × 68.6 cm (20¼ × 27 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] François Lespingola (1644-1705) A Bronze Group of the Rape of Europa Height 26.8 cm (Excluding Base).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] John Singleton Copley Portrait of Colonel Baker 1781. Oil on Canvas 30 × 25 in (76.2 × 63.5 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Marmaduke Craddock (1660-1717) English School. A Peacock with a Cockerel, Turkey, White Hen, Young Chicks and a Dove in a River Landscape. Oil on Canvas, 12 × $13frac{7}{8}$ in (30.5 × 35.2 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Madonna and Child with St. Francis and the Infant St. John the Baptist by a Ruin by Battista Luteri, Called Battista Dossi (Active 1517-Ferrara-1548). Oil on Panel, 58 × 37 cm ($22frac{7}{8}$ × $14frac{5}{8}$ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Jusepe de Ribera Called lo Spagnoletto (Jativa di Valencia 1591 - Naples 1652) St. Jerome Canvas, 76 × 65 cm. Signed and Dated at Left: 'Jusepe de Ribera español valenciano 1648'.
Attributed works:
[Asprey, 725 Fifth Avenue, New York] A Rare George II Punch Bowl and Cover by William Cripps, 1752. 4309.2 grms (152 oz). A Set of Four George II Salts by Paul de Lamerie, 1745. 1105.7 grms (39 oz).
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[Phillips, 101 New Bond Street London] Erasmus Quellinus II, (1607-1678), "Salome being Handed the Head of St. John the Baptist", Oil on Panel, 124cm × 200cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Domenico Maria Fratta (1696-1763), "The Triumph of David", Pen and Brown Ink, within a Deliniated Border, 38.7cm × 47cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Charles VI and Odette de Champdivers by Eugène Delacroix (1798-1863). Circa 1825. Signed upper Left 'E. Delacroix'. Oil on Canvas, 35.5 × 27.5 cm (14 × $10frac{13}{16}$ in).
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Myochin Sea Monster. Length, 24″; Height, 12″.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Canton Enamel Armorial Tea Caddy; The Interior Fitted with Two Canisters and a Blending Casket. Chinese, 18th Century. Height 13.4 cm. Width 28.4 cm. Depth 13.5 cm.
Western art unattributed:
[ Axel Vervoordt, Castle of 's- Gravenwezel Castle ] Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm - 60 × 73 × 61 cm.
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Giant Leaf Verdure Oudenaarde 1550-1600 H. 272 cm. × W. 376 cm.
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An Exceptional Tapestry-Woven Carpet. Bessarabian, Late 19th Century. Wool. Dimensions 297 × 287 cm (117 × 113 in).
Western art unattributed:
[ cover ] Detail of a Table Carpet. French, c.1600. Canvas Work Embroidery, Wool and Silk on Linen, Tent and Cross Stitch, 273 by 218 cm. (Whole). (The Bowes Museum, Barnard Castle).
Western art unattributed:
[ E & H Manners, 66 A Kensington Church Street, London ] A Paris Biscuit Group Impressed 'Mre de Mr le duc à Paris d'angoulème'. 1781-1789. Height: 17″, 44 cm.
Western art unattributed:
[ Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam ] A Goblet Wheel Engraved with Fishing Boats Anchored at Sea with Their Nets Cast and the Inscription 'Twelvaren Van De Groote Visscherye' (To the Prosperity of the Herring-Fishery). Multi-Knopped Stem, Folded Foot. Dutch Engraved Lead-Glass, c.1750 Height: 23,5 cm (9¼ in).
Western art unattributed:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal ] Standing Prophet Initial from a Choirbook, Tuscany, Siena (?), c. 1400 ca. 120 × 300 mm.
Western art unattributed:
[ Patrick Sandberg Antiques, 140 - 142 Kensington Church Street, London ] This Fine Adam Period Figured Mahogany and Tulipwood Crossbanded Serpentine Serving Table, Circa 1780, Is a Typical Example of Stock Always Available at Our Large Kensington Showrooms.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rare English Wine Glass, the Gilt Rimmed Bowl Engraved with Fruiting Vine and Set on a Coloured Composite Stem Comprising of Red and Blue Twists around a Central Air Twist Spiral Gauze, on a Conical Foot. Circa 1760. Height 14 cm.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rectangular Mother-of-Pearl Box in Four Colour Gold Inlaid with Sepia Mother-of-Pearl and Decorated with Mythological Beasts and Birds. The Borders Are Embellished with Chased Quatre-couleur Floral Decorations. Paris, c.1825. 3¼ × 2¼ × 1½ ins.
Western art unattributed:
[Claude Kuhn, Blumenrain 12, Basel ] Northern Italy, End of the 15th Century 'Two Yokes, One Hanging on a Wall' Pen and Brown Ink, 20.8 × 14.7 cms
Western art unattributed:
[Neumeister, Barer Str. 37, Munich] Italy, ca. 1520. Saint Peter in Prison. Alabaster, 28 × 18,5 × 17, 5 cm.
Western art unattributed:
[Trinity Fine Art Ltd, 29 Bruton Street, London] A Limoges Champlevé Enamel Chasse, Depicting the Martyrdom of St. Thomas Becket, Circa 1200-1210, Height: 16.5 cms, Width: 12.5 cms.
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Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
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Advertisements April 1992 (front)
04/1992 | 1069 | 134
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ L 'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] The Nativity, Oil on Panel 17.8 by 17.8 cms by Benvenuto Tisi, il Garofalo (Ferrara c1481-1559).
Attributed works:
[Butterfied & Butterfield, 220 San Bruno Ave., San Francisco/ 7601 Sunset Blvd. Los Angeles] Jacob Marrel (Dutch, 1614-1681) Floral Still Life with Lizard and Insects in a Niche, Signed and Dated 1635, Oil on Panel, 24½ × 18 Inches (62.2 × 45.72 cm). Joachim Wtewael (Dutch, 1566-1638) Jacob and Esau, Oil on Canvas, $60frac{3}{4}$ × 80 Inches (154.3 × 203.2 cm). Leon-François Comerre (French, 1815-1916) Cassandre Tuee par Clytemmnestre. Oil on Canvas, 52 × $78frac{3}{4}$ Inches (132.1 × 200 cm), Signed and Dated. Sir Henry Landseer, R. A. (British, 1802-1873) Odds and Ends-Trophy for a Hall. Oil on Canvas, $54frac{3}{4}$ × 43 Inches (139.1 × 109.2 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Rembrandt. The Agony in the Garden. Etching and Drypoint. (1657). Bartsch 75, Scidlitz and White-Boon Only State. Hind 293.
Attributed works:
[Cover] Detail of Christ's Head from the Christ and St Thomas Group by Verrocchio from Orsanmichele, Florence, during Cleaning. Bronze.
Attributed works:
[Galerie Alain Berger, 3 rue de L' Universite, Paris] Pier-Maria Bagnadore (Or Bagnatore), Orzi c.1550-1619. Christ Surrounded by Angels Holding the Instruments of the Passion. Pen with White Heightening, 29.7 by 26 cms.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Master IB with the Bird. Leda and the Swan. Engraving. 1503. Bartsch XIII, 46; Hind V, 257, 9 II.
Attributed works:
[Galleria Salamon, Via San Daniano 2, Milan] Antonio Canal Called Il Canaletto (Venice 1697-1768). Grand Canal: From Sta Maria della Carità to the Bacino di S. Marco. Oil on Canvas: cm. 46 × 63.5
Attributed works:
[H. W. Fichter, Arndstrasse 49, Frankfurt/ Main] Eugen Bracht (1842 Morges-Darmstadt 1921). Out of the Sinai Desert. Oil on Canvas Signed, Dated and Stamped Lower Right
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Robert Michel, (Germany, 1897-1983), Giant Fish, Mixed Media on Paper, c.1920, 59 × 68 cm, Signed.
Attributed works:
[Kate Ganz Ltd, 54 South Street, London/ 66 East 83rd Street, New York] G. B. Tiepolo, Study for a Figure Seen From Below, Pen, Brown Ink and Wash, 27.3 × 18.7 cms., c.1760.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Pieter Lastman, Balaam and the Ass, 1622. Oil on Panel, $15frac{7}{8} text{by} 22frac{7}{8}$ Inches (40.3 by 60.6 cm.). Signed and Dated, Lower Left: "P. Lastman Fecit 1622"
Attributed works:
[Sotheby's, 34-35 New Bond Street, New York] Corneille de Lyon (1510-1574), Portrait of King James V of Scotland (1512-1542), Oil on Panel, in a Tabernacle Frame from Northern Italy, Probably Part Mid Sixteenth Century, 17 by 14.5 cm. From the Sale of British Paintings 1500-1850, London, 8th April. Estimate: £30,000 - 40,000.
Attributed works:
[Spink & Son LTD, 5,6 &7 King Street St James, London] John Russell 1745-1806. Study of the Head of a Clergyman
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Pietro Antonio Novelli. Venice 1729-1804. Allegory of Time. Pen, Brown Ink with Grey and Brown Wash 412 × 275 mm.
Attributed works:
[Trinity Fine Art LTD, 29 Bruton Street, London] Valerio Castello, Moses Striking the Rock, Oil on Canvas, 50 × 41 cms, the Bozzetto for the Painting in the Musée du Louvre.
Attributed works:
[Villa Grisebach auctions, Fasanenstrasse 25, Berlin] Fernand Khnopff. Portrait of a Woman. Around 1910 Drawing in Black and Blue Chalk over Pencil on Thin Cardboard. 22.3 × 11 cm. Signed in Pencil on Lower Right: Fernand Khnopff. Estimate: DM 20,000 - 30,000
Attributed works:
[Voena, Via dei Mille 36, Turin] Massimo Stanzione Orta di Atella/CE 1585 ca. - Naples 1658 ca. The Mystic Marriage of Saint Catherine. Oil on Canvas, 124 × 150 cm.
Western art unattributed:
[Antony Embden, 15 Quai Voltaire, Paris] A Bronze Lion and Lioness. Florentine c. 1600 Height: Approx. 12 cm. Length: 15 cm. On Their Original Wood Plinths.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Merignan and 11 quai Voltaire, Paris] Small Travelling-Case with Secret Compartments, Covered Red Morocco Leather Decorated with Gilt Stamping. The Medici Arms Appear on the Interior of the Lid. Italian. Sixteenth Century.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi" XIII cent. Tempera on Vellum 100 × 125 mm.
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Advertisements March 1991 (front)
03/1991 | 1056 | 133
Pages: i-xxxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Jan Boeckhorst (1605-1668) The Crucifixion Black chalk heightened with white on light brown paper. 400 x 300 mm.
Attributed works:
[Agnew's, 43 Old Bond Street, London] GIOVANNI BATTISTA TIEPOLO (1696-1770) Study of two Villas in the Veneto Pen and brown ink and brown wash, 153 x 182 mm
Attributed works:
[Arnoldi - Livie, Galeriestrasse 2B, Munich] CASPAR DAVID FRIEDRICH Greifswald 1774-1840 Dresden Study for the painting Hutten's Tomb. Pen and black ink. 28x11 cm.
Attributed works:
[Arturo Cuellar - Nathan, Galerie, Ramistr. 29, Zurich] FERDINAND HODLER (1853-1918). Portrait of Berthe Hodler Pen and ink over pencil. 24.8 x 16.2 cm. Expertise: Jura Brüschweiler.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Ernst Ludwig Kirchner. Pen and brush in black ink. Signed. (Ca 1908). 445 x 340 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] J.B. Le Prince Horseman in a landscape. Pen and brown wash. Diam: 28 cm. Signed & dated 1777
Attributed works:
[Charles Ratton & Guy Ladriere, 11 quai Voltaire, Paris] Attributed to Bartolomeo BUON - Italy 15th century Marble - 62 x 44 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] GIUSEPPE MARIA CRESPI 1665-1747 A Procuress Oil on canvas: 81 x 61.5 cms
Attributed works:
[David Jones, 8 Rue Rossini, Paris] PIER FRANCESCO MOLA 1612-1666 Lot and his daugthers Pen and brown ink with red chalk 134 x 203mm. A preparatory study for the fresco Lot and his daughters in the Palazzo Pamphili, Nettuno. Other studies for the same fresco are in the Kupferstichkabinett, Berlin, the Albertina, Vienna and the Henry E. Huntington Art Gallery, California.
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Portrait of a Cavalier by AELBERT CUYP (1620-Dordrecht-1691) panel, 74 x 59 cm. Signed & dated: 1631 Literature: C. Hofstede de Groot, 1909, Vol. II, p. 38, no. 114.
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] PIETER MEULENER 1602 Antwerp 1654 Duck Shooting Signed Oil on panel 40.8 x 69.3 cm.
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, Paris] "FEMME A LA VOILETTE" Oil on canvas Signed and dated: Anquetin 91 81 cm x 55 cm - 31"7/8 x 21"5/8
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C.R. Cockerell (1788-1863) A Tribute to Sir Christopher Wren c. 1838 Brown washes over pencil 39 x 52 inches
Attributed works:
[Huguette Beres, 25 Quai Voltaire, Paris] Vincent VAN GOGH (1853-1890) View from the window of Vincent's studio in winter, 1883 Watercolour, 39 x 58.5 cm.
Attributed works:
[IDC Microform Publishers, Leiden] Theo van Doesburg. Photograph by Lucia Moholy Nagy
Attributed works:
[J. Kugel, 279 Rue Saint - Honore, Paris] TROMPE L'ŒIL by Jean VALETTE-PENOT (1710-1777). Oil on canvas signed. 40 x 80 cm - 15 ¾ x 31 ½ in. Exhibiting at THE EUROPEAN FINE ART FAIR-MECC MAASTRICHT-HOLL. 9-17 March 1991/Stand 220.
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil Paris] Paul HUET (1803-1869) "Le gardien de la vallée" (Château de Tournoel). 1831. Aquarelle sur traits de crayon. Cachet de l'atelier en bas à gauche. 28.6 x 43.1 cm.
Attributed works:
[Kate de Rothschild] Jean-Antoine Watteau (1684-1721) Study of a seated Girl
Attributed works:
[Marcello Aldega Margot Gordon] Pier Francesco Mola 1612-1666 Brown ink and wash, black chalk on blue paper 186 x 122 mm. Related to the painting in the Louvre of 'Venefrio ed Erminia che curano l'ancredi'.
Attributed works:
[Newhouse Galleries, Inc, 19 East 66th Street, New York] DIRCK VAN BABUREN (1595?-1624) Jesus Chasing the Merchants from the Temple Oil on canvas: $62{scriptstyle{1over 4}} times 81{scriptstyle{1over 8}}$ inches (158 x 206 cm)
Attributed works:
[Patrick Perrin, 98 Faubourg Saint - Honore, Paris] Nicolas-Marie OZANNE (1728-1811) Ecole Française VUE DE LA RIVIERE DE LANDERNEAU Plume, encre de Chine et lavis d'encre de Chine H. 13.5 cm; L. 25.5 cm
Attributed works:
[Paul Proute S.A., 74 Rue de Seine, Paris] Hyacinthe Rigaud and studio (Perpignan 1659-Paris 1743) Portrait of Gaspard de Gueidan as Avocat Général at the Parlement of Aix en Provence. Black chalk with stumping and white gouache highlights on faded blue paper. The drawing is connected with Rigaud's portrait at the Musée Granet, Aix and provides evidence for the original composition of the painting, altered at the request of G. Gueidan in 1740.
Attributed works:
[Phillips, 101 New Bond Street, London] Abraham Storck, (1635-1710), "A harbour scene", signed "A. Storck Fecit", oil on canvas, 45.5cm x 55.3cm.
Attributed works:
[Richard L. Feigen, 6 Ryder Street, St James, London/ 49 East 68th Street, New York] Nicolaes van Helt-Stockade, The Flight Into Egypt, 22 by 28 inches (56 by 71.1 cm). Signed: StockAde. F.
Attributed works:
[Sotheby's] William Hogarth (1697-1764) A Harlot's Progress -The Quarrel with Her New Lover, oil on canvas, 45.5 by 62cm. This picture and another from Hogarth's A Harlot's Progress, The Scene in Bridewell, are included in the 10th April sale of British Paintings 1500-1850. Each estimated at £100,000-150,000.
Attributed works:
[Th. Laurentius, Orangerie Duivenvoorde, 2252 AK Voorschoten] Rembrandt van Rijn (1606-1669) 'Landscape with a cottage and a large tree' Etching, B 226. Signed and dated: 1641 12.7 x 32 cm. with small margins.
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] ***Guillerot (France ca. 1620-1670) River landscape with a castle, pen and brown ink; 212 x 308 mm. Lit.: Marcel Roethlisberger, "Dessins De Barrière et De Guillerot", in: Gazzette des Beaux-Arts, April 1987, p. 148 ff. and fig.33.
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London] Francesco Guardi A Capriccio View of Palladio's Project for the Rialto Bridge. Pen, brown ink, grey and brown wash over traces of black chalk, 278 x 444 mm
Attributed works:
[Vendu Notarishuis, Kipstraat 54, Rotterdam] For march auction H. Ronner water-colour 44 x 62 cm
Attributed works:
[Voena, Via dei Mille 36, Turin] BERNARDINO ZAGANELLI Cotignola, 1470 ca. - 1513 ca. VIRGIN and CHILD Oil on Panel: 53 x 38 cms. Literature: A. De Marchi, La mostra di "Pittura italiana del Gotico e del Rinascimento" a Praga, in Prospettiva, n. 45, 1986, pag. 74, fig. 8; A. Colombi Ferretti, Bernardino e Francesco Zaganelli, in "La Pittura in Italia - Il Cinquecento", Milano 1988, p. 867
Non-western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] An exquisite Indian so-called Indo-Persian carpet, with a wine red field. 13'9" x 9'11" (420cm x 302cm)
Western art unattributed:
[Bader, Mythenquai 22, Zurich] HERMAPHRODITE, MARBLE, ROMAN AFTER A GREEK ORIGINAL, HEIGHT: 71CM PROV: HADRIAN'S VILLA, TIVOLI, CA.130 AD. COLLECTION: FRITZ AUGUST VON KAULBACH, 1929 MUNICH
Western art unattributed:
[Galerie Neuse, Contrescarpe 14, Bremen] Adam and Eve in Paradise Alabaster, 58 x 75 cm circa 1560
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Saint John the Evangelist Bolognese School, 17th Century, Red and black chalk. 210 x 140 mm.
Western art unattributed:
[Otto Naumann, 4 East 74th Street, New York] anon. Dutch 17th century Panel $4{scriptstyle{1over 2}} times 3{scriptstyle{1over 2}}$ ins.
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Advertisements February 1990 (front)
02/1990 | 1043 | 132
Pages: i-xxxii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Artemis Group, 15 Duke Street St James, London] Rembrandt Harmensz. van Rijn. A Man Drawing from a Cast, Etching with Drypoint Circa 1641, 94 × 65 mm.
Attributed works:
[B.V. Vendu Notarishuis, Haringvliet 96 Rotterdam] J. Fyt. Paintings: Fyt, Klinkenberg, Ronner, Van Mastenbroek etc. Furniture, Carpets, Jewelry, Silver, Porcelain, Bronzes etc.
Attributed works:
[Bruno Scardeoni, 54 via Nassa, Lugano] Saint Catherine. Jean de la Huerta (Daroca? - after 1462). Alabaster, 1440-45 Height: 44 cm
Attributed works:
[C. G. Boerner, Kasernestrasse 13, Dusseldorf/ 61 East 77th Street, New York] Anselm Feuerbach. Pen and Brown Ink, Brown Wash, Watercolour and Gouache. Signed. c.1855/60. On Light-Brown Paper. 306 × 156 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Francois-Pascal-Simon Gerard Called Baron Gerard Rome 1770-Paris 1837. Portrait of Constance Ossolenka Lubienska. Oil on Canvas: $25frac{3}{4}$ × 20½ in (65.5 × 52.5 cm)
Attributed works:
[Daxer& Marschall, Wittelsbacherplatz 6, Munich]Thomas Roberts (Dublin 1748-1778). Stormy Landscape, 1775. Oil on Canvas, 63 × 96cm.
Attributed works:
[Front cover] Night Fishing at Antibes, by Pablo Picasso. 1939. 205.8 by 354.4 cm. The Museum of Modern Art, New York).
Attributed works:
[Galerie 27, 27 rue de Seine, Paris] J. F. Millet: Environs de Vichy. Encre de Chine et Crayons de couleur, monogrammé, 11 × 15,5 cm
Attributed works:
[Galerie Charles & Andre Bailly, 25 Quai Voltaire, Paris] Martin des Batailles, Landscape with river and port.
Attributed works:
[Galerie Maurice Garnier 6 avenue Matignon, Paris] Bernard Buffet "Le Combat Avec le Requin" 1989 248 × 488 cm
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Oscar Dominguez 1937 huile sur toile 65 × 54 cm
Attributed works:
[Heide Hubner, Handelstr. 21A Wurzburg] Jacob Philipp Hackert. (Prenzlau 1737-1807 Florenz), »A River Landscape with a Resting Shepherd«, Oil on Canvas, 124×169cm. Signed and Dated: Ph. Hackert, 1776. f.
Attributed works:
[Herbert Leidel Gallery, Promenadeplatz 10, Munich] Pablo Picasso: Tête d'homme, Signed and Dated 27.3.69, Oil on Board, 42.8 × 31.7 cm, Reproduced in Zervos, Vol. 31, Seite 39, Nr. 124
Attributed works:
[International Gallery invitational, McCormick Place Chicago]"Sunburst Crow Reservation," Oil, by Joseph H. Sharp, Fenn Galleries, Santa Fe, New Mexico
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels]The Master of the Hermitage Sketchbook. The Archduke Albert and the Archduchess Isabella, in a Hawking Party Pen and Black Ink 216 × 326 mm
Attributed works:
[Karl & Faber, Amiraplatz 3 (Luitpoldblock), Munich] Adolph von Menzel. Hammer Price DM 84.000,-Der Schmied am Schleifstein. Pencil. 20,5: 13 cm.
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Precipitate 1989. Oil on Canvas, 92×84in./233.7×213.4cm.
Attributed works:
[Newhouse Galleries, 19 East Street, New York] Corneille de Lyon (c.1510-c.1574). Portrait of a Gentleman. Oil on Panel, 6¼ × 5¼ Inches (15.9 × 13.3 cm). Dated 1542 and Inscribed with Age of Sitter, 28
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Auguste Herbin 1882-1960: 'Bruges: quai de la Poterie'. Canvas: 46 × 55 cm c. 1905/6. Signed
Attributed works:
[Paula Cooper, 155 Wooster, New York] Peter Campus 'By Half' 1989 Computer Drawing on Photographic Paper 20 × 24″
Attributed works:
[Peter H. Tillou, 39 Duke Street, St James, London] Ambrosius Benson (Active, 1519 Onwards-Died Bruges 1550) Magdalene, Oil on Panel, 69.5 cm by 54 cm
Attributed works:
[Richard Green, 44 Dover Street, London] Juan De Arellano (1614-1676). Flowers in a Glass Vase. Signed. Canvas: 26¼ × 20 Inches. Bartolome Perez (1634-1693). Flowers in a Glass Vase. Signed. Canvas: 26¼ × 20 Inches
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street, New York] Leonaert Bramer, Salome Presented with the Head of Saint John the Baptist, Circa 1635. Oil on Panel, 31 by 41½ Inches (78 by 105.4 cm) Signed, Lower Left: "L. Bramer"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] José Navarro y Llorens (1867 - 1923), At the Races, Signed, Watercolour Heightened with White, 21.5 by 57cm (8½ by 22½ in.) Estimate: £40,000 - 60,000
Attributed works:
[Sotheby's] A Pietra Dura Plaque Representing an Italian Landscape with the Temple of the Sybil, Attributed to Cosimo Castrucci, Prague Circa 1600, 59 × 44cm. Mounted as a Table top in the XIXth Century. From the Rothschild Collection.
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] Alberto Giacometti, Bust of Diego. 1957. Bronze, $23frac{7}{8}$″ × $9frac{3}{4}$″ × $6frac{3}{8}$″. Edition 3/6.
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] G. B. Piranesi (1720-1778). The Triumphal Arch. c. 1747-49. From the Complete Set of Four Grotteschi
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] George Bellows (1882-1925). A Stag at Sharkey's, 1917. Lithograph, $18frac{3}{4}$″ × $23frac{3}{4}$″ Edition of 98. Signed in Pencil.
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] Jacopo Di Arcangelo, Called Del Sellaio (1442-1493), Florence. The Virgin Adoring the Christ Child in a Landscape, with St John the Baptist. Tempera and Gold on Panel, 39″ × 23½″.
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] Jean Baptiste Regnault, La Toilette de Venus. 1815. Oil on Canvas, 97¼″ × $80frac{3}{4}$″.
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] Paulus Bor, Still Life with Crest, Saddle-Bag, Open Book and Other Objects on a Table Before a Window, 1630. Oil on Panel, 22″ × 30″ (56cm × 76 cm).
Attributed works:
[The Art Show, Park Avenue 67th Street, New York City] Willem de Kooning. Two Women, 1953. Charcoal and Pencil on Paper, 9½″ × 12½″.
Attributed works:
[The European Fine Art Fair, Maastricht] Seven Independent Specialist Galleries Exhibiting, photograph of textile.
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Pablo Picasso, Au Café, 1901. Charcoal on Paper $11frac{3}{4}$ × 16½ Inches/30 × 42 cm
Attributed works:
[Voena, Via Dei Mille 36, Turin] Sisto Badalocchio. Parma 1585 - Post 1620 ca. The Martyrdom of Saint Bartholomew. Canvas: 119 × 156 cms.
Western art unattributed:
[Galerie 7, 7 place Gailleton, Lyon] Arts du textile: costumes, haute couture, tissus anciens, broderies, tapisseries. Armes et armures de l'Europe et de l'Orient. Souvenirs historiques. Ordres de Chevalerie.
Western art unattributed:
[Galerie Patrice Bellanger, 198 Boulevard Saint - Germain, Paris]Terracotta Bust of Count Daru (1767-1829). French School-Circa 1805 Height: 60 cm Width: 50 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, Marble Arch, London]'Virgin of Vladimir', Russian Icon, Moscow School, 16th Century (31 × 27cm).
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Advertisements July 1989 (front)
07/1989 | 1036 | 131
Pages: i-xxiv
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Eleanora di Toledo, by Giulio Clovio. c. 1551-53. Tempera on Vellum, Laid down on Panel. 8.4 cm. Diameter. (Private Collection, England)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Federico Barocci. The Annunciation. Etching, Engraving & Drypoint. Bartsch XVII, no.1. (437 × 310 mm) 2nd State.
Attributed works:
[Albemarle Gallery, 18 Albemarle Street, London, UK] John Piper Huddersfield 1960 Watercolour and Gouache 13 3/8 × 20 5/8 in
Attributed works:
[Anthony d'Offay Gallery, 9, 21 & 23 Dering Street, New Bond Street, London, UK] Anslem Kieffer, Lot's Wife 1989 Acrylic, Emulsion, Ash on Canvas and Salt on Treated Lead 161½ × 137 3/4 Inches
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Eileen Cooper painting
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Zadok Ben-David
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Guillaume Cortois Called Guglielmo Cortese. St. Hippolyte 1628-Rome 1679. St. Anthony Abbot at Prayer. Canvas: 98 × 75.5 cms. Signed and Dated at Bottom Left: G. Courtois 1670/Rome
Attributed works:
[Crawley & Asquith, 16 Savile Row, London, UK] Jean-Baptiste Perronneau (1715-1783) 'Laurent Cars'. Pastel 65 × 54 cms
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Jan van Goyen (1596 Leiden-1665 The Hague). One of a Pair. Panel, 12.6 × 16 cm. Signed and Dated: 1622
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Jules Breton (1827-1905). The Mariner. 31 3/4 x 23 3/4 Inches (81 × 60 cm.). Pastel marouflé onto Canvas. Signed at Lower Right: Jules Breton
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Drawings from Boucher. Gillot
Attributed works:
[Galerie du Stael, 6 rue Royale, Paris, France] Louis Nicolas de Lespinasse (1734-1808). Panorama de la rade de Toulon (Detail). Water-Colour 43 × 65 cms
Attributed works:
[Galerie H. Odermatt - Ph. Cazeau, 85 bis, rue de Faubourg Saint-Honore, Paris, France] Camille Pissaro (1830-1903). Quai Malaquais, Matin, Soleil. Oil on Canvas. Signed and Dated at Lower Right "Camille Pissaro 1903". 54.5×65.5 cm - 21½×$25frac{3}{4}$ in.
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Stephen Conroy, Che Gelida Manina 1988-89. Oil on Canvas 60¼ × 48½ in./153 × 123.2 cm.
Attributed works:
[Maurice Segoura, Paris. Exh. International Biennale of Antique Dealers] Rare and Outstanding Royal Dessert Service, Comprising 63 Pieces of Sèvres Porcelain.
Attributed works:
[Paolo Brisigotti, 44 Duke Street, London, UK] Giovanni di Francesco Toscani (Florence, Circa 1370-1430). Madonna and Child, on Gold Ground, 67.5 cm by 38.5 cm
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Etienne Jeaurat (1699-1789). French School. Studies of Two Women. Preparatory Drawing for Le Deménagement du Peintre (Collection Earl Beauchamp). Black and White Chalk on Gray Paper. H. 22,3 cm; L. 34 cm.
Attributed works:
[Peter Nahum, 5 Ryder Street, London, UK] Simeon Solomon 1840-1905. Night. Pencil on White Paper. Signed with Initials and Dated 1873. 17½ × 11 3/4 Inches, 44.5 × 29.5 Centimetres
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Jusepe de Ribera (Valencia 1591-Naples 1652). Saint Matthew and the Angel. Oil on Canvas, 34 × 27½ Inches (86.3 × 69.8 cm.)
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] James Rosenquist, Untitled, 1989. Oil on Canvas, 50 by 66 Inches (127 by 167.6 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] David Teniers the Younger (Antwerp 1610-1690). A Gypsy Fortune-Teller. Oil on Canvas. 108 × 135 cm. (42 3/4 × 53 in.) Signed with a Monogram.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] David Teniers the Younger. A Gypsy Fortune-Teller. Oil on Canvas 177 × 239 cm. The Prado, Madrid.
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Master of 'Pipi' (XVIIth Century Florentine School). Portrait of Pipi with Still-Life. Oil on Panel: 115,5 × 86 cm.
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Giuliano Bugiardini, 1475 - 1554. The Naming of St. John the Baptist (86 × 121 cms)
Non-western art unattributed:
[Perrin, Paris. Exh. International Biennale of Antique Dealers] Most Exceptional Pair of Celadon Pot-Pourri Jars Decorated with Flowers; Chinese Kan G'Hi era. Gilded Ormulu Mounts, Paris, c. 1740. Height 42 cm; Width 29 cm.
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Advertisements March 1989 (front)
03/1989 | 1032 | 131
Pages: i-xl
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Mao, by Andy Warhol. 1972. Synthetic Polymer Paint Silkscreened on Canvas, 208.3 by 155 cm. (Courtesy: Thomas Ammann, Zürich: Exh. Museum of Modern Art, New York).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Hans Sebald Beham (1500-1550) An Old Man and a Maid Chiaroscuro Woodcut. Pauli, Hollstein 1236; Strauss 'Chiaroscuro' no.48; Geisberg 901. Watermark: Gothic P Surmounted by Orb and Initials (cf Meder (Dürer) 325 and 327); Therefore Probably Printed at the End of the 16th or Beginning of the 17th Century. A Very Good Impression of the Third State of Four, before the Addition of Dürer's Monogram. 248 × 244 mm
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Graham Bell. Trinity College, Dublin
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Alberto Giacometti. Etching. 1950. Lust 85. From the Collection of Douglas Cooper.
Attributed works:
[Christie's, 8 King Street, London, UK] Hendrik Goltzius: Hercules and Cacus (Bartsch 231), Chiaroscuro Woodcut Printed in Colours, 1588, Third State (Of Four), a Brilliant Impression.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich] Philips Wouwermans, 1619-Haarlem-1668. 'Country Folk on the Outskirts of a Wood'. Panel: 41 by 35.5 cm. Monogrammed in Full at Lower Right. Panel Bears Label on Reverse: Wouwermans.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh, Deventer c. 1590 -Amsterdam c.1657. A Hermit Saint at Prayer in an Extensive Landscape with Ruins. Oil on Panel: 41 × 65 cm. Signed on Rock at Lower Right: B. Breenbergh F.1635
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Salomon van Ruysdael (1600-Haarlem-1670). The River Maas near Castle Loevestein Panel, 50 × 68 cm Signed and Dated 1643.
Attributed works:
[Douwes Fine Art Ltd., London. Exh. TEFAF Maastrich] Abraham van Beyeren, 1620-1690. 'Fruit Still-Life' On Panel: 72 by 58 cm. Signed with a Monogram.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London, UK] J. J. Tissot. Le Veuf, Drypoint.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Barye (Louis Antoine) "Portrait de la fille de l'artiste". Oil on Canvas 55 × 46 cm
Attributed works:
[Francis Briest, 24, avenue Matignon, Paris, France] Paul Cezanne - Portrait of Paul Cezanne's Son, Circa 1879 - 1882. Oil on Canvas 10,8 × 13 Inches - 28,5 × 33 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] William Morris (1827-1905). An Angel Holding the Sun. Pencil, Pen, and Ink and Watercolour on Paper. 13 3/4 × 8 Inches (35 × 20.3 cm.)
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, 75008, Paris, France] Yerres - Camille Daurelle au Pied d'un Chene Oil on Cardboard. 17" × 12" 5/8
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Painting by Voiriot and Dalou
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, 75008, Paris, France] Joueur de flûte et femme nue. 1970. 114 × 146 cm
Attributed works:
[H.C.A.C.S.A.R.L., 7 rue Louvois, Paris, France] J. L. David. "Le Serment du Jeu de Paume". Drawing (Detail). Versailles, Musée National du château.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Gouache on Paper, Signed and Dated 1788. 1745 - Jean Baptiste Huet - 1811. 7 × 10 3/4 ins. 17.8 × 27.3 cms. With Fine Carved and Gilded Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK. Exh. TEFAF Maastrich] Thomas Wijck, Beverwijk 1616-1677 Haarlem. 'The Alchemist' Signed. On Panel 16½ by 14 3/4 (41.5 by 37 cm).
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands. Exh. TEFAF Maastrich] Frederik Marinus Kruseman, 1816-1882. 'Winter Landscape with Skaters' Canvas: 50 by 70 cm. Signed and Dated 1868.
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands] Canvas: 60×96 cm. Charles Leickert (1816-1907). Signed and Dated 1870
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] The Artist's Studio, 1988. John Davies. Photo by: James Austin
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York. Exh. TEFAF Maastrich] Bartolommeo Passarotti, 1529-1592. 'Portrait of a Gentleman Wearing a Dark Costume with a Sword, Gloves and a Plumed Hat' Oil on Canvas, 41 by 35 5/8 (104.2 by 90.5 cm).
Attributed works:
[Noortman, London. Exh. TEFAF Maastrich] Henri Lebasque, Champigne 1865-1937 Cannet. 'Still-Life with Apples', Circa 1926. Canvas: 54 by 65 cm. Signed.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Emile Bernard (Lille 1868 - Paris 1941) Crucifixion, Woodcut 41 × 29 cm., Rare Trial Proof on Japan Paper, before the Distortion and Cracking of the Wood. To the Left, a Trial Inscription in Gothic Lettering in Black Pencil. (See Catalogue: Paul Prouté Pout-Aven, les Nabis et les Symbolistes, March 1989)
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Claude-Louis Chatelet (1753-1794). French School Partial View of the Falls of the 'Fiume Grande' of Lava from Etna, near Aderno Vue Partielle des Cascades de Fiume Grande au milieu des Laves de L'Etna, Prés d'Aderno Gouache on Beige Tinted Paper. H. 22,8 cm; L. 32,7 cm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Auguste Rodin, "L'Eternal Printemps," Signed, Inscribed with Foundry Mark "Thiebaut Freres, Fondeurs," Bronze, Brown Patina with Green Highlights, 64cm High.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Anthony van Dyck. 'Rest on the Flight into Egypt', c. 1630 Oil on Panel, 15 1/8 by 12 5/8 (38.5 by 32 cm) 18094-D.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Nikolai Astrup (Norwegian 1880-1928), Apple Trees in Bloom, Signed, Oil on Canvas, 56 by 90cm. Estimate: £250,000-400,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Jules Dalou (1838-1902). Supplication 1884. Bronze. Signed 'Dalou', Inscribed Cire Perdue A. A. Hébrard and Numbered 1 Height: 32 cm
Attributed works:
[Thomas Ammann Fine Art Zurich, Restelbergstrasse 97, Zurich, Switzerland] Fernand Léger, ca. 1918. «Still Life». Ink on Paper, 47 × 31,7 cm
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Bernardino Mei, 1612 Siena - 1676 Rome. Faith. Oil on Canvas: 120 × 155 cm. Signed and Dated: B. Mei 1652
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] J. J. Tissot: How Happy I Could Be with Either. Etching. 1877. 9 7/8 × 14″.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Head of Holofernes, Marble Italian (?) XVI Century. Height 22 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK. Exh. TEFAF Maastrich] A Rare Mid-18th-Century Ebony and Silver Mounted Miniature Bracket Clock Signed Charles Clay, London. 7½″ High. Circa: 1740.
Western art unattributed:
[Jan Roelofs, Spiegelgracht 5, 1017 JP Amsterdam, Netherlands] Oil Lamp in Bronze. Italy, 16th Century, Andrea Riccio Workshop. 5 × 4.5 Inches
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainbleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] Exceptionnelle suite de 4 grands fauteuils à dossier plat, début d'époque Louis XV, en bois naturel, à décor de rinceaux, grenades et feuilles d'acanthe, tapisserie d'Aubusson à décor floral
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainebleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] A Fine Set of Six George II Mahogany Carved Single Chairs on Cabriole Legs with Claw and Ball Feet, and Shaped Seat Rails. Circa 1740
Western art unattributed:
[M. Ekstein & I. J. Mazure, 90 Jermyn Street, Piccadilly, London, UK] Porcelain Painted Plate Bearing the Soviet Propaganda Slogan: "If Your Heart Yearns for Work Everything Will Be Reborn". Centre Painted with a Constructivist Design. 9.8 ins Diameter. Underglaze Green Cipher of Nicholas II 1898. Overglaze Soviet State Factory Mark 1921. After a Design by Rudolf Vil'de.
Western art unattributed:
[Maria Andipa Icon Gallery, 162 Walton Street, London, UK] The Absolute Mother of God with Beautiful Silver-Gilt Repoussé and Chased Riza and Kakoshnik Studded with Three Stars, Raised Halo with Leaf-Motif; Embellished with Semi-Precious Stones. Panel: c.1700 Caucasus Riza Essay K D P and Initials AS 1886 35 × 23.5 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, London, UK] St. Theodore Stratilates, the Warrior Saint, Russian Icon, Late 17th Century (29½ × 23cm)
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] "Italian Master" (Valle Padana XIII Cent) Initial "S" San Silvestro Tempera Illuminated on Vellum 90 × 75 mm.
Western art unattributed:
[Pieter Hoogendijk, Holland. Exh. TEFAF Maastrich] Cabinet, French (Paris?); ca. 1660; Ebony, Resting on a Stand. The Stand Consists of Three Couples of Astragalon Columns and Two Figures in Armour, Athena on the Left, Mars on the Right. Height: 2.17 Metres Width: 1.96 Metres Depth: 0.625 Metres.
Western art unattributed:
[The Chelsea Antiques Fair, Chelsea Old Town Hall, King's Road, London, UK] This Fine Satinwood Commode, Sheraton, Circa 1790. Although unmarked, this decanter is typically Irish in its light moulded base, fluting and three feather-edged neck rings. The engraved ship is contemporary, as is the mushroom moulded stopper - c.1815. This very fine walnut 'lowboy' is from the Queen Anne period, about 1710. It is a good example of the most sought-after type of low-boy, having good golden colour, well proportioned cabriole legs, and a pretty 'apron'. A silver seal box engraved with the Royal Coat of Arms of George III Made in London, in 1790 by William Pitts.