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64 articles
Article
Urban VIII and the Barberini
07/2023 | 1444 | 165
Pages: 772–777
related names
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
Reviewed Items
subjects:
L’immagine sovrana: Urbano VIII e i Barberini, Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome, 18th May–30th July 2023. | :
Illustrations
Attributed works:
1. Maffeo Barberini, by Caravaggio. c.1595. Oil on canvas, 124 by 90 cm. (Private collection; exh. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
2. Urban VIII visits the Gesù, Rome, to celebrate the hundredth anniversary of the founding of the Jesuit order, by Andrea Sacchi with Filippo Gagliardi and Jan Miel. 1642. Oil on canvas, 321 by 248 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome; courtesy the Ministero Beni e Attività Culturali e del Turismo; Scala Archives).
Attributed works:
3. Carlo Barberini, by Francesco Mochi. c.1630. Bronze, height 58 cm. (Private collection; exh. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
4. St Sebastian thrown into the Cloaca Maxima, by Ludovico Carracci. 1612. Oil on canvas, 163.5 by 232.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
5. Installation view of L’immagine sovrana: Urbano VIII e I Barberini at Palazzo Barberini, Rome, 2023, showing the tapestries hung in the Salone. (Photograph Alberto Novelli).
Attributed works:
6. Installation view of L’immagine sovrana: Urbano VIII e I Barberini at Palazzo Barberini, Rome, showing Urban VIII, by Gianlorenzo Bernini. 1632–33. Marble, height 103 cm. with pedestal. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
7. Marc’Antonio Pasqualini crowned by Apollo, by Andrea Sacchi. 1642. Oil on canvas, 243.8 by 194.3 cm. (Metropolitan Museum of Art, New York, exh. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Article
Carlo Dolci’s Inscriptions 1 – Dolci’s signatures and prices in context
01/2022 | 1426 | 164
Pages: 4-15
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
Illustrations
Attributed works:
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas, 96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas, 131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm. (Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm. (Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm. (Galleria degli Uffizi, Florence).
Exhibition Review
The Orléans Collection. New Orleans Museum of Art
01/2019 | 1390 | 161
Pages: 67-69
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
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Advertisements October 2016 (front)
10/2016 | 1363 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
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Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subjects
advertisements:
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collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
Advertisements
Advertisements April 2011 (front)
04/2011 | 1297 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
Article
A rediscovered fresco by Ludovico Carracci in Palazzo Ratta, Bologna
08/2010 | 1289 | 152
Pages: 523-527
related names
Author:
Mozzati, Tommaso (Mozzati, Tommaso)
Subjects
dates:
places:
Illustrations
Attributed works:
13. Aeneas and his family fleeing from Troy, by Ludovico Carracci. c.1585–86. Fresco. (Palazzo Ratta, Bologna).
Attributed works:
14. A scene possibly from The Aeneid, formerly called Biblical scene (Gideon and the angel?), by Carlo Antonio Pisarri, after Ludovico Carracci. c.1750. Etching, 32.7 by 25 cm. (Gabinetto disegni e stampe, Pinacoteca Nazionale, Bologna, inv.5323).
Attributed works:
15. Aeneas and his family fleeing from Troy, by Carlo Antonio Pisarri. c.1750. Etching, 32.9 by 24.6 cm. (Gabinetto disegni e stampe, Pinacoteca Nazionale, Bologna, inv.4777).
Attributed works:
16. Detail from The fight of the warriors born from dragons’ teeth, by Ludovico Carracci(?). 1584. Fresco. (Palazzo Fava, Bologna).
Attributed works:
17. Detail from Medea’s incantations, by Ludovico or Annibale Carracci. 1584. Fresco. (Palazzo Fava, Bologna).
Attributed works:
18. Detail from Fig.13.
Attributed works:
19. S. Pellegrino and the Virgin in glory, by Ludovico Carracci(?). c.1584. Fresco transferred to canvas, 250 by 144 cm. (Oratorio di S. Pellegrino, Bologna).
Book Review
Ludovico Carracci and the Art of Drawing
07/2006 | 1240 | 148
Pages: 491-492
related names
Reviewer:
Turner, Nicholas (Turner, Nicholas)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Ludovico Carracci and the Art of Drawing | author: Bohn, Babette
Illustrations
Attributed works:
62. St Jerome standing at the mouth of a cave, here attributed to Ludovico Carracci. 1590–95. Pen and brown ink and brown wash, heightened with white, with touches of cream-coloured oil paint, 28.9 by 15.7 cm. (British Museum, London).
Attributed works:
63. St Jerome in the desert, by Ludovico Carracci. 1590–95. Canvas, 188 by 133 cm. (Private collection).
Attributed works:
64. St Jerome, half-length, with an open book lying in his lap, by Ludovico Carracci. 1590–95. Black chalk, 29 by 37 cm. (Sammlung Schloss Fachsenfeld, Graphische Sammlung, Stuttgart).
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Advertisements June 2006 (Front)
06/2006 | 1239 | 148
Pages: i-xxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
Short Notice
Carracci drawings in the Louvre: a new catalogue
11/2005 | 1232 | 147
Pages: 745-748
related names
Author:
Turner, Nicholas (Turner, Nicholas)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
29. Rudolf Wittkower at his attributions machine identifying Carracci drawings for his Windsor catalogue, by John Gere. c.1951-52. Graphite, 17.8 by 11.2 cm. (Private collection).
Attributed works:
30. Portrait of a young man, here attributed to Federico Zuccaro. c.1590. Black and red chalk on a reddish prepared ground, 17.5 by 17.1 cm. (Städelsches Kunstinstitut, Frankfurt).
Attributed works:
31. Head of an adolescent in profile, here attributed to the circle of Ottaviano Dandini. c.1710-20. Red chalk, 21.4 by 19.4 cm. (Private collection).
Attributed works:
32. Man leaning forward in a posture of flight, by Annibale Carracci. c.1593. Pen and brown ink, 8.9 by 5.9 cm. (corner cut). (British Museum, London).
Attributed works:
33. Woman kneeling on one knee (?St Catherine), by Annibale Carracci. c.1592-93. Pen and brown-black ink on light blue-grey paper, 22.5 by 13.5 cm. (British Museum, London).
Attributed works:
34. The Apostles at the tomb of the Virgin, by Ludovico Carracci. c.1608-09. Pen and brown ink and brush and wash over black chalk, 25.6 by 15.2 cm. (Private collection, Paris).
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