1. Compositional study identified as the
Ecstasy of St John of God, here attributed to
Vieira Lusitano. c.1730–37. Red chalk on paper,
24 by 37.2 cm. (Museo del Prado, Madrid).
Attributed works:
2. Church of Menino Deus, Lisbon. (Wikimedia
Commons).
Attributed works:
3. St Francis stripped of his secular clothes,
by Vieira Lusitano. c.1730–37. Oil on canvas.
(Church of Menino Deus, Lisbon).
Attributed works:
4. Painting here identified as the Ecstasy of St
Francis, by Francesco Pavona. c.1730–37. Oil on
canvas. (Church of Menino Deus, Lisbon).
Vi o Reino Renovar: Arte no
Tempo de D. Manuel I
Edited by Ana Sousa and Miguel
Soromenho. 288 pp. incl. 210 col. ills.
(Museu Nacional de Arte Antiga and
Imprensa Nacional – Casa da Moeda,
Lisbon, 2021), €35. ISBN 978–972–27–
2946–8. |
:
Illustrations
Attributed works:
7. Frontispiece
of Leitura Nova
31, Misticos
2, attributed
to António de
Holanda. 1511.
Illumination on
vellum, 52.7 by
39.5 (Arquivo
Nacional da
Torre do Tombo,
Lisbon; Cód. Ref.
PT/TT/LN0031).
Attributed works:
8. Arrival of the
relics of St Auta,
by Cristovão
de Figueiredo.
1522–25. Oil on
panel, 68 by
73 cm. (Museu
Nacional de Arte
Antiga, Lisbon).
Attributed works:
9. Monstrance
of Belém,
attributed to Gil
Vicente. 1506.
Gold, enamels
and glass, 73
by 32 by 26 cm.
(Museu Nacional
de Arte Antiga,
Lisbon).
Book Review
Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths, R. Walker
The Arts of Spain, Iberia and Latin America 1450–1700 |
author: Trusted, Marjorie
Illustrations
Attributed works:
35. Apostle or prophet, by Alonso Berruguete. From the altarpiece formerly in S. Benito, Valladolid. c.1526–31. Painted and gilt-wood. (Victoria and Albert Museum, London).
Short Notice
Thomas Pitt, Portugal and the Gothic Cult of Batalha
31. West Elevation, Sta Maria Da Vitória, Batalha, by J. C. Murphy. From Plans, Elevations, Sections... of the Portuguese Church [1792]. Engraving, 32 by 40 cm.
Attributed works:
32. Plan of Lisbon Cathedral, by William Cole, after Thomas Pitt. From Observations in a Tour to Portugal and Spain [1760]. Ink on Paper, 20.4 by 32.8 cm. (British Museum).
Attributed works:
33. The 'Great West Door' of Lisbon Cathedral, by William Cole, after Thomas Pitt. From Observations in a Tour to Portugal and Spain [1760]. Ink on Paper, 20.4 by 32.8 cm. (British Museum).
Attributed works:
34. The Entrance to the Mausoleum, Sta Maria da Vitória, Batalha, by J. C. Murphy. From Plans, Elevations, Sections... of the Portuguese Church of Batalha [1792-95]. Engraving, 33 by 47 cm.
Book Review
Portuguese Plain Architecture, between Spices and Diamonds, 1521-1706
Plate III. Festival Altar-Furniture of S John's Chapel. (D) Silver Paliotto, Centre, Lapis Lazuli, Executed by Corsini (?) and Lodovisi (?), Silver Work by Antonio Arrighi; Altar-Furniture by Various Artists. S. John's Chapel in the Church of S. Roque, Lisbon-II
Western art unattributed:
Plate IV. Altar-Plate Designed by Various Artists. S. John's Chapel in the Church of S. Roque, Lisbon-II
Article
S. John's Chapel in the Church of S. Roque, Lisbon-I
Plate I. Chapel and Furniture Designed by Filippo Terzi. (A) Altar, Retable and Altar-Ornaments of S. John's Chapel. S. John's Chapel in the Church of S. Roque, Lisbon-I
Attributed works:
Plate II. Chapel and Furniture Designed by Filippo Terzi. (B) General View of S. John's Chapel. (C) One of a Pair of Candelabra. S. John's Chapel in the Church of S. Roque, Lisbon-I