2. Portrait of Secretary of State Diogo Mendonça Corte Real, by
Guillaume François Laurent Debrie. 1730. Engraving. (From Retratos
de Cardeaes, Bispos, e Varoens Portuguezes Illustres em Nobreza,
Armas, Letras, e Santidade Coordenados nos Mezes de Abril e Maio
do Anno do Senhor, Lisbon 1791, fol.40A; Biblioteca Nacional de
Portugal, Secção de Iconografia, Lisbon).
Attributed works:
3. Portrait of King D. João V, by Pompeo Batoni. 18th century.
Oil on canvas, 90 by 70 cm. (Palácio Nacional da Ajuda, Lisbon).
Attributed works:
4. Model of the sculptural group for the funerary monument of Manuel
Pereira de Sampaio, by Filippo della Valle. c.1753. Terracotta and paint,
height 56.5 cm. (Museu de Lisboa, Lisbon.)
6. Wine cooler made for Louis Henri de Bourbon, by Gabriel Huquier
after Juste-Aurèle Meissonnier. 1748. Engraving, 17.9 by 25.9 cm.
(Cooper Hewitt Design Museum, New York).
Attributed works:
7. Basin, by Paul Crespin. 1722–23. Silver, height 14.7 cm., diameter 49.5
cm. (British Museum, London).
Western art unattributed:
1. Paul Crespin. British. c.1726. Oil on canvas, 114 by 90 cm. (Victoria
and Albert Museum, London).
Book Review
The ‘Pangolin Fan’: An Imperial Ivory Fan from Ceylon
The ‘Pangolin Fan’: An Imperial Ivory
Fan from Ceylon
By Hugo Miguel Crespo and Annemarie Jordan
Gschwend. 231 pp. incl. over 100 col. ills.
(Jaime Eguiguren Art and Antiques, Buenos
Aires, 2022). ISBN 978–84–09–41680–6. |
:
Illustrations
Non-western art unattributed:
4. The ‘Pangolin Fan’. Sri Lanka, c.1540–51.
Carved ivory, silver and carnelian. (Private
collection).
The Lost Library of the King of Portugal
By Angela Delaforce. 330 pp. incl. 200 col. ills.
(Ad Ilissvm, London, 2019), 45. ISBN 978–1–
912168–15–6. |
:
Book Review
Die Stadt von der Neuzeit bis zum 19. Jahrhundert: Urbane Entwürfe in Europa und Nordamerika. By Vittorio Magnago Lampugnani
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
62. Detail showing St Jerome, on the base of a candlestand, made by Giuseppe Gagliardi and completed by Leandro Gagliardi from models by Giovanni Battista Maini (Museu de São Roque, Santa Casa da Misericórdia, Lisbon)
Attributed works:
63. Baptism of Christ, by Mattia Moretti after the painting by Agostino Masucci (after restoration) (Main altar of the Chapel of St John the Baptist, Church of São Roque, Lisbon)
Article
Roman Baroque silver for the Patriarchate of Lisbon
32. Immaculate Conception, by Giovanni Battista Maini (Private collection)
Attributed works:
33. The Virgin and Child, by Giovanni Battista Maini (Private collection, Malta)
Attributed works:
34. Monstrance made by Antonio Arrighi after designs by Giovanni Battista Maini (Treasury, Lisbon Cathedral)
Western art unattributed:
28. Drawing of the grilles for the chapel of the Holy Sacrament, Patriarchate, Lisbon, to be made by Matteo Piroli (Weale Album, MS 497, fol.295, no.94, Bibliothèque de l'Ecole Nationale Supérieure des Beaux-Arts, Paris)
Western art unattributed:
29. Drawing of the grilles for the chapel of the Baptistery of the Patriarchate, Lisbon, to be made by Andrea Valadier and Luigi Valadier (Weale Album, MS 497, fol.269, no.87, Bibliothèque de l'Ecole Nationale Supérieure des Beaux-Arts, Paris)
Western art unattributed:
30. Drawing of the grilles for one of the chapels of the Patriarchate, Lisbon, to be made by Antonio Montauti (Weale Album, MS 497, fol.303, no.96, Bibliothèque de l'Ecole Nationale Supérieure des Beaux-Arts, Paris)
Western art unattributed:
31. Design for a baptismal font for the Baptistery of the Patriarchate, Lisbon, to be made by Francesco Giardoni (Weale Album, MS 497, fol.273, no.88, Bibliothèque de l'Ecole Nationale Supérieure des Beaux-Arts, Paris)
Article
Eighteenth-century Roman silver for the chapel of St John the Baptist in the church of S. Roque, Lisbon
20. Baldachin, by Felice Sciffone, Agostino Ancidoni and Lucino Celladini; altar frontal, by Antonio Arrighi; and altar set (six candlesticks and cross), by Angelo Spinazzi, Giovanni Felice Sanini, Tommaso Politi and Francesco Antonio Salci. (Museu de S. Roque, Lisbon).
Attributed works:
21. Detail of altar frontal in Fig.20. c.1744–50. Silver and lapis lazuli, 112 by 230 cm. (Museu de S. Roque, Lisbon).
Attributed works:
22. Candlestick, by Giuseppe and Leandro Gagliardi. c.1744–49. Gilt silver, 285 by 105 by 105 cm. (Museu de S. Roque, Lisbon).
Attributed works:
23. Chalice, by Antonio Gigli. c.1744–50. Gilt silver, 29 cm. high. (Museu de S. Roque, Lisbon).
Attributed works:
24. Set of three altar canons, by Antonio Vendetti. c.1744–50. White and gilt silver, 49 by 53 by 9.5 cm.; 42 by 33 by 6 cm.; 42 by 33 by 6 cm. (Museu de S. Roque, Lisbon).
Attributed works:
25. Pair of cruets and salver, by Antonio Gigli. c.1744–50. Gilt silver, 17.8 by 12 by 6.3 cm. (cruets); 21.2 by 27.5 cm. (salver). (Museu de S. Roque, Lisbon).
Attributed works:
26. Basin and ewer, by Vincenzo Belli. c.1744–50. Gilt silver, 28.5 by 14 by 13.5 cm. (ewer); 42.5 by 54 by 4 cm. (basin). (Museu de S. Roque, Lisbon).
Attributed works:
27. Host box, by Francesco Smitti. c.1744–50. Gilt silver, 8 by 9 cm. (Museu de S. Roque, Lisbon).
Attributed works:
28. St Prosper reliquary, by Carlo Guarnieri. c.1744–50. Gilt silver, 89 by 43 by 35 cm. (Museu de S. Roque, Lisbon).
Attributed works:
29. St Felix reliquary, by Carlo Guarnieri. c.1744–50. Gilt silver, 81 by 30 by 34 cm. (Museu de S. Roque, Lisbon).
Exhibition Review
Le Corbusier. Rotterdam, Weil-am-Rhein, Lisbon, Liverpool and London
51. Notre-Dame-du-Haut chapel, Ronchamp, by Le Corbusier. 1950–52. Photograph. (Exh.
Barbican Art Gallery, London).
Attributed works:
52. Fitted kitchen from Unité d’Habitation de Marseille, by Le Corbusier. 1945. Photograph.
(Photographie industriele du Sud Ouest; exh. Barbican Art Gallery, London).
Attributed works:
53. Palais de l’Assemblée, Chandigarh, by Le Corbusier. 1955. Photograph. (Exh. Barbican Art Gallery).