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50 articles
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Book Review
Carrington’s Letters: Her Art, Her Loves, Her Friendships. By Dora Carrington, edited by Anne Chisholm
06/2018 | 1383 | 160
Pages: 523-524
Article
The identity of the sitters in Joshua Reynolds’s group portrait in the Gemäldegalerie, Berlin
04/2018 | 1381 | 160
Pages: 292-298
related names
Author:
Mitchell, Charlotte (Mitchell, Charlotte)
Author:
Mitchell, Gwendolen (Mitchell, Gwendolen)
Subjects
art literature:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Group portrait, here identified as Tysoe Saul Hancock, his wife, Philadelphia, their daughter, Elizabeth, and their Indian maid Clarinda, by Joshua Reynolds. c.1763–66. Canvas, 140.8 by 173.7 cm. (Gemäldegalerie, Berlin).
Attributed works:
3. George Clive, by Thomas Gainsborough. c.1763. Canvas, 74.9 by 62.2 cm. (Private collection).
Attributed works:
4. Philadelphia Hancock, by John Smart. 1770. Watercolour on ivory, 2 by 1.5 cm. (Jane Austen House Museum, Chawton, Hampshire).
Attributed works:
5. Eliza Hancock, French School. 1780. Watercolour on ivory, 6.4 by 4.5 cm. (Private collection).
Attributed works:
6. Warren Hastings, by Joshua Reynolds. 1766–68. Canvas, 126.4 by 101 cm. (National Portrait Gallery, London).
Article
‘Almost her creation’: Georgiana, Duchess of Devonshire, and the decoration of Chiswick House
03/2018 | 1380 | 160
Pages: 217-225
related names
Author:
Whittaker, Esmé (Whittaker, Esmé)
Subjects
dates:
places:
Illustrations
Attributed works:
1. North-west view of Chiswick House, Middlesex, by J.C. Buckler. 1822. Watercolour on paper. 33.7 by 47 cm. (London Metropolitan Archives).
Attributed works:
2. Georgiana, Duchess of Devonshire, by Thomas Gainsborough. 1783. Canvas, 235.6 by 146.5 cm. (National Gallery of Art, Washington).
Attributed works:
4. West saloon at Chiswick House, by William Henry Hunt. 1828. Watercolour on paper. 29.6 by 23.7 cm. (Chatsworth House, Derbyshire).
Attributed works:
8. Fauteuil, by Jean-Baptiste Tilliard. Paris, c.1755–65. Parcel-gilt and painted beechwood, with modern silk and cotton upholstery. (English Heritage Trust/Chiswick House, London).
Western art unattributed:
10. East Saloon, Chiswick House. c.1890. Photograph. (Historic England Archive, Swindon).
Western art unattributed:
3. Plan of the first floor of Chiswick House. The shaded areas were added in the late 1780s.
Western art unattributed:
5. The Duke of Devonshire’s house at Chiswick. 1795. Engraving, 16.5 by 21.2 cm. (English Heritage Trust/Kenwood, London); reproduced on p.195 of D. Lysons: The Environs of London, II: County of Middlesex, London 1795.
Western art unattributed:
6. East wing staircase, Chiswick House. Early twentieth century. Photograph. (Historic England Archive, Swindon).
Western art unattributed:
7. West Saloon, Chiswick House. c.1890. Photograph. (Historic England Archive, Swindon)
Western art unattributed:
9. Side chair. England, c.1790s. Parcel-gilt and painted beechwood with cane back and seat, 82 by 46 by 40 cm. (English Heritage Trust/Chiswick House, London.
Article
Bacon’s beginnings
01/2016 | 1354 | 158
Pages: 019–025
related names
Author:
Norton, James (Norton, James)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
24. Eric Allden's diary entry for 15th July 1929 (Private collection, London)
Attributed works:
25. Eric Allden at his home in Egerton Gardens with painted screen by Francis Bacon. 1935. Photograph by Mark Neven du Mont (Private collection)
Attributed works:
27. Rug, by Francis Bacon. 1929 (On long-term loan from a private collection to Tate, London, © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
28. Eric Allden with two rugs by Francis Bacon. 1935. Photograph by Mark Neven du Mont (Private collection)
Attributed works:
29. Rug, by Francis Bacon. 1929 (On long-term loan from a private collection to Tate, London, © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
30. Rug, by Francis Bacon. 1929 (On long-term loan from a private collection to Tate, London, © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
31. Painted screen, by Francis Bacon. 1929 (On long-term loan from a private collection to Tate, London, © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
32. Painting, by Francis Bacon. 1929 (On long-term loan from a private collection to Tate, London, © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Western art unattributed:
26. Double-page spread from The Studio 100 (August 1930), pp.140-41
Article
René Gimpel’s ‘Diary of an Art Dealer’
09/2015 | 1350 | 157
Pages: 615-619
related names
Author:
Kostyrko, Diana J (Kostyrko, Diana J)
Subjects
collectors and dealers:
Illustrations
Attributed works:
26. Protection des vitrines contre les bombardements. Ecole Pigier, rue de Rivoli, by Jacques Boyer. 1918 (Roger-Viollet, Paris)
Attributed works:
27. La Jeune polonaise de Montparnasse, by Chaim Soutine. c.1929 (Private collection; photograph courtesy Sotheby's)
Western art unattributed:
25. The interior of René Gimpel's house in rue Spontini, Paris. c.1924 (Courtesy © Gimpel Family Archive)
Western art unattributed:
28. Cover of Diary of an Art Dealer, 1992 edition, with a portrait of René Gimpel. c.1924 (Courtesy Random House)
Article
Delacroix’s ‘Bacchus and Ariadne’
04/2015 | 1345 | 157
Pages: 255-258
related names
Reviewer:
Eremin, Katherine (Eremin, Katherine)
Author:
Khandekar, Narayan (Khandekar, Narayan)
Author:
Kianovsky, Sarah B. (Kianovsky, Sarah B.)
Subjects
dates:
Illustrations
Attributed works:
29. Autumn - Bacchus and Ariadne, by Eugène Delacroix (Museu de Arte de São Paulo)
Attributed works:
30. Bacchus and Adriadne (sketch for Autumn in the Four Seasons), by Eugène Delacroix (Harvard Art Museums, Cambridge MA)
Attributed works:
31. Journal entry by Eugène Delacroix for 8th May 1856 (La Bibliothèque de l'Institut National d'histoire de l'art, Paris)
Attributed works:
32. Autumn. Bacchus returning from the Indies, by Pierre Andrieu after Eugène Delacroix (Museum of Fine Arts, Boston)
Attributed works:
33. Fig.30 marked with five cross-section locations
Western art unattributed:
34. Sketch cross-section no. 4 from the area adjacent to Ariadne's skin
Western art unattributed:
35. Sketch cross-section no.5 from the putto
Article
Bouguereau revealed?
04/2012 | 1309 | 154
Pages: 253-255
related names
Author:
House, John (House, John; H., J.)
Subjects
dates:
Reviewed Items
subjects:
William Bouguereau. I: His Life and Works; II: Catalogue Raisonné of his Painted Work | author: Bartoli, Damien
Illustrations
Attributed works:
23. Au bord du ruisseau, by William Bouguereau. 1888. Canvas, 81 by 103 cm. (Private collection).
Attributed works:
24. La Soif, by William Bouguereau. 1886. Canvas, 132 by 102 cm. (Private collection, Connecticut).
Book Review
Roger Hilton: night letters, drawings and gouaches
04/2011 | 1297 | 153
Pages: 263-264
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Roger Hilton: night letters, drawings and gouaches | editor: Bond, Timothy
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