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2 articles
Exhibition Review
Imperial Mughal Albums. Dublin
11/2010 | 1292 | 152
Pages: 762-763
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related names
Reviewer:
Topsfield, Andrew (Topsfield, Andrew)
Subjects
dates:
2010-2019 / 2000-2009
museums and institutions:
Chester Beatty Library, Dublin, Ireland / Arthur M. Sackler Gallery, Washington, United States / Detroit Institute of Arts, Detroit, United States / Nelson-Atkins Museum of Art, Kansas City (MO), United States / Honolulu Academy of Arts, Honolulu, United States
places:
Ireland / Dublin / Detroit / Kansas City / Honolulu / Hawaii / United States / Washington DC
print:
Indian painting
subjects:
Reviews / Exhibitions / Indian painting / Illuminated manuscripts / Albums
Reviewed Items
subjects:
Muraqqa’: Imperial Mughal Albums from the Chester Beatty Library | institution: Arthur M. Sackler Gallery , institution: Chester Beatty Library , institution: Detroit Institute of Arts , institution: Honolulu Academy of Arts , institution: Nelson-Atkins Museum of Art
Illustrations
Attributed works:
74. Portrait of Rustam Khan, with contemporary border figures of soldiers and men inspecting weapons and jewels, by Hunhar. c.1650–57. From the Late Shah Jahan Album. Folio, 38 by 26.6 cm. (Chester Beatty Library, Dublin).
Attributed works:
75. Jahangir shoots the head of Malik Ambar, by Abu’l Hasan. c.1616. From the Minto Album. Folio, 38.9 by 27.2 cm. (Chester Beatty Library, Dublin).
Attributed works:
76. Music party in an encampment, by Govardhan. c.1620–30. From the Minto Album. Folio, 38.9 by 27.2 cm. (Chester Beatty Library, Dublin).
Article
Morris Louis in Australia and New Zealand
12/2009 | 1281 | 151
Pages: 832-835
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related names
Author:
Hanfling, Edward (Hanfling, Edward)
Subjects
artists:
Louis, Morris
dates:
1960-1979
museums and institutions:
National Gallery of Australia, Canberra, Australia / Auckland Art Gallery, Auckland, New Zealand / Honolulu Academy of Arts, Honolulu, United States / National Gallery of Victoria, Melbourne, Australia / Santa Barbara Museum of Art, Santa Barbara, United States
places:
Auckland / Canberra / Melbourne / Santa Barbara / United States / New Zealand / Australia
places:
Hawaii / Honolulu
print:
Louis, Morris
subjects:
Exhibitions / Collections, Public / Acquisitions / Critical Reception / American painting (United States of America) / Abstract art / Reviews / Australian painting
Illustrations
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).