museums and institutions:
National Gallery of Australia, Canberra, Australia
/ Auckland Art Gallery, Auckland, New Zealand
/ Honolulu Academy of Arts, Honolulu, United States
/ National Gallery of Victoria, Melbourne, Australia
/ Santa Barbara Museum of Art, Santa Barbara, United States
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).
