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6 articles
Exhibition Review
Puja and Piety. Santa Barbara
08/2016 | 1361 | 158
Pages: 680-682
related names
Reviewer:
Patel, Alka (Patel, Alka)
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dates:
Illustrations
Non-western art unattributed:
86. The Cosmic Parshvanatha, A Shvetambara (White-Clad) Tantric composition of Matras. Mewar, Rajasthan, c.1775-1800 (Lent by Julia Emerson; exh. Santa Barbara Museum of Art)
Non-western art unattributed:
87. Façade of a Jain household shrine. Gujarat, late eighteenth-early nineteenth century (Santa Barbara Museum of Art)
Non-western art unattributed:
88. Narasimha slaying Hiranyakashipu, with the devoted Prahlada watching. Folio from an unidentified manuscript of a Vaishnava devotional text. Bikaner, Rajasthan, eighteenth century (Santa Barbara Museum of Art)
Publication Received
Delacroix and the Matter of Finish. By Eik Kahng.
04/2015 | 1345 | 157
Pages: 277
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
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Article
Morris Louis in Australia and New Zealand
12/2009 | 1281 | 151
Pages: 832-835
related names
Author:
Hanfling, Edward (Hanfling, Edward)
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Illustrations
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).
Exhibition Review
Art of the July Monarchy. Santa Barbara
04/1990 | 1045 | 132
Pages: 295-296
related names
Reviewer:
Rishel, Joseph J. (Rishel, Joseph J.; Rishel, Joseph)
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dates:
Illustrations
Attributed works:
67. The Little Patriots, by Philippe-Auguste Jeanron. 1833. 100 by 80 cm. (Musée des Beaux-Arts, Caen; Exh. Museum of Art, Santa Barbara).
Attributed works:
68. Pilgrim Being Supported by a Monk, by Jean-Claude Bonnefond. c. 1837. 100 by 80 cm. (Musée des Beaux-Arts, Lyon; Exh. Museum of Art, Santa Barbara).
Attributed works:
69. Faust Seeing Marguerite for the First Time, by Ary Scheffer. 1838. 57.5 by 67.5 cm. (Institute of Arts, Detroit; Exh. Museum of Art, Santa Barbara).
Attributed works:
70. Four O'Clock at the Salon, by François-Auguste Biard. 1847. 215.1 by 137.5 cm. (Louvre, Paris; Exh. Museum of Art, Santa Barbara).
Supplement
Museum Acquisitions (1980-82) of Twentieth-Century Art: Supplement
09/1982 | 954 | 124
Pages: xii
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Illustrations
Attributed works:
Fig. 55. The Artist's Garden at Durbins, by Roger Fry (1866-1934). c. 1915. Oil on Canvas, 46.5 by 76 cm. (Purchase 1982).
Attributed works:
Fig. 56. Untitled No. 21 (Second Theme), by Burgoyne Diller (1906-65). 1943-45. Oil on Canvas, 106.8 by 106.6 cm. (Purchase 1981).
Attributed works:
Fig.57. Natural History Part 1 (Mushrooms), by Cy Twombly (b. 1929). 1974. Lithograph, 75.8 by 55.8 cm. (Purchase 1982).
Attributed works:
Fig.58. Study for 'Salutat', by Thomas Eakins (1844-1916). c. 1898. Oil on Canvas, 51.1 by 40.9 cm. (Gift 1981).
Attributed works:
Fig.59. Firebird, by Henri Gaudier-Brzeska (1891-1915). 1912. Original Plaster, Height 61 cm. (Purchase).
Attributed works:
Fig.60. La Giuseppina, by Walter Richard Sickert (1860-1942). 1903. Oil on Canvas, 62 by 53.2 cm. (Purchase 1982).
Attributed works:
Fig.61. PC 77, by Edward Wolfe (1897-1982). c. 1927. Oil on Canvas, 107.6 by 78.1 cm. (Chantrey Purchase 1981).
Attributed works:
Fig.62. Shaker Barn, by Charles Sheeler (1883-1965). 1934. Tempera on Gesso Panel, 25.1 by 35.4 cm. (Gift 1980).
Attributed works:
Fig.63. Twin Lights, Purple Rocks, by John Sloan (1871-1951). 1915. Oil on Canvas, 66 by 81.2 cm.
Attributed works:
Fig.64. Homesickness of an Engineer, by Giorgio de Chirico (1888-1978). 1916. Oil on Canvas, 33.5 by 26 cm. (Gift 1982).
Attributed works:
Fig.65. Retrospective Column, Part One, by Robert Graham (b. 1938). 1981. Wax Maquette. (Gift 1982).
Attributed works:
Fig.66. The Pont Neuf, Wrapped (Project for Paris), by Christo (b. 1935). 1980. Pastel, Charcoal and Pencil. (Gift 1980).
Attributed works:
Fig.67. Trees Beside River, by Edward Wadsworth (1889-1949). 1913. Water-Colour, 26 by 34.9 cm. (Purchase 1982).
Attributed works:
Fig.68. Guitare, Bec à Gaz et Flacon, by Pablo Picasso (1881-1973). c. 1912-13. Oil on Canvas, 70.4 by 55.3 cm. (Purchase 1982).
Attributed works:
Fig.69. The First Cry, by Constantin Brancusi (1876-1957). Bronze, Edition of Three, Length 17.3 cm. (Purchase 1981).
Attributed works:
Fig.70. The Hostesses, by Edward Burra (1905-1976). 1932. Gouache, 60.3 by 46.3 cm. (Purchase 1982).
Attributed works:
Fig.71. Zwei Frauen auf der Strasse (Two Women in the Street), by Ernst Ludwig Kirchner (1880-1938). 1914. Oil on Canvas, 120.5 by 91 cm. (Purchase 1982).
Attributed works:
Fig.72. Courageous Boys at Work, by Sandro Chia (b. 1946). 1981. Oil and Oil Pastel on Canvas, 168 by 158 cm. (Purchase 1982).
Attributed works:
Fig.73. King's Cookham Rise, by Stanley Spencer (1891-1959). 1947. Oil on Canvas, 50.7 by 76.2 cm. (Purchase 1981).
Attributed works:
Fig.74. Untitled, by Pier Paolo Calzolari (b. 1943). 1981. Tempera and Oil, 160 by 320 cm. (Purchase 1982).
Attributed works:
Fig.75. L'Enigme du Désir, by Salvador Dali (b. 1904). 1929. Oil on Canvas, 110 by 150 cm. (Purchase 1982).
Attributed works:
Fig.76. Merzbild 21 B 'Das Haar-Nabel-Bild', by Kurt Schwitters (1887-1948). 1920. Collage and Mixed Media, 91 by 73 cm. (Purchase 1981).
Attributed works:
Fig.77. Skeletons in the Studio, by James Ensor (1860-1949). 1900. Oil on Canvas, 111 by 79.5 cm. (Purchase 1981).
Attributed works:
Fig.78. Holiday, by Harry Morley (1881-1943). Exh. R. A. 1935. (No.321). Oil on Canvas, 101.5 by 127 cm. (Purchase 1982).
Attributed works:
Fig.79. Hiralga II, by Frank Stella (b. 1936). 1970. Acrylic on Canvas, 10 by 20 ft. (Purchase 1981).
Exhibition Review
Santa Barbara. Museum of Art Eight Figurative Painters
02/1982 | 947 | 124
Pages: 117+123-124
related names
Reviewer:
Morphet, Richard (Morphet, Richard)
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Illustrations
Attributed works:
55. Reclining Figure, by William Coldstream. 1980-81. 66 by 91.5 cm. (Private Collection; Exh. Yale Center for British Art).
Attributed works:
56. Nude with Reflections, by Lucian Freud. 1980. 90.5 by 90.5 cm. (Private Collection; Exh. Yale Center for British Art).