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8 articles
Exhibition Review
James Turrell. Los Angeles, Jerusalem and Canberra
10/2013 | 1327 | 155
Pages: 729-730
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Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Turrell, James
dates:
2010-2019
museums and institutions:
Los Angeles County Museum of Art, Los Angeles, United States / Israel Museum, Jerusalem, Israel / National Gallery of Australia, Canberra, Australia
places:
United States / Los Angeles / Jerusalem / Israel / Canberra / Australia
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
100. Key lime, by James Turrell (Los Angeles County Museum of Art)
Attributed works:
101. Light reignfall, by James Turrell (Courtesy of James Turrell, Pace Gallery and Garage Centre for Contemporary Culture, Moscow; exh. Los Angeles County Museum of Art). Image from the work's installation in Moscow in 2011.
Attributed works:
99. Afrum (white), by James Turrell (Los Angeles County Museum of Art)
Article
Morris Louis in Australia and New Zealand
12/2009 | 1281 | 151
Pages: 832-835
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Author:
Hanfling, Edward (Hanfling, Edward)
Subjects
artists:
Louis, Morris
dates:
1960-1979
museums and institutions:
National Gallery of Australia, Canberra, Australia / Auckland Art Gallery, Auckland, New Zealand / Honolulu Academy of Arts, Honolulu, United States / National Gallery of Victoria, Melbourne, Australia / Santa Barbara Museum of Art, Santa Barbara, United States
places:
Auckland / Canberra / Melbourne / Santa Barbara / United States / New Zealand / Australia
places:
Hawaii / Honolulu
print:
Louis, Morris
subjects:
Exhibitions / Collections, Public / Acquisitions / Critical Reception / American painting (United States of America) / Abstract art / Reviews / Australian painting
Illustrations
Attributed works:
22. Beta Nu, by Morris Louis. 1960. Synthetic polymer paint on unprimed canvas, 259.1 by 701 cm. (National Gallery of Australia, Canberra; copyright 1960 Morris Louis).
Attributed works:
25. Meditation blue, by David Aspden. 1977. Acrylic on linen, 100 by 267 cm. (Bathurst Regional Art Gallery, New South Wales).
Attributed works:
26. Painting 1972, by Milan Mrkusich. 1972. Acrylic on canvas, 172.7 by 172.7 cm. (Christchurch Art Gallery, Te Puna o Waiwhetu).
Attributed works:
27. Port of Auckland, by Ian Scott. 1974. Acrylic and enamel on canvas, 244 by 122 cm. (Collection of the artist, Auckland).
Attributed works:
28. Model series no.80 (The end of Louis), by Ian Scott. 2006. Oil and acrylic on canvas, 240 by 480 cm. (Collection of the artist, Auckland).
Western art unattributed:
21. Installation of Morris Louis exhibition, Auckland City Art Gallery, October 1971, with Gamma Upsilon (1960. Synthetic polymer paint on canvas, 260.4 by 421.6 cm.; private collection, Fort Worth, Texas) hanging in background, and Beta Nu unstretched in foreground. (Courtesy of E.H. McCormick Research Library, Auckland Art Gallery, Toi o Tamaki).
Western art unattributed:
23. Installation photograph of Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971. From the right: Turning (1958. Synthetic polymer paint on canvas, 239.4 by 452.8 cm.; Honolulu Academy of Arts), Number 82 (1961. Synthetic polymer paint on canvas, 203.2 by 254.0 cm.; Robert Elkon Gallery, New York) and Beta Nu. (Courtesy of National Gallery of Victoria, Melbourne).
Western art unattributed:
24. Andre Emmerich speaking at the opening of the Morris Louis exhibition, National Gallery of Victoria, Melbourne, 1971, with, hanging from left to right, Umbria (1959–60. Synthetic polymer paint on canvas, 188 by 264.2 cm.; estate of the artist, Washington DC) and Tense recession (1961. Synthetic polymer paint on canvas, 204.5 by 134.6 cm.; estate of the artist, Washington DC). (Courtesy of National Gallery of Victoria, Melbourne).
Exhibition Review
Constable. Canberra and Wellington; London
08/2006 | 1241 | 148
Pages: 572-574
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Reviewer:
Rosenthal, Michael (Rosenthal, Michael)
Subjects
artists:
Constable, John
dates:
2000-2009
museums and institutions:
Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand / National Gallery of Australia, Canberra, Australia / Tate Britain, London, Great Britain
places:
Wellington / New Zealand / Canberra / Australia
places:
England / London
print:
Constable, John
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Constable: Impressions of Land, Sea and Sky | institution: Museum of New Zealand Te Papa Tongarewa , institution: National Gallery of Australia
Illustrations
Attributed works:
69. The white horse, by John Constable. c.1818. Canvas, 127.5 by 183 cm. (National Gallery of Art, Washington; exh. Tate Britain, London).
Attributed works:
70. The white horse, by John Constable. 1819. Canvas, 131.5 by 187.8 cm. (Frick Collection, New York; exh. Tate Britain, London).
Attributed works:
71. View on the Stour near Dedham, by John Constable. c.1821. Canvas, 129.4 by 184 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
72. View on the Stour near Dedham, by John Constable. c.1822. Canvas, 130 by 188 cm. (Huntington Library, Art Collections and Botanical Gardens, San Marino; exh. Tate Britain, London).
Publication Received
The Italians in Australia: Studies in Renaissance and Baroque Art
11/2005 | 1232 | 147
Pages: 765
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Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
dates:
2000-2009
museums and institutions:
National Gallery of Australia, Canberra, Australia
print:
Collections, Public / Canberra / National Gallery of Australia, Canberra, Australia
subjects:
Exhibitions / Conferences / Papers / Renaissance / Baroque / Italian painting / Italian sculpture
Reviewed Items
subjects:
The Italians in Australia: Studies in Renaissance and Baroque Art | editor: Marshall, David Ryley
Exhibition Review
Monet and Japan. Canberra and Perth
08/2001 | 1181 | 143
Pages: 521-523
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Reviewer:
Trumble, Angus (Trumble, Angus)
Subjects
artists:
Monet, Claude
dates:
2000-2009
museums and institutions:
Art Gallery of Western Australia, Perth, Australia
places:
Australia / Canberra
places:
Perth (Australia)
subjects:
Exhibitions / Reviews / Japonisme
Illustrations
Attributed works:
74. Le Boulevard des Capucines, by Claude Monet. 1873. 79.4 by 59 cm. (Nelson-Atkins Museum of Art, Kansas City; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
75. Terrace at Sainte-Adresse, by Claude Monet. 1867. 98.1 by 129.9 cm. (Metropolitan Museum of Art, New York; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
76. Evening View of Saruwaka Street, by Utagawa Hiroshige. 1856. Colour Woodblock Print, 35.6 by 24.4 cm. (National Gallery of Australia, Canberra; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
77. Turban-Shell Hall of the Five Hundred Rakan Temple, by Katsushika Hokusai. c.1834. 25.2 by 37.8 cm. (National Gallery of Australia, Canberra; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
78. Promenade sur la falaise, by Claude Monet. 1882. 66.5 by 82.3 cm. (Art Institute of Chicago; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
79. Yui, Satta Pass, by Utagawa Hiroshige. 1833-34. Woodblock Print, 22.6 by 35.3 cm. (Musée Claude Monet, Giverny; Exh. Art Gallery of Western Australia, Perth).
Exhibition Review
Australian and American Landscapes. Canberra, Melbourne and Hartford
08/1998 | 1145 | 140
Pages: 584-587
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related names
Reviewer:
Brown, David Blayney (Brown, David Blayney; Brown, David)
Subjects
dates:
1990-1999
museums and institutions:
Wadsworth Atheneum, Hartford, United States
museums and institutions:
National Gallery of Victoria, Melbourne, Australia
museums and institutions:
National Gallery of Australia, Canberra, Australia
places:
Australia / Melbourne / United States / Hartford
places:
Canberra
subjects:
Australian painting / American painting (United States of America) / Exhibitions / Reviews
Illustrations
Attributed works:
86. View of Malay Road from Pobassoo's Island, February 1803, by William Westall. 1811. 61 by 86.5 cm. (National Maritime Museum, Greenwich; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
87. The Bath of Diana, Van Diemen's Land, by John Glover. 1837. 76 by 114 cm. (National Gallery of Australia, Canberra; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
88. North-East View from the Northern Top of Mount Kosciusko, by Eugene von Guérard. c.1863. 66.5 by 116.8 cm. (National Gallery of Australia, Canberra; Exh. National Gallery of Victoria, Melbourne).
Attributed works:
89. A Break Away! By Tom Roberts. 1891. 137 by 168 cm. (Art Gallery of South Australia, Adelaide; To Be Exhibited at Wadsworth Atheneum, Hartford).
Attributed works:
90. Fight for the Water Hole, by Frederick Remington. c. 1903. 69.2 by 102 cm. (Museum of Fine Arts, Houston; Exh. National Gallery of Victoria, Melbourne).
Book Review
Rubens' Self-Portrait in Focus
08/1989 | 1037 | 131
Pages: 565-566
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related names
Reviewer:
McGrath, Elizabeth (McGrath, Elizabeth; McG., E.)
Subjects
artists:
Rubens, Peter Paul
collectors and dealers:
Fabri de Peiresc, Nicolas-Claude, 1580-1637
dates:
1980-1989
dates:
1600-1699
museums and institutions:
National Gallery of Australia, Canberra, Australia
places:
Australia / Canberra
places:
Netherlands / Flanders / Italy
subjects:
Flemish painting / Exhibitions / Catalogues
Reviewed Items
subjects:
Rubens' Self-Portrait in Focus | author: Jaffé, David
Exhibition Review
The Australian National Gallery. Canberra
01/1983 | 958 | 125
Pages: 56-58
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Reviewer:
Clemente, Caroline Coffey (Clemente, Caroline Coffey)
Reviewer:
Dean, Sonia (Dean, Sonia)
Subjects
dates:
1980-1989
museums and institutions:
National Gallery of Australia, Canberra, Australia
places:
Australia / Canberra
subjects:
Art museums
Illustrations
Attributed works:
49. The Australian National Gallery, Canberra.
Attributed works:
50. Birds in Space, by Brancusi. (Australian National Gallery, Canberra).
Western art unattributed:
51. One of the Galleries in the Australian National Gallery).