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26 articles
Article
Gustave and the goat: Rauschenberg’s ‘Monogram’ and Courbet’s ‘The painter’s studio’
12/2017 | 1377 | 159
Pages: 956-963
related names
Author:
Wainwright, Lisa (Wainwright, Lisa)
Subjects
dates:
media:
styles:
Illustrations
Attributed works:
1. Monogram, by Robert Rauschenberg. 1955–59. Oil, paper, fabric, printed paper, printed reproductions, metal, wood, rubber shoe heel and tennis ball on canvas, with oil on Angora goat and rubber tyre on wood (Moderna Museet, Stockholm).
Attributed works:
10. Detail of Fig.1 showing a photograph of three bankers from Guaranty Bank, taken from Life magazine. (Photograph Lisa Wainwright).
Attributed works:
2. The second state of construction of Monogram, by Robert Rauschenberg. 1956–58. Photographed by Rudy Burckhardt c.1958. (Robert Rauschenberg Foundation, New York).
Attributed works:
3. Detail of Fig.2.
Attributed works:
4. The painter’s studio: a real allegory summing up seven years of my artistic and moral life, by Gustave Courbet. 1854–55. (Musée d’Orsay, Paris).
Attributed works:
5. Robert Rauschenberg with Monogram at the Moderna Museet, Stockholm. 1980. (Courtesy Moderna Museet, Stockholm; photograph Harry Nahkala).
Attributed works:
6. Autobiography, by Robert Rauschenberg. 1968. (San Francisco Museum of Modern Art).
Attributed works:
7. Detail of Fig.1 showing a signboard fragments spelling ‘DAD’ and collaged images of a highwire walker and the bank interior, taken from Life. (Photograph Lisa Wainwright).
Attributed works:
8. Detail of Fig.1 showing collaged photographs of the crowd at Coney Island and small footprints, both taken from Life. (Photograph Lisa Wainwright).
Attributed works:
9. Detail of Fig.1 showing a photograph of tennis player Earl Buchholz taken from Life. (Photograph Lisa Wainwright).
Article
Dating the Dante drawings: Rauschenberg and method
12/2017 | 1377 | 159
Pages: 964-975
related names
Author:
Krčma, Ed (Krčma, Ed)
Subjects
dates:
styles:
subjects:
Illustrations
Attributed works:
11. Robert Rauschenberg working on a solvent transfer drawing in his Front Street studio, New York. 1958. Photograph by Jasper Johns. (Robert Rauschenberg Foundation Archives, New York).
Attributed works:
12. Illustration from ‘Rockets: A Real Superman?’ Newsweek (30th June 1958), p.75.
Attributed works:
13. Advertisement for the ’58 Borgward, in New York Herald Tribune (8th June 1958), Section 3, p.5.
Attributed works:
14. S.S. Santa Rosa, illustrated in New York Herald Tribune (22nd June 1958), Section 12, p.11.
Attributed works:
15. Canto I: The dark wood of error, by Robert Rauschenberg. 1958. (Museum of Modern Art, New York).
Attributed works:
16. ‘I.G.Y. – Global Quest for Knowledge Bears Fruit’, New York Herald Tribune (29th June 1958), Section 2, p.1. (Photograph U.S. Navy). 17. ‘Upward March!’, Newsweek, 28th April 1958, p.44. (Photograph United Press, Washington DC).
Attributed works:
17. ‘Upward March!’, Newsweek, 28th April 1958, p.44. (Photograph United Press, Washington DC).
Attributed works:
18. Canto II: The descent, by Robert Rauschenberg. 1958. (Museum of Modern Art, New York).
Attributed works:
19. L. Lieber: ‘The Tall Man Gets Elected!’, New York Herald Tribune (10th July 1960), This Week magazine, p.11.
Attributed works:
20. Canto XII: Circle seven, round 1, the violent against neighbors, by Robert Rauschenberg. 1960. (Museum of Modern Art, New York).
Attributed works:
21. U.S. Navy Commanders M. Lee Lewis and Malcolm D. Ross, published in the New York Herald Tribune (27th July 1958), p.3. (Photograph Associated Press, New York).
Attributed works:
22. Detail of an advertisment for Colgate Instant Shave, Esquire ( June 1958), p.162
Attributed works:
23. Detail of an advertisement for Clipper Craft, Esquire (October 1960), p.80.
Attributed works:
24. Patrice Lumumba, illustrated in ‘We will fight to keep them out’, Newsweek (15th August 1960), p.33. (Photograph London Express).
Attributed works:
25. Canto XXI: Circle eight, Bolgia 5, the grafters, by Robert Rauschenberg. 1960. (Museum of Modern Art, New York).
Exhibition Review
Robert Rauschenberg. London and New York
09/2017 | 1374 | 159
Pages: 755-757
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
Reviewed Items
museums and institutions:
Robert Rauschenberg: Among Friends | :
Illustrations
Attributed works:
85. Oracle, by Robert Rauschenberg with Tony Fitch, Harold Hodges, Billy Klüver and Robert K. Moore. 1962–65 (Musée National d'Art Moderne, Centre Georges Pompidou, Paris; exh. Museum of Modern Art, New York; © Robert Rauschenberg Foudation)
Attributed works:
86. Short circuit, by Robert Rauschenberg. 1955 (Art Institute of Chicago; exh. Museum of Modern Art, New York; © 2016 Robert Rauschenberg Foundation).
Attributed works:
87. Gull (Jammer), by Robert Rauschenberg. 1976 (Museum of Modern Art, New York; © 2017 Robert Rauschenberg Foundation).
Attributed works:
88. Installation view of Robert Rauschenberg: Among Friends at the Museum of Modern Art, New York, showing a gallery of works devoted to late Combines by Robert Rauchenberg and Jean Tinguely, with video installations by Charles Atlas showing performances by Rauschenberg (Photograph Jonathan Muzikar).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Black Mountain College. Boston, Los Angeles and Columbus
09/2016 | 1362 | 158
Pages: 764-766
related names
Reviewer:
Shales, Ezra (Shales, Ezra)
Subjects
dates:
Illustrations
Attributed works:
66. Buckminster Fuller inside his Geodesic Dome, by Hazel Larsen Archer. 1949 (Black Mountain College Museum and Arts Center, Asheville; exh. Wexner Center for the Arts, Columbus)
Attributed works:
67. Knot 2, by Anni Albers. 1947 (Josef and Anni Albers Foundation, Bethany; exh. Wexner Center for the Arts, Columbus)
Attributed works:
68. Minutiae, by Robert Rauschenberg. 1954/1976 (Walker Art Center, Minneapolis; exh. Wexner Center for the Arts, Columbus, Columbus © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY)
Exhibition Review
London exhibitions (Robert Rauschenberg). London
05/2013 | 1322 | 155
Pages: 346-349
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
47. Gear (Jammer), by Robert Rauschenberg (Courtesy of the Robert Rauschenberg Foundation; exh. Gagosian Gallery, London)
Exhibition Review
Dancing around Duchamp’s Bride. Philadelphia and London
02/2013 | 1319 | 155
Pages: 112-113
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
subjects:
Illustrations
Attributed works:
39. Photograph of Walkaround time, choreographed by Merce Cunningham, stage set and costumes by Jasper Johns (Exh. Barbican Art Gallery, London)
Attributed works:
40. Express, by Robert Rauschenberg (Museo Thyssen-Bornemisza, Madrid; exh. Barbican Art Gallery, London)
Attributed works:
41. The bride, by Marcel Duchamp (Philadelphia Museum of Art; exh. Barbican Art Gallery, London)
Article
In need of repair: the early exhibition history of Robert Rauschenberg’s Combines
03/2012 | 1308 | 154
Pages: 191-197
related names
Author:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
Illustrations
Attributed works:
20. Untitled, by Robert Rauschenberg. c.1954–58, as reproduced in T.B. Hess: ‘U.S. Painting: Some Recent Directions’, Art News Annual 25 (1955–56), p.86.
Attributed works:
21. Untitled, by Robert Rauschenberg. c.1954–58. Combine: oil, pencil, crayon, fabric, newspaper, photographs, wood, glass, mirror, tin, cork, and found painting with pair of painted leather shoes, dried grass, and Dominique hen on wood structure mounted on five casters, 219.7 by 94 by 66.68 cm. (Panza Collection, Museum of Contemporary Art, Los Angeles).
Attributed works:
22. Reverse of Fig.21.
Attributed works:
24. Stone, stone, stone, by Robert Rauschenberg. c.1951. Oil, pencil, printed paper, hair, glass and mirror on canvas, c.76.2 by 95.5 cm. Lost or destroyed.
Attributed works:
25. Untitled, by Robert Rauschenberg. c.1954–55. Oil, metallic paint, fabric, newspaper, pencil, printed reproductions, paper, hair, gelatin silver photographs, glue, nails and glass on canvas, 41 by 45.7 cm. (Collection of Jasper Johns).
Attributed works:
26. Detail of Fig.21.
Attributed works:
27. Detail of Fig.21.
Attributed works:
28. Photograph of Robert Rauschenberg in his Front Street studio, published in the Museum of Modern Art’s exhibition catalogue for Sixteen Americans (1959). Photograph by Kay Harris.
Western art unattributed:
23. Photograph of Robert Rauschenberg with Untitled at the exhibition U.S. Painting: Some Recent Directions, Stable Gallery, New York, 1955–56.
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