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2 articles
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
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related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
art literature:
Berger, John / Solkin, David H., London, Great Britain
artists:
Rowlandson, Thomas / Cope, Charles West / Kauffmann, Angelica / Wilkie, David / Bigg, William Redmore / Morland, George / Mulready, William, I, 1786-1863 / Wilton, Joseph / Turner, Joseph Mallord William / Constable, John / Sims, Charles / Munnings, Alfred James / Lewis, Wyndham / Piper, Myfanwy / Churchill, Winston / Annigoni, Pietro / Blake, Peter / Bowling, Frank / Nicholson, Ben / Hitchens, Ivon / Chipperfield, David / Barry, James, 1741-1806 / Gibson, John / Reynolds, Joshua / Gainsborough, Thomas / Lawrence, Thomas / Michelangelo / Leonardo da Vinci / Nevay, Giacomo / Blake, William
artists:
Blow, Sandra
buildings:
Burlington House, London, Great Britain / Somerset House, London, Great Britain
dates:
2010-2019
media:
Paintings / Sculpture / Drawings / Watercolours / Frames / Architecture
museums and institutions:
Royal Academy of Arts, London, Great Britain
places:
Great Britain / London
subjects:
British painting / British architecture / Art schools / Academies / Study and teaching / Portraits / Landscapes (visual works) / Genre paintings / Satire / Abstract art / Pre-Raphaelite / Collecting / Casts (sculpture) / Copies / Copying / Internet and art history
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
Article
Isambard Kingdom Brunel's 'Shakespeare Room'
02/1995 | 1103 | 137
Pages: 108-118
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related names
Author:
Faberman, Hilarie (Faberman, Hilarie)
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Leslie, Charles Robert
artists:
Egg, Augustus Leopold
artists:
Horsley, John Callcott
artists:
Callcott, Augustus Wall
artists:
Cope, Charles West
artists:
Landseer, Edwin
artists:
Lee, Frederick Richard
artists:
Stanfield, Clarkson
dates:
1800-1899
patrons:
Brunel, Isambard Kingdom
places:
England
sources:
Shakespeare, William
subjects:
British painting / Patronage
subjects:
Documents
Illustrations
Attributed works:
59. Isambard Kingdom Brunel, by John Callcott Horsley. c. 1857. 91.5 by 70.5 cm. (National Portrait Gallery, London).
Attributed works:
60. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c.1848-49. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
61. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c. 1850. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
62. Jacques and the Stag, by F. R. Lee. 86 by 122 cm. (Sold, Sotheby's, London, 30th March 1982, lot 27).
Attributed works:
63. Macbeth and the Witches, by Clarkson Stanfield. 1850. 80 by 132 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
64. Titania and Bottom, by Edwin Landseer. 82 by 133 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
65. Queen Catherine of Aragon and Capucius, by Charles Robert Leslie. 1849-50. 60.9 by 81.3 cm. (Mead Art Museum, Amherst).
Attributed works:
66. Hermione (Mrs Charles Keane), by Charles Robert Leslie. 1856. 73.7 by 50.8 cm. (Royal Shakespeare Picture Gallery and Museum, Stratford-upon-Avon).
Attributed works:
67. Launce's Substitute for Proteus's Dog, by Augustus Leopold Egg. 1849. 54.9 by 79.4 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
68. Taste, by Abraham Bosse. 1635. Engraving, 25.7 by 32.6 cm. (Smith College Museum of Art, Northampton, MA).