Hand in Hand: Sculpture and
Colour in the Spanish Golden Age
Museo Nacional del Prado, Madrid
19th November 2024–2nd March
2025 |
:
Illustrations
Attributed works:
4. Christ of
forgiveness, by
Luis Salvador
Carmona. 1756.
Polychrome
wood enhanced
by other media,
163 by 91.5 by
90 cm. (Clarisas
Capuchinas, Nava
del Rey; exh.
Museo Nacional
del Prado,
Madrid).
Attributed works:
5. St Dominic
of Guzmán, by
Juan Martínez
Montañés
(sculptor) and
Francisco Pacheco
(polychrome
artist). 1605–09.
Polychrome wood,
147 by 126 by
68 cm. (Museo
de Bellas Artes,
Seville; exh. Museo
Nacional del
Prado, Madrid).
Attributed works:
6. Christ on
the Cross, by
Sánchez Cotán.
Oil on canvas,
220 by 120 cm.
(Museo de Bellas
Artes, Granada;
exh. Museo
Nacional del
Prado, Madrid).
Article
The Art of Conservation V: Caring for the King’s pictures: artists and restorers in the Spanish royal collection, 1576–1814
36. Descent from the Cross, by Rogier van der Weyden. c.1435 (Museo del Prado, Madrid)
Attributed works:
37. Map of Madrid by Pedro Teixeira. 1656 (Biblioteca Nacional, Madrid). Detail with locations for a) Real Alcázar Palace; b) Convent of St Giles; c) Palacio de Bedmar; d) Paris of San Justo; e) Archbishop's Palace; f) Casa de Rebeque; g) Calle de Postas
Attributed works:
38. Adoration of the Magi, by Peter Paul Rubens. 1610 (Museo del Prado, Madrid)
Attributed works:
39. The finding of Moses, by Paolo Veronese. c.1580 (Museo del Prado, Madrid)
Attributed works:
40. A Castilian king, by Alonso Cano. c.1640 (Museo del Prado, Madrid)
Attributed works:
41. The finding of Moses, by Orazio Gentileschi. 1633 (Museo del Prado, Madrid)
Attributed works:
42. Portrait of a seated woman, by Antonis Mor. c.1560-65 (Museo del Prado, Madrid)
Attributed works:
43. Family of Philip V, by Jean Ranc. c.1722 (Museo del Prado, Madrid)
Western art unattributed:
35. Diagram showing the relative positions at court of Pintores de Cámara and Pintores del Rey, and the three administrative authorities for which the artists worked
Book Review
Baroque Painting in Madrid. The Contribution of Claudio Coello, with a Catalogue Raisonne of His Works
Trapier, Elizabeth de Gué (Trapier, Elizabeth de Gué; Du Gué Trapier, Elizabeth; Gué Trapier, Elizabeth du; Trapier, Elizabeth du Gue; Trapier, Elisabeth du Gue)
C-"A Spanish Prince," Here Identified as Alesandro Farnese, by Alonso Sanchez Coello. 106.6 by 78.7 cm. (The National Gallery of Ireland). The Iconography of Costume
Attributed works:
D-"Dom [sic] Carlos, Prince des Espacnes, Mort en 1568." Copy, by a Contemporary Artist, of the Dublin Portrait. Inscription a Later Addition (Musee de Versailles). The Iconography of Costume
Western art unattributed:
A-Mary, Queen of Scots, Here Identified as Catherine de Bourbon, by an Unknown Artist. 60.9 by 55.8 cm. (The Earl of Leven and Melville, K. T.). The Iconography of Costume
Western art unattributed:
B-"Principissa Navarræ," Catherine de Bourbo, by an Unknown Artist. Copy, on Paper, 35.5 by 30.4 cm., Made in France 1580-90 (Kunst-Historisches Museum, Vienna). The Iconography of Costume
A-Portrait of a nobleman, by Murillo. Canvas, diameter 29 cm. (Louvre); B-Portrait (here identified) of Don Juan F. de la Cerda, Duke of Medinaceli. Canvas, 80 cm. by 59.7 cm. (Lt.-Col. Sir George Holford); C-Portrait of Don Gregorio de Silva, Duke of Pastrana. Canvas. (Prado); D-The Auto da fé, Madrid, 1680, by Francisco Rizi. Canvas. (Prado); E-La Sagrada Forma, by Claudio Coello. Detail. Canvas. (Sacristy of the Escorial Church). Some Golden Fleece Portraits