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9 articles
Exhibition Review
Hand in Hand: Sculpture and Colour in the Spanish Golden Age
02/2025 | 1463 | 167
Pages: 166–168
related names
Reviewer:
Hellwig, Karin (Hellwig, Karin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Hand in Hand: Sculpture and Colour in the Spanish Golden Age Museo Nacional del Prado, Madrid 19th November 2024–2nd March 2025 | :
Illustrations
Attributed works:
4. Christ of forgiveness, by Luis Salvador Carmona. 1756. Polychrome wood enhanced by other media, 163 by 91.5 by 90 cm. (Clarisas Capuchinas, Nava del Rey; exh. Museo Nacional del Prado, Madrid).
Attributed works:
5. St Dominic of Guzmán, by Juan Martínez Montañés (sculptor) and Francisco Pacheco (polychrome artist). 1605–09. Polychrome wood, 147 by 126 by 68 cm. (Museo de Bellas Artes, Seville; exh. Museo Nacional del Prado, Madrid).
Attributed works:
6. Christ on the Cross, by Sánchez Cotán. Oil on canvas, 220 by 120 cm. (Museo de Bellas Artes, Granada; exh. Museo Nacional del Prado, Madrid).
Article
The Art of Conservation V: Caring for the King’s pictures: artists and restorers in the Spanish royal collection, 1576–1814
06/2016 | 1359 | 158
Pages: 447-459
related names
Author:
Aterido Fernández, Ángel (Aterido Fernández, Ángel; Fernández, Angel Aterido; Aterido, Ángel)
Author:
Veliz, Zahira (Veliz, Zahira; Véliz Bomford, Zahira; Veliz, Z.)
Subjects
subjects:
subjects:
subjects:
Illustrations
Attributed works:
36. Descent from the Cross, by Rogier van der Weyden. c.1435 (Museo del Prado, Madrid)
Attributed works:
37. Map of Madrid by Pedro Teixeira. 1656 (Biblioteca Nacional, Madrid). Detail with locations for a) Real Alcázar Palace; b) Convent of St Giles; c) Palacio de Bedmar; d) Paris of San Justo; e) Archbishop's Palace; f) Casa de Rebeque; g) Calle de Postas
Attributed works:
38. Adoration of the Magi, by Peter Paul Rubens. 1610 (Museo del Prado, Madrid)
Attributed works:
39. The finding of Moses, by Paolo Veronese. c.1580 (Museo del Prado, Madrid)
Attributed works:
40. A Castilian king, by Alonso Cano. c.1640 (Museo del Prado, Madrid)
Attributed works:
41. The finding of Moses, by Orazio Gentileschi. 1633 (Museo del Prado, Madrid)
Attributed works:
42. Portrait of a seated woman, by Antonis Mor. c.1560-65 (Museo del Prado, Madrid)
Attributed works:
43. Family of Philip V, by Jean Ranc. c.1722 (Museo del Prado, Madrid)
Western art unattributed:
35. Diagram showing the relative positions at court of Pintores de Cámara and Pintores del Rey, and the three administrative authorities for which the artists worked
Book Review
Baroque Painting in Madrid. The Contribution of Claudio Coello, with a Catalogue Raisonne of His Works
03/1988 | 1020 | 130
Pages: 235-236
related names
Reviewer:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Baroque Painting in Madrid. The Contribution of Claudio Coello, with a Catalogue Raisonne of His Works | author: Sullivan, Edward J.
Article
Claudio Coello and the Immaculate Conception in the School of Madrid
09/1974 | 858 | 116
Pages: 509-515
related names
Author:
Young, Eric (Young, Eric; Young, Eric)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Immaculate Conception, by Juan Carreǹo de Miranda. Canvas, 211 by 145 cm. (Hispanic Society of America, New York).
Attributed works:
11. Immaculate Conception, by José Antolínez. Canvas, 213 by 170 cm. (Ashmolean Museum, Oxford).
Attributed works:
12. Immaculate Conception, by Claudio Coello. Canvas, 188 by 119 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
13. Immaculate Conception, by Claudio Coello. Canvas, 210 by 145 cm. (Musée Goya, Castres).
Attributed works:
14. Immaculate Conception, by Claudio Coello. Canvas, 250 by 188 cm. (Cathedral, Málaga).
Attributed works:
15. Immaculate Conception, by Claudio Coello. Canvas, 210 by 146 cm. (Private Collection, Seville).
Attributed works:
16. Immaculate Conception, by Claudio Coello. Canvas, 208 by 145 cm. (San Jerónimo el Real, Madrid).
Attributed works:
17. Immaculate Conception, by Claudio Coello. Panel, 51 by 37 cm. (Private Collection, England).
Attributed works:
18. Portrait of a Girl, by Claudio Coello. Canvas, 75 by 60 cm. (Musée Goya, Castres).
Attributed works:
7. Immaculate Conception, by Jusepe de Ribera. Canvas, 450 by 300 cm. (Convent of Agustinas Descalzas Salamanca).
Attributed works:
8. Detail of Fig. 7.
Attributed works:
9. Immaculate Conception, by José Antolínez. Canvas, 161 by 107 cm. (Hispanic Society of America, New York).
Article
The School of Madrid and Van Dyck
08/1957 | 653 | 99
Pages: 264-271+273
related names
Author:
Trapier, Elizabeth de Gué (Trapier, Elizabeth de Gué; Du Gué Trapier, Elizabeth; Gué Trapier, Elizabeth du; Trapier, Elizabeth du Gue; Trapier, Elisabeth du Gue)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
20. Pietà, Attributed to Anthony van Dyck. Canvas, 114 by 100 cm. (Museo del Prado, Madrid.)
Attributed works:
21. Duke of Pastrana, by Juan Carreño de Miranda. Canvas, 217 by 155 cm. (Museo del Prado, Madrid.)
Attributed works:
22. Pietà, by Antonio de Pereda y Salgado. Signed. Canvas. (Musée des Beaux-Arts, Marseilles.)
Attributed works:
23. Virgin and Child with St Anthony of Padua, by Anthony van Dyck. Canvas, 185 by 156 cm. (Brera, Milan.)
Attributed works:
24. St Anthony of Padua and the Christ Child, by Antonio de Pereda. Canvas, 199 by 105.5 cm. (The Hispanic Society of America, New York.)
Attributed works:
25. St Joseph and the Christ Child, by Juan Antonio Escalante. Canvas, 83 by 64 cm. (Hermitage, Leningrad.)
Attributed works:
26. Engraving by Cornelis van Caukercken, after Charity by Anthony van Dyck. (British Museum.)
Attributed works:
27. Charles II, King of Spain, by Juan Carreño de Miranda. Canvas, 266 by 136 cm. (The Hispanic Society of America, New York.)
Attributed works:
28. Engraving by Paulus Pontius, after St Rosalie and the Virgin and Child, by Anthony van Dyck. (British Museum.)
Attributed works:
29. Mystic Marriage of St Catherine, by Juan Carreño de Miranda. Dated 1653. Canvas. (Formerly Hospital del V.O.T. de San Francisco, Madrid.)
Attributed works:
30. St Rosalie, Attributed to Anthony van Dyck. Canvas, 106 by 81 cm. (Museo del Prado, Madrid.)
Attributed works:
31. St Catherine, by Claudio Coello. Signed and Dated 1683. Canvas, 119 by 94 cm. (Wellington Museum, London.)
Short Notice
A Portrait in the Fitzwilliam Museum
03/1939 | 432 | 74
Pages: 137+140
related names
Author:
Mayer, August L. (Mayer, August L.; Mayer, A. L.; Mayer, Augusto L.)
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artists:
artists:
dates:
Article
The Iconography of Costume
06/1934 | 375 | 64
Pages: 278-279+281-282
related names
Author:
Kelly, Francis M. (Kelly, Francis M.; Kelly, F. M.; K., F. M.)
Subjects
artists:
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
C-"A Spanish Prince," Here Identified as Alesandro Farnese, by Alonso Sanchez Coello. 106.6 by 78.7 cm. (The National Gallery of Ireland). The Iconography of Costume
Attributed works:
D-"Dom [sic] Carlos, Prince des Espacnes, Mort en 1568." Copy, by a Contemporary Artist, of the Dublin Portrait. Inscription a Later Addition (Musee de Versailles). The Iconography of Costume
Western art unattributed:
A-Mary, Queen of Scots, Here Identified as Catherine de Bourbon, by an Unknown Artist. 60.9 by 55.8 cm. (The Earl of Leven and Melville, K. T.). The Iconography of Costume
Western art unattributed:
B-"Principissa Navarræ," Catherine de Bourbo, by an Unknown Artist. Copy, on Paper, 35.5 by 30.4 cm., Made in France 1580-90 (Kunst-Historisches Museum, Vienna). The Iconography of Costume
Advertisements
Advertisements February 1927 (front)
02/1927 | 287 | 50
Pages: i-xlii
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advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Article
Some Golden Fleece Portraits
02/1926 | 275 | 48
Pages: 84+88-90
related names
Author:
Put, Albert van de (Put, Albert van de; P., A. V. de; Put, A. van de; P., A. V. D.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
A-Portrait of a nobleman, by Murillo. Canvas, diameter 29 cm. (Louvre); B-Portrait (here identified) of Don Juan F. de la Cerda, Duke of Medinaceli. Canvas, 80 cm. by 59.7 cm. (Lt.-Col. Sir George Holford); C-Portrait of Don Gregorio de Silva, Duke of Pastrana. Canvas. (Prado); D-The Auto da fé, Madrid, 1680, by Francisco Rizi. Canvas. (Prado); E-La Sagrada Forma, by Claudio Coello. Detail. Canvas. (Sacristy of the Escorial Church). Some Golden Fleece Portraits