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6 articles
Article
The Art of Conservation XIV. Accommodating change: twentieth-century American artists and conservators
02/2018 | 1379 | 160
Pages: 126-135
related names
Author:
Epley, Bradford A. (Epley, Bradford A.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. Detail of Fig.9, showing the extent to which the varnish saturates the paint and reveals brushwork, both the artist’s and the conservator’s, which was deliberately eschewed by the artist (© 2018 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York).
Attributed works:
11. 6:30, by David Novros. On the left is the original (1966) and on the right is the second version, acrylic on canvas on six wood panels (2006). Both 182.9 by 261.6 cm. (Menil Collection, Houston; © 2018 David Novros / Artists Rights Society (ARS), New York).
Attributed works:
2. Female nude, by Pablo Picasso. 1910. Canvas, 73 by 54 cm. (Menil Collection, Houston; © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York).
Attributed works:
3. Fig.2 photographed in raking light after varnish removal to reveal the recovery of the overall matt paint surface and a better sense of the varied brushwork used. (© 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York).
Attributed works:
4. Barnett Newman in front of Be I a the Betty Parsons Gallery, New York, 1950. (Photograph Hans Namuth; courtesy Center for Creative Photography, University of Arizona, Tucson; © 2018 The Barnett Newman Foundation, New York / Artists Rights Society (ARS), New York).
Attributed works:
5. Detail of Be I, by Barnett Newman. 1949. (Menil Collection, Houston; © 2018 The Barnett Newman Foundation, New York / Artists Rights Society (ARS), New York).
Attributed works:
6. Who’s afraid of red, yellow and blue III, by Barnett Newman. 1967–68. Canvas, 243.8 by 543.6 cm. Photograph taken after restoration in 1991. (Stedelijk Museum, Amsterdam; © 2018 The Barnett Newman Foundation, New York / Artists Rights Society (ARS), New York).
Attributed works:
7. Ad Reinhardt in his studio, 1955. (Photograph John Lonegar; courtesy Time & Life Pictures and Getty Images; © 2018 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York).
Attributed works:
8. Ad Reinhardt at work on a black painting in his New York studio, July 1966. (Photograph John Lonegar; courtesy Time & Life Pictures and Getty Images; © 2018 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York).
Attributed works:
9. Abstract Painting, 1954–1960, by Ad Reinhardt. Canvas, 203.5 by 127.3 cm. (Menil Collection, Houston; © 2018 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York).
Western art unattributed:
1. Caroline and Sheldon Keck working at the Brooklyn Museum, New York. Undated photograph. (Collection of the Brooklyn Museum Archives, New York).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Book Review
Ad Reinhardt
07/2008 | 1264 | 150
Pages: 484
related names
Reviewer:
Miller, Sanda (Miller, Sanda)
Subjects
artists:
print:
subjects:
Reviewed Items
subjects:
Ad Reinhardt | author: Corris, Michael
Article
An American in Paris: Ad Reinhardt's letters (1960-66) to his dealer Iris Clert
10/2003 | 1207 | 145
Pages: 716-720
related names
Author:
Miller, Sanda (Miller, Sanda)
Subjects
artists:
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
A Reinhardt. c.1950. Photograph (uncredited) from exh. cat. Ad Reinhardt, New York (Museum of Modern Art) 1991, frontispiece.
Attributed works:
Blue painting, by Ad Reinhardt. 1953. 203 by 152.4 cm. (Private collection, New York).
Attributed works:
Red painting, by Ad Reinhardt. 1953. 76.2 by 76.2 cm. (Private collection).
Attributed works:
White curtains at the entrance of Yves Klein's exhibition Le Vide, Galerie Iris Clert, Paris, 1958.
Western art unattributed:
Iris Cert on top of Arman's installation Le Plein at the Galerie Iris Cert, Paris, 1960.
Exhibition Review
Ad Reinhardt. New York
09/1991 | 1062 | 133
Pages: 641-643
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
93. Newspaper Collage, by Ad Reinhardt. 1940. Cut and Pasted Papers on Cardboard, 40.6 by 50.8 cm. (Museum of Modern Art, New York).
Attributed works:
94. Ad Reinhardt, by Marvin Lazarus. Photograph. (Pace Gallery, New York; Exh. Museum of Modern Art, New York).
Attributed works:
95. Number 107, by Ad Reinhardt. 1950. 203.2 by 91.4 cm. (Museum of Modern Art, New York).
Short Notice
Recent Museum Acquisitions: Modern Americans for Oberlin
06/1968 | 783 | 110
Pages: 354-357
related names
Author:
Johnson, Ellen H. (Johnson, Ellen H.)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
45. Away Out on the Mountain, by Larry Poons. 1965. Acrylic Emulsion on Canvas, 183.2 by 366 cm. (Oberlin College, Allen Art Museum, Oberlin, Ohio; Ruth C. Roush Fund for Contemporary Art.)
Attributed works:
46. Wall Fragment, by Will Insley. 1966. Liquitex on Masonite, 6 ft by 16 ft. 8 in. (Oberlin College, Allen Art Museum, Oberlin, Ohio; Ruth C. Roush Fund for Contemporary Art.)
Attributed works:
47. Abstract Painting, by Ad Reinhardt. 1948. Oil on Canvas, 6 ft. 4 in. by 12 ft. (Oberlin College, Allen Art Museum, Oberlin, Ohio; Ruth C. Roush Fund for Contemporary Art.)
Attributed works:
48. Charcoal Self Portrait in a Cement Garden, by Jim Dine. 1964. Charcoal and Oil on Canvas with 5 Cement Objects, 108¼ by 48 × 27 Inches. (Oberlin College, Allen Art Museum, Oberlin, Ohio; Ruth C. Roush Fund for Contemporary Art.)