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25 articles
Book Review
Cy Twombly Inscriptions
09/2023 | 1446 | 165
Pages: 1032-33
related names
Reviewer:
Shiff, Richard (Shiff, Richard)
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Reviewed Items
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Cy Twombly Inscriptions By Thierry Greub. Six vols, 2,280 pp. incl. approx. 2000 col. + b. & w. ills. (Brill Fink, Paderborn, 2022), €1,298. ISBN 978–3–7705–6620–4. | :
Illustrations
Attributed works:
1. Untitled, part I, by Cy Twombly. 1988. Acrylic, tempera, oil and pencil on panel with a painted frame, 191.77 by 108.6 cm. (Menil Collection, Houston).
Exhibition Review
Cy Twombly: Making Past Present
10/2021 | 1423 | 163
Pages: 963-965
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Reviewer:
Wallace, Isabelle Loring (Wallace, Isabelle Loring)
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Reviewed Items
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Cy Twombly: Making Past Present By Christine Kondoleon and Kate Nesin. 264 pp. incl. 170 col. ills. (MFA Publications, Museum of Fine Arts Boston, 2020), £50. ISBN 978–0–87846–874–4. | :
Illustrations
Attributed works:
36. Cy Twombly, by Annabelle d’Huart. 1978. Gelatin silver print. (Museum of Fine Arts, Boston; © Cy Twombly Foundation; courtesy Museum of Fine Arts, Boston).
Attributed works:
37. Leda and the swan, by Cy Twombly. 1962. Oil, pencil and crayon on canvas, 190.5 by 200 cm. (© Museum of Modern Art, New York, and Scala, Florence).
Attributed works:
38. Fifty days at Iliam: the fire that consumes all before it, by Cy Twombly. 1978. Oil, oil crayon and graphite on canvas, 300 by 192 cm. (© Philadelphia Museum of Art and Scala, Florence).
Exhibition Review
Troy: Myth and Reality. British Museum, London
03/2020 | 1404 | 162
Pages: 237-239
related names
Reviewer:
Stewart, Daniel R. (Stewart, Daniel R.)
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Reviewed Items
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Troy: Myth and Reality British Museum, London 21st November 2019–8th March | :
Illustrations
Attributed works:
5. The death of Hector, King Priam and The Skaian Gate, by Anthony Caro. 1993–94. Ceramic, pine, steel (left, centre); stoneware, steel, jarrah wood (right), 168 by 122 by 135 cm; 137 by 74 by 34.5 cm; 229 by 305 by 153 cm. (Barford Sculptures, London; exh. British Museum, London).
Attributed works:
6. An owl-like ‘face pot’. Troy, Turkey, 2550–1750 BC. Pottery, height 28 cm. (Museum für Vor- und Frühgeschichte, Berlin; exh. British Museum, London).
Attributed works:
7. Dead Hector, by Briton Rivière. 1892. Oil on canvas, 76.8 by 122.7 cm. (Manchester Art Gallery; exh. British Museum, London).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
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Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
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Advertisements (front)
01/2018 | 1378 | 160
Pages: n.p.
Subjects
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Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Book Review
Reading Cy Twombly: Poetry in Paint. By Mary Jacobus
09/2017 | 1374 | 159
Pages: 736
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
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Reviewed Items
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Reading Cy Twombly: Poetry in Paint. By Mary Jacobus | :
Illustrations
Attributed works:
58. Copy marked by Cy Twombly of G. Seferis 'Three Secret Poems', in M.B. Raizis: Greek Poetry Translations: Views, Texts, Reviews, Athens 1983, pp. 164-65. (Photograoh British School at Rome)
Publication Received
Cy Twombly’s Things. By Kate Nesin
06/2017 | 1371 | 159
Pages: 487
related names
Reviewer:
Cheale, Matthew (Cheale, Matthew)
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Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
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Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
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81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Recent exhibitions
02/2016 | 1355 | 158
Pages: 142-144
related names
Reviewer:
Lawrence, James (Lawrence, James)
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Illustrations
Attributed works:
73. Irrigation ditch with mature willow, by Piet Mondrian. c.1900 (Private collection; exh. David Zwirner, London)
Attributed works:
74. 192 Farben (192 colours), by Gerhard Richter. 1966 (Elisabeth and Gerhard Sohst Collection, on loan to the Hamburger Kunsthalle; exh. Dominique Lévy Gallery, London)
Attributed works:
75. Tell Shimshara, by Frank Stella. 2002 (Courtesy Bernard Jacobson Gallery; exh. Bernard Jacobson Gallery, London. Photograph by Martyn Payne)
Attributed works:
76. Installation view of Cy Twombly at Gagosian Gallery, London, showing (left to right) Bacchus (2006-08), Untitled (2001-02) and Untitled (2007) (All works © Cy Twombly Foundation. Image courtesy Gagosian Gallery. Photograph by Mike Bruce)
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Advertisements July 2011 (back)
07/2011 | 1300 | 153
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. "Premiere" cuff and ring. 18K white and yellow gold, onyx and diamonds.]
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