Attributed works:
100. Another View of the Sculpture Illustrated in Fig.99. [Seated Man, by Mario Ceroli. Wood, 141 by 129 by 40 cm. (Von der Heydt Museum, Wuppertal.)]
Attributed works:
101. The Well-Made Play, by Kenneth Hughes. 1969 Painted Wood, 152.5 by 152.5 by 31 cm. (Birmingham City Museum and Art Gallery.)
Attributed works:
102. Ruth in the Kitchen, by George Segal. 1964. Plaster Figure, round Table, Two Cushions, Aluminium Cup, 126 by 196 by 220 cm. (Von der Heydt Museum, Wuppertal.)
Attributed works:
80. Femme Egorgée, by Alberto Giacometti. 1932. Bronze, 20.4 by 87.5 by 63.4 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
81. Warrior Bird, by Elizabeth Frink. Bronze; Height, 37.4 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
82. La Pacholette, by César (César Baldaccini). 1966. Bronze; Height, 86.4 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
83. The Risen Christ, by Jacob Epstein. 1919. Bronze; Height, 218 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
84. Woman with Mandoline, by Henri Laurens. Original Plaster, 1919. Terra-Cotta, One of Edition of Six Cast in 1957 by Jan Van Dongen. (Walker Art Gallery, Liverpool.)
Attributed works:
85. Seated Figure, by Jacques Lipchitz. 1916 or 1917 (Original Stone). Bronze; Height, 75 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
86. Femme Debout à Draperie au Bras Levé, by Henri Laurens. 1928. Bronze; Height, 38.1 cm. (Scottish National Gallery of Modern Art, Edinburgh.)
Attributed works:
87. The Cruel Song, by Robert Jacobsen. 1968-69. Bronze; Height, 48.1 cm. (Nasjonalgalleriet, Oslo.)
Attributed works:
88. Fragmented Figure Construction, by Richard Hunt. 1963. Welded Steel; Height, 143.5 cm. (The Cleveland Museum of Art, Gift of Arnold H. Maremont.)
Attributed works:
89. Sphere with Inner Form, by Barbara Hepworth. 1963. Bronze; Height (With Base), 100 cm; Width, 96.4 cm; Depth, 84 cm. (Whitworth Art Gallery, Manchester.)
Attributed works:
90. Ball of Nails, by Gunther Uecker. 1966. Nails and Canvas; Diameter, 58 cm. (Walker Art Gallery, Liverpool.)
Attributed works:
91. The Onion, by Alexander Calder. Signed and Dated 1965. Stabile; Black-Painted Steel, 183 by 183 cm. (Museum of Fine Arts, Boston.)
Attributed works:
92. Zig VIII, by David Smith. Signed and Dated 1965. Height, 8 ft. $4frac{3}{4}$ in; Width, 7 ft. 7½ in; Depth, 6 ft 11 in. (Museum of Fine Arts, Boston.)
Attributed works:
93. Series A, No.2, by William Tucker. 1968-69. Fibreglass, 84 by 229 by 211 cm. (City Art Gallery, Leeds.)
Attributed works:
94. Crash, by Eduardo Paolozzi. 1964. Welded Aluminium, 239 by 150 by 91.5 cm. (Ulster Museum, Belfast.)
Attributed works:
95. Mirror Image I, by Louise Nevelson. 1969. Black Painted Wood, 299 by 534 by 53.7 cm. (Museum of Fine Arts, Houston, Texas.)
Attributed works:
96. Detail from Boat Frieze, by Sigurd Winge. 1939. Copper, Wood, Stone, Glass; the Whole Frieze, 30 m. (Nasjonalgalleriet, Oslo.)
Attributed works:
97. Table Amoncellante, by Jean Dubuffet. 1968. Painted Polyester. (Stedelijk Museum, Amsterdam.)
Attributed works:
98. The Bed, by Wessel Couzijn. 1967. Iron and Bronze, 113 by 260 by 170 cm. (Stedelijk Museum, Amsterdam.)
Attributed works:
99. Seated Man, by Mario Ceroli. Wood, 141 by 129 by 40 cm. (Von der Heydt Museum, Wuppertal.)
