The Myth of Spain: Ignacio
Zuloaga 1870–1945
Kunsthalle, Munich
15th September 2023–
4th February 2024 |
:
Illustrations
Attributed works:
1. Opposite the
Moulin Rouge, by
Ignacio Zuloaga.
1890. Oil on
canvas, 73.3 by
45.3 cm. (Museo
Franz Mayer,
Mexico City;
exh. Kunsthalle,
Munich).
Attributed works:
2. Victim of the
fiesta, by Ignacio
Zuloaga. 1910.
Oil on canvas,
284 by 344 cm.
(Museo de Bellas
Artes de Bilbao;
exh. Kunsthalle,
Munich).
Attributed works:
3. Women of
Sepúlveda,
by Ignacio
Zuloaga. 1909.
Oil on canvas,
182 by 213 cm.
(Ayuntamiento
de Irún; exh.
Kunsthalle,
Munich).
Attributed works:
4. Enrique
Larreta, by
Ignacio Zuloaga.
1912. Oil on
canvas, 188 by
212 cm. (Museo
de Arte Español
Enrique Larreta,
Buenos Aires;
exh. Kunsthalle,
Munich).
5. Votive cross.
Spain, c.650–
700. Gold and
sapphires, 21.7
by 11.8 cm. (Royal
Collections
Gallery, Madrid;
courtesy
Patrimonio
Nacional, Spain).
Exhibition Review
Die Fäden der Moderne: Matisse, Picasso, Miró und die französischen Gobelins
Die F den der Moderne:
Matisse, Picasso, Mir und
die franz sischen Gobelins
Edited by Roger Diederen. 216 pp. incl.
140 col. ills. (Hirmer, Munich, 2020),
€39.90. ISBN 978–3–7774–3456–8. |
:
Illustrations
Attributed works:
10. Women at
their toilette, by
Pablo Picasso.
Gobelins
tapestry,
designed 1937,
second version
in colour
1971–77. Wool,
290 by 425
cm. (Mobilier
national, Paris;
Succession
Picasso / DACS,
London, 2021).
Attributed works:
11. Cheyt pyr, by
Victor Vasarely.
Beauvais
tapestry,
designed 1975,
woven 1977.
Wool, 258 by 258
cm. (Mobilier
national, Paris;
ADAGP, Paris,
and DACS,
London, 2021).
Attributed works:
12. Chair with
Aviation, from
Salon de la
Guerre, a set
of furniture by
Robert Bonfils
and Maurice
Dufr ne.
Gobelins
tapestry,
designed 1922,
woven 1925.
Wool, silk,
beechwood
and gilding,
103 by 61 by 52
cm. (Mobilier
national, Paris).
Attributed works:
9. Summer, from
the series The
Seasons, by Jean
Lurçat. Aubusson
tapestry (Atelier
Goubely),
designed 1939,
woven 1940–41.
Wool, 335 by 485
cm. (Mobilier
national, Paris;
ADAGP, Paris,
and DACS,
London, 2021).
Exhibition Review
Thrill of Deception: From Antique Art to Virtual Reality. Kunsthalle, Munich
25. A Trompe l’œil of letters, an engraving of Erasmus of Rotterdam (1466–1536), a quill, a pocket watch, a stick of red wax and other objects, by Edwaert Collier. c.1706. Canvas, 54 by 67 cm. (Private collection; exh. Kunsthalle Munich).
Attributed works:
26. Portrait of the artist as he will (not) be. Variation #3, by Evan Penny. 2011. Pigment ink print on cotton rag paper, 160 by 132 cm. (Private collection, London; exh. Kunsthalle Munich).
Attributed works:
27. Good vibrations cabinet, by Ferruccio Laviani for Fratelli Boffi. 2013. Walnut, 215 by 116 by 52 cm. (Private collection; exh. Kunsthalle Munich).
Book Review
Du bist Faust: Goethe’s Drama in der Kunst. Edited by Roger Diederen and Thorsten Valk
70. Drawing room. The four copper prints, by Vilhelm Hammershøi. 1905. Canvas, 64 by 61 cm.
(Private collection, Belgium; exh. Statens Museum for Kunst, Copenhagen).
Attributed works:
71. Five portraits, by Vilhelm Hammershøi. 1901/02. Canvas, 190 by 340 cm. (Thielska Galleriet, Stockholm; exh. Statens Museum for Kunst, Copenhagen).
76. Portraits of Duke Wilhelm IV of Bavaria and his wife, Jakobäa, Margravine of Baden, by Hans Wertinger. Panel, each 69 by 45 cm. (National Museum Brukenthal, Sibiu; exh. Kunsthalle der Hypo-Kulturstiftung, Munich).
Attributed works:
77. Portrait of a woman, by Wolf Huber. Black and coloured chalks, wash and white heightening on
red-brown prepared paper, 23.1 by 21.4 cm. (Albertina, Vienna; exh. Kunsthalle der Hypo-Kulturstiftung, Munich).
Western art unattributed:
75. Dr Georg Tebsetter and his son, by an unknown sculptor. Pearwood, 17.5 by 14 cm. (Sammlungen Stift Melk; exh. Kunsthalle der Hypo-Kulturstiftung, Munich).
71. Day, by Philipp Otto Runge. 1803. Grey and black ink over pencil, 95.1 by 63.1 cm. (Kunsthalle, Hamburg; exh. Kunsthalle der Hypo-Kulturstiftung, Munich).
Attributed works:
72. Self-portrait with brown collar, by Philipp Otto Runge. c.1802. Canvas, 37 by 31.5 cm. (Kunsthalle, Hamburg; exh. Kunsthalle der Hypo-Kulturstiftung, Munich).
79. No.15 (Dark greens on blue with green band), by Mark Rothko. 1957. Canvas, 261.6 by 295.9 cm. (Collection of Christopher Rothko; exh. Kunsthalle, Hamburg).
Attributed works:
80. Page from ‘Golde’s Composition’ sketchbook, by Mark Rothko. 1949. Pen and ink on paper, 13 by 19.6 cm. (Collection of Christopher Rothko and Kate Rothko Prizel; exh. Kunsthalle, Hamburg).