By using this website you agree to our Cookie policy

Search

20 articles
Advertisements
Advertisements (front)
03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Advertisements
Advertisements (front)
01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Advertisements
Advertisements (front)
08/2018 | 1385 | 160
Pages: i–xviii
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Hecikmann, Chemnitz. Caspar David Friedrich (1774–1840) Bohemian landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Auktionshaus Heickmann, Chemnitz. Edvard Munch (1863–1944) "The Woman II, Sphinx/Woman in three Stages". 1895. Drypoint and line etching in black ink. Signed. Woll 22 VIII. 295 x 345 mm.]
Attributed works:
[Bonhams, London. Frederic, Lord Leighton, PRA (British, 1830-1896) Little Fatima oil on canvas 40.7 x 25.4cm (16 x 10in). £100,000-150,000*]
Attributed works:
[Bonhams, London. William Roberts R.A. (1895-1980) Demolition Squad pencil and watercolour Executed circa 1941 Sold in June 2018 for £125,000 *]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Ercole Setti (1530 –Modena –1618) A Procession Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Robilant + Voena, London. Alighiero Boetti (1940 - 1994) Mappa, 1983 Signed and dated ‘Kabul Afghanistan 1983’ on the overlap Embroidery 114 x 176 cm; (44 7/8 x 69 1/4 in.)]
Attributed works:
[Trinity Fine Arts, London. Anton Raphael Mengs (Aussig 1728–Rome 1779) Portrait of José Nicolás de Azara (1730–1804) Oil on canvas 82.6 x 63.5 cm / 32 1/2 x 35 in Provenance Probably Giuliana Falconieri, Principessa di Santacroce]
Western art unattributed:
[Bonhams, London. A French late 17th/early 18th century gilt and patinated bronze group of the Laocoon After the Antique £60,000–80,000 Provenance U.K. Private Collection]
Western art unattributed:
[Galerie Sismann, Paris. Apostle Limestone, traces of polychromy and gilt Lorraine 1330–1340 H.90 cm]
Western art unattributed:
[Peter Finer, London. A Pair of Spanish Bronze cannon barrels, circa 1600 Provenance: The Duke of Lerma (b.1552 – d.1625) Private Collection UK]
Advertisements
Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Advertisements
Advertisements (front)
01/2018 | 1378 | 160
Pages: n.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Advertisements
Advertisements March 2017 (front)
03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
Advertisements
Advertisements January 2017 (front)
01/2017 | 1366 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Aesthetica Magazine. Anna Tihanyi. Christal Night, 2014. From the series Berlin bhf]
Attributed works:
[Aktis Gallery, London. Still life, by Le Corbusier (1887-1965), 1921. Pastel and graphite on paper, 48,8 cm by 58,2 cm]
Attributed works:
[Art et Patrimone - Laurence Lenne, Brussels. Albarello. Antwerp, c. 1565. Maiolica. Height: 36 cm. Width: 26 cm]
Attributed works:
[Artcurial. Jean-Antoine Watteau. Study of a man wearing a hat. Black and red chalk. 22,70 x 16,90 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Luca Carlevarijs (Udine 1663 - 1730 Venice). Venice: The Church of the Zitelle and the Giudecca from the Giudecca Canal. Pen and ink and grey wash on paper, laid down on a second sheer with ink borders 12 5/8 x 18 7/8 in (32 x 46.7 cm)]
Attributed works:
[Christie's New York. Old Master & British Drawings, 22 January 2017. Head of a young man, by Giovanni Domenico TIepolo (1727-1804). Red and white chalk and stumping on blue paper, 292 by 20.2 cm]
Attributed works:
[Christopher Bishop Fine Art. Jacopo Bassano (1510-1592). The Sower. Pen and brown ink with brown washes highlighted in white on blue paper, 287 x 201 mm. Inscribed upper right: "questo disegno uin del excellente pittor il sr. jachomo ponte l'ano 1592 10 auiosto"]
Attributed works:
[Day & Faver Exhibiting at: Academy Mansion, 2nd Floor, 2 East 63rd Street. Study for the nave of San Paolo Maggiore, Bologna, by Giuseppe Maria Rolli (1645-1727). 1695. Pen and brown ink, 41.1 by 26.8 cm]
Attributed works:
[Découvert Fine Art Exhibiting at: Lois Wagner Fine Arts, Inc., 15 East 71st Street, Suite 2A. Pietà with instruments of the Passion flanked by St. Francis of Paola and St. Francis of Assisi (Study for fresco or marble altar), by Bartolomeo Passerotti (1529-92). Black CHalk, pen and brown ink, 39.8 by 50.4 cm]
Attributed works:
[Découvert Fine Art. 73 Main St., Rockport, Ma. USA. Salvator Rosa (Arenella, Naples 1615-1673 Rome). Studies of Trees. Black chalk, pen and brown ink, 181 x 128 mm (1) 164 x 137 mm (2)]
Attributed works:
[Galerie Ary Jan, Paris. Indiscretion, by Gustave de Jonghe (1829-93). Oil on panel, 74 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gioacchino Assereto (Genoa, 1600 - 1650). Joas saved from Athalia's persecution. Oil on canvas, 147,5 x 195,5 cm (58 x 77 in), signed "AXERET" at lower centre, next to the crown]
Attributed works:
[Harold t'Kint de Roodenbeke Gallery, Brussels. Ball game, by Alexander Calder (1898-1976). Gouache on paper, 110 by 74 cm.]
Attributed works:
[Honourable Silver Objects - Cabinets of Curiosities, Antwerp. Soup tureen, by Gregory van der Toorn (1715-71)Silver. Height: 27 cm. Width: 36.2 cm. Depth: 22 cm]
Attributed works:
[Kunstberatung Zürich AG, Zürich. The harrowing of hell, by Pieter Huys (1519-81/84). Oi on panel, 27 by 39.5 cm]
Attributed works:
[Mattia & Maria Novella Romano Exhibiting at: Arader Galleries, 1016 Madison Avenue, 4th Floor. Beheading of St John the Baptist, by Cherubino ALberti (1553-1615). Brown ink, brown washes and traces of black chalk on laid paper, 25 by 28.5 cm]
Attributed works:
[Mattia & Novella ROmano, Florence. Giuseppe Cesari called Cavalier d'Arpino. Arpino 1568 - 1640 Rome. St. Mark and David with head of Goliath within two niches. Pen, brown ink, brown washes, heightened with white on laid paper. 194 x 180 mm. (7 5/8 x 7 1/8 in.)]
Attributed works:
[Museo Nacional del Prado Madrid. Jusepe de Ribera. Acrobats on a loose Wire. Late 1630s. Pen, brown ink and brown wash. 257 x 198 mm. Madrid, Museo de la Real Academia de Bellas Artes de San Ferdinando, D-2208]
Attributed works:
[Otto Naumann, Ltd. 22 East 80th Street. New York. Diego Rodriguez de Silva Y Velázquez (Seville 1599 - 1660 Madrid) Portrait of a Gentleman, bust-length, in a black tunic and white golilla collar (during cleaning). Oil on canvas; 47 x 39 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched and gilt reinforced buff made by Anton Peffenhauser for the Prince Elector Christian I of Saxony, c. 1586]
Attributed works:
[Philippe Heim, Paris. In search of Sir Franklin, by François-Musin (1820-88). Oil on canvas, 78 by 128 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Molenaer II. The Sense of Taste (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. Giovanni Francesco Barbieri, called Il Guercino. Lot and his Daughters. Pen and brown ink and brown wash. 180 x 235 mm. (7 1/8 x 8 7/8 in)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. The head of a female figure wearing a helmet, by Jean-Baptiste Marie Pierre (1714-89. Pastel and black chalk on blue paper, 30.5 by 22.7 cm]
Non-western art unattributed:
[Galerie Jacques German, Montreal. Mangam crest mask. Nigeria, Benue region, early 20th century. Patinated wood and pigments. Height: 46 cm.]
Non-western art unattributed:
[Jacques Barrrére Gallery, Paris. Head of Buddha. Afghanistan or Pakistan, 3rd to 4th century. Terracotta, 22 by 14 by 15.5 cm]
Western art unattributed:
[Christopher Bishop FIne Art Exhibiting at: Academy Mansion, 15th Floor, 2st East 63 Street. Pan and Syrinx. Fountainbleau school, 1550. Pen and brown ink with brown washes on buff paper, 45.4 by 28.8 cm]
Western art unattributed:
[Galerie Theunissen & De Ghellinck, Brussels. Cabinet, Florence, c 1700. Rosewood, ivory, semi-precious stones and gilt bronze. Height: 59 cm. Width: 62 cm. Depth: 34 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Christ Child blessing, Flemish, early 16th century. Walnut with original polychrome and gilding. Height (with base): 30.7 cm; (without base): 28 cm]
Advertisements
Advertisements September 2016 (front)
09/2016 | 1362 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Giovanni Boldini. Statue in the Park of Versailles]
Attributed works:
[Bottegantica, Milan. Female nude with black stockings, by Giovanni Boldini (1842-1931). Oil on panel, 33 by 55 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625 - 1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm.)]
Attributed works:
[Charles Beddington Ltd, London. An African in profile, by Lorenz Frølich (1820-1908). Oil on paper laid on canvas, 43.5 by 29.5 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22.3 cm. Signed on the shoulder "Chinard Lyon".]
Attributed works:
[Frieze Masters. Regent's Park, London. Sassetta, San Sepolcro. Altarpiece (detail). The National Gallery, London.]
Attributed works:
[Galerie Canesso, Paris. Still life with basket of grapes, pomegranates, quinces and pears, fig branch and a barrel of grapes, by Carlo Manieri (1662-1700). Oil on canvas, 145 by 195 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Manieri. Taranto (?), Documented in Rome between 1662 and 1700. Still Life with a Basket of Grapes, Pomegranates, Quinces and Pears, with a Fig Branch and Cask of Grapes.]
Attributed works:
[Galerie de Jonckheere, Geneva and Paris. The Temptation of St. Anthony (a pair), School of Hieronymus Bosch (1450-1516). Oil on panel, 115.4 by 43 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Self-Portrait. Hippolyte Flandrin (1809-64). Oil on canvas. 24.4 by 34.9 cm]
Attributed works:
[Galerie Widmer. 9001 St Gallen. Unterstrasse 11. Switzerland. Pieter Pietersz (1540-1603). Adoration of the Shepherds, 1568-69. 44 x 67 cm]
Attributed works:
[Haboldt Pictura Fine Arts, Paris, Amsterdam, New York.A Trompel'Oeil hunting trophy of two ducks and heron, by Johannes Leemans (1633-88). Oil on canvas, 108 by 134 cm]
Attributed works:
[Hazlitt. 38 Bury Street, St. James’s London. SW1Y 6BB. Joris Hoefnagel. 1532-1600. Nonesuch Palace from the South. Black chalk, pen and brown and black ink, watercolour brightened with white and gold on paper. 8 1/2 x 12 3/4 inches]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Boldini (Ferrara 1842-1931 Pais). The audience at the Opera Garnier. Oil on panel. 87.5 x 39 cms. (34 1/4 x 15 1/4 in)]
Attributed works:
[Landau Fine Art, Montreal. Menace, by Le Corbusier (1887-1965). Oil on canvas, 162 by130 cm]
Attributed works:
[Maurizio Nobile, Bologna and Paris. Moonlit seascape, by Claude-Joseph Vernet (1714-89). Oil on canvas. 135 by 100 cm]
Attributed works:
[Mayoral, Barcelona. Femmes V, by Joan Mirò (1893-1983). Oil and charcoal on canvas, 66 by 81 cm.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman. Bust-Length, in a Black Doublet with a White Lace Ruff (detail)]
Attributed works:
[Talabardon & Gautier, Paris. The porter's lodge of the Villa Borghese, Rome, by Gustaf Wilhelm Palm (1810-90). Oil on canvas mounted on board, 34 by 62.3 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755). Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Virgin and Child. Limestone, with traces of original polychrome. France, the border of Burgundy and Champagne. Mussy sur Seine, Aube (c. 1300-25). Height: 89 cm. Depth: 28 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Holy Water Font. Carved ivory relief of Maria Lactans with bloodstone bowl, mounted in gold old inventory label verso. Italy, early 17th century. Height: 12.2 cm. Width: 6.2 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Italian chiselled fluted iron powder-flask bearing the Arms of the Princes Medici, Grand-Dukes of Tuscany, Third Quarter of the 16th Century]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Queen Victoria & Prince Albert. Hitherto unknown presentation album with 62 etchings. 1840-44. Handwritten dedication for F. X. Winterhalter.]
Advertisements
Advertisements August 2016 (front)
08/2016 | 1361 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625-1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22,3 cm. Signed on the shoulder "Chinard Lyon"]
Attributed works:
[De Jonckheere, 100 rue du Faubourg Saint Honoré. Paris. 7 rue de l’Hôtel-de-Ville. Geneva. Attributed to Jan Mandijn. Haarlem circa 1500 - Antwerp circa 1560. The Temptation of St. Anthony. Panel: 22,8 x 29,6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Ludovico Mazzanti. Rome, 1686 - Orvieto, 1775. Saint Jerome. Oil on canvas, 136 x 97 cm (53 1/2 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figure's walking up a monumental stair case (detail). Oil on canvas. Height: 68 1/4 in. (173,4 cm); Width: 63 1/2 in. (161,3cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Luca Cambiaso (Moneglia 1527-1585 Madrid) Relmusto Lercari, as a Warrior, Seated on a Plinth, within a Niche (detail). Pen and brown ink and wash: 259 x 142 mm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of relieps with the angel Gabriel and Virgin of the Annunciation. Pisan Master, emplyee of Lupo di Francesco (Bonaiuto di Michele ?). Antique Carrara marble, 1st - 2nd century A.D. Italy. Pisa, c.1320-1325. Angel Gabriel: H47 x W. 30.5 x D. 20 cm. Virgin: H. 47 x W. 30 x D. 18 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A German flintlock breechloading break-action sporting gun for ball and shot by George grebe, Kassel, circa 1690]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Saroyard being Entertained by a Pinwheel (detail)]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686-Beauvais 1755), Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741.]
Advertisements
Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
load more