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6 articles
Article
Constable’s Salisbury rainbow: a fusion of science and culture?
09/2018 | 1386 | 160
Pages: 740-744
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Author:
Thornes, John (Thornes, John)
Subjects
art literature:
Keats, John / Lamb, Charles / Wordsworth, William / Thomson, James / Field, George
artists:
Constable, John / Lucas, David, 1802-1881 / Leslie, Charles Robert / Haydon, Benjamin Robert
dates:
1800-1849
media:
Paintings / Drawings / Watercolours
museums and institutions:
Royal Academy of Arts, London, Great Britain / Birmingham Society of Arts, Birmingham, Great Britain
places:
Great Britain / London / Salisbury
subjects:
British painting / Romanticism / Nature / Science / Meteorology / Rainbows / Colour / Perception / Poetry / Landscapes (visual works) / Symbolism (artistic concept) / Salisbury Cathedral, Salisbury, Great Britain / Visual sources / Naturalism
Illustrations
Attributed works:
1. Landscape with a double rainbow, by John Constable. 1812. Oil on paper, laid on canvas, 33.7 cm by 38.4 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
2. Sky study with a rainbow, by John Constable. 1827. Watercolour on paper, 22.5 by 18.4 cm. (Yale Centre for British Art, New Haven; Bridgeman Images).
Attributed works:
3. View from Hampstead, with a double rainbow (Hampstead Heath in a storm), by John Constable. 1831. Watercolour on paper, 19.7 by 32 cm. (British Museum, London).
Attributed works:
5. Salisbury Cathedral from the meadows, by John Constable. 1831. Canvas, 152 by 190 cm. (Tate, London; Bridgeman Images).
Attributed works:
7. A chromascope. Engraving. (From Chromatography by George Field, London 1835, p.232).
Western art unattributed:
4. Solar geometry from the viewpoint of Fig.3 at 6 Well Walk, Hampstead, at 7pm GMT on 5th June 1830 (Bridgeman Images).
Western art unattributed:
6. Solar geometry from the viewpoint of Fig.5 (at the intersection of the lines is the viewpoint from which Salisbury Cathedral from the meadows was painted), at 7pm (GMT) on 25th August 1832, with the sun’s azimuth close to 290 degrees.
Article
Post tenebras lux: J.M.W. Turner, James Wyatt and the importance of stained glass
05/2012 | 1310 | 154
Pages: 322-329
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Author:
Wilton, Andrew (Wilton, Andrew)
Subjects
artists:
Turner, Joseph Mallord William / Wyatt, James
buildings:
Fonthill Abbey, Fonthill Gifford, Wiltshire, Great Britain / University of Oxford, Oxford, Great Britain
buildings:
Salisbury Cathedral, Salisbury, Great Britain
dates:
1790-1829
print:
Turner, Joseph Mallord William
subjects:
British painting / British architecture / Stained glass / Watercolours / British / Topography
subjects:
Religious architecture
subjects:
Iconography
Illustrations
Attributed works:
17. North-west view of Fonthill Abbey. Office of James Wyatt. 1798. Watercolour, 67 by 105 cm. (Yale Center for British Art, New Haven).
Attributed works:
18. East view of the Gothic Abbey (Noon) now building at Fonthill, the seat of W. Beckford, Esq, by J.M.W. Turner. 1800. Watercolour, 68.5 by 103.5 cm. (National Trust for Scotland, Brodick Castle, Isle of Arran).
Attributed works:
19. The interior of the Pantheon, Oxford Street the morning after the fire, by J.M.W. Turner. 1792. Watercolour, 29.5 by 23.9 cm. (Turner Bequest, Tate, London).
Attributed works:
20. The interior of New College Chapel, Oxford, with the Reynolds window and Wyatt’s organ screen, by J.M.W. Turner. c.1800. Pencil and watercolour, 75.4 by 54 cm. (Turner Bequest, Tate, London)
Attributed works:
21. The east end of Merton College Chapel, Oxford, by J.M.W. Turner. 1801. Pencil and watercolour with scraping-out, 31.8 by 44.4 cm. (Ashmolean Museum, Oxford).
Attributed works:
22. Christ Church Hall from the staircase, by J.M.W. Turner. c.1799–1800. Pencil and watercolour, 22 by 32.2 cm. (Leeds City Art Galleries).
Attributed works:
23. Choir of Salisbury Cathedral, by J.M.W. Turner. 1797. Pencil and watercolour, 64.8 by 50.8 cm. (Salisbury and South Wiltshire Museum).
Attributed works:
24. Interior of the Brocklesby Mausoleum, by J.M.W. Turner. c.1818. Pencil and watercolour, 63.5 by 48.2 cm. (Turner Bequest, Tate, London).
Attributed works:
25. Light and Colour (Goethe’s Theory) – the morning after the Deluge – Moses writing the Book of Genesis, by J.M.W. Turner. 1843. Canvas, 78.5 by 78.5 cm. (Turner Bequest, Tate, London).
Attributed works:
26. The Elevation of the Brazen Serpent in the Wilderness, by Robert Blyth after John Hamilton Mortimer. 1783. Etching, 50.6 by 41.1 cm. (British Museum, London).
Exhibition Review
Recent Public Sculpture. Salisbury, London, West Bretton
12/1999 | 1161 | 141
Pages: 764-765
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Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
1990-1999
museums and institutions:
Salisbury Cathedral, Salisbury, Great Britain
places:
England / Salisbury
subjects:
Exhibitions / Reviews / British sculpture / Public sculpture
Illustrations
Attributed works:
60. Spring Ellipse, by Richard Long. 1999. Slate Blocks (Exh. Salisbury Cathedral).
Attributed works:
61. Ecce Homo, by Mark Wallinger. 1999. Marbleised Resin, Barbed Wire and Gold Leaf (Exh. Trafalgar Square, London).
Attributed works:
62. Sorry, Sorry, Sarajevo, by Nicola Hicks. (Exh. Salisbury Cathedral).
Attributed works:
63. The Here, the Now, by Nigel Hall. c.1978 and 1999. (Exh. Salisbury Cathedral).
Attributed works:
64. Mizunara Bowl, by David Nash. Oak (Exh. Salisbury Cathedral).
Short Notice
Turner, Ruskin and Constable at Salisbury
05/1971 | 818 | 113
Pages: 272+274-275
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related names
Author:
Whittingham, Selby (Whittingham, Selby)
Subjects
artists:
Turner, Joseph Mallord William
artists:
Constable, John
buildings:
Salisbury Cathedral, Salisbury, Great Britain
collectors and dealers:
Ruskin, John
dates:
1800-1849
places:
England / Salisbury
subjects:
British painting / Watercolours / Topographical views
Illustrations
Attributed works:
51. Salisbury Cathedral from Old Sarum, by J. M. W. Turner. c.1830. Water-Colour, 30 by 46 cm. (Private Collection.)
Short Notice
Constable at Leydenhall
04/1952 | 589 | 94
Pages: 113-116
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related names
Author:
Beckett, R. B. (Beckett, R. B.)
Subjects
artists:
Constable, John
buildings:
Salisbury Cathedral, Salisbury, Great Britain
dates:
1820-1829
places:
England / Salisbury
subjects:
British painting / Landscapes (visual works)
subjects:
Documents / Dating
subjects:
Topographical views / Sketches
Illustrations
Attributed works:
29. Sketch near Salisbury, by John Constable. Dated on Reverse: July 12, 1829. Oil on Paper, 16.2 by 30.5 cm. (Victoria and Albert Museum.)
Attributed works:
30. Salisbury Cathedral from the River (Sketch), by John Constable. Canvas, 52.7 by 76.8 cm. (National Gallery.)
Attributed works:
31. The Garden of Leydenhall, Salisbury Close. Copy of Constable's Sketch Illustrated in Fig 30, by John Dunthorne. 1827. Canvas, 52.1 by 76.2 cm. (Formerly Edward Fisher Esq.)
Book Review
The Gateways of Salisbury Cathedral Close
11/1926 | 284 | 49
Pages: 256-257
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related names
Reviewer:
Tatlock, R. R. (Tatlock, R. R.; Tatlock, Robert Rattray; T., R. R.)
Subjects
buildings:
Salisbury Cathedral, Salisbury, Great Britain
dates:
1920-1929
places:
England / Salisbury
subjects:
British architecture / Reproductions
Reviewed Items
subjects:
The Gateways of Salisbury Cathedral Close | author: Hubbard, Hesketh