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Book Review
Seen from Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Lee Rubin
09/2019 | 1398 | 161
Pages: 783-785
related names
Reviewer:
Betzer, Sarah (Betzer, Sarah )
Subjects
dates:
Illustrations
Attributed works:
2. Bathers at San Niccolò, by Domenico Cresti, called Passignano. 1600. Oil on canvas, 142.2 by 180.3 cm. (Private collection).
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03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
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11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
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Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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03/2017 | 1368 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
Exhibition Review
Neo-Impressionism
01/2015 | 1342 | 157
Pages: 61-21
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
Illustrations
Attributed works:
76. Woman singing in a café chantant, by Georges Seurat (Van Gogh Museum, Amsterdam; exh. Phillips Collection, Washington)
Attributed works:
77. Setting sun, sardine fishing. Adagio. Opus 221, by Paul Signac (Museum of Modern Art, New York; exh. Phillips Collection, Washington)
Attributed works:
78. The flock of sheep, Eragny, by Camille Pissarro (Private collection; exh. Phillips Collection, Washington)
Book Review
Pierre Puvis de Chavannes. Vol.1: The Artist and his Art; vol.2: A catalogue raisonné of the painted work
12/2010 | 1293 | 152
Pages: 813-814
related names
Reviewer:
Harris, Ruth (Harris, Ruth)
Subjects
dates:
Reviewed Items
subjects:
Pierre Puvis de Chavannes. Vol.1: The Artist and his Art; vol.2: A catalogue raisonné of the painted work | author: Price, Aimée Brown
Illustrations
Attributed works:
39. Virgil, bucolic poetry, by Pierre Puvis de Chavannes. 1896. Canvas, 124 by 63 cm. (Private collection).
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Advertisements July 2000 (front)
07/2000 | 1168 | 142
Pages: i-xii
Subjects
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Illustrations
Attributed works:
Lamentation, by Ludovico Carracci. 95.3 by 172.7 cm. (Metropolitan Museum of Art, New York)
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Sir Peter Paul Rubens (Seigen 1577 - 1640 Antwerp). Portrait of Princess Margberita Gonzaga. Oil on Canvas, 25 3/4 x 20 3/8 Inches (65.4 × 51.7 cm).
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Pair of Monumental Vases Signed F. Barbedienne Paris. Circa 1865. Of Polychrome Champlevé Enamel and Gilt Bronze. Measurements: Height: 57″ (145 cm); Width: 18 3/4" (48cm); Depth: 17 3/4 (45 cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Pentecost, by Antonio Consetti (1686-1766). Pen and Brown Ink on Black Chalk, 342 × 282 mm. A Study for a Bronze Relief Framing the Rosary Altarpiece in the San Domenico Church in Modena, Circa 1720
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Pierre Puvis de Chavannes (1824 - 1898). A Young Black Turtle Monger in Venice. Oil on Unlined Canvas: 90 × 120 cms. Signed and Dated at Lower Right: P. Puvis de Chavannes. 1854
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Scarsella Ippolito Scarsellino? (Ferrara 1551-1620) "Agar con Ismaele e l'angelo" - Olio su tela di cm. 48,6 × 39,7
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Paolo Porpora Naples, 1617 - Rome, 1673. Vase of Flowers. Oil on Canvas, 128.6 × 93.3 cm.
Attributed works:
[Mayfair Gallery Limited, 39 South Audley Street, London, UK] Magnificent Victorian Silver Table Garniture. All Maker's Mark of Robert Garrard for R & S Garrard and R & S Garrard & Co, London, Respectively 1839-40 and 1852. This Surtout-de-Table Was the Gift of Queen Adelaide (1792-1849) to Richard Curzon-Howe, 1st Earl Howe (1796-1870). Large Mirror Plateau in Four Sections with Arms and Cipher of Queen Adelaide. Overall Length 358 cm, Width 70 cm, Weight 7807 gm Pair of Seven-Light Candelabra. Height 84 cm, Weight 20116 gm. A Ten-Light Candelabrum, Commissioned by Earl Howe Himself in 1852. Height 119 cm, Weight 23688 gm. In Original Wooden Fitted Cases
Attributed works:
[Patrick Derom Gallery, Rue aux Laines 1 - 1000, Brussels, Belgium] Flore, Parc Royal © Vincent Everarts
Attributed works:
[Pavillion du Musee Fabre, Montpiller, France] Sebastien Bourdon, Portrait de la Reine Christine a cheval, huile sur toile. 360 × 370 cm (Détail) - Madrid, Musée du Prado.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Elias Vonck (1605-1652). Dutch School. Two Hunting Dogs in a Landscape Surrounded by Dead Game Including Pheasants, a Hare and a Hunting Horn. Oil on Canvas. 47 × 59 Inches (119.5 × 150 cms). Signed
Attributed works:
[Tate Gallery, Millbank, London, UK] David Thomas, Hurricane Patricia (With Respect to Marcus Gheerearts the Younger).
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Sebastiano Ricci (1659-1734). Joseph's Dream. Oil on Canvas, 134.5 × 117.5 cm
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