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24 articles
Exhibition Review
Gardening Bohemia: Bloomsbury Women Outdoors Vanessa Bell: A Pioneer of Modern Art
08/2024 | 1457 | 166
Pages: 856–9
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
Gardening Bohemia: Bloomsbury Women Outdoors Garden Museum, London 15th May–29th September | :
subjects:
Vanessa Bell: A Pioneer of Modern Art Courtauld Gallery, London 25th May–6th October | :
Illustrations
Attributed works:
11. Garden at Monk’s House, Sussex, by Vanessa Bell. Oil on canvas, 39.5 by 51 cm. (Bradford District Museums & Galleries; exh. Garden Museum, London).
Attributed works:
12. Man tending to a flower with a wheelbarrow at his feet, by Vanessa Bell. Paint on paper, 28 by 25.4 cm. (Charleston, Sussex; exh. Garden Museum, London).
Attributed works:
13. A Conversation, by Vanessa Bell. 1913–16. Oil on canvas, 86.6 by 81 cm. (Courtauld Gallery, London)
Book Review
Selected Letters of Clive Bell: Art, Love and War in Bloomsbury
09/2023 | 1446 | 165
Pages: 1046
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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subjects:
Reviewed Items
subjects:
Selected Letters of Clive Bell: Art, Love and War in Bloomsbury Edited by Mark Hussey. 280 pp. incl. 1 b. & w. ill. (Edinburgh University Press, 2023) £50. ISBN 978–1–399–51597–9. | :
Book Review
The Bloomsbury Look
10/2022 | 1435 | 164
Pages: 1047
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
Reviewed Items
subjects:
The Bloomsbury Look By Wendy Hitchmough. 184 pp. incl. 160 col. + b. & w. ills. (Yale University Press, New Haven and London, 2020), £30. ISBN 978–0–300–24411–3. | :
Illustrations
Attributed works:
10. The Dreadnought Hoax, by Lafayette, showing left to right Virginia Stephen (later Woolf), Guy Ridley, Horace De Vere Cole, Adrian Stephen, Anthony Buxton and Duncan Grant. 7th February 1910. Matte bromide print, 17.6 by 22.3 cm. (National Portrait Gallery, London).
Exhibition Review
Portrait of an Artist
01/2022 | 1426 | 164
Pages: 74-76
related names
Reviewer:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
dates:
Reviewed Items
subjects:
Portrait of an Artist Laing Art Gallery, Newcastle upon Tyne 11th September 2021– 26th February 2022 | :
Illustrations
Attributed works:
23. Portrait of Winifred Knights, by Colin Gill. 1921. Pencil on paper, 43.8 by 32.4 cm. (Liss Llewellyn Fine Art, London; exh. Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
24. Self-portrait, by William Orpen. 1908. Oil on canvas, 92.8 by 72.1 cm. (Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
25. My pain beneath your sheltering hand, by Charles Sims. c.1926–28. Tempera on canvas, 91 by 68.6 cm. (Liss Llewellyn Fine Art, London; exh. Laing Art Gallery, Newcastle upon Tyne).
Exhibition Review
Post-Impressionist Living: The Omega Workshops. Charleston, East Sussex
11/2019 | 1400 | 161
Pages: 957-959
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
19. The wrestlers, by Henri Gaudier- Brzeska. 1913–14. Mahogany carcass, with marquetry of pedouk, oak, walnut and ebonised wood, diameter 65 cm. (Victoria and Albert Museum, London; exh. Charleston, East Sussex).
Attributed works:
20. Opening room of the Omega Workshops. Press photograph in the Daily News and Leader, July 1913. (Charleston Trust, East Sussex).
Attributed works:
21. Study of a woman, by Vanessa Bell. c.1917. Oil on canvas, 29.4 by 23 cm. (Charleston Trust, East Sussex).
Book Review
Carrington’s Letters: Her Art, Her Loves, Her Friendships. By Dora Carrington, edited by Anne Chisholm
06/2018 | 1383 | 160
Pages: 523-524
Book Review
Above the Battlefield: Modernism and the Peace Movement in Britain, 1900–1918
05/2012 | 1310 | 154
Pages: 355-356
related names
Reviewer:
Fox, James (Fox, James)
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dates:
places:
print:
Reviewed Items
subjects:
Above the Battlefield: Modernism and the Peace Movement in Britain, 1900–1918 | author: Brockington, Grace
Exhibition Review
Modern Britain 1900-1960. Melbourne
02/2008 | 1259 | 150
Pages: 141-142
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Modern Britain 1900–1960: Masterworks from Australian and New Zealand Collections | institution: National Gallery of Victoria
Illustrations
Attributed works:
82. The raising of Lazarus, by Walter Sickert. 1929. Oil on wallpaper on canvas, 243.5 by 91.5 cm. (Art Gallery of South Australia, Adelaide; exh. National Gallery of Victoria, Melbourne)
Attributed works:
83. Windows, by John Bratby. 1957. Oil on hardboard, 121.9 by 365.8 cm. (Auckland Art Gallery Toi o Tamaki; exh. National Gallery of Victoria, Melbourne)
Attributed works:
84. The marriage at Cana, by Winifred Knights. 1923. Canvas, 184 by 200 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington; exh. National Gallery of Victoria, Melbourne)
Article
Picasso in London, 1919: the première of ‘The Three-Cornered Hat’
10/2006 | 1243 | 148
Pages: 666-679
related names
Author:
Beechey, James (Beechey, James)
Author:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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Illustrations
Attributed works:
14. Maquette for the decor of The Three-Cornered Hat, by Pablo Picasso. 1919. Gouache, watercolour and graphite, 17.9 by 26 cm. (Howard Rothschild Collection, Harvard Theatre Collection, Cambridge MA).
Attributed works:
15. Vera Nemchinova and Felix rehearsing ‘The Three-Cornered Hat’, by Pablo Picasso. 1919. Graphite, 31.5 by 24.5 cm. (Private collection).
Attributed works:
16. Costume design for the Miller’s Wife, by Pablo Picasso. 1919. Watercolour, gouache and graphite, 26 by 19.5 cm. (Musée Picasso, Paris).
Attributed works:
17. Costume design for the Miller, by Pablo Picasso. 1919. Watercolour, gouache and graphite, 26 by 19.5 cm. (Musée Picasso, Paris).
Attributed works:
18. Curtain for The Three-Cornered Hat, by Pablo Picasso. 1919. Tempera on canvas, 1,000 by 1,600 cm. (New York Landmarks Conservancy, Seagram Building, New York).
Attributed works:
19. Portrait of Léonide Massine, by Pablo Picasso. 1919. Pencil, 38 by 29 cm. (Art Institute of Chicago).
Attributed works:
20. Lydia Lopokova, by Pablo Picasso. 1919. Pencil, 35.6 by 25.1 cms. (Fitzwilliam Museum, Cambridge).
Attributed works:
5. Portrait of André Derain, by Pablo Picasso. 1919. Pencil drawing reproduced from the souvenir programme for La Boutique Fantasque, London 1919. The drawing is in the Musée Picasso, Paris. (Private collection).
Attributed works:
6. La Boutique Fantasque: pas de deux (Léonide Massine and Lydia Lopokova in the can-can), by Pablo Picasso. 1919. Ink, 31 by 24 cm. (Private collection).
Western art unattributed:
10. Léonide Massine and Vladimir Polunin in the scene-painting studio at 48 Floral Street, London, 1919. Photograph. (Private collection).
Western art unattributed:
11. Vladimir and Elizabeth Polunin painting the drop-curtain for The Three-Cornered Hat in the scene-painting studio at 48 Floral Street, London,1919. Photograph. (Private collection).
Western art unattributed:
12. Pablo Picasso painting the drop-curtain for The Three-Cornered Hat in the scene-painting studio at 48 Floral Street, London, with Alexander Bray and Vladimir and Elizabeth Polunin, 1919. Photograph. (Private collection).
Western art unattributed:
13. A party in the scene-painting studio at 48 Floral Street, London, to celebrate the completion of the curtain (see foreground) for The Three-Cornered Hat, 1919. Picasso (centre) with Olga Picasso to his right; Elizabeth Polunin (far left) and Vladimir Polunin in profile at right. Photograph. (Private collection).
Western art unattributed:
21. The cast of The Three-Cornered Hat taking its curtain call, London, autumn season, 1919. Photograph. (Fonds Kochno, Bibliothèque de l’Opéra, Paris).
Western art unattributed:
7. Pablo and Olga Picasso’s identity books for their visit to London, 1919. (Archives, Musée Picasso, Paris).
Western art unattributed:
9. Pablo and Olga Picasso outside the Alhambra Theatre, Leicester Square, London, 1919. Photograph. (Courtesy Popperfoto).
Western art unattributed:
9. Serge Diaghilev, Vladimir Polunin and Pablo Picasso in the scene-painting studio, 48 Floral Street, London, 1919. Photograph. (Private collection).
Book Review
Bloomsbury Rooms: Modernism, Subculture, and Domesticity.
05/2005 | 1226 | 147
Pages: 341-342
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
dates:
Reviewed Items
subjects:
Bloomsbury Rooms: Modernism, Subculture, and Domesticity. | author: Reed, Christopher
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