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Exhibition Review

José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur

02/2024 | 1451 | 166

Pages: 178–182

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related names

Reviewer:

Baarsen, Reinier (Baarsen, Reinier)

Subjects

artists:

Canops, José, d. 1814 / Gasparini, Matías, d. 1774 / Oeben, Jean-François / Roentgen, David / Roentgen, Abraham

dates:

2020-2030

museums and institutions:

Kunstgewerbemuseum, Berlin, Germany / Roentgen-Museum Neuwied, Neuwied, Germany

patrons:

Charles III, King of Spain, 1716-1788

styles:

Rococo / Chinoiserie

subjects:

Furniture makers / Furniture / Cabinetmakers / Interiors

Reviewed Items

subjects:

José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Kunstgewerbemuseum, Berlin 12th October 2023–11th February 2024 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur Roentgen-Museum Neuwied 13th August–12th November 2023 | :

Illustrations

Attributed works:

1. Roll-top desk, by José Canops. Madrid, c.1770–73. Mahogany, veneered with marquetry in various woods, mounts of gilded bronze, 120.3 by 168 by 98.5 cm. (Kunstgewerbemuseum, Berlin).

Attributed works:

2. Curtain by the royal embroidery workshop, Madrid, designed by Mattia Gasparini. c.1763–91. Silk, embroidered in coloured silks and silver thread, 482 by 248 cm. (Patrimonio Nacional, Palacio Real, Madrid; exh. Kunstgewerbemuseum, Berlin).

Attributed works:

4. Lean-to desk, by Johann Georg Barthel. Neuwied. c.1764–71. Softwood and oak, veneered with marquetry in various woods, mounts of gilded bronze, 110 by 107 by 53 cm. (Private collection; exh. Roentgen- Museum, Neuwied).

Western art unattributed:

3. Commode, by the royal cabinetmaking workshop, Madrid. c.1770– 75. Walnut and other woods, veneered with marquetry in various woods, mounts of gilded bronze, marbleveneered top, 92.5 by 132 by 63 cm. (Museo Nacional de Artes Decorativas, Madrid; exh. Kunstgewerbemuseum, Berlin).

Exhibition Review

Roentgen. New York

01/2013 | 1318 | 150

Pages: 61-62

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Subjects

artists:

Roentgen, Abraham / Roentgen, David

dates:

2010-2019

museums and institutions:

Metropolitan Museum of Art, New York, United States

places:

United States / New York

subjects:

Reviews / Exhibitions

Illustrations

Attributed works:

81. Writing desk, by Abraham Roentgen (Rijksmuseum, Amsterdam; exh. Metropolitan Museum of Art, New York)

Attributed works:

82. Automaton of Queen Marie-Antoinette, called the Dulcimer player, by David Roentgen (Musée des arts et métiers de Paris; exh. Metropolitan Museum of Art, New York)

Attributed works:

83. The Stroganov desk, by David Roentgen (Bayerisches Nationalmuseum, Munich; exh. Metropolitan Museum of Art, New York)

Supplement

Recent Acquisitions in the Department of Decorative Arts, The J. Paul Getty Museum: Supplement

06/1986 | 999 | 128

Pages: 459-464

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Subjects

artists:

Chapelle, Jacques

artists:

Herold, Christian Frederich

artists:

Boulle, André-Charles, I, 1642-1732

artists:

Höroldt, Johann Gregor

artists:

Howzer, Wolfgang

artists:

Perrot, Pierre Josse

artists:

Le Brun, Charles

artists:

Kinzing, Peter

artists:

Le Vau, Louis

artists:

Parent, Aubert

artists:

Mollinger, Christian

artists:

Hacker, David

artists:

Roentgen, David

artists:

Roentgen, Abraham

dates:

1980-1989

museums and institutions:

J. Paul Getty Museum, Los Angeles, United States

places:

United States

subjects:

Savonnerie carpets

subjects:

Gobelins tapestries

subjects:

Ceramics / Meissen porcelain

subjects:

Textiles / Tapestries / Furniture

subjects:

Art museums / Acquisitions / Decorative arts / Art objects

subjects:

Sceaux Porcelain Factory

Illustrations

Attributed works:

59. Portière aux armes de France. Gobelins, 1730-43. Wool and silk, 355 by 262.5 cm. It was woven at the Gobelins Manufactory after the design of Pierre-Josse Perrot (active at the manufactory 1724-35). Twenty-eight of these portières were woven between 1730 and 1743 for use in the royal residences. This tapestry bears the woven initials G and L, preceded by a fleur-de-lys, for the director of the atelier Etienne-Claude Le Blond (active at the Gobelins Manufactory 1727-51). It was formerly in the collection of the fourth Marquess of Hertford, Paris.

Attributed works:

60. Tapestry Le mois de décembre/Le château de Monceaux. French (Gobelins), before 1712. Wool and silk, 316 by 328 cm. This tapestry is from the series of the twelve months of the year, known as Les maisons royales, woven for Louis XIV. The design for the series, with each month representing one of the royal châteaux and displaying objects from the royal collections, was conceived by Charles Le Brun (1619-1690) as a companion series to the famous Histoire du roi. Seven complete sets, woven with gold thread, were produced for the Crown between 1668 and 1711. This example portraying the château of Monceaux (demolished by 1799) with the king on horseback in the middle ground, was woven separately and without gold thread as a private commission. It bears the woven signature for Jean de la Croix (active at the Gobelins Manufactory 1662-1712). Two other tapestries with the same borders, one of which bears the woven initials for de la Croix, exist and may have been part of the original private commission. They are Le mois de Juillet/Le château de Vincennes in the Victoria and Albert Museum, London, and Le mois de Septembre/Le château de Chambord in the National Museum for Western Art, Tokyo.

Attributed works:

61. Carpet. French (Savonnerie), before 3rd May 1680. Wool, 315 by 908.6 cm. This carpet, one of ninety-two, was part of a grand scheme to decorate the Long Gallery of the Louvre. Under the command of Louis XIV, the Savonnerie Manufactory produced the carpets, almost certainly after designs by Charles Le Brun and Louis Le Vau. The project lasted from 1670 to 1679, occupying the carpet looms of both the Dupont and the Lourdet families at the Savonnerie workshops. All of the carpets for the Long Gallery were united by their similar compositions: a wide, bold border; the black background; a panel at either end, of either polychrome landscapes or monochrome 'bas reliefs,' centring a reserve of trophies, instruments and attributes of the Sun King; and large scrolling acanthus leaves. This carpet is recorded in an inventory of Louis XIV, with the notation that it was delivered to the Garde-Meuble on 3rd May 1680. In 1775, it was lent by Louis XVI to the marquis d'Ossun, the Spanish Ambassador. Probably during the nineteenth century, the carpet was given to the Spanish cathedral of Santiago del Compostella. Forty-eight complete carpets of the original commission survive, together with numerous fragments.

Attributed works:

62. Carved relief. French (Paris), 1789. Lindenwood, 69.4 by 47.9 by 6.2 cm. This panel is carved from one piece of wood and is an example of the virtuoso craftmanship of its maker, Aubert-Henri-Joseph Parent (1753-1835). During the late 1770s and throughout the 1780s, Parent was well-known among the court circles at Versailles. His work was prized by Louis XVI, and often incorporated symbols of monarchical good government within his naturalistic reliefs depicting vases of flowers, birds, and insects. He travelled to Italy from 1784 to 1788 where he studied antique architecture and sketched ancient artefacts. This relief is one of two conserved at the J. Paul Getty Museum and is incised under the base AUBERT PARENT FECIT AN. 1789.

Attributed works:

64. Secrétaire. German (Berlin), c. 1790. Pine and oak veneered with mahogany, satinwood, bloodwood, and kingwood; white marble; gilt bronze mounts, 242.8 by 111.8 by 60.9 cm. Clock face signed 'Mollinger, à Berlin'. The secrétaire has a fall-front which lets down to reveal small drawers and pigeon holes. A writing slide pulls out from above, releasing drawers immediately above. This piece is attributed to the German cabinetmaker David Hacker (active c.1770-1810). Hacker was a journeyman to David Roentgen (1743-1807) at Neuwied from 1779. At the dissolution of Roentgen's workshops in 1791 he set up in Berlin. The medallion bearing the profile of Plato on the fall front can be found on several Roentgen pieces. The attribution to Hacker is based primarily on a description of a mechanical desk exhibited at the Berlin Academy in 1794.

Attributed works:

65. Secrétaire. Perhaps Swedish (Stockholm), c.1780. Oak and poplar veneered with satinwood, tulipwood, fruit woods and ebony, with incised mastics, 152.0 by 90 by 54.5 cm. The secrétaire bears a number of red wax seals on its back, all bearing the date 1830, and the word 'CHARTE'. They are official seals, referring to the Charter of 1830, which was followed by the constitutional monarchy of Louis-Philippe (1830-1848). The secrétaire is tentatively attributed to the royal Swedish cabinet maker Georg Haupt (1741-84) or to a member of his immediate circle. Haupt trained in Germany prior to 1763, in Amsterdam by 1763, in Paris (probably with Simon Oeben) and in London, 1768-69, where he worked for Sir William Chambers. Haupt returned to Stockholm as royal cabinetmaker in 1769 and was made master in 1770. This piece may be compared with slightly simpler pieces made for the king and court, surviving at the Royal Palace, Stockholm, and at Drottningholm and Tullgarn.

Attributed works:

66. Longcase clock. German (Neuwied), c.1784-1786. Oak veneered with mahogany, gilt bronze mounts, bronze, and enamelled metal, 187 by 64 by 53 cm. The metopes above the clock are mounted with heads of Diana, while the pediment is set with a gilt-bronze relief of the lyre of Apollo, supported by two winged putti. A figure of Chronos, in partial relief, carries the weight of time, the face of the clock, upon his stooped back. The movement of the clock is inscribed Roentgen & Kinzing à Neuwied, for David Roentgen (1743-1807) and Peter Kinzing (1745-1816), who was appointed clock maker to Marie Antoinette in 1785. In addition, the clock is equipped with an elaborate mechanical musical movement consisting of a bellow organ, twenty valves and forty pipes. Five other examples of this clock exist in German and Russian collections and it is known that a clock of this model was delivered to Catherine II of Russia in 1784.

Attributed works:

67. Reading and writing stand. German (Neuwied), c.1760. Pine and walnut veneered with rosewood, walnut, ivory, ebony and mother-of-pearl, 76.8 by 71.7 by 48.8 cm. The top of this reading and writing stand is inlaid in ivory and mother-of-pearl with the coat-of-arms and the cypher of Johan Philipp, Kurfürst von Walderdorff (1701-68), Prince archbishop and elector of Trier. Like many other products of the Roentgen workshop, the stand is of a complicated, yet functional design. It is elaborately fitted with a concealed, notched extension that allows the stand to be raised higher and the reading shelf itself is adjustable to a variety of angles. The stand also contains many hidden small drawers. Count von Walderdorff was the most important patron of Abraham Roentgen (1711-1793) during the 1750s and 1760s, commissioning at least twenty pieces of furniture from the Roentgen workshop, among them this reading and writing stand.

Attributed works:

68. A pair of lidded bowls. Japanese (Arita) late seventeenth-century underglaze blue porcelain; English, late seventeenth century mounts; 35 by 38 by 25.5 cm. The gilt-metal mounts on the lidded bowls are attributed to Wolfgang Howzer (master 1664), a Zürich goldsmith working in London. On the handles crouch greyhounds, their tails wrapped around their bodies. Silver-gilt dogs of the same form appear on the handles of a mounted Chinese vase in the Victoria and Albert Museum. They bear the mark WH about a cherub, which is usually given to Howzer. It is not certain that Howzer worked with base metals, and it has been suggested that the mounts on the Getty Museum's lidded bowls were copied by some other metalworker. It is known that Howzer was joined by his nephew Hans Heinrich in 1681 and that he is last mentioned in 1688. Although the taste for mounted oriental porcelain later throve in Paris, it was not taken up in fashionable circles of post-Restoration London. It is possible that these rare objects were made for an aristocrat in the court of Charles II who, having been in exile with him perhaps, picked up the taste for such luxuries on the continent.

Attributed works:

69. Wine pot. German (Meissen), c.1725. Hard-paste porcelain, painted with polychrome enamels and gilded; 14 by 17 by 8.9 cm. The wine pot, in the form of a peach, is modelled after a Chinese prototype which was probably in the collection of Augustus the Strong. In the early decades of the Meissen manufactory, it was common practice to model forms based on Chinese originals. This is a 'trick' pot, as the wine is poured in from below, yet does not emerge when righted. The interior is fitted with a long funnel. Greek kylixes fitted with similar 'trick' devices have been recorded as early as 450 B. C. The painted chinoiserie decoration is attributed to the studio of J. G. Horoldt (1696-1775). Indeed, it is possible that these scenes are by the hand of the master himself. Only four other wine pots of this model are known to exist: two are in the Metropolitan Museum of Art, New York, one painted in gold and the other painted with chinoiserie scenes similar to the Museum's (sold from the Von Pannwitz collection in 1905); one in the George R. Gardiner Museum of Ceramic Art, Ontario, painted with chinoiserie scenes; and one in the Porzellansammlung, Dresden, with gilding at the foot, handle and spout, with the body left white.

Attributed works:

70. Box. French (Paris), c.1675-80. Oak veneered with ebony and marquetry of various woods, with pewter stringing, 31.9 by 66.1. by 43.2 cm. Objects veneered with wood marquetry of this quality are rare; such workmanship is usually found in association with marquetry of tortoiseshell, brass, and pewter. It is apparent that these elaborate designs, as on the box and on pieces of the later type, incorporating flowers, scrolls, and birds, are all from the same workshop. Many of the motifs of these designs are repeated from object to object. Such panels appear on furniture for which drawings exist that are attributed to André-Charles Boulle (1642-1732) and are frequently given to his hand. It is also possible that objects of such high quality were made at the royal workshops at the Gobelins. This box appears to be of unique form but may have been based on Japanese lacquer boxes imported into Europe at the end of the seventeenth century. Its function is unclear, but it was probably used to store papers and documents. Filled holes on the front of the lid mark the original position of handles.

Attributed works:

71. Ewer and basin. German (Meissen), c.1740, painted with the crossed swords of the Meissen Manufactory and impressed with the number '27'. Hard-paste porcelain, painted with coloured enamels and gilded; ewer 21.1 by 20.6 by 10.5 cm, basin 7.3 by 31.8 by 25.5 cm. The body of the ewer is painted with polychrome panels of people in landscapes. The inner lip and the foot are painted with similar miniature scenes in carmine. The stem is decorated with multicolored flowers in the kakiemon style. The rim of the basin is decorated with four polychrome harbour scenes and four miniature, peopled landscapes in carmine. The painted scenes are attributed to C. F. Herold (1700-79), one of the major painters at the Meissen Manufactory, who may have been the cousin of the more notorious painter J. G. Horoldt (1696-1775). The rare helmet-shaped ewer is based on a metal form, which reflects the change at Meissen in this decade from oriental shapes to those more European.

Attributed works:

72. Pot pourri vase. French (Sceaux), c. 1755. Faience with petit feu enamel painting, 33 by 24.1 by 15.2 cm. The artist responsible for this piece is not known. It is attributed to the hand of Jacques Chapelle (b. 1721, active at Sceaux 1750-63), who entered the factory around 1748 as manager and chemist and became sole proprietor in 1759. The pot pourri has petit feu enamel painting, a technique which allows for a wider and brighter colour palette, apparent on this piece in bright blue, green, deep purple and pourpre de Cassius (named after the seventeenth-century Dutch chemist who discovered this pinkish-purple). A pair of coupes of very similar form and decoration exists in the Musée de la Renaissance, Château d'Ecouen. Another comparable piece is the vasque in the Musée de l'Ile de France, Sceaux, embellished with a fantastic bird, similar in its strange character to the creature on the Getty Museum's pot pourri vase.

Western art unattributed:

63. Console table. German (Berlin?), c. 1735-45. Gilded limewood with brèche d'Alep top, 91.4 by 108.6 by 53.3 cm. The single leg of this console table is a tree which turns into a dragon's head at the base. Flames and thunder bolts issue from the dragon's mouth and to the left of the base, there is a quiver of arrows among hunting elements. A climbing grapevine bearing fruit entwines the tree trunk. The tree branches at the top into pierced foliate scrolls on which perches an exotic bird with extended wings, eating grapes. To the left is a nest of young birds attended by their mother. Although of unique design, this table may be compared to the console tables of Johann August Nahl (1719-85) made for the Golden Gallery at Schloss Charlottenburg, Berlin.

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Advertisements April 1982 (Front)

04/1982 | 949 | 124

Pages: i-xl

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Subjects

advertisements:

Jan Dirven (dealer), Antwerp, Belgium

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Galerie Hoogsteder, The Hague, Netherlands

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Edward Speelman Ltd., London, Great Britain

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Galerie Herbage, Cannes, France

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Colnaghi, London, Great Britain

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Somerville & Simpson Ltd, London, Great Britain

advertisements:

Theodore B. Donson Ltd, New York, United States

advertisements:

Oriental Art Magazine Ltd, Richmond, Great Britain

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Artemis Group, London, Great Britain

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Gardiner Museum, Toronto, Canada

advertisements:

Trafalgar Galleries, London, Great Britain

advertisements:

Herrenhausen Art and Antiques Fair (Hanover-Herrenhausen)

advertisements:

Phillips (auction house), London, Great Britain

advertisements:

Palais des Beaux-Arts, Brussels, Belgium

advertisements:

Cambridge University Press, Cambridge, Great Britain

advertisements:

Antiquitäten Gabriele Ruef, Munich, Germany

advertisements:

Mexican Tourist Office, London, Great Britain

advertisements:

Paul Rosenberg & Co, New York, United States

advertisements:

De Antiquairs Int., Valkenburg

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Ivo Bouwman, The Hague, Netherlands

advertisements:

Richard L. Feigen & Co, New York, United States

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Richard J. Collins incorporated, New York, United States

advertisements:

Galerie Koller (auctioneers), Zurich, Switzerland

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Galerie Schmit, Paris, France

advertisements:

Galerie de la Scala, Paris, France

advertisements:

David Tunick Inc., New York, United States

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Morton Morris, London, Great Britain

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Marlborough Fine Art, London, Great Britain

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Noortman & Brod, Maastricht, Netherlands

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Spink & Son, London, Great Britain

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Stoppenbach & Delestre, London, Great Britain

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Yale University Press, London, Great Britain

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Artemis Group, London, Great Britain

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Wildenstein & Co, London, Great Britain

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David Koetser Gallery, Zurich, Switzerland

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C. John rare rugs Ltd, London, Great Britain

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Sotheby's, New York, United States

artists:

Bourgat, Claude Louis / Filon

artists:

Walker, Allen / Odiot, Charles Nicolas

artists:

Righetti, Francesco

artists:

Lagrenée, Louis-Jean-François, the elder, 1725-1805

artists:

Aschmann, Johann Jakob

artists:

Vuillaume, Nicolas / Gallé, Emile / Lupot, Francois

artists:

Pseudo-Blesius / Stom, Matthias / Beckmann, Max

artists:

Brangwyn, Frank / Wright of Derby, Joseph, painter, 1734-1797

artists:

Sandby, Paul / Ward, James I, 1769-1859 / Dalou, Aimé Jules

artists:

Desmalter, Jacob / Utrillo, Maurice / Hogarth, William

artists:

Dürer, Albrecht / Cuyp, Benjamin Gerritsz. / Potter, Paulus

artists:

Vlaminck, Maurice de / Roentgen, Abraham / Roentgen, David

artists:

Anker, Albert / Biedermann, Johan Jakob / Cristoforo da Bologna

artists:

Brueghel, Jan, the Younger / Chagall, Marc / Hodler, Ferdinand

artists:

Schongauer, Martin / Renoir, Pierre-Auguste / Hobbema, Meindert

artists:

Lorrain, Claude / Riminaldi, Orazio / Rembrandt van Rijn

artists:

Gogh, Vincent van / Elhafen, Ignaz / Chatelet, Claude-Louis

subjects:

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Illustrations

Attributed works:

A Fabergé Silver Bell-Push Shaped as a Recumbent Pig with Realistically Chased and Engraved Hide, One Ear as the Pushpiece, Signed with Imperial Warrant Mark, Workmaster Julius Rappoport. Length 4¾ in. (12.5cm)

Attributed works:

Paul Signac, Collioure-les Balancelles, Signed and Dated '87, Sold in London in December 1981 for £178,000.

Attributed works:

[ Colnaghi, 14 Old Bond Street, London ] "Pateus and Arria". Bronze, 40 cms High. "Menelaus and Patroclus". Bronze, 34 cms High.

Attributed works:

[ Cover ] Detail from Portrait of Sir Walter Pye, by Van Dyck. c.1637-38. (Collection The Duke of Norfolk, Arundel Castle).

Attributed works:

[ David M. Koetser Gallery, Talstrasse, Zurich ] Matthias Stomer. "St. Onuphrius" 128 × 175 cm

Attributed works:

[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Armchairs, Louis XV, Paris, Signed C. L. Bourgat (Claude Louis Bourgat, Master 1744). Carved Beech Painted in Blue. 58 × 53 × 39 cm, Height of Back 90 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Albert Anker. Oil on Canvas, Signed and Dated 1877. 60 × 39.4 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Albrecht Dürer (1471-1528). St. Jerome in His Study. 24.5 × 18.7 cm. Bartsch 60, Meder 59.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Auguste Renoir. "Femme brune au décolleté", Circa 1900. Oil on Canvas, Signed. 41 × 33 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Auguste Renoir. "Paysage, Sous-bois éclairé", 1905. Oil on Canvas, Signed. 53 × 64 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Benjamin Gerritsz. Cuyp (1612 Dordrecht 1652). A Pair. Oil on Panel. O̵ 67.5 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Chimney Clock "à l'Amour chinois", Louis XV, Signed Filon à Paris. Firegilded Bronze, Height 60 cm. Illustrated by Tardy, Vol. 1, Page 167.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Commode of A. and D. Roentgen, about 1766-1768. Marquetry probably by M. Rummer. Quoted in the leaflet of the Hamburg Lottery 1769 under No. 7. Mahogany, rose-wood, mother of pearl and maple partially painted and engraved. 89.6 × 50.8 × 81.3 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Ferdinand Hodler. Portrait de femme en buste, 1895. Oil on Canvas, Stamp Signature. 36 × 27 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] French Violin, by François Lupot, Orleans 1773 (With Certificate William Hill & Sons, London 1930).

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] French Violoncello, by Nicolas Vuillaume (Brother of J. B. Vuillaume), about 1860 in Mirecourt.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Jan Brueghel the Younger (Antwerp 1601-1678). The Creation of Adam. Serie of Six Paintings with Episodes of Adam's Life. Oil on Copper, All Signed. 60 × 90 cm Each. Authentification by Dr. Klaus Ertz.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Aschmann (1747-1809). Herrn Hofmeisters Landgut & Fabrick im Lätten ohnweitt Zürich. Etching, Circa 1785. 26.2 × 44.5 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Aschmann (1747-1809). Hoch Fürstl. Gotts Haus & Flecken Maria Einsideln. Etching, Circa 1785. 25.7 × 44.8 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Biedermann. Landscape of Lake Geneva with Castle of Chillon. Oil on Canvas, Monogrammed. 48.5 × 65.5 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Marc Chagall. "Le coq attelé", 1957. Gouache, Signed and Dated. 65 × 50 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Marc Chagall. From "Daphnis et Chloé": Le repas chez Dryas. Color Lithograph, 1961. One of 60. Signed. Mourlot 334.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Maurice de Vlaminck. "Paysage". Oil on Canvas, Signed. 65 × 81 cm. Provenance: M. Knoedler & Co., New York.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Meindert Hobbema (Amsterdam 1638-1709). Oil on Panel, Signed. 49 × 72 cm. The Painting Will Be Taken into the Catalogue Raisonné Which Is Being Prepared by C. Wright.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Paulus Potter (1625-1654). Grey Wash. 25 × 34.5 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Silver-Gilt Service of Charles Maurice de Talleyrand-Périgord, the Prince of Bénévent, (1754-1838). Paris, 1827-1838. By Charles Odiot. Total 9200 g (Without Tray).

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Table-Console of Jacob Desmalter, about 1810, Paris. Mahogany and Gilded Bronze. 125.5 × 70.5 × 83.5 cm. Lit. Le Grand Trianon, D. Ledoux-Lebarde, 1975, Vol. I, Page 25/26.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Triple-Cased Gold Watch, England, Middle of the 18th Century, Signed Allen Walker No. 527. O̵ 5.4 cm.

Attributed works:

[ Galerie Koller, Rämistrasse 8, Zurich ] Vase, Signed Gallé, Circa 1898. Marqueterie-de-verre. H 44.5 cm. See Helga Hilschenz: Das Glas des Jugendstils, p. 262, ill. 198.

Attributed works:

[ Ivo Bouwman, Lange Vourhout 16, The Hague ] Vincent van Gogh (1853-1890). "Two Women in the Woods" Paper on Panel: 31 × 24.5 cm. Painted in The Hague, August-September 1882

Attributed works:

[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Max Beckmann. Reclining Nude, 1929 Oil on Canvas, 33⅞ x 48¾ in. 86 × 123 cm.

Attributed works:

[ Morton Morris & Company, 32 Bury Street, London ] William Hogarth 1697-1704. The Industrious 'Prentice Married and Furnishing His House Pencil, Pen and Brown Ink and Grey Wash: 9¾ x 13⅛ ins.

Attributed works:

[ Noortman & Brod, 1020 Madison Avenue, New York ] Claude Lorrain 1600-1682. Landscape with the Rest on the Flight into Egypt. Canvas. 74.5 × 98.5 cm. Signed and Dated (?) 1635.

Attributed works:

[ Phillips, 7 Blenheim Street, New Bond Street, London ] Frank Brangwyn Windmills, Bruges (Gaunt 70) Etching on Zinc, Printed with Tone, Signed in Pencil, 48 cm × 53 cm

Attributed works:

[ Phillips, 7 Blenheim Street, New Bond Street, London ] Joseph Wright of Derby. Portrait of Penelope Margaret, Daughter of John and Lucy Stafford 77 cm × 64 cm

Attributed works:

[ Phillips, 7 Blenheim Street, New Bond Street, London ] Pseudo Bles. The Adoration of the Kings On Panel, 90 cm × 73.5 cm

Attributed works:

[ Phillips, 7 Blenheim Street, New Bond Street, London ] Rembrandt Harmensz van Rijn The Hundred Guilder Print (B.74, H236) Etching with Drypoint, Second State 28 cm × 39.2 cm

Attributed works:

[ Richard J. Collins, 605 Madison Avenue, New York ] Rembrandt Harmensz. van Rijn (1606-1669). The Sacrifice of Jeroboam. Pen and Brown Ink, Circa 1650. 7 × 9¼ ins. (176 × 237 cm.)

Attributed works:

[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Orazio Riminaldi (Attributed), "Prometheus." Oil on Canvas, 165 by 203 cm

Attributed works:

[ Schmit, 396 Rue Saint-Honoré, Paris ] "Rue à Montmartre" by Utrillo Board. H. 52 cm - W. 69 cm. Signed on the Lower Right. Painted Circa 1916-1917.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] An Ivory Plaque of Jupiter and Antiope with Cupid, by Ignaz Elhafen, c. 1697, 16 by 13 cm.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Cristoforo da Bologna, The Descent from the Cross, Gold Ground, on Panel, 58 by 36 cm.

Attributed works:

[ Sotheby's, 980 Madison Avenue, New York ] Claude Louis Chatelet, Vue du Port de Palerme, Signed and Inscribed, Watercolour, Pen and Brown Ink on Cream Paper, 21.7 by 35 cm.

Attributed works:

[ Spink & Son Ltd, King Street, London ] James Ward, 1769-1859. Study of a Lamb. Pen and Brown Ink and Gouache, Heightened with Oils. 10¼ × 14⅜ Inches.

Attributed works:

[ Spink & Son Ltd, King Street, London ] Paul Sandby, 1725-1809. Caesar's Tower and Part of Warwick Castle from the Island. Watercolour and Gouache. 11¾ x 16¾ Inches.

Attributed works:

[ Stoppenbach & Delestre Ltd, 25 Cork Street, London ] Jules Dalou 1838 - 1902. Bather Bronze, Cire Perdue A. A. Hébrard H. 21⅝ ins (55.1 cm)

Attributed works:

[ Theodore B. Donson Ltd, 38 East 57th Street, New York ] Martin Schongauer.The Madonna in a Courtyard

Non-western art unattributed:

Parthian Silver Bowl Engraved with the Figure of a Horse and Inscribed on the Base, 300-200 B. C. 21.5 cm Diameter.

Non-western art unattributed:

[ Artemis Group, David Carritt Limited, 15 Duke Street, London ] An Elephant Combat, Mughal, circa 1630

Non-western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Examples from the Collection of Oriental Works of Art.

Non-western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Tathagata Amoghasiddhi. Western Tibet, about 15th Century. Height 36.5 cm.

Non-western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Thanka Depicting Yamantaka. Tibet, about 1800. 90 × 62 cm.

Western art unattributed:

A Bohemian Enamelled Blue-Tinted Tankard, Dated 1663, 16 cm. Sold in London in December 1981 for £6,000.

Western art unattributed:

An Edward IV Slip Top Spoon, c. 1465, 17 cm. Long, Sold in London in November 1981 for £9,200.

Western art unattributed:

Two of a Set of Six Louis XV Arm-Chairs, Each with Different Military Emblems, Covered with Very Fine Tapestry "au petit point", in Extraordinary Fresh Condition, ca. 1740. Height 1.11 m. Depth 0.60 m. Width 0.75 m

Western art unattributed:

[ C. John, 70 South Audley Street, Mayfair, London ] An 18th Century English Soho Tapestry Picture in a Gilt Frame.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Pair of Appliques, Louis XV, Paris. Bronze, Firegilded. Height 50 cm.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] A Selection from Our Jewellery Sale.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] A Wheel-Lock, "Puffer", Southern Germany, 1597. Length 50 cm.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Baroque Cupboard of Danzig, about 1670. Walnut. 216 × 89 × 123 cm.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Dining-Room Cupboard, Louis XV, Aix-en-Provence, Walnut Carved and with Marquetry, the Doors Inside also Decorated. On the Shelves a Few Pieces of Our Silver-Collection.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Madonna with Child, Swabia, about 1500. Carved Lime-Tree Polychrome. Height 146 cm.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ] Table, 1st Half of 16th Century. France. Walnut, Partially Carved. 155 × 82 × 80 cm, Pulled Out 289 cm. Of The Georges Spetz Museum Collection, W. R. Hearst Collection and Ernest Brummer Collection.

Western art unattributed:

[ Galerie Koller, Rämistrasse 8, Zurich ]Important Collection of Early European Ceramics.

Western art unattributed:

[ Jan Dirven, Keizersgracht 15, Eindhoven ] St. John Baptist. N. France, about 1450. Oak, 96 cm.

Western art unattributed:

[Gabriele Ruef, Ottostr. 6, Munich] For Completion of a Customer's Antique Stove, I am Looking for Tiles as Shown, Size 22/20 cm, Blue Painting.

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Advertisements March 1982 (Front)

03/1982 | 948 | 124

Pages: i-xxviii

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Subjects

advertisements:

Andrew Smithson, London, Great Britain

advertisements:

Galerie Herbage, Cannes, France

advertisements:

Galerie Hoogsteder, The Hague, Netherlands

advertisements:

Stanhope Shelton Pictures, Monks Eleigh, Great Britain

advertisements:

T. Crowther & Son Ltd, Fulham, Great Britain

advertisements:

Michael Shamansky Bookseller, New York, United States

advertisements:

Heim Gallery, London, Great Britain

advertisements:

Trafalgar Galleries, London, Great Britain

advertisements:

Edward Speelman Ltd., London, Great Britain

advertisements:

Zwemmer, London, Great Britain

advertisements:

William Drummond (dealer), London, Great Britain

advertisements:

Christopher Wood Gallery, London, Great Britain

advertisements:

Thames and Hudson (publishers), London, Great Britain

advertisements:

Somerville & Simpson Ltd, London, Great Britain

advertisements:

Matthiesen, London, Great Britain

advertisements:

Christie's, New York, United States

advertisements:

Pawsey & Payne, London, Great Britain

advertisements:

Baskett & Day, London, Great Britain

advertisements:

Marlborough Fine Art, London, Great Britain

advertisements:

Stoppenbach & Delestre, London, Great Britain

advertisements:

European Fine Arts (dealer), Dublin, Ireland

advertisements:

Colnaghi, London, Great Britain

advertisements:

City of Hamilton Art Gallery, Hamilton, Australia

advertisements:

Art and Antiques Fair of Switzerland, Basel

advertisements:

APT Arpaint Limited, London, Great Britain

advertisements:

Me. Marie-France Massart, France

advertisements:

Crane Kalman Gallery, London, Great Britain

advertisements:

Richard L. Feigen & Co, New York, United States

advertisements:

Sotheby's, New York, United States

advertisements:

Paul Rosenberg & Co, New York, United States

advertisements:

Galerie de la Scala, Paris, France

advertisements:

Mia N. Weiner (dealer), New York, United States

advertisements:

David Tunick Inc., New York, United States

advertisements:

Noortman Gallery, London, Great Britain

advertisements:

John Keil, London, Great Britain

advertisements:

Phillips (auction house), London, Great Britain

advertisements:

Galerie Art Mel, Paris, France

advertisements:

Yvonne de Bremond d' Ars / Maurice Segoura, Paris, France

advertisements:

Spencer A. Samuels, New York, United States

advertisements:

Gallery Art & Antiques, Basel, Switzerland

advertisements:

Galerie Schmit, Paris, France

advertisements:

Simon Kaye Ltd., London, Great Britain

advertisements:

Lawrence Fine art of Crewkerne (dealer), Crewkerne, Great Britain

advertisements:

Peter de Boer (dealer), Amsterdam, Netherlands

advertisements:

Uranienborg Kunst, Copenhagen, Denmark

advertisements:

Neumeister Fine Art Auctioneers, Munich, Germany

advertisements:

Ebury Gallery, London, Great Britain

advertisements:

Collection 'R' Ltd, Zurich, Switzerland

advertisements:

La vieille Fontaine Antiquites S. A, Lausanne, Switzerland

advertisements:

C.G. Boerner, Düsseldorf, Germany

advertisements:

Fischer Fine Art, London, Great Britain

artists:

Baillon, Jean Baptiste

artists:

Paty, Thomas / Paterson, John

artists:

Callcott, Augustus Wall

artists:

Verhaecht, Tobias / Signac, Paul

artists:

Wales, James / Da Costa, John / Battersby, Martin

artists:

Storr, Paul, / Lagrenée, Louis-Jean-François, the elder, 1725-1805

artists:

Bloemaert, Abraham / Butterfield, William

artists:

Forabosco, Girolamo

artists:

Arlaud-Jurine, Louis Ami

artists:

Gabbiani, Anton Domenico / Doyle, Richard / Millais, John Everett

artists:

Voet, Jacob-Ferdinand / Bell, Robert Anning / Maclise, Daniel

artists:

Budelot, Philippe / Prévost, Jean Louis / Migeon, Pierre II

artists:

Renoir, Pierre-Auguste / Delorme, Adrien Faizelot / Falconet, Etienne Maurice

artists:

Bosschaert, Ambrosius, the elder, 1573-1621 / Schooten, Floris Gerritsz. van

artists:

Pynacker, Adam / Roentgen, Abraham / Degas, Edgar

artists:

Romney, George / Robert, Hubert / Monamy, Peter

artists:

Turner, Joseph Mallord William / Wood, Christopher / Dufy, Raoul

artists:

Rossi, Vincenzo de' / Matisse, Henri / Cesari, Giuseppe, called Il Cavaliere d'Arpino

subjects:

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Illustrations

Attributed works:

[ Andrew Smithson, 6-8 Old Bond Street, London ] "Massacre of the Innocents" by Antonio Domenico Gabbiani (1652-1726)

Attributed works:

[ APT Arpaint Limited, 45 Pimlico Road, London ] Jean-Louis Prevost le Jeune "Still Life". Oil on Canvas, 81 × 65 cm. Signed and Dated 1787

Attributed works:

[ Baskett & Day, 173 New Bond Street, London ] Louis Ami Arlaud-Jurine (Geneva 1751 - Geneva 1829). Portrait of Suzanna Arlaud, née Jurine Seated, in a Park, Pen and Grey Ink and Watercolour, 200 × 165 mm.

Attributed works:

[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Adam Pyrnacker. Rocks at a Brook. Grey Brush over Black Chalk. 170 × 237 mm.

Attributed works:

[ Christie's, 8 King Street, St James's, London ] John Paterson: The Entrance Front, Barmoor Castle, Northumberland, 1801, signed and inscribed, pen and black ink, grey, green and pink wash, one in an album of ten designs for additions and alterations, the album 27.3 cm. by 42 cm. overall.

Attributed works:

[ Christie's, 8 King Street, St James's, London ]Thomas Paty or Circle: Design for a Drawing Room - A Fireplace and Overmantel flanked by rocaille frames and sofas, pen and black ink, brown and grey wash, 34.4 cm. by 48 cm. One of ten drawings relating to Thomas Stocking, Thomas Paty and the Royal Fort, Bristol, 1760.

Attributed works:

[ Christopher Wood Gallery, 15 Motcomb Street, London ] John Da Costa. Signed, canvas 68 × 39 inches. Miss Vera Butler. Painted in the U. S. A. Circa 1912. Ex: John Da Costa Exhibition, Leighton House London 1974.

Attributed works:

[ Christopher Wood Gallery, 15 Motcomb Street, London ] Richard Doyle. Derby Day. Pencil and Grey Wash 7 × 10 Inches.

Attributed works:

[ Christopher Wood Gallery, 15 Motcomb Street, London ] Robert Anning Bell, R. A. Signed Canvas, 35½ × 19 Inches. Portrait of a Woman.

Attributed works:

[ Christopher Wood Gallery, 15 Motcomb Street, London ] Sir John E. Millais, Bt. P. R. A. Sophie Gray, the Artists sister-in-law signed with monogram and dated 1854 pencil, brush and brown wash with touches of watercolour 8⅞ × 7 inches. Prov: The Millais Family to 1967.

Attributed works:

[ Colnaghi, 14 Old Bond Street, London ] Sir Augustus Callcott, R. A. 1779-1844. Dead Calm: Boats off Cowes Castle. Signed with Initials. Canvas. 151 × 246 cm.

Attributed works:

[ Cover ] Detail from Girl with a Teacup, by Harold Gilman. (Private Collection; Exh. Royal Academy).

Attributed works:

[ Crane Kalman Gallery, 178 Brompton Road, London ] Christopher Wood "Boat in Harbour, Dieppe". Oil on Canvas 1929. 25½ +31¾ ins.

Attributed works:

[ Ebury Gallery, 89 Ebury Street, London ] Martin Battersby 'Butterfly Mask'. Pencil and Acrylic on Paper 17″ × 12″

Attributed works:

[ European Fine Arts, 6 Lower Merrion Street, Dublin ] Tobias Verhaecht (1561 Antwerp 1631). "Mountainous Landscape with Travellers in the Foreground" Monogrammed and Dated 1626. Oil on Canvas, 76 × 115.2 cm

Attributed works:

[ Fischer Fine Art Limited, 30 King Street, St James's, London ] William Butterfield, Design for a Lectern - St. Augustine's, South Kensington, 1873. Black Ink and Watercolour 15½ x 9⅞ ins

Attributed works:

[ Galerie Art Mel, 63 rue du Faubourg St. Honoré, Paris ] Raoul Dufy. Régates à Sainte-Adresse (Le Havre). Gouache-54 × 65 cm

Attributed works:

[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)

Attributed works:

[ Gallery Art & Antiques, Spalenberg 37, Basel ] Peter Monamy 1681-1749. Canvas, 46.5 × 71 cm

Attributed works:

[ Gallery P. de Boer, Herengracht 512, Amsterdam ] Ambrosius Bosschaert I A Flowery Past

Attributed works:

[ Heim Gallery, 59 Jermyn Street, St James's, London / 15 Avenue Matignon, Paris ] Portrait of a Roman Beauty (Maria Virginia Borghese?) by Ferdinand Voet (Antwerp 1639 -? Paris 1700). Oil on Canvas; 73 × 59cm.

Attributed works:

[ Lawrence Fine Art of Crewkerne, South Street, Crewkerne, Somerset ] Van Schooten. A Still Life, Oil, 27 ins. (69) × 31 ins. (79)

Attributed works:

[ Marlborough, 6 Albemarle Street, London ] Paul Signac Le Port de St. Tropez, c. 1901, Oil on Canvas, 51½ × 63½ in./131 × 161.5 cm.

Attributed works:

[ Matthiesen, 7/8 Mason's Yard, Duke Street, St James's, London ] Girolamo Forabosco. Padua 1604/5 - Venice 1679. Angelica and Medoro. Canvas: 118.5 × 136cm

Attributed works:

[ Maurice Segoura, 58 East 79th Street, New York ] Hubert Robert (1733-1808). "Le Jet d'Eau". Oil on Canvas, 162 × 110 cm.

Attributed works:

[ Mia N. Weiner, 36 East 64th Street, New York ] Giuseppe Cesari, il Cavaliere d'Arpino (Rome 1568-1640). Design for a Cardinal's Coat of Arms Red Chalk; 6¾ x 6½"; Inscribed del Cavalier Giuseppe and Numbered 63; Coll: Victor Winthrop Newman (L.2540).

Attributed works:

[ Neumeister, Barer Straße 37, Munich ] Abraham Roentgen (1711-1793). Cupboard Commode, Circa 1755. Oak with Walnut Veneer, Ivory and Fruitwood Inlays, with Burnished Bronze Mounts. 250 × 165 × 70 cm.

Attributed works:

[ Noortman Ltd, 8 Bury Street, St James's, London ] Abraham Bloemaert 1564-1651. Baptism of Christ. Canvas, 85 × 119 cm. Signed and Dated 1646

Attributed works:

[ Pawsey & Payne Limited, 4 Ryder St. St James's, London ] "Portrait of Bahiro Raghunath Mehendale" Diplomatic Agent of the Maratha Peshwa. Inscribed and Dated 1792 under the Relining. Oil on Canvas. 30 × 20½ Inches

Attributed works:

[ Phillips, 7 Blenheim Street, New Bond Street, London ] Joseph Mallord William Turner, R. A., Dunstaborough Castle, Watercolour, 35 cm × 48 cm.

Attributed works:

[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Henri Matisse, "Male Nude", Circa 1901-03, Oil on Canvas, 82.4 by 29.5 cm

Attributed works:

[ Schmit, 396 Rue St. Honoré, Paris ] "Le Jardin d'Essai à Alger" by Renoir. Canvas. H. 54.5 cm-W. 65 cm. Signed and Dated on the Lower Left (18)81.

Attributed works:

[ Simon Kaye Ltd, 1½ Albemarle Street, London ] A Very Fine George III Tea-Urn, 1808, by Paul Storr, 179 02.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Vincenzo de Rossi, Standing Hercules, Pen and Brown Ink, 427 by 289 mm.

Attributed works:

[ Spencer A. Samuels & Company Ltd, 13 East 76th Street, New York ] "Lady Hamilton as a Bacchante" by George Romney. Oil on Canvas, 50 × 40 Inches (127 × 101.5 cm.)

Attributed works:

[ Uranienborg Kunst, Norrebrogade 168, Copenhagen ] Degas, Danseuses Pastel, 18.5 by 13 Inches

Attributed works:

[ William Drummond, Covent Gallery Ltd, 20 Russell Street, London ] Daniel Maclise RA 1806 - 1870. The Juggler

Attributed works:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Commode, Louis XV Period. Estampillé Delorme. Height 80 cm, Width 87 cm, Depth 60 cm. (Sale 14th March)

Attributed works:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Lady's Secrétaire. Marquetry, with Veneer of Rosewood and Violetwood. Estampillé Migeon. Height 134 cm, Width 54 cm, Depth 34 cm. (Sale 14th March)

Attributed works:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Painting, Oil on Canvas, by Philippe Budelot. Early 19th Century. 41 cm by 54.5 cm. (Sale 21st March)

Attributed works:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Very Fine Cartel Clock. Ormolu Mounted, Decorated with Rocailles, Flowers and Parakeets. Movement by J. B. Baillon. Louis XV Period. (Sale 14th March). Young Women, Attributed to Falconet. White Marble. Height 51 cm. (Sale 14th March)

Non-western art unattributed:

[ 23rd Art and Antiques Fair of Switzerland, Basle ] Vishnu and Lakshmi Riding Garuda, Framed by Ařatars South Rajasthan, 14th Century Stone. Height 115 cm. La Vieille Fontaine, Lausanne Stand Nos. 9 & 25.

Non-western art unattributed:

[ John Keil, 154 Brompton Road, London ] An Exceptionally Fine and Rare Chinese Export Lacquer Bureau-Cabinet. Circa 1800. Height 6ft. 7in. Depth 1ft. 10in. Width 3ft.

Non-western art unattributed:

[ La Vieille Fontaine Antiquites S. A., 9 Cheneau-de-Bourg, Lausanne ] One of a Fine Collection of Japanese Screens - 380 by 165 cm.

Western art unattributed:

[ John Keil, 154 Brompton Road, London ] A pair of George III mahogany torcheres in the manner of Thomas Chippendale. Circa 1760. A less elaborate pair of identical form, supplied to Aske Hall by Thomas Chippendale, illustrated in "The Life and Work of Thomas Chippendale", by Christopher Gilbert. A George III serpentine mahogany commode of superb quality and colour in the manner of William Vile. Circa 1760. Provenance: Moccas Court A George III Chippendale period giltwood mirror. Circa 1770.

Western art unattributed:

[ Τ. Crowther & Son Limited, 282 North End Road, Fulham, London ] A Superb Pair of 18th Century Carrara Marble Lions. Base 4′0″ × 1′0″ × 2′10″ High.

Western art unattributed:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] French and Russian Boxes of the 18th and 19th Centuries

Western art unattributed:

[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] French, English and Russian Watches of the 17th, 18th and 19th Centuries

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Advertisements August 1978 (Front)

08/1978 | 905 | 120

Pages: i-xviii

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Subjects

advertisements:

Parke-Bernet Galleries, New York, United States

advertisements:

Colnaghi, London, Great Britain

advertisements:

Baskett & Day, London, Great Britain

advertisements:

The Burlington Magazine

advertisements:

Guide Emer

advertisements:

Heim Gallery, London, Great Britain

advertisements:

David Koetser Gallery, Zurich, Switzerland

advertisements:

Christopher Gibbs Ltd, London, Great Britain

advertisements:

Cambridge University Press, Cambridge, Great Britain

advertisements:

Craddock & Barnard, London, Great Britain

advertisements:

Antiquus (dealer), London, Great Britain

advertisements:

Edward Speelman Ltd., London, Great Britain

advertisements:

Galerie Hoogsteder, The Hague, Netherlands

advertisements:

Galerie Grünwald, Munich, Germany

advertisements:

Galerie Kurt Meissner, Zurich, Switzerland

advertisements:

Marlborough Fine Art, London, Great Britain

advertisements:

Sotheby's, New York, United States

advertisements:

Strutt and Parker, London, Great Britain

advertisements:

Neumeister Fine Art Auctioneers, Munich, Germany

advertisements:

Herbert E. Feist, New York, United States

advertisements:

Julius Böhler Gallery, Munich, Germany

advertisements:

David Tunick Inc., New York, United States

advertisements:

Jeannette Brun (dealer), Zurich, Switzerland

advertisements:

Galleria Dell'Angelo, Lugano, Switzerland

advertisements:

Walter Feilchenfeldt (dealer), Zürich, Switzerland

advertisements:

Armando Neerman (art gallery), London, Great Britain

advertisements:

Galerie Zagwijn, Hague, Netherlands

advertisements:

Jan Hoogsteyns, Tunbridge Wells, Great Britain

artists:

Dürer, Albrecht / Roentgen, Abraham / Giovanni di Paolo

artists:

Matisse, Henri / Gogh, Vincent van / Aiken, John MacDonald

artists:

Pynacker, Adam / Paolini, Pietro

subjects:

Advertisements

Illustrations

Attributed works:

[ Colnaghi, 14 Old Bond Street, London ] Pietro Paolini (1603-Lucca-1681. Boy with a Cat

Attributed works:

[ Sotheby's at Gleneagles Hotel, Scotland ] A Covered Silver Milk Jug, by W. & P. Cunningham, Edinburgh, 1784, Also Struck with the Rare Drawback Mark, 17.7 cm High An Edwards & Roberts Fiddle Back Mahogany Carlton House Writing Desk, Stamped Edwards & Roberts, c.1900, 114 cm. Wide A d.b. 16-Bore Self-Opening Sidelock Ejector Sporting Gun, by J. Purdey & Sons. John MacDonald Aiken, R. S. A., Portrait of the Artist and His Wife, Signed and Dated 1910, 179 by 112 cm.

Attributed works:

[ Sotheby's in association with the Town & Country Motoring Festival ] 1935 R 4 Type B. M. W. Solo Motorcycle 1920 "D" Type Vauxhall Sedanca de Ville, by Arthur Mulliner 1931 Austin Seven Offset Single Seater Racer 1934 Rolls-Royce 20/25 Drophead Coupé, by H. J. Mulliner

Western art unattributed:

[ Christopher Gibbs Ltd, 118 New Bond Street, London ] Sienese School Circa 1540. Pieta. Oil on Canvas. 68″ by 133″ (172.6 × 337.6cms). Provenance: The Servite Order Removed from a Suppressed Convent of That Order in Florence

Western art unattributed:

[ Galleria dell' Angelo, Piazza Cioccaro 11, Lugano ] One of a Pair of Wooden "Mecca" Silvered Sconces-Italian, Early 18th Century. Height 108 cm.

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Advertisements June 1978 (Front)

06/1978 | 903 | 120

Pages: i-cvi

Subscribe to read

Subjects

advertisements:

Jan Hoogsteyns, Tunbridge Wells, Great Britain

advertisements:

Alexander Gallery, London, Great Britain

advertisements:

Armando Neerman (art gallery), London, Great Britain

advertisements:

Christie's, New York, United States

advertisements:

Hazlitt, Gooden & Fox, London, Great Britain

advertisements:

Alan Jacobs Gallery, London, Great Britain

advertisements:

Grosvenor House Art & Antiques Fair (London)

advertisements:

Eskenazi, London, Great Britain

advertisements:

Portsmouth City Museum, Portsmouth, Great Britain

advertisements:

Mayorcas Ltd, London, Great Britain

advertisements:

Trafalgar Galleries, London, Great Britain

advertisements:

Victoria and Albert Museum, London, Great Britain

advertisements:

Phaidon Press

advertisements:

Artemis Group, London, Great Britain

advertisements:

Burlington Magazine

advertisements:

Italo Fiumicelli Antichita, Reggio Emilia, Italy

advertisements:

Galleria delle Stampe, Milan, Italy

advertisements:

Sotheby's, New York, United States

advertisements:

Heim Gallery, London, Great Britain

advertisements:

Craddock & Barnard, London, Great Britain

advertisements:

Christopher Gibbs Ltd, London, Great Britain

advertisements:

Winifred Williams, London, Great Britain

advertisements:

David Koetser Gallery, Zurich, Switzerland

advertisements:

Edward Speelman Ltd., London, Great Britain

advertisements:

Agnew's, London, Great Britain

advertisements:

Chaucer and Van Dam Galleries, London, Great Britain

advertisements:

Stanhope Shelton Pictures, Monks Eleigh, Great Britain

advertisements:

Redfern Gallery, London, Great Britain

advertisements:

Michael Voggenauer, London, Great Britain

advertisements:

Moeller Fine Art Ltd, New York, United States

advertisements:

Somerville & Simpson Ltd, London, Great Britain

advertisements:

Baskett & Day, London, Great Britain

advertisements:

Colnaghi, London, Great Britain

advertisements:

Galerie Hoogsteder, The Hague, Netherlands

advertisements:

Galerie Kurt Meissner, Zurich, Switzerland

advertisements:

Marlborough Fine Art, London, Great Britain

advertisements:

Parke-Bernet Galleries, New York, United States

advertisements:

Strutt and Parker, London, Great Britain

advertisements:

Neumeister Fine Art Auctioneers, Munich, Germany

advertisements:

Herbert E. Feist, New York, United States

advertisements:

H. Shickman Gallery, New York

advertisements:

Richard L. Feigen & Co, New York, United States

advertisements:

David Tunick Inc., New York, United States

advertisements:

Schaeffer Galleries, New York, United States

advertisements:

Kennedy Galleries, New York, United States

advertisements:

Wadsworth Atheneum, Hartford, United States

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Julius Böhler Gallery, Munich, Germany

advertisements:

Galleria Dell'Angelo, Lugano, Switzerland

advertisements:

Galerie Miromesnil, Paris, France

advertisements:

Bernheimer Fine Old Masters, Munich, Germany

advertisements:

Guide Emer

advertisements:

Sabin Galleries Ltd

advertisements:

William Drummond (dealer), London, Great Britain

advertisements:

Charles van der Heyden, Rotterdam, Netherlands

advertisements:

Pierre Yves Gabus sa (auction house), Geneva, Switzerland

advertisements:

Galerie Zagwijn, Hague, Netherlands

advertisements:

Henk J. Stokking C.V., Amsterdam, Netherlands

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Galleri KB (Kaare Berntsen A/S), Oslo, Norway

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Galerie Schmit, Paris, France

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Galerie la Cave, Paris, France

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Galerie Heim-Gairac, Paris, France

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Galerie Delestre, Paris, France

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Walter Feilchenfeldt (dealer), Zürich, Switzerland

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Jeannette Brun (dealer), Zurich, Switzerland

artists:

Ulft, Jacob van der / Semenova, Maria / Fabergé, Carl

artists:

Smart, John, 1741-1811 / Hilliard, Nicholas / Majer, Jeremias

artists:

Vestier, Antoine / Collins, Samuel / Crosse, Richard

artists:

Cosway, Richard / Plimer, Nathaniel / Place, George

artists:

Shelley, Samuel / Kändler, Johann Joachim / Schlichtig, Jean Georges

artists:

Latour, Alexander de / Roome, Jan van / Spencer-Stanhope, John Roddam

artists:

Coecke van Aelst, Pieter, the younger, before 1527-ca. 1559

artists:

Egley, William Maw / Brown, Ford Madox / Clifford, Edward C.

artists:

Linke, François / Laurence, Sudney M. / Carlin, John

artists:

Robbe, Manuel / Casteels, Peter / Breenbergh, Bartholomeus

artists:

Arellano, Juan de / Guardi, Francesco / Anastasi, August

artists:

Laval, Charles / Munch, Edvard / Vinne, Jan van der

artists:

Milani, Aureliano / Wright of Derby, Joseph, painter, 1734-1797

artists:

Vigée-LeBrun, Elisabeth Louise / Rosselli, Matteo / Bonvin, François

artists:

Stubbs, George / Batoni, Pompeo / Cortona, Pietro da

artists:

Turner, Joseph Mallord William / Grassi, Nicola / Stosskopf, Sebastian

artists:

Maratti, Carlo / Garofalo

artists:

Kessel, Jan van, 1641-1680 / Bosschaert, Ambrosius, the younger, 1609-1645

artists:

Pinturicchio, Bernardino / Strigel, Bernhard / Roentgen, Abraham

artists:

Pissarro, Camille / Gogh, Vincent van / Courbet, Gustave

artists:

Redon, Odilon / Sisley, Alfred / Monet, Claude

artists:

Bonnard, Pierre / Signac, Paul / Picasso, Pablo

artists:

Dalí, Salvador / Daumier, Honoré / Nolde, Emil

artists:

Miró, Joan / Foujita, Tsugouharu / Dufy, Raoul

artists:

Lépine, Stanislas / Morisot, Berthe / Valadon, Suzanne

artists:

Boudin, Eugène / Utrillo, Maurice / Vlaminck, Maurice de

artists:

Manzù, Giacomo / Brauner, Victor / Drolling, Martin

artists:

Daubigny, Charles François / García Ramos, José / Blaas, Eugene de

artists:

Caroto, Giovanni Francesco, ca.1480-1555 / Vernet, Claude-Joseph

artists:

Droochsloot, Joost Cornelisz / Ruisdael, Jacob van / Zuccarelli, Franco

artists:

Leytens, Gysbrecht / Brueghel, Jan, the Younger / Vinckboons, David

artists:

Teniers, David II, 1610-1690 / Joli, Antonio / Storck, Abraham

artists:

Zocchi, Giuseppe / Flegel, Georg / Ring, Pieter de

artists:

Stom, Matthias / Jordaens, Jacob / Koets, Roelof

subjects:

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Illustrations

Attributed works:

[ Agnew, 43 Old Bond Street, London ] Sebastian Stosskopf. Still Life. Panel: 30½ × 43½ in.

Attributed works:

[ Alexander Gallery, 13 Duke Street, London ] Ambrosius Bosschaert the younger, Tulips and Other Flowers in a Glass Vase Oval Panel: 11 × 7½ in. Monogrammed

Attributed works:

[ Artemis, David Carritt Limited, 15 Duke Street St James's, London ] Vigée-Lebrun: Portrait of the Comtesse de Sabran et Pontèves 52 × 39 cms

Attributed works:

[ Chaucer & Van Dam Galleries, 45 Pimlico Road, London ] Nicola Grassi (1682 - 1748). Daniel Absolves Susanna from the Accusations of the Two Elders. 97 by 112 cm.

Attributed works:

[ Christie's, 8 King Street, St James's, London ] George Stubbs, A. R. A.: Portrait of Warren Hastings, Signed and Dated 1791, Enamel on Wedgwood Biscuit Earthenware, 36¼ in. by 28 in. (92.1 cm. by 71.1 cm.).

Attributed works:

[ Christie's, 8 King Street, St James's, London ]Pompeo Girolamo Batoni: Portrait of Princess Benedetto Giustiniani, née Cecilia Mahony, Signed and Dated Rom 1785, 29 in. by 24 in. (73.5 cm. by 61 cm.)

Attributed works:

[ Christopher Gibbs Ltd, 118 New Bond Street, London ] James Mallord William Turner, R. A. (1775-1851). Venus and Adonis. Oil on Canvas, 60½″ by 48½″ (153.5 by 123cms). Painted 1806-10.

Attributed works:

[ Colnaghi, 14 Old Bond Street, London ] Benvenuto Tisi, Called Garofalo The Annunciation Panel, 47.5 by 31 cm. (About 1481-1559)

Attributed works:

[ Galerie Delestre, 6 Rue de Varenne, Paris ] August ANASTASI (1820-1889). Une fontaine près de l'Ariccia; environs de Rome, le matin. Oil on Canvas, Signed and Dated 1870 Bottom Left. 80 by 130 cm. Exhibited in the Salon of 1870 (No.31).

Attributed works:

[ Galerie La Cave, 7 rue de Miromesnil, Paris ] Charles Laval 1888

Attributed works:

[ Galerie Miromesnil, 15 rue de Miromesnil, Paris ] Francesco Guardi. Vue de la Lagune. Toile 48,5 × 54,6

Attributed works:

[ Gallery Kaare Berntsen, Univesitelsgt 12, Oslo ] Edvard Munch "Liberation" Schiefler 68a, 1896. Lithograph Printed in Black by Clot. Rare. (410 × 625).

Attributed works:

[ Hazlitt, Gooden & Fox, 38 Bury Street, St James's, London ] François Bonvin 1817-1887. Paysanne mangeant la soupe. Black Chalk and Watercolour 25.3 × 19.8 cm

Attributed works:

[ Heim Gallery, 59 Jermyn Street, St James's, London ] St. Constantia's Vision before the Tomb of St. Agnes by Pietro da Cortona (1596-1669). Oil on Canvas: 97 × 132 cms

Attributed works:

[ Henk J. Stokking C. V. Nieuwe Spiegelstraat 40, Amsterdam ] Jan van der Vinne 1663-1721. Hunting Party. Brush and Brown Wash, 29.5 × 29.5 cm.

Attributed works:

[ Italo Fiumicelli Antichita, 8 Via Edison, Reggio Emilia ] Aureliano Milani (1675-1749)

Attributed works:

[ Neumeister KG, Briennerstrasse 14, Munich ] Peter III Casteels (1684 Antwerpen? - 1749 Richmond) Flower Still Life. Signed Lower Middle. Oil on Canvas, 83.5 by 68.5cm.

Attributed works:

[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Bartholomeus Breenbergh, "Hagar and the Angel" Oil on Copper, 38 × 32 cm.

Attributed works:

[ Sabin Galleries, 4 Cork Street, London ] Joseph Wright of Derby A. R. A. 1734-1797. Monsall Dale, Derbyshire. Canvas, 17½ by 22½ Inches

Attributed works:

[ Schaeffer Galleries inc., 983 Park Avenue, New York ] Juan de Arellano, 1614 Santorcaz- 1676 Madrid. Signed Arellano, Lower Right. Canvas, 19 by 15 Inches.

Attributed works:

[ Schmit, 396 Rue St. Honoré, Paris ] Boudin Eugène. "Scène de plage à Trouville". 1869. Panel 34,5 × 57 cm. Boudin Cat. Vol. I, no 497.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] A Marquetry Coiffeuse Made by Abraham Roentgen for Friedrich Augustus III, Elector of Saxony, Dated 1769, 82 cm. High, 100 cm. Wide, 61 cm. Deep

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Bernhard Strigel, The Annunciation to Saint Anne and Saint Joachim, on Panel, 58 by 30 cm.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Camille Pissarro, Portrait de Paul Cézanne, Oil on Canvas, Painted in 1874, 73 by 59.7 cm.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Pintoricchio, Head of a Youth Looking Upwards, Metal Point, Heightened with White on Pinkish-Grey Prepared Paper, 25.5 by 19.4 cm.

Attributed works:

[ Sotheby's, 34-5 New Bond Street, London ] Vincent Van Gogh, Arles, vue des Champs de Blé, Reed Pen and Sepia Ink, Signed, Drawn in August 1888, 31.2 by 24.2 cm.

Attributed works:

[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Matteo Rosselli. (Florence 1578-1650). The Holy Family with St Anne and the Young St John the Baptist. Canvas, 137 by 102 cm.

Attributed works:

[ Winifred Williams, 3 Bury Street, St James's, London ] Chantilly Green ground Circa 1735

Non-western art unattributed:

[ Bernheimer's of Munich, Lenbachplatz 3, Munich ] A Famille Rose Hunting Punch-Bowl, Finely Painted with Panels of Hunters and Hounds Setting out from a Country House and Pursuing a Fox, on an Iron-Red and Gilt Ground and Rocaille in the European Manner. ⌀ 29 cm (11½ in.) China, Ch'ien-Lung (1736-1795) Cf. M. Beurdeley, Plate XIII.

Non-western art unattributed:

[ Eskenazi, Foxglove House, 166 Piccadilly, London ] Limestone Buddha Maitreya. Northern Wei Dynasty, Circa 520-25 Height: 60.8cm

Non-western art unattributed:

[ Sotheby's, 34-5 New Bond Street, London ] A Maori Wood Food Store Front (Pataka), 126.2 by 148 cm.

Non-western art unattributed:

[ Sotheby's, 34-5 New Bond Street, London ] A Rarotonga Wood Figure, 56.5 cm.

Western art unattributed:

[ Charles van der Heyden, 21 Westersingel, Rotterdam ] Hercules and Cacus. A Finely Chiselled Kunstkammer-Sculpture in White Marble. Length 51 cm., Height 33 cm. Netherlands(?) First Half XVI th Century.

Western art unattributed:

[ Heim-Gairac, 13 Rue de Seine, Paris ] Anthropomorphous Landscape. Italian XVIIe Century. Canvas. H. 0,96 L. 0,78. Included in the Annual June Exhibition

Western art unattributed:

[ Mayorcas Ltd, 38 Jermyn Street, St James's, London ] Rare English Sheldon Miniature Tapestry Panel of Jesus and the Woman of Samaria, Woven in Extremely Fine Silks and Silver-Metal Threads, Mainly in Soft Greens, Blues and Reds; Last Quarter of the Sixteenth Century, c.1590. In Superb State of Preservation, Measuring 21 cm. × 30 cm. (8½ in. × 12 in.), and Mounted in Moulded Walnut Frame. Vide: "Elizabethan Sheldon Tapestries" (Oxford University Press 1929) Plate XIII.

Western art unattributed:

[ Sotheby's, 34-5 New Bond Street, London ] A Limoges Enamel Eucharistic Dove from the Marienstift of Erfurt (Thuringia), c.1200, 19 cm. High, 22.9 cm. Wide [Actual Size]

Western art unattributed:

[ Sotheby's, 34-5 New Bond Street, London ] An English Gilt Altar Candlestick Base, Early Twelfth Century, 10 cm. High, 20.5 cm. Wide

Western art unattributed:

[ Sotheby's, 34-5 New Bond Street, London ] The Behaim Marriage Beakers, Venetian, c. 1495, 11.7 cm. and 11.5 cm.

Book Review

Roentgen Furniture

08/1976 | 881 | 118

Pages: 604+607

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related names

Author:

Goodison, Nicholas (Goodison, Nicholas)

Subjects

artists:

Roentgen, David

artists:

Roentgen, Abraham

dates:

1700-1799

places:

Germany

subjects:

German / Furniture / Ebénistes / Furniture makers

Reviewed Items

subjects:

Roentgen Furniture | author: Huth, Hans

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Advertisements May 1968 (Front)

05/1968 | 782 | 110

Pages: i-lxx

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Subjects

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Edward Speelman Ltd., London, Great Britain

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Upbrook Studio, London, Great Britain

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De Beer Fine Art, London, Great Britain

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Lords, London, Great Britain

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Marlborough Fine Art, London, Great Britain

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Dr. Kurt Deppert (Greek & Roman art), Frankfurt, Germany

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David Koetser Gallery, Zurich, Switzerland

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Brod Gallery, London, Great Britain

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William R. Drown (dealer), London, Great Britain

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Crane Kalman Gallery, London, Great Britain

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Fairber & Maison Ltd, London, Great Britain

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G. Garbe [Restoration & conservation of the antique], London, Great Britain

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Hallsborough Gallery, London, Great Britain

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David Peel & Co. Ltd., London, Great Britain

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HMSO (publishers), London, Great Britain

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Arcade Gallery, London, Great Britain

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Edizioni Alfa, Bologna, Italy

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Duveen & Walker, London, Great Britain

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Temple Gallery, London, Great Britain

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H. Herzer & Co, Munich, Germany

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Colnaghi, London, Great Britain

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Wildenstein & Co, London, Great Britain

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Duits Limited, London, Great Britain

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Leonard Koetser Gallery, London, Great Britain

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Craddock & Barnard, London, Great Britain

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How of Edinburgh, Ltd., London, Great Britain

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Hal O' Nians, London, Great Britain

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R.G. Booth, Hereford, Great Britain

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Brian Koetser Gallery, London, Great Britain

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Apollo Magazine Publications, London, Great Britain

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Old Masters Galleries, London, Great Britain

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Agnew's, London, Great Britain

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Chapman & Hall

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John Baskett Ltd. (art gallery), London, Great Britain

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Alpine Club Gallery, London, Great Britain

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Sladmore Gallery, London, Great Britain

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Galerie Contrast, Gent, Belgium

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Kunsthaus Am Museum, Cologne, Germany

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Galerie Heim-Gairac, Paris, France

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Galerie Hoogsteder, The Hague, Netherlands

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Palais Galliera, Paris, France

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Mes Ader & Picard, Paris, France

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Kennedy Galleries, New York, United States

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Maitre Philippe Engelmann (auctioneer), Paris, France

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H. Shickman Gallery, New York

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Central Picture Galleries, New York, United States

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Herbert E. Feist, New York, United States

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Michael Hall Fine Arts, Inc., New York, United States

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Spencer A. Samuels, New York, United States

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Pavillon des Arts, Paris, France

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Newhouse Galleries, New York, United States

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Parke-Bernet Galleries, New York, United States

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Sotheby's, London, Great Britain

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Julius Böhler Gallery, Munich, Germany

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Leicester Galleries, London, Great Britain

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Caby, Robert

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Arts Council Gallery, London, Great Britain

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Tate Gallery, London, Great Britain

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Gallery G. Paffrath, Düsseldorf, Germany

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The Icon Gallery, Beirut, Lebanon

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Galerie Meissner, Zurich, Switzerland

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C.G. Boerner, Düsseldorf, Germany

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C & E Layton Ltd, London, Great Britain

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Galerie Aymonier, Paris, France

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S. Nystad oude kunst n.v., The Hague, Netherlands

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Paul Brandt (dealer), Amsterdam, Netherlands

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Cramer (dealer), The Hague, Netherlands

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Oriental Art Magazine Ltd, Richmond, Great Britain

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Bernheimer Fine Old Masters, Munich, Germany

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Maurice Rheims & Rene Laurin (auctioneers), Paris, France

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Phaidon Press

artists:

Bertone / Mercer Automobile Company / Sopwith Aviation Company

artists:

Battersea Enamel Factory

artists:

Crespi, Giuseppe Maria, lo Spagnolo

artists:

Molenaer, Jan Miense / Vaillant, Bernard / Nelme, Anthony

artists:

Tiepolo, Giovanni Battista / Gilman, Harold / Pillement, Jean Baptiste

artists:

Lowndes, Alan / Barye, Antoine-Louis / Guardi, Francesco

artists:

Rembrandt van Rijn / Rublyov, Andrey / Master of the Unruly Children

artists:

F.N. Schröder / Berchem, Nicolaes / Monari, Cristoforo

artists:

Roentgen, David / Picasso, Pablo / Vlaminck, Maurice de

artists:

Denizot, Pierre / Francken, Frans, I, 1542-1616 / Roentgen, Abraham

artists:

Soldani, Massimiliano / Morisot, Berthe / Boudin, Léonard

artists:

Barbieri, Giovanni Francesco, called Il Guercino / Faes, Peter / Eakins, Thomas

artists:

Piamontini, Giuseppe / Moeyaert, Claes Cornelisz. / Daumier, Honoré

artists:

Société Pour L'Aviation et ses Dérivés / Esteve y Marques, Agustín / Carpentier, Jean Baptiste

artists:

Remy, Pierre / Van Cleef & Arpels / Winston, Harry

artists:

Rivera, Diego / Klee, Paul / Chantilly Porcelain Manufactory

artists:

Missilieu / Collumbell / Conte, Meiffren

artists:

Byrne, Mary / Johns / Frederick II, King of Prussia, 1712-1786

artists:

Oliver, Isaac / Cooper, Samuel / Voltaire, 1694-1778

artists:

Hall, Peter Adolf / Flatman, Thomas / Bogle, John

artists:

Gricci, Giuseppe, sculptor and modeler, ca. 1700-1770 / Ducrollay, Jean Charles / Bilston Enamel Factory

artists:

Sceaux Porcelain Factory / Doccia Manufactory / Capodimonte Porcelain Manufacture

artists:

Ludwigsburg ceramic factory / Meissen Porcelain Manufactory / Du Paquier Porcelain Manufactory

artists:

Saint-Louis Glass Factory / Baccarat Glasshouse / Dubois, Jacques

artists:

Robbia, Giovanni della / Tacca, Pietro / Cellini, Benvenuto

artists:

Dawson, Montague / Hove, Hubertus van / Koekkoek, William

artists:

Asselyn, Jan / Ruysdael, Salomon van / Zampighi, Eugenio

artists:

Jordaens, Jacob / Keyser, Thomas de / Hooch, Pieter de

Illustrations

Attributed works:

[Brian Koetser Gallery, 38 Duke Street, London] Jan Miense Molenaer, Circa 1605-Haarlem-1668, The Musicians. Panel 18⅝ by 24⅞ Inches

Attributed works:

[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Nicolaes Berchem. Pen and Brown Wash. 245: 350 mm

Attributed works:

[Central Picture Gallery, 5 East 57th Street, New York] Jean Baptiste Carpentier, Signed and Dated 1783, Canvas, 28 by 23 Inchesjavascript:openWindow('popup.php?targetField=0&type=1','popUpWin',%20'toolbar=yes,status=yes,scrollbars=yes,resizable=yes,width=480,height=600')

Attributed works:

[Colnaghi's, 14 Old Bond Street, London] Giuseppe Maria Crespi (1665-1747), Canvas. 37¼ by 29½ Inches

Attributed works:

[Cramer, 38 Javastraat, The Hague] Salomon van Ruysdael (Naarden c. 1600- Haarlem 1670). Winter Landscape with Skaters and Tent. Signed with Monogram and Dated: S. V. R. 1653. On canvas, 75 by 100 cm (29½ by 39 in.)

Attributed works:

[Crane Kalman Gallery, 178 Brompton Road, London] Rollerskating Champion, 1967, Oil o/b, 16 by 12 Inches

Attributed works:

[Crane Kalman Gallery, 178 Brompton Road, London] The Fish Shop, 1968, Oil on Canvas, 20 by 32 Inches

Attributed works:

[David Peel & Co.Ltd. 2 Carlos Place, London] Reclining Child. Terracotta. Height 9¾ Inches. By the Master of the Unruly Children. Italian, 15th Century.

Attributed works:

[Galerie Contrast, Lange Kruisstraat 5, Gent] Honoré Daumier, 1808-1879, Conventicle, Oil on Canvas, 50 by 40 cms.

Attributed works:

[Galerie Hoogsteder, 26 Surinamestraat, The Hague] Frans Francken, the Elder, Fully Signed. Panel. 21¼ by 29⅞ Inches.

Attributed works:

[Galerie Meissner, Florastrasse 1, Zurich] Cristoforo Monari, 47 by 72 cm.

Attributed works:

[H. Shickman Gallery, 929 Park Avenue, New York] Giovanni Francesco, Barbieri, (Called il Guercino) Cento 1591-1666 Bologna, Boy Picking a Woman's Purse, Pen and Ink and Wash, 11⅝ × 8⅞ Inches (295 × 225 mm) Prov: Unknown 18th Cent. Coll. (Inscribed "Del Guercino da Cento" 1740)

Attributed works:

[Hal O'Nians, 6 Ryder Street, London] Bernard Vaillant (1632-1698), Portrait of a Boy, Signed B. V., Canvas, 22 by 28½ Inches

Attributed works:

[Herbert E. Feist, 1125 Madison Avenue, New York] Abraham between Sarah and Hagar by Nicolaes Moyaert (1592-1655)

Attributed works:

[How (of Edinburgh) 2-3 Pickering Place, London] Kettle, Stand and Lamp By Anthony Nelme, London 1715. Weight 94 oz. (Gross) Arms of Payler

Attributed works:

[John Baskett, 173 New Bond Street, London] Giovanni Battista Tiepolo (1696-1770) Pen and Sepia Wash over Black Chalk (237 by 264 mm.)

Attributed works:

[Kennedy Galleries, Inc., 20 East 56th Street, New York] Thomas Eakins (1844-1916) William Woolsey Johnson Oil on Canvas, 24 by 20 Inches

Attributed works:

[Kunsthaus Am Museum, Drususgasse 1-5, Cologne] Grandfather Clock with the Monogram of the Princes of Hesse. J. P. C. Walderdorff. The Case by Abraham and David Roentgen, Monogram 'R' in Intarsia. Working Parts by F. N. Schröder, Lüneburg.

Attributed works:

[Maitre Philippe Engelmann, 24 rue de l'Arcade, Paris] Faes Pieter 1750-1814. Signed and Dated 1782, Panel, 76.5 by 62 cm

Attributed works:

[Mes Ader & Picard, 12 rue Favart, Paris] Berthe Morisot-"Le Port de Fécamp", 1874, Signed Canvas, Height: 46 cm, Length: 55 cm.

Attributed works:

[Mes Ader & Picard, 12 rue Favart, Paris] Coffret à rideau with Many Drawers. Stamped by Boudin and Denizot. Louis XVth Period. Height: 100 cm. Length: 45 cm

Attributed works:

[Mes Ader & Picard, 12 rue Favart, Paris] Pan by Massimiliano Soldani. Florence. 1658-1740. Bronze. Height: 36 cm (Making a Pair with a Statuette of Syrinx)

Attributed works:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] Maurice de Vlaminck, 'Village in the Fields', Watercolour (1907) Dedicated to Guillaume Apollinaire.

Attributed works:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] Pablo Picasso, 'Composition à la Guitare, Montrouge, 1918'. G. Apollinaire Collection.

Attributed works:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] Rembrandt (?), 'Head of an Old Man'. Panel, 25.5 cm by 20.5 cm.

Attributed works:

[Michael Hall Fine Arts, 6 East 79th Street, New York] Meleager at the Shrine of Diana, By Giuseppe Piamontini (1664-1742) Bronze. Height: 13½ Inches

Attributed works:

[Newhouse Galleries Inc., 15 East 57th Street, New York] Agustin Esteve (1753-1820) on Canvas, 38 by 26 Inches

Attributed works:

[Old Masters Gallery, 62 South Audley Street, London] Jean-Baptiste Pillement (1728-1808) Panel, 10½ × 12 Inches (26.7 × 30.5 cms.)

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A 1913 Mercer Raceabout, Model 35-J.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Chantilly White Pot-Pourri Jar with Crowned 'C' Mounts.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Jaguar/Piranha by Bertone, Special Body by Italian Designer Bertone on a Jaguar 2+2 Chassis.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Magnificent Diamond Ring from the Estate of the Late Vera Krupp von Bohlen und Halbach with a Platinum Mount Set with an Emerald-Cut Diamond Weighing Approximately 33.19 Carats Flanked by 2 Baguette Diamonds; By Harry Winston.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] An important ruby and diamond necklace, platinum mount set with 29 oval rubies weighing approximately 47.50 carats, 48 marquise-cut diamonds weighing approximately 13.04 carats, and 608 round diamonds weighing approximately 50.38 carats; together with a matching ring; a portion of the necklace detaches to become a pair of earrings; by Van Cleef & Arpels.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Diego M. Rivera. Portrait De M. Best. Signed and Dated 1913. 89 by 63½ Inches.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] One of Six Early Louis XVI Carved Giltwood Fauteuils, Signed P. Remy.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Paul Klee. Mit Der Rotierenden Schwarzen Sonne Und Dem Pfeil. Signed and Dated 1919. 9½ by 12½ Inches.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] S. P. A. D. VII, France, 1918

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Sopwith Camel, England, 1918.

Attributed works:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Thursday, 23rd May. A Meissen Group of the 'Indiscreet Harlequin'.

Attributed works:

[Sladmore Gallery, 32 Bruton Place, Berkley Square, London] An Important Work in Bronze by Barye (1795-1875) Signed and Stamped. Length 21¼ ins.

Attributed works:

[Sotheby's, 34-5 New Bond Street, London] Wednesday, 22nd May. A Still Life by Meiffren Conte, 27½ bv 35 Inches.

Attributed works:

[Sotheby's] A Baccarat Dark Blue Overlay Weight, 3¼ Inches.

Attributed works:

[Sotheby's] A Baccarat Magnum Scattered Millefiori Weight, Dated 1848, 4 Inches.

Attributed works:

[Sotheby's] A Battersea Enamel Plaque of Venus and Triton, 4⅛ Inches.

Attributed works:

[Sotheby's] A Battersea Transfer-Printed Plaque, 3¾ Inches.

Attributed works:

[Sotheby's] A Bilston Enamel etui, 4 Inches.

Attributed works:

[Sotheby's] A Capodimonte Peasant Group by Giuseppe Gricci, 8 Inches.

Attributed works:

[Sotheby's] A Capodimonte White Group of Alchemists, 7¼ Inches.

Attributed works:

[Sotheby's] A Coloured Terracotta Group of the Spaghetti Eaters, 5⅝ Inches. One of Seven Coloured Terracottas All Modelled for Capodimonte Groups.

Attributed works:

[Sotheby's] A Du Paquier Inkstand, 7½ Inches.

Attributed works:

[Sotheby's] A Florentine Terracotta Bust Portrait of Grandduke Cosimo II of Tuscany by Pietro Tacca, 1590-1621, 17 Inches.

Attributed works:

[Sotheby's] A Highly Important Enamelled Terracotta Relief of the Virgin and Child by Giovanni della Robbia, Dated 1523, 6 Feet 10½ Inches by 4 Feet 10½ Inches.

Attributed works:

[Sotheby's] A Louis XV Gold and Lacquer Snuff Box, Paris, 1750, Maker Jean Ducrollay.

Attributed works:

[Sotheby's] A Ludwigsburg Stall from a Series of Miniature Fair-Ground Groups, 4½ Inches.

Attributed works:

[Sotheby's] A Miniature of a Gentleman by Samuel Cooper, Signed and Dated, 1650, 2⅝ Inches.

Attributed works:

[Sotheby's] A Miniature of a Gentleman by Thomas Flatman, 2⅝ Inches.

Attributed works:

[Sotheby's] A Miniature of a Girl by P. A. Hall, Inset in the Lid of a Louis XVI Gold Mounted Blonde Tortoiseshell Box. Signed, 2¼ Inches.

Attributed works:

[Sotheby's] A Miniature of a Lady by Mary Green, 5⅞ Inches.

Attributed works:

[Sotheby's] A Miniature of an Officer by John Bogle, Signed and Dated 1792, 2¼ Inches.

Attributed works:

[Sotheby's] A Miniature of Anne of Denmark by Isaac Oliver, 2¾ Inches.

Attributed works:

[Sotheby's] A Pair of Doccia 'Caccine' Groups, 5½ and 5 Inches.

Attributed works:

[Sotheby's] A Pair of Flintlock Holster Pistols, Signed Collumbell, c.1740, 15 Inches.

Attributed works:

[Sotheby's] A Pair of French Flintlock Rifled Turn-Off Holster Pistols, Signed Missilieu à Paris, Silver Discharge Mark for 1746, 13½ Inches.

Attributed works:

[Sotheby's] A Rare Battersea Enamel Portrait Plaque of the Duke of Cumberland, 3½ Inches.

Attributed works:

[Sotheby's] A Sceaux Faience Tureen, Cover and Stand, 18¼ Inches.

Attributed works:

[Sotheby's] A Small Louis XV Red Lacquer Commode, Signed J. Dubois, JME., 2 Feet 11 Inches High by 3 Feet 2 Inches Wide.

Attributed works:

[Sotheby's] A St. Louis Garland Weight, 2¾ Inches.

Attributed works:

[Sotheby's] A St. Louis Signed Mushroom Weight, Dated 1848, 3⅛ Inches.

Attributed works:

[Sotheby's] An Early Meissen Turtle Box and Cover, 6¼ Inches.

Attributed works:

[Sotheby's] Eugenio Zampighi. Children Feeding Their Cat. Signed, 22 by 30½ Inches.

Attributed works:

[Sotheby's] Frederick II (King of Prussia) Autograph Manuscript of His Celebrated Poem Containing a Derogatory Reference to Voltaire.

Attributed works:

[Sotheby's] Hubertus van Hove. A Scene in a Dutch House. Signed and Dated 1855, 19¾ by 15¾ Inches.

Attributed works:

[Sotheby's] Jacob Jordaens. The Temptation of the Magdalen. 50 by 38¾ Inches.

Attributed works:

[Sotheby's] Jan Asselyn. A River Landscape. Signed, 25¼ by 20½ Inches.

Attributed works:

[Sotheby's] Montague Dawson. Shadowy Sails - The Matilda Wattenbach under Full Sail. Signed, 27½ by 42 Inches.

Attributed works:

[Sotheby's] One of a Pair of Meissen Tureens, Covers and Stands, 14½ Inches.

Attributed works:

[Sotheby's] Pieter de Hooch. A Musical Party. Signed, 25¼ by 29 Inches.

Attributed works:

[Sotheby's] Salomon van Ruysdael. A Winter Scene. Signed and Dated, 1650, 29½ by 39¾ Inches.

Attributed works:

[Sotheby's] The Newly-Discovered Bronze Figure of Juno, Cast from the Original Wax Modello Sculpted by Benvenuto Cellini, 1540-1545, 10 Inches.

Attributed works:

[Sotheby's] Thomas de Keyser. Portrait of a Gentleman and His Son. Dated 1631, 25 by 19¼ Inches.

Attributed works:

[Sotheby's] Voltaire (F. D. Arouet). One of a Series of 65 Autograph Letters to the Marquis d'Argenson.

Attributed works:

[Sotheby's] Willem Koekkoek. An Auction Sale in a Street in Amsterdam. Signed, 29¾ by 41¾ Inches.

Attributed works:

[The Icon Gallery, PO Box 4385, Beirut] 'Our Mother of Vladimir' Attributed to Andrei Rublev, c. 1408? Size 31.5 cms × 25.5 cms

Attributed works:

[Thos. Agnew & Sons Ltd, 43 Old Bond Street, 3 Albemarle Street, London] Harold Gilman, The Nurse, Canvas, 24 by 20 Inches

Attributed works:

[Yvonne French at the Alpine Gallery, 74 South Audley Street, London] Francesco Guardi (1712-1793) A Woman Taming a Lion

Non-western art unattributed:

[Sotheby's, 34-5 New Bond Street, London] Monday, 20th May, A Karatsu Bottle Painted in Underglaze Copper Red, 17th Century.

Non-western art unattributed:

[Sotheby's] A Circular Bronze Wine Vessel (Chia), Shang Or Early Chou Dynasty, 17¾ Inches High by 11½ Inches Wide.

Non-western art unattributed:

[Sotheby's] A Pair of Figures of Cranes, 18th Century, 20½ Inches High, and a Pair of Famille Rose Hawks, Ch'ien Lung, 15 Inches High.

Non-western art unattributed:

[Sotheby's] A Small Antique Oushak Medallion Carpet, Late 16th/early 17th Century, 9 Feet 10 Inches by 6 Feet 7 Inches.

Non-western art unattributed:

[Sotheby's] An Early Ming Blue and White Bowl, Six Character Mark of Hsüan Tê, Interregnum Type, 11⅞ Inches.

Non-western art unattributed:

[Sotheby's] An Early Ming Blue and White Conical Bowl, First Half of the 15th Century, 7⅞ Inches.

Non-western art unattributed:

[Sotheby's] An Early Ming Sacrificial Red Saucer Dish, 15th Century, 6⅝ Inches.

Non-western art unattributed:

[Sotheby's] One of a Pair of Famille-Rose Jars and Covers, Ch'ien Lung, 35 Inches High.

Western art unattributed:

[Arcade Gallery, 28 Old Bond Street, London] Italian 17th Century, St. Mark, 25½ Inches High

Western art unattributed:

[Fine Art & General Insurance Co. Ltd, 24 Cornhill, London] Victoria and Albert Museum, Crown Copyright

Western art unattributed:

[H. Herzer & Co., St. Anna Strasse 12, Munich] Roman Candelabrum. Augustan Period. Bronze, h. 148 cm.

Western art unattributed:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] 'The Book of the Three Virtues', 15th Century Manuscript.

Western art unattributed:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] Flanders Tapestry of the 16th Century.

Western art unattributed:

[Mes Rheims & Laurin, 1 rue de Lille, Paris] Important Necklace of Rubies and Diamonds.

Western art unattributed:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Rare Scandinavian Tapestry Depicting Scenes from the Life of John the Baptist, c.1600. 9 Feet by 6 Feet 10 Inches.

Western art unattributed:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] A Régence Carved Giltwood Settee, 6 Feet 8 Inches Long.

Western art unattributed:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] An Important Ruby and Diamond Lavallière with an Oval-Shaped Ruby Weighing Approximately 19.65 Carats Together with a Round Diamond Weighing Approximately 13.47 Carats Set with a Pear-Shaped and Heart-Shaped Diamond Having a Total Approximate Weight of 7.75 Carats Suspended from a Gold and Platinum Chain Set with 276 Diamonds Weighing Approximately 7.50 Carats.

Western art unattributed:

[Parke-Bernet Galleries Inc, 980 Madison Avenue, New York] Wednesday, 22nd May. A Rare Massachusetts Pine Tree Shilling, Dated 1652.

Western art unattributed:

[Sotheby & Co. (Canada) Limited, at the Robert Simpson Co. Ltd, 176 Yonge Street, Toronto] Meet of the Quebec Driving Club. Watercolour Drawing. 18½ by 23 Inches.

Western art unattributed:

[Sotheby & Co. (Canada) Limited, at the Robert Simpson Co. Ltd, 176 Yonge Street, Toronto] View of Montreal from the End of the New Wharf. Pen and Ink Drawing. 9¼ by 26¼ Inches.

Western art unattributed:

[Sotheby's, 34-5 New Bond Street, London] Thursday, 16th May at 2.30 pm. A South German Renaissance Enamelled Gold Necklace, Third Quarter of the 16th Century, 20 Inches.

Western art unattributed:

[Sotheby's, 34-5 New Bond Street, London] Thursday, 16th May, at 2.30 pm. Fine Limoges Crucifix, Early 13th Century. 11¼ Inches.

Western art unattributed:

[Sotheby's, 34-5 New Bond Street, London] Tuesday, 14th May, at 10.30 am and 2.30 pm. A Scottish Gold Ryal of Mary, Dated 1555.

Western art unattributed:

[Sotheby's] A Clichy Convolvulus Weight, 2⅞ Inches.

Western art unattributed:

[Sotheby's] A Clichy Three-Colour Swirl Weight, 3⅛ Inches.

Western art unattributed:

[Sotheby's] A French Gothic Ivory Mirror Back Carved with a Scene from the Siege of the Château d'Amour, Second Quarter of the 14th Century, 6½ Inches.

Western art unattributed:

[Sotheby's] A Louis XV Gold and Jewelled Snuff Box, Paris, 1761, 3 Inches.

Western art unattributed:

[Sotheby's] A Magman Liver-Red Salamander Weight, 4¼ Inches.

Western art unattributed:

[Sotheby's] A Miniature of a Flower Girl by Johns, Signed, 4⅛ Inches.

Western art unattributed:

[Sotheby's] A Rare English Romanesque Bronze Figure of the Virgin, Eleventh Century, 4 5/16 Inches.

Western art unattributed:

[Sotheby's] A Rare Swiss Gold and Enamel Automaton Box, Early Nineteenth Century, 3¾ Inches.

Western art unattributed:

[Sotheby's] A Set of Four Square Mosan Champlevé Enamel Plaques, c.1160, 1½ Inches Square.

Western art unattributed:

[Sotheby's] A Swiss Gold and Enamel Musical Box, Early Nineteenth Century, 4 Inches.

Western art unattributed:

[Sotheby's] A Swiss Gold and Enamel Snuff Box, Early Nineteenth Century, 3½ Inches.

Western art unattributed:

[Sotheby's] A Swiss Gold and Enamel Snuff Box, Early Nineteenth Century, 3½ Inches.

Western art unattributed:

[Sotheby's] One from a Large Suite of Louis XVI Giltwood Seat Furniture, Comprising 12 Fauteuils, 2 Canapés and One Écran.

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