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3 articles
Obituary
Gillian Wilson (1941–2019)
05/2020 | 1406 | 162
Pages: 467-468
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related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
art literature:
Obituaries / Wilson, Gillian
museums and institutions:
Getty Foundation, Los Angeles, United States
subjects:
French decorative art / Furniture studies (discipline) / Furniture makers / Curators
Illustrations
Attributed works:
1. Gillian Wilson, photographed c.1995, during the construction of the Getty Center, Los Angeles. (Photograph courtesy J. Paul Getty Museum, Los Angeles).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
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related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
Dürer, Albrecht / Titian / Gossaert, Jan / Memling, Hans / Bellini, Giovanni / Bouts, Dieric / Limbourg brothers / Pisanello / Cranach, Lucas, the Elder, 1472-1553 / Bandinelli, Baccio / Antico / Signorelli, Luca / Raphael / Bartolommeo, Fra / Pontormo / Leonardo da Vinci / Michelangelo / Donatello / Bronzino, Agnolo / Fouquet, François / Giorgione
dates:
2010-2019
media:
Paintings / Drawings / Sculpture / Prints / Manuscripts
museums and institutions:
Royal Academy of Arts, London, Great Britain / Getty Foundation, Los Angeles, United States
styles:
Italian School / German School / Flemish School
subjects:
Nudes / Christianity / Humanism / Idealism / Renaissance art
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
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related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
art literature:
Friedländer, Max J. / Coremans, Paul B. / Schryver, Antoine de / Marijnissen, R.-H. / Heere, Lucas de / Mander, Karel van, I, 1548-1606 / Waagen, Gustav Friedrich, 1794-1868 / Bode, Wilhelm von / Puyvelde, Leo van / Hulin de Loo, Georges / Vanderveken, Jef / Gettens, R. J. / Stout, George L. / Asperen de Boer, J. R. J. van / Spronk, Ron
art literature:
Vaernewijck, Marcus van / Hauser, Aloïs, the younger / Grevenstein, Anne van
artists:
Eyck, Jan van / Eyck, Hubert van / Blondeel, Lancelot / Scorel, Jan van / Coxie, Michiel, I, 1499-1592 / Coxie, Raphael / Bruyn, Jan Baptist de / Heuvel, Anton van den / Schlesinger, Johann / Schinkel, Karl Friedrich / Lagye, Victor / Bouts, Dieric
collectors and dealers:
Nieuwenhuys, L.J. / Solly, Edward
dates:
1400-1499 / 1500-1599 / 1600-1699 / 1700-1799 / 1800-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Paintings / Displays / Radiographs / Infrared photography
museums and institutions:
Royal Institute for Cultural Heritage (KIK-IRPA), Brussels, Belgium / Musée du Louvre, Paris, France / Altes Museum, Berlin, Germany / Musées royaux des Beaux-Arts de Belgique, Brussels, Belgium / Museum voor Schone Kunsten, Ghent, Belgium / International Council of Museums (ICOM)
museums and institutions:
Getty Foundation, Los Angeles, United States
patrons:
Vijd, Joos / Borluut, Elisabeth / Philip II, King of Spain, 1527-1598
places:
Netherlands / Belgium / Brussels / Ghent / France / Paris / Germany / Berlin
subjects:
Netherlandish painting / Conservation / Restoration (process) / Scientific analysis / Technical analysis / Provenance / Iconoclasm / Damage to works of art / Stolen works of art / Alterations / Altarpieces / Panel paintings / Polyptychs / Collecting / Patronage / Retables / Feasts / Religious ceremonies / Glazes / Varnish / Pigments / Colour / Commissions / Archives / Style / Council of Trent (1545-1563) / Calvinism / Revolution (France: 1789-1799) / Restitution / Repatriation / Polychromy / Copies / World War (1914-1918) / World War (1939-1945) / Nazism / Exhibitions / Curators / Art historians / Conservators / Restorers / Science
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).