By using this website you agree to our Cookie policy

Search

28 articles
Exhibition Review
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur
02/2024 | 1451 | 166
Pages: 178–182
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
styles:
Reviewed Items
subjects:
José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Kunstgewerbemuseum, Berlin 12th October 2023–11th February 2024 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur Roentgen-Museum Neuwied 13th August–12th November 2023 | :
Illustrations
Attributed works:
1. Roll-top desk, by José Canops. Madrid, c.1770–73. Mahogany, veneered with marquetry in various woods, mounts of gilded bronze, 120.3 by 168 by 98.5 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
2. Curtain by the royal embroidery workshop, Madrid, designed by Mattia Gasparini. c.1763–91. Silk, embroidered in coloured silks and silver thread, 482 by 248 cm. (Patrimonio Nacional, Palacio Real, Madrid; exh. Kunstgewerbemuseum, Berlin).
Attributed works:
4. Lean-to desk, by Johann Georg Barthel. Neuwied. c.1764–71. Softwood and oak, veneered with marquetry in various woods, mounts of gilded bronze, 110 by 107 by 53 cm. (Private collection; exh. Roentgen- Museum, Neuwied).
Western art unattributed:
3. Commode, by the royal cabinetmaking workshop, Madrid. c.1770– 75. Walnut and other woods, veneered with marquetry in various woods, mounts of gilded bronze, marbleveneered top, 92.5 by 132 by 63 cm. (Museo Nacional de Artes Decorativas, Madrid; exh. Kunstgewerbemuseum, Berlin).
Exhibition Review
Roentgen. New York
01/2013 | 1318 | 150
Pages: 61-62
Subjects
dates:
subjects:
Illustrations
Attributed works:
81. Writing desk, by Abraham Roentgen (Rijksmuseum, Amsterdam; exh. Metropolitan Museum of Art, New York)
Attributed works:
82. Automaton of Queen Marie-Antoinette, called the Dulcimer player, by David Roentgen (Musée des arts et métiers de Paris; exh. Metropolitan Museum of Art, New York)
Attributed works:
83. The Stroganov desk, by David Roentgen (Bayerisches Nationalmuseum, Munich; exh. Metropolitan Museum of Art, New York)
Article
Charles of Lorraine's Audience Chamber in Brussels
07/2005 | 1228 | 147
Pages: 464-473
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
18. Plan of the winter apartment in the palace in Brussels, by Charles of Lorraine. c.1775. Ink on paper, 19.9 by 16.2 cm. (Haus-, Hof- und Staatsarchiv, Lothringisches Hausarchiv, Vienna).
Attributed works:
19. The continence of Scipio, by David Roentgen after Januarius Zick. Neuwied, 1778-79. Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 377 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
20. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1778-79. Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
21. Design for a parquet floor, by Laurent Benoît Dewez. c.1773-75. Pen and wash on paper, 47.5 by 54.5 cm. (Algemeen Rijksarchief, Brussels, Plannen van Dewez).
Attributed works:
22. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
23. Writing-table, possibly by Godtfried Weber, the mounts attributed to Michel Dewez. Brussels, 1777-78. Oak, pinewood and chestnut, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 85 by 244 by 115 cm. (Wallace Collection, London).
Attributed works:
25. Detail of the front of the writing-table in Fig.23.
Attributed works:
26. The side of the writing-table in Fig.23.
Attributed works:
27. Detail of a leg of the writing-table in Fig.23.
Western art unattributed:
24. Detail of a photograph of the Green Salon in the Albertina in Vienna in 1921. (From J. Folnesics: Alte Innenräume Österreichischer Schlösser, Paläste und Wohnhäuser, Vienna 1921, pl.13).
Advertisements
Advertisements March 1993 (front)
03/1993 | 1080 | 135
Pages: i-xxxvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg Auction 46, Blumenstr. 15, Heidelberg ] Gustav Klimt, Tänzerin (Also Named Corinna). Pencil, about 1904. 55 × 34.9 cm. (Strobl. Nr.1182).
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Anthony van Dyck. Philippe Le Roy, Baron de Broechem. Etching (1631). Mauquoy-Hendrickx C I (of IX). Hollstein 19 I (of VIII). From the Collections of the Duke of Arenberg and Otto Schäfer.
Attributed works:
[ Caylus Anticuario, Lagasca 28, Madrid ] Vicente Macip (1475-1550). The Madonna and Child with Saint Anne. Oil on Panel 46.5 × 52 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg de Saint-Honoré, Paris / 21 East 67th Street, New York ] Matthias Stomer. Amersfoort 1598/1600 - Messina, after 1651 Christ Carrying the Cross. Oil on Canvas: 153 × 141 cms
Attributed works:
[ Concha Barrios Fine Arts, C/Claudio Coello n. 14 and 17, Madrid ] Juan de Roelas. 16th Century. Oil on Panel 300 × 210 cms.
Attributed works:
[ cover ] The Forum in Rome, by Christoffer Wilhelm Eckersberg. 1814. 31.4 by 41 cm. (National Gallery, London).
Attributed works:
[ Daxer & Marschall, Wittelsbacherplatz 6, Munich ] Thomas Roberts, Dublin 1748-1778 Stormy Landscape, 1775, Oil on Canvas, 63 × 96cm. David Roentgen (1741-1809), an Important Neoclassical Oval Table, Neuwied 1780/85. Featuring a Central Concealed Drawer Flanked by Concealed Compartments, Mechanically Released. Interior Drawers in Solid Rosewood. h 72cm, w 73cm, d 51cm.
Attributed works:
[ Didier Aaron & Cie, 118 Faubourg Saint-Honore, Paris / 21 Ryder Street, London / 32 east 67th Street, New York ] Marten de Vos. The Last Supper. Oil on Canvas: 146.5 × 213 cm. $57frac{5}{8}$ × $83frac{7}{8}$ in.). Signed, Lower Right: F. M. D. Vos Executed ca. 1580
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Jacques Barraband (1767-1809). Bohemian Waxwing Signed Watercolour and Gouache, 44.7 by 29 cms. A Preparatory Painting for Plate No.49 in François Le Vaillant, Histoire Naturelle des Oiseaux de Paradis..., Paris 1801-1806. (Other Works by This Artist Can be Seen at the Gallery)
Attributed works:
[ Eufemio Diez Monsalve, C. Prado 28, Madrid ] Hubert Robert (1733-1808). Capriccio with a Monk Preaching a Group of Peasants: Oil on Canvas. Signed and Dated 1786 64 × 80 cm.
Attributed works:
[ Galerie d' Arenberg, 14 rue aux Laines, Brussels ] Abraham Janssens (Antwerp c. 1575 - 1632), Ceres, c. 1615, Oil on Canvas, 90 × 114.5 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Jan Boeckhorst. Münster c.1604 - 1668 Antwerp. Minerva Bridling Pegasus with the Help of Mercury. Oil on Canvas 145.5 × 209.5 cm ($57frac{7}{8}$ by 821/2 in) Painted by Boekhorst for the Pompa Introitus Ferdinandi of 1635
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Bonaventura Genelli (Berlin 1798-1868 Weimar). The Three Witches. Charcoal and Grey Wash, 382 × 478 mm. Inscribed: 'Bonawentura Genelli seinem Freunde Zimmermann'.
Attributed works:
[ Hill-Stone, New York ] Attributed to Hans Leonard Schäufelein (1480/85-1540). Wild Man and His Family. Woodcut; 1530. With the Lines of Verse by Hans Sachs. Dodgson, II; p. 52, No. 237. J. Chipps Smith, Nuremberg: A Renaissance City, 1500-1618, cat. No. 50. A Fine Impression of This Exceedingly Rare Print.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Le Blond Excudit Engraving and Etching, Apparently Unrecorded
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Jacopo Palma, Called Palma il Giovane (Venice 1544-1628). The Virgin and Child, with the Head of an Old Man in Profile to the Right. Pen and Brown Ink, with Brown Wash. 266 by 186 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Claude Lorrain, Landscape with Argus Guarding Io, 1646. Oil on Copper, 7½ by 10 Inches (19 by 25.5 cm.) Engraved on the Verso: "Cla de Gillee Inv / Rome 1646"
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Adriaen van Ostade, 1610-Haarlem-1685. Peasants Celebrating and Drinking at an Inn, about 1636. Graphite, Pen and Light and Dark Brown Ink, Washes in Grey and Brown, 159 × 279 mm. Inscribed on the Left "Avo". Preparatory Drawing for the Painting in the Mauritshuis, Den Haag.
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Francesco Guardi (1712 - Venice - 1797). Architectural Capriccio, about 1755, Pen and Brown Ink, Wash, 183 × 130 mm
Attributed works:
[ Senger Bamberg, Karolinenstrasse 8 - 10, Bamberg ] Adoration of the Christ Child, Erasmus II. Quellinus (1607-1678), Signed and Dated 1669. Oil on Canvas, 176 × 218 cm.
Attributed works:
[ The Manchester Fine Art Fair 1993, The G-Mex Centre, Manchester ] John Piper C. H. L. G. (1903-1992) 'Fenland Abbey, West Front, Crowland'. Signed Lower Right, Signed again and Inscribed with Title, Verso. Painted 1942. Size 24 × 20 Inches. Oil on Canvas Laid on Panel. Exhibited: Leicester Galleries, London, 1942. Courtesy of Jonathan Clark Ltd - Stand 25
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] A. Schelfhout
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] A. Schelfhout
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] B. C. Koekkoek
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] J. Coomans
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] W. Koekkoek
Western art unattributed:
[ Alexander George Ley & Sons, 13 Brecknock Road, London ] French Louis XIV Carved Centre and Corner Running Pattern Frame Fine Original Gilding.
Western art unattributed:
[ Galerie François Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] Roman Marble. 2nd Century. H. 28 cm.
Western art unattributed:
[ Julius Böhler, Pacellistrasse 4, Munich ] Madonna and Child on a Halfmoon. Holland, ca. 1475. Oak, Height 76 cm.
Western art unattributed:
[ Richard Philp, 59 Ledbury Road, London ] Brescian School. Circa 1600. Head of a Youth. Black Chalk, 25.9 × 18.3 cms.
Western art unattributed:
[ Tennants Auctioneers, The Auction Centre, Harmby Road, Leyburn, North Yorkshire ] Included in the Sale this English Delftware Spouted Posset-Pot, 28 cms High, First Quarter of the 18th Century Estimate £5000-£8000.
Advertisements
Advertisements October 1992 (front)
10/1992 | 1075 | 134
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
cLudovico Carracci (Bologna 1555 - Bologna 1619). The Transfiguration. Canvas, 152 × 100 cms
Attributed works:
[37th German Art and Antique Fair in Munich] A Musical Longcase Clock by David Roentgen and Peter Kinzing Neuwied 1786. Height 199 cm, Width 65 cm, Depth 55 cm. Mahogany on Oak, Brass Fittings and Ormolu Mounts.
Attributed works:
[37th German Art and Antique Fair in Munich] Jacques de Claeuw (Active in Dordrecht, Died after 1676). Flowers in a Glass Vase. Oil on Panel, 32.5 × 24 cm.
Attributed works:
[Ackermann and Johnson, 27 Lowndes Street, London] A Portrait of Charles Trelawny, Esq., Master of the Dartmoor Hunt, on His Favourite Hunter, Grimaldi, with the Hounds Conqueror, Lounger and Windermere, a View of Dartmoor Beyond by Sir Francis Grant, PRA 1803-1878. Oil on Canvas 71 × 49 in./180 × 124.5 cm.
Attributed works:
[C. G. Boerner, kasernenstasse 13, Dusseldorf/ 61 East 77th Street, New York] Walter Gramatté Drawings (1897-1929)
Attributed works:
[Caylus Anticuario, Lagasca 28, Madrid] Vicente López (1772-1850). Saint Peter and Saint John Healing a Lame Man. Pencil and Wash on Paper, Inscribed on the Back "V. López". 280 × 170 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 108-112 Rue du Faubourg St Honore, Paris/ 21 East 67th Street, New York] Jean-Pierre-Xavier Bidault Carpentras 1743 - Lyon 1813. A Still Life of Flowers. Oil on Canvas: 71.2 × 54.8cms. Signed and Dated at Lower Right: P. Bidault F. 1810/a Lyon
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Claude Monet. Pourville near Dieppe. Oil on Canvas, Signed and Dated '82. 60.4 × 79.1 cms.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Fernand Léger. Still Life, the Chair. Oil on Canvas, Signed and Dated (19)49. 65 × 54.5 cms.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Pierre Auguste Renoir. Post Office at Hauts de Cagne. Oil on Canvas, 20 × 28 cms.
Attributed works:
[Galleria Salamon, Via San Damiano 2, Milan] Lucas Cranach (Kronach 1472 - Weimar 1553). The Deer Hunt Woodcut, Hollstein VI, 115; 379 × 513 mm. Watermark: "Cross and Three Mountains in the Shield", Briquet 1243, before 1565.
Attributed works:
[Glerum Auctioneers, Westeinde 12, The Hague/ Beethovenstraat 89, Amsterdam] Jacob de Wit (1695-1754), Oil on Canvas, 134×64 cm. Estimate Dfl 40.000 - 50.000
Attributed works:
[Glerum Auctioneers, Westeinde 12, The Hague/ Beethovenstraat 89, Amsterdam] Louis Gabriel Eugène Isabey (1803-1886). Oil on Canvas, 35×63,5 cm. Estimate Dfl. 30.000 - 40.000
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Karl Schmidt-Rottluff, (Germany, 1884-1976), Head of a Woman, Woodcut, 1915. 24.5 × 18 cm, Signed, from the Edition of 10 on Japan Paper.
Attributed works:
[Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal, Paris] Jan Gossaert (1478-1532). Saint John on Patmos (210mm Diameter). Belgium, Antwerp, c. 1510-20
Attributed works:
[Leslie Hindman Auctioneers, 215 West Ohio Street, Chicago] Jean Baptiste Robie, Bouquet of Flowers, Oil on Panel, Signed Lower Right, $27frac{5}{8}$ × 20¼ Inches.
Attributed works:
[Marcello Aldega Margot Gordon, New York] Federico Barocci 1535-1612. Preparatory for 'The Crucifixion and Mourners' Urbino. Black Chalk, Blue Grey Paper. 266 × 185 mm.
Attributed works:
[R. S. Johnson Fine Art, 645 N. Michigan, Chicago] Albrecht Dürer. Virgin and Child with Pear, engraving, 1511. A Very Fine, Silvery Impression, Crystal Clear in Even the Minutest Details. Traces of Burr in the Darker Areas. Anchor-in-Circle Watermark (M.171), Dating the Paper to 1506-1516 and Corresponding to Meder's Earliest 'a' Impressions. (Ref.: Meder 33a).
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St. James, London/ 49 East 68th Street, New York] Leonaert Bramer, The Raising of Lazarus, Circa 1635. Oil on Panel, 26 by 37¼ Inches (66.04 by 94.61 cm.)
Attributed works:
[Sabrina Forster, Poststrasse 3, Dusseldorf] Carlo Maratta (1625-1715). The Death of St. Joseph. Black Chalk, Brown Wash with White Highlights, Squared, 337 × 290 mm. Verso: Studies of Angels, Black Chalk. Old Inscription Lamponi.
Attributed works:
[Sotheby's Peel & Asociados, Plaza de la Independencia 8, Madrid/ Pasaje Domingo 2, Barcelona] An Important Alabaster Relief of the Pietà with Traces of Gold and Polichromy by Diego de Siloé (c.1495-1563). 135×100 cm. Overall.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Frederic, Lord Leighton, P. R. A. The Antique Juggling Girl, Oil on Canvas, 107 by 61 cm. From the Sale of Victorian Pictures, 12 November. Estimate: £400,000-600,000.
Attributed works:
[The Schuster Gallery, 14 Maddox Street, Mayfair, London] David Roberts, R. A. "Approach of the Simoon" Tinted Lithograph, 1842-49
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Auguste Renoir. Mère et Enfant. Ca. 1885. Two Studies on One Sheet. Ruddle Drawing over White Chalk, Washed, on Paper, 31 × 42.5 (34 × 47.3) cm. Monogrammed in Pencil Bottom Center: R. Estimate: DM 240,000 - 280,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Camille Pissarro. La Vachère Ca. 1892. Gouache over Chalk on Grey Paper 31.3 × 24 cm. Signed on Lower Right: C. Pissarro; Numbered on Lower Left: T 20. Estimate: DM 140,000 - 180,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Kurt Schwitters. "MZ 245. Mal Kah." 1921. Collage of Printed Papers and Cardboard Pieces, Mounted on Cardboard, 12.5 × 9.8 cm. Signed and Dated in Pencil on Cardboard Support: K. Schwitters 1921. Entitled with Merz-Number on Lower Left: MZ 245. Mal Kah. Mounted into Passepartout. Estimate: DM 110,000 - 130,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Oskar Schlemmer. "Blauer, Schrag. Kleinbild VI." 1932. Oil over Pencil on Paper, Backed with Linen and Mounted on Cardboard. 11.5 × 23.3 cm. Signed, Dated and Entitled on Reverse. v. Maur G261: Hildebrandt Nr. 231. Estimate: DM 120,000 - 160,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Paul Klee. Ausschnitt Einer Stadt. 1915. Watercolour on Thin Cardboard. 8.4 × 18.5 cm. Signed in Ink on Left Edge: Klee; Dated and Numbered on Cardboard Support: 1915 230. Estimate: 180,000 - 240,000.
Non-western art unattributed:
[37th German Art and Antique Fair in Munich] China, Kangxi (1662-1722), Height 29″. Porcelain, Underglaze Cobalt Blue
Western art unattributed:
Stolen in Ireland 1989. Dutch Marquetry Bureau, Nine Drawers and Cupboard inside. Approx. 2.3m High by 1.4m Wide.
Western art unattributed:
[37th German Art and Antique Fair in Munich] A Wine Glass of Clear Crystal. Matt and Polished Cut. With a Triton and a Nereid Making Music in a Cove among the Trees. Nüremberg, Circa 1680, from the Workshop of Hermann Schwinger. Height 25.8 cm.
Western art unattributed:
[37th German Art and Antique Fair in Munich] Madonna and Child. Lindenwood with Original Polychromy. Upper Rhine ca.1480, Height 99 cm. Ex. Collection: Valentiner, USA.
Western art unattributed:
[Cover] Detail of the Interior of the Wilton Diptych, after Cleaning and Restoration. (National Gallery, London).
Advertisements
Advertisements April 1988 (Front)
04/1988 | 1021 | 130
Pages: ii-xxxii
Subjects
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
Reflection with Two Children (Self-Portrait), by Lucian Freud. 1965. 91.5 by 91.5 cm. (Thyssen-Bornemisza Collection, Lugano; Exh. Hayward Gallery, London).
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Vigée le Brun (Elisabeth Louise), Portrait of Marie-Antoinette. Canvas, 93.3 × 74.8 cm. 36¾ × 29 7/16 in. Signed and Dated Lower Right. LE Vigée Le Brun 1778
Attributed works:
[Alinari, IDC, P.O Box 11205, Leiden] Florence, Bargello. Donatello, David.
Attributed works:
[Beaux Arts, York Street, Bath] John Bellany May 21 - Jun 30
Attributed works:
[C.G. Boerner Inc., 61 East 77th Street, New York] Giovanni Benedetto Castiglione. Brush Drawing, Red Paint on Laid Paper. 405 × 568 mm.
Attributed works:
[Carré Rive Gauche - Bernard Dragesco/Didier Cramoisan, 13 rue de Beaune, Paris] A Sèvres écuelle. Hand Paste. Black Lacquer, Polychrome, Gold and Platinum Decoration. Marked 'Sèvres' in Gold Painter's Mark of Lecot, c.1795-1800.
Attributed works:
[Carré Rive Gauche - Antony Embden, 15 Quai Voltaire, Paris] Neptune, Attributed to Tiziano Aspetti. C.1580-90 (Venice).Bronze with Natural Patina and Black Lacquer. 28 cm.
Attributed works:
[Carré Rive Gauche - Galerie Chereau, 10 rue de Beaune, Paris] Mercury, by Elie Delaunay. Oil on Canvas, 175 × 112 cm. Signed and Dated Rome 1859.
Attributed works:
[Carré Rive Gauche - J O Leegenhoek, 23 Quai Voltaire, Paris] Landscape with Figures, by Paul Bril (1554-1626). Pen and Brown Ink. 19 × 26.9 cm. Signed and Numbered 'Pawels Brill 66'.
Attributed works:
[Carré Rive Gauche - Marc Revillon D'Apreval, 23 Quai Voltaire, Paris] Harmonium, by Changuion, Aubert and Charasse. Rosewood with Ormolu Mounts 1847.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Wyndham Lewis, 'Red Portrait'. Oil on Canvas, 36¼ × 24¼ ins. Signed and Dated 1937
Attributed works:
[Daniel Blaise Thorens Fine Art Gallery AG, Aeschenvorstadt 15, Basle] «Pinasse d'Arcachon» Oel auf Leinwand, 1938, 130 × 89 cm signiert und datiert Le Corbusier
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Pierre Narcisse Guerin (1744-1833), Andromaque before Pyrrhus with Her Son, Astyanax. Oil on canvas 34 × 26 in. This large, beautifully painted sketch illustrating Racine's play of Andromaque is a preparatory work for Guérin's painting now in the Musée du Louvre (Inv. No. 5183), Paris. The large painting (3.42 × 4.57) was first shown at the Salon exhibition of 1810 ȧnd again in 1814. This sketch must be dated ca. 1809-10. Paintings by Guérin are extremely rare, most having been retained in French collections. The only American museum in possession of a work by him is the J. B. Speed Art Museum in Louisville, Kentucky.
Attributed works:
[Galerie Michael Werner, Gertrudenstrasse 24-28, Cologne] Markus Lüpertz "Hirte" [Shepherd]. Bronze, 230×95×65cm, 1986
Attributed works:
[Gallery Lingard at the Building Centre, 26 Store Street] LondonDesign for the Palace of Herberstein, Vienna, 1926. Pen & Ink with Wash 10 × 6½ Inches
Attributed works:
[La Galerie Pierre-Yves Gabus, 19 Cours de Rive, Geneva] Rolewinck Werner. Fasciclus temporum. Précieux incunable suisse imprimé au Prieuré de Rougemont par le moine H. Wirczburg en 1481.
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Frances Hodgkins, Ibiza 1937. Signed Watercolour and Gouache. 21½″ (54.6)× 16¾″ (42.5)
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Frances Hodgkins, Jugs. Signed Watercolour. 21″ (53.4)×16″ (40.6)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Bill Jacklin Charcoal Ruins: Girl Turning, 42nd Street 1987. Charcoal on Paper 60 × 40in./152.4 × 101.6 cm.
Attributed works:
[Matthew Schutz Ltd, 1025 Park Avenue, New York] An Exceptional Louis XVI Console, Circa 1785, Signed by David Roentgen. Veneered in mahogany, satinwood and thuya it is mounted in ormolu of the Finest Quality That Retains Its Original Gilding. The Top Is of bleu turquin Marble Inset with an Unusually Refined Openwork Gallery. Under the Marble the Case is Signed Roentgen Neuweid.
Attributed works:
[Mayor Rowan Gallery, 31A Bruton Place, London] John Golding 1.7 (Green) Acrylic and Mixed Media on Cotton Duck, 1986 60 × 78 Inches
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Frederic, Lord Leighton of Streeton, PRA, RWS 1830-1896. Athlete Struggling with a Python, Bronze. Inscribed F. Leighton dated 1877 and numbered XXVI. Inscrobed Pubd. by Ernest Brown & Phillips at the Leicester Square Galleries, Leicester, London: 20 inches high.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pieter Codde (1599-1678), "A Musical Soiree," Oil on Panel, 27cm × 39.5cm. Estimate: £6,000-£8,000.
Attributed works:
[Piero Corsini Inc, 162 East 63rd Street, New York] Guido Cagnacci (Santarcangelo, 1601-Vienna, 1663), The Penitent Magdalene. Oil on Canvas, 35½ × 28⅛ Inches (90.2 × 71.4 cm.) Oil Sketch for the Altarpiece in Santa Maria Maddalena, Urbania
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Adam Pijnacker, Italianate Coastal Landscape, Circa 1656-1658, Oil on Panel, 23¾ by 36¼ inches (60.5 by 92 cm.)
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Andre Derain (1880-1954). Donnemarie-en-Montois 1943. Oil on Canvas. 38.1 × 46.3 cm. 15 × 18¼ in. Signed Lower Right
Attributed works:
[Waddington Galleries, 2 & 34 Cork Street, London] Alfred Jensen Doric Order 1962 Oil on Canvas 54×54in/137.2×137.2cm
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Annibale Carracci, St. Francis in Meditation. Canvas, 57 × 71 cm, 22½ × 28 Inches
Attributed works:
[William Drummond at Kyburg Gallery, 39 Duke Street, London] Robert Streatfeild. A Traveller in Europe 1839 Until 1852
Western art unattributed:
[Carré Rive Gauche - Galerie Camoin, 9 Quai Voltaire, Paris] A Pair of Stools. Mahogany with Ormolu Ornamentation. Russia. Eighteenth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Chevalier, 17 Quai Voltaire, Paris] The Marriage of Theagenes and Chariclea. Wool and Silk. 305 × 374 cm, Paris, c.1620. Galerie Chevalier, 17 Quai Voltaire, Paris.
Western art unattributed:
[Carré Rive Gauche - Galerie Laroche, 12 rue de Beaune, Paris] Lion, One of a Pair. Wood. 45 × 75 × 30 cm. The Second One Slightly Longer. Italy. Twelfth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Perrin, 3 Quai Voltaire, Paris] Commode. Mahogany with White Marble Plaques and Ormolu Mounts. 91.5 × 130 × 64 cm. Russia. Last Quarter of the Eighteenth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Samarcande, 13 rue de Saint-Pères, Paris] Nymph. Marble. Height: 125 cm. Roman.
Western art unattributed:
[Carré Rive Gauche - Philippe Couque, 42 rue de l'Université, Paris] Fountain in the Shape of a Dolphin. Pottery with Overglaze. 48.5 × 36 cm, Hollitch (Hungary) 2nd Half of the Eighteenth Century.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Italian White Marble Bust of Cardinal Cesi (1500-1565). Height 25 in. (63.5 cm), Mid 16th Century. Estimate: Refer Department
Supplement
Recent Acquisitions in the Department of Decorative Arts, The J. Paul Getty Museum: Supplement
06/1986 | 999 | 128
Pages: 459-464
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
59. Portière aux armes de France. Gobelins, 1730-43. Wool and silk, 355 by 262.5 cm. It was woven at the Gobelins Manufactory after the design of Pierre-Josse Perrot (active at the manufactory 1724-35). Twenty-eight of these portières were woven between 1730 and 1743 for use in the royal residences. This tapestry bears the woven initials G and L, preceded by a fleur-de-lys, for the director of the atelier Etienne-Claude Le Blond (active at the Gobelins Manufactory 1727-51). It was formerly in the collection of the fourth Marquess of Hertford, Paris.
Attributed works:
60. Tapestry Le mois de décembre/Le château de Monceaux. French (Gobelins), before 1712. Wool and silk, 316 by 328 cm. This tapestry is from the series of the twelve months of the year, known as Les maisons royales, woven for Louis XIV. The design for the series, with each month representing one of the royal châteaux and displaying objects from the royal collections, was conceived by Charles Le Brun (1619-1690) as a companion series to the famous Histoire du roi. Seven complete sets, woven with gold thread, were produced for the Crown between 1668 and 1711. This example portraying the château of Monceaux (demolished by 1799) with the king on horseback in the middle ground, was woven separately and without gold thread as a private commission. It bears the woven signature for Jean de la Croix (active at the Gobelins Manufactory 1662-1712). Two other tapestries with the same borders, one of which bears the woven initials for de la Croix, exist and may have been part of the original private commission. They are Le mois de Juillet/Le château de Vincennes in the Victoria and Albert Museum, London, and Le mois de Septembre/Le château de Chambord in the National Museum for Western Art, Tokyo.
Attributed works:
61. Carpet. French (Savonnerie), before 3rd May 1680. Wool, 315 by 908.6 cm. This carpet, one of ninety-two, was part of a grand scheme to decorate the Long Gallery of the Louvre. Under the command of Louis XIV, the Savonnerie Manufactory produced the carpets, almost certainly after designs by Charles Le Brun and Louis Le Vau. The project lasted from 1670 to 1679, occupying the carpet looms of both the Dupont and the Lourdet families at the Savonnerie workshops. All of the carpets for the Long Gallery were united by their similar compositions: a wide, bold border; the black background; a panel at either end, of either polychrome landscapes or monochrome 'bas reliefs,' centring a reserve of trophies, instruments and attributes of the Sun King; and large scrolling acanthus leaves. This carpet is recorded in an inventory of Louis XIV, with the notation that it was delivered to the Garde-Meuble on 3rd May 1680. In 1775, it was lent by Louis XVI to the marquis d'Ossun, the Spanish Ambassador. Probably during the nineteenth century, the carpet was given to the Spanish cathedral of Santiago del Compostella. Forty-eight complete carpets of the original commission survive, together with numerous fragments.
Attributed works:
62. Carved relief. French (Paris), 1789. Lindenwood, 69.4 by 47.9 by 6.2 cm. This panel is carved from one piece of wood and is an example of the virtuoso craftmanship of its maker, Aubert-Henri-Joseph Parent (1753-1835). During the late 1770s and throughout the 1780s, Parent was well-known among the court circles at Versailles. His work was prized by Louis XVI, and often incorporated symbols of monarchical good government within his naturalistic reliefs depicting vases of flowers, birds, and insects. He travelled to Italy from 1784 to 1788 where he studied antique architecture and sketched ancient artefacts. This relief is one of two conserved at the J. Paul Getty Museum and is incised under the base AUBERT PARENT FECIT AN. 1789.
Attributed works:
64. Secrétaire. German (Berlin), c. 1790. Pine and oak veneered with mahogany, satinwood, bloodwood, and kingwood; white marble; gilt bronze mounts, 242.8 by 111.8 by 60.9 cm. Clock face signed 'Mollinger, à Berlin'. The secrétaire has a fall-front which lets down to reveal small drawers and pigeon holes. A writing slide pulls out from above, releasing drawers immediately above. This piece is attributed to the German cabinetmaker David Hacker (active c.1770-1810). Hacker was a journeyman to David Roentgen (1743-1807) at Neuwied from 1779. At the dissolution of Roentgen's workshops in 1791 he set up in Berlin. The medallion bearing the profile of Plato on the fall front can be found on several Roentgen pieces. The attribution to Hacker is based primarily on a description of a mechanical desk exhibited at the Berlin Academy in 1794.
Attributed works:
65. Secrétaire. Perhaps Swedish (Stockholm), c.1780. Oak and poplar veneered with satinwood, tulipwood, fruit woods and ebony, with incised mastics, 152.0 by 90 by 54.5 cm. The secrétaire bears a number of red wax seals on its back, all bearing the date 1830, and the word 'CHARTE'. They are official seals, referring to the Charter of 1830, which was followed by the constitutional monarchy of Louis-Philippe (1830-1848). The secrétaire is tentatively attributed to the royal Swedish cabinet maker Georg Haupt (1741-84) or to a member of his immediate circle. Haupt trained in Germany prior to 1763, in Amsterdam by 1763, in Paris (probably with Simon Oeben) and in London, 1768-69, where he worked for Sir William Chambers. Haupt returned to Stockholm as royal cabinetmaker in 1769 and was made master in 1770. This piece may be compared with slightly simpler pieces made for the king and court, surviving at the Royal Palace, Stockholm, and at Drottningholm and Tullgarn.
Attributed works:
66. Longcase clock. German (Neuwied), c.1784-1786. Oak veneered with mahogany, gilt bronze mounts, bronze, and enamelled metal, 187 by 64 by 53 cm. The metopes above the clock are mounted with heads of Diana, while the pediment is set with a gilt-bronze relief of the lyre of Apollo, supported by two winged putti. A figure of Chronos, in partial relief, carries the weight of time, the face of the clock, upon his stooped back. The movement of the clock is inscribed Roentgen & Kinzing à Neuwied, for David Roentgen (1743-1807) and Peter Kinzing (1745-1816), who was appointed clock maker to Marie Antoinette in 1785. In addition, the clock is equipped with an elaborate mechanical musical movement consisting of a bellow organ, twenty valves and forty pipes. Five other examples of this clock exist in German and Russian collections and it is known that a clock of this model was delivered to Catherine II of Russia in 1784.
Attributed works:
67. Reading and writing stand. German (Neuwied), c.1760. Pine and walnut veneered with rosewood, walnut, ivory, ebony and mother-of-pearl, 76.8 by 71.7 by 48.8 cm. The top of this reading and writing stand is inlaid in ivory and mother-of-pearl with the coat-of-arms and the cypher of Johan Philipp, Kurfürst von Walderdorff (1701-68), Prince archbishop and elector of Trier. Like many other products of the Roentgen workshop, the stand is of a complicated, yet functional design. It is elaborately fitted with a concealed, notched extension that allows the stand to be raised higher and the reading shelf itself is adjustable to a variety of angles. The stand also contains many hidden small drawers. Count von Walderdorff was the most important patron of Abraham Roentgen (1711-1793) during the 1750s and 1760s, commissioning at least twenty pieces of furniture from the Roentgen workshop, among them this reading and writing stand.
Attributed works:
68. A pair of lidded bowls. Japanese (Arita) late seventeenth-century underglaze blue porcelain; English, late seventeenth century mounts; 35 by 38 by 25.5 cm. The gilt-metal mounts on the lidded bowls are attributed to Wolfgang Howzer (master 1664), a Zürich goldsmith working in London. On the handles crouch greyhounds, their tails wrapped around their bodies. Silver-gilt dogs of the same form appear on the handles of a mounted Chinese vase in the Victoria and Albert Museum. They bear the mark WH about a cherub, which is usually given to Howzer. It is not certain that Howzer worked with base metals, and it has been suggested that the mounts on the Getty Museum's lidded bowls were copied by some other metalworker. It is known that Howzer was joined by his nephew Hans Heinrich in 1681 and that he is last mentioned in 1688. Although the taste for mounted oriental porcelain later throve in Paris, it was not taken up in fashionable circles of post-Restoration London. It is possible that these rare objects were made for an aristocrat in the court of Charles II who, having been in exile with him perhaps, picked up the taste for such luxuries on the continent.
Attributed works:
69. Wine pot. German (Meissen), c.1725. Hard-paste porcelain, painted with polychrome enamels and gilded; 14 by 17 by 8.9 cm. The wine pot, in the form of a peach, is modelled after a Chinese prototype which was probably in the collection of Augustus the Strong. In the early decades of the Meissen manufactory, it was common practice to model forms based on Chinese originals. This is a 'trick' pot, as the wine is poured in from below, yet does not emerge when righted. The interior is fitted with a long funnel. Greek kylixes fitted with similar 'trick' devices have been recorded as early as 450 B. C. The painted chinoiserie decoration is attributed to the studio of J. G. Horoldt (1696-1775). Indeed, it is possible that these scenes are by the hand of the master himself. Only four other wine pots of this model are known to exist: two are in the Metropolitan Museum of Art, New York, one painted in gold and the other painted with chinoiserie scenes similar to the Museum's (sold from the Von Pannwitz collection in 1905); one in the George R. Gardiner Museum of Ceramic Art, Ontario, painted with chinoiserie scenes; and one in the Porzellansammlung, Dresden, with gilding at the foot, handle and spout, with the body left white.
Attributed works:
70. Box. French (Paris), c.1675-80. Oak veneered with ebony and marquetry of various woods, with pewter stringing, 31.9 by 66.1. by 43.2 cm. Objects veneered with wood marquetry of this quality are rare; such workmanship is usually found in association with marquetry of tortoiseshell, brass, and pewter. It is apparent that these elaborate designs, as on the box and on pieces of the later type, incorporating flowers, scrolls, and birds, are all from the same workshop. Many of the motifs of these designs are repeated from object to object. Such panels appear on furniture for which drawings exist that are attributed to André-Charles Boulle (1642-1732) and are frequently given to his hand. It is also possible that objects of such high quality were made at the royal workshops at the Gobelins. This box appears to be of unique form but may have been based on Japanese lacquer boxes imported into Europe at the end of the seventeenth century. Its function is unclear, but it was probably used to store papers and documents. Filled holes on the front of the lid mark the original position of handles.
Attributed works:
71. Ewer and basin. German (Meissen), c.1740, painted with the crossed swords of the Meissen Manufactory and impressed with the number '27'. Hard-paste porcelain, painted with coloured enamels and gilded; ewer 21.1 by 20.6 by 10.5 cm, basin 7.3 by 31.8 by 25.5 cm. The body of the ewer is painted with polychrome panels of people in landscapes. The inner lip and the foot are painted with similar miniature scenes in carmine. The stem is decorated with multicolored flowers in the kakiemon style. The rim of the basin is decorated with four polychrome harbour scenes and four miniature, peopled landscapes in carmine. The painted scenes are attributed to C. F. Herold (1700-79), one of the major painters at the Meissen Manufactory, who may have been the cousin of the more notorious painter J. G. Horoldt (1696-1775). The rare helmet-shaped ewer is based on a metal form, which reflects the change at Meissen in this decade from oriental shapes to those more European.
Attributed works:
72. Pot pourri vase. French (Sceaux), c. 1755. Faience with petit feu enamel painting, 33 by 24.1 by 15.2 cm. The artist responsible for this piece is not known. It is attributed to the hand of Jacques Chapelle (b. 1721, active at Sceaux 1750-63), who entered the factory around 1748 as manager and chemist and became sole proprietor in 1759. The pot pourri has petit feu enamel painting, a technique which allows for a wider and brighter colour palette, apparent on this piece in bright blue, green, deep purple and pourpre de Cassius (named after the seventeenth-century Dutch chemist who discovered this pinkish-purple). A pair of coupes of very similar form and decoration exists in the Musée de la Renaissance, Château d'Ecouen. Another comparable piece is the vasque in the Musée de l'Ile de France, Sceaux, embellished with a fantastic bird, similar in its strange character to the creature on the Getty Museum's pot pourri vase.
Western art unattributed:
63. Console table. German (Berlin?), c. 1735-45. Gilded limewood with brèche d'Alep top, 91.4 by 108.6 by 53.3 cm. The single leg of this console table is a tree which turns into a dragon's head at the base. Flames and thunder bolts issue from the dragon's mouth and to the left of the base, there is a quiver of arrows among hunting elements. A climbing grapevine bearing fruit entwines the tree trunk. The tree branches at the top into pierced foliate scrolls on which perches an exotic bird with extended wings, eating grapes. To the left is a nest of young birds attended by their mother. Although of unique design, this table may be compared to the console tables of Johann August Nahl (1719-85) made for the Golden Gallery at Schloss Charlottenburg, Berlin.
Advertisements
Advertisements April 1982 (Front)
04/1982 | 949 | 124
Pages: i-xl
Subjects
subjects:
Illustrations
Attributed works:
A Fabergé Silver Bell-Push Shaped as a Recumbent Pig with Realistically Chased and Engraved Hide, One Ear as the Pushpiece, Signed with Imperial Warrant Mark, Workmaster Julius Rappoport. Length 4¾ in. (12.5cm)
Attributed works:
Paul Signac, Collioure-les Balancelles, Signed and Dated '87, Sold in London in December 1981 for £178,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] "Pateus and Arria". Bronze, 40 cms High. "Menelaus and Patroclus". Bronze, 34 cms High.
Attributed works:
[ Cover ] Detail from Portrait of Sir Walter Pye, by Van Dyck. c.1637-38. (Collection The Duke of Norfolk, Arundel Castle).
Attributed works:
[ David M. Koetser Gallery, Talstrasse, Zurich ] Matthias Stomer. "St. Onuphrius" 128 × 175 cm
Attributed works:
[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Armchairs, Louis XV, Paris, Signed C. L. Bourgat (Claude Louis Bourgat, Master 1744). Carved Beech Painted in Blue. 58 × 53 × 39 cm, Height of Back 90 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Albert Anker. Oil on Canvas, Signed and Dated 1877. 60 × 39.4 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Albrecht Dürer (1471-1528). St. Jerome in His Study. 24.5 × 18.7 cm. Bartsch 60, Meder 59.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Auguste Renoir. "Femme brune au décolleté", Circa 1900. Oil on Canvas, Signed. 41 × 33 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Auguste Renoir. "Paysage, Sous-bois éclairé", 1905. Oil on Canvas, Signed. 53 × 64 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Benjamin Gerritsz. Cuyp (1612 Dordrecht 1652). A Pair. Oil on Panel. O̵ 67.5 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Chimney Clock "à l'Amour chinois", Louis XV, Signed Filon à Paris. Firegilded Bronze, Height 60 cm. Illustrated by Tardy, Vol. 1, Page 167.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Commode of A. and D. Roentgen, about 1766-1768. Marquetry probably by M. Rummer. Quoted in the leaflet of the Hamburg Lottery 1769 under No. 7. Mahogany, rose-wood, mother of pearl and maple partially painted and engraved. 89.6 × 50.8 × 81.3 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Ferdinand Hodler. Portrait de femme en buste, 1895. Oil on Canvas, Stamp Signature. 36 × 27 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] French Violin, by François Lupot, Orleans 1773 (With Certificate William Hill & Sons, London 1930).
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] French Violoncello, by Nicolas Vuillaume (Brother of J. B. Vuillaume), about 1860 in Mirecourt.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Jan Brueghel the Younger (Antwerp 1601-1678). The Creation of Adam. Serie of Six Paintings with Episodes of Adam's Life. Oil on Copper, All Signed. 60 × 90 cm Each. Authentification by Dr. Klaus Ertz.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Aschmann (1747-1809). Herrn Hofmeisters Landgut & Fabrick im Lätten ohnweitt Zürich. Etching, Circa 1785. 26.2 × 44.5 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Aschmann (1747-1809). Hoch Fürstl. Gotts Haus & Flecken Maria Einsideln. Etching, Circa 1785. 25.7 × 44.8 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Johann Jakob Biedermann. Landscape of Lake Geneva with Castle of Chillon. Oil on Canvas, Monogrammed. 48.5 × 65.5 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Marc Chagall. "Le coq attelé", 1957. Gouache, Signed and Dated. 65 × 50 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Marc Chagall. From "Daphnis et Chloé": Le repas chez Dryas. Color Lithograph, 1961. One of 60. Signed. Mourlot 334.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Maurice de Vlaminck. "Paysage". Oil on Canvas, Signed. 65 × 81 cm. Provenance: M. Knoedler & Co., New York.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Meindert Hobbema (Amsterdam 1638-1709). Oil on Panel, Signed. 49 × 72 cm. The Painting Will Be Taken into the Catalogue Raisonné Which Is Being Prepared by C. Wright.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Paulus Potter (1625-1654). Grey Wash. 25 × 34.5 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Silver-Gilt Service of Charles Maurice de Talleyrand-Périgord, the Prince of Bénévent, (1754-1838). Paris, 1827-1838. By Charles Odiot. Total 9200 g (Without Tray).
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Table-Console of Jacob Desmalter, about 1810, Paris. Mahogany and Gilded Bronze. 125.5 × 70.5 × 83.5 cm. Lit. Le Grand Trianon, D. Ledoux-Lebarde, 1975, Vol. I, Page 25/26.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Triple-Cased Gold Watch, England, Middle of the 18th Century, Signed Allen Walker No. 527. O̵ 5.4 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Vase, Signed Gallé, Circa 1898. Marqueterie-de-verre. H 44.5 cm. See Helga Hilschenz: Das Glas des Jugendstils, p. 262, ill. 198.
Attributed works:
[ Ivo Bouwman, Lange Vourhout 16, The Hague ] Vincent van Gogh (1853-1890). "Two Women in the Woods" Paper on Panel: 31 × 24.5 cm. Painted in The Hague, August-September 1882
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Max Beckmann. Reclining Nude, 1929 Oil on Canvas, 33⅞ x 48¾ in. 86 × 123 cm.
Attributed works:
[ Morton Morris & Company, 32 Bury Street, London ] William Hogarth 1697-1704. The Industrious 'Prentice Married and Furnishing His House Pencil, Pen and Brown Ink and Grey Wash: 9¾ x 13⅛ ins.
Attributed works:
[ Noortman & Brod, 1020 Madison Avenue, New York ] Claude Lorrain 1600-1682. Landscape with the Rest on the Flight into Egypt. Canvas. 74.5 × 98.5 cm. Signed and Dated (?) 1635.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Frank Brangwyn Windmills, Bruges (Gaunt 70) Etching on Zinc, Printed with Tone, Signed in Pencil, 48 cm × 53 cm
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Joseph Wright of Derby. Portrait of Penelope Margaret, Daughter of John and Lucy Stafford 77 cm × 64 cm
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Pseudo Bles. The Adoration of the Kings On Panel, 90 cm × 73.5 cm
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Rembrandt Harmensz van Rijn The Hundred Guilder Print (B.74, H236) Etching with Drypoint, Second State 28 cm × 39.2 cm
Attributed works:
[ Richard J. Collins, 605 Madison Avenue, New York ] Rembrandt Harmensz. van Rijn (1606-1669). The Sacrifice of Jeroboam. Pen and Brown Ink, Circa 1650. 7 × 9¼ ins. (176 × 237 cm.)
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Orazio Riminaldi (Attributed), "Prometheus." Oil on Canvas, 165 by 203 cm
Attributed works:
[ Schmit, 396 Rue Saint-Honoré, Paris ] "Rue à Montmartre" by Utrillo Board. H. 52 cm - W. 69 cm. Signed on the Lower Right. Painted Circa 1916-1917.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] An Ivory Plaque of Jupiter and Antiope with Cupid, by Ignaz Elhafen, c. 1697, 16 by 13 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Cristoforo da Bologna, The Descent from the Cross, Gold Ground, on Panel, 58 by 36 cm.
Attributed works:
[ Sotheby's, 980 Madison Avenue, New York ] Claude Louis Chatelet, Vue du Port de Palerme, Signed and Inscribed, Watercolour, Pen and Brown Ink on Cream Paper, 21.7 by 35 cm.
Attributed works:
[ Spink & Son Ltd, King Street, London ] James Ward, 1769-1859. Study of a Lamb. Pen and Brown Ink and Gouache, Heightened with Oils. 10¼ × 14⅜ Inches.
Attributed works:
[ Spink & Son Ltd, King Street, London ] Paul Sandby, 1725-1809. Caesar's Tower and Part of Warwick Castle from the Island. Watercolour and Gouache. 11¾ x 16¾ Inches.
Attributed works:
[ Stoppenbach & Delestre Ltd, 25 Cork Street, London ] Jules Dalou 1838 - 1902. Bather Bronze, Cire Perdue A. A. Hébrard H. 21⅝ ins (55.1 cm)
Attributed works:
[ Theodore B. Donson Ltd, 38 East 57th Street, New York ] Martin Schongauer.The Madonna in a Courtyard
Non-western art unattributed:
Parthian Silver Bowl Engraved with the Figure of a Horse and Inscribed on the Base, 300-200 B. C. 21.5 cm Diameter.
Non-western art unattributed:
[ Artemis Group, David Carritt Limited, 15 Duke Street, London ] An Elephant Combat, Mughal, circa 1630
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Examples from the Collection of Oriental Works of Art.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Tathagata Amoghasiddhi. Western Tibet, about 15th Century. Height 36.5 cm.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Thanka Depicting Yamantaka. Tibet, about 1800. 90 × 62 cm.
Western art unattributed:
A Bohemian Enamelled Blue-Tinted Tankard, Dated 1663, 16 cm. Sold in London in December 1981 for £6,000.
Western art unattributed:
An Edward IV Slip Top Spoon, c. 1465, 17 cm. Long, Sold in London in November 1981 for £9,200.
Western art unattributed:
Two of a Set of Six Louis XV Arm-Chairs, Each with Different Military Emblems, Covered with Very Fine Tapestry "au petit point", in Extraordinary Fresh Condition, ca. 1740. Height 1.11 m. Depth 0.60 m. Width 0.75 m
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An 18th Century English Soho Tapestry Picture in a Gilt Frame.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Pair of Appliques, Louis XV, Paris. Bronze, Firegilded. Height 50 cm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] A Selection from Our Jewellery Sale.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] A Wheel-Lock, "Puffer", Southern Germany, 1597. Length 50 cm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Baroque Cupboard of Danzig, about 1670. Walnut. 216 × 89 × 123 cm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Dining-Room Cupboard, Louis XV, Aix-en-Provence, Walnut Carved and with Marquetry, the Doors Inside also Decorated. On the Shelves a Few Pieces of Our Silver-Collection.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Madonna with Child, Swabia, about 1500. Carved Lime-Tree Polychrome. Height 146 cm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Table, 1st Half of 16th Century. France. Walnut, Partially Carved. 155 × 82 × 80 cm, Pulled Out 289 cm. Of The Georges Spetz Museum Collection, W. R. Hearst Collection and Ernest Brummer Collection.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ]Important Collection of Early European Ceramics.
Western art unattributed:
[ Jan Dirven, Keizersgracht 15, Eindhoven ] St. John Baptist. N. France, about 1450. Oak, 96 cm.
Western art unattributed:
[Gabriele Ruef, Ottostr. 6, Munich] For Completion of a Customer's Antique Stove, I am Looking for Tiles as Shown, Size 22/20 cm, Blue Painting.
Advertisements
Advertisements October 1981 (Front)
10/1981 | 943 | 123
Pages: i-xl
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Baskett & Day, 173 New Bond Street, London] Seated Woman in Russian Costume Playing a Dömbra Red Chalk, 300 × 223 mm. By Jean-Baptiste Leprince (1734-1781)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Düsseldorf] Giovanni Francesco Barbieri, Called Guercino. St. Philip Neri. Pen and Brown Ink, Brown Wash. 145: 237 mm. (Study for the Painting in S. Maria di Galliera in Bologna).
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Arthur Hughes The Nativity Signed Twice, with Monogram Pencil 10½ × 12 Inches
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Dante Gabriel Rossetti Portrait of Marie Spartali (Mrs Stillman) Signed with Monogram and Dated 1870 Coloured Chalks on a Pale Bluish Paper 12 × 10 Inches
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Frederic James Shields, ARWS An Angel and Three Figures Signed Coloured Chalks on Grey Paper 14 × 8 Inches
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Sir Edward Coley Burne-Jones, ARA. The Head of a Young Woman in Half Profile Signed with Initials and Dated 1879 Pencil Drawing 8 × 6¾ Inches
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Salvator Rosa 1615-1673. Alexander Visiting Diogenes Red Chalk. 10¾ × 14½ ins.
Attributed works:
[Courtauld Institute Galleries, Woburn Square, London] The Breughel Family by Peter Paul Rubens
Attributed works:
[David M. Koetser Gallery, 37 Talstrasse, Zurich] Matthias Stomer. "St. Onuphrius". 128 × 175 cm
Attributed works:
[Galerie An der Königsallee, Königsallee 27-31, Düsseldorf] Victor Dupré. 1816-Limoges-Paris-1879. "Paysage". Panel: 22×34 cm, Signed & Dated
Attributed works:
[Galerie de La Scala, 68 rue de La Boëtie, Paris] J. Baptiste Suvée (1743-1807) "La Vestale Tuccia"
Attributed works:
[Galerie Koller, Rämistrasse 8 Zurich] Suite of 13 Pieces Louis XV, Signed J. B. LE Large, Paris, ca. 1760.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] 1 Pair of Encoignures by David Roentgen, Neuwied, ca. 1770/75.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] A silver-gilt standing Cup and Cover. Alliance coat of arms of Löffelholz-Ölhafen, Nuremberg, ca.1600. By Hans Keller (R4032 c-d). 35 cm high, 720 g. Small, richly decorated mantel clock with Louis XV base, around 1750, signed Theodore Perret Gentil au Locle No. 203. Contre-Boulle housing with polychrome inlay. Fire gilt bronzes with "C superstructure". Height 77 cm. Theodore Perret worked for the Prussian Court. Crucifix Clock, Augsburg, around 1620. Stamped NR (Nicolaus Rugendas I, 1582-1668). Copper and bronze, gilt-metal. Bell strikes the hour. Height 30 cm. Literature: Reinhard Meis. Die alte Uhr, Geschichte, Technik, Stil II. Soup Tureen with cover and stand and a pair of Sideboard Dishes and Covers, by Carl David Schrödel and Friedrich Reinhard Schrödel, Dresden, 1767-1772. These lots formed part of a large service of Frederick Augustus III, Elector of Saxony. Soup tureen: 38 × 27 × 32 cm, stand: 50× 37 cm. Total 9300 g. Terrestrial Globe with compass and four sundials, Augsburg around 1585. Signed Ioannes Reinhold a Loesniza (circa 1550-1596). Copper and bronze gilt-metal on octagonal wooden base with bun feet (lower part of celestial globe with clock movement). Diameter 31.5 cm, height 19 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Albert Anker. Oil on Canvas, Signed. 32×23 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Alfred Sisley. "Saint-Mammès - Matinée de Septembre", 1880. Oil on Canvas, Signed. 50×73 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Auguste Renoir. "Bords de Seine à Argenteuil", 1880. Oil on Canvas, Signed. 55 × 65.5 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Auguste Renoir. "Deux femmes dans l'herbe", about 1910. Oil on Canvas, Signed. 46,5×56,5 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Auguste Rodin (Paris 1840-1917 Meudon). "The Kiss", 1886. Bronze by Alexis Rudier. Height 86 cm. Personal Copy of Rodin.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Buffon, G. L. L. de. Histoire naturelle des oiseaux. 10 in 20 vols. 10 vols texte, 10 vols Plates). Paris, Impr. Royale, 1770-1786. Fol. (texte mp. fol. (Plates). With 1007 Old-Coloured Copper Plates by F. N. Martinet a. o. Half-Leather Binding with Gilt Stamped Back.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Bureau ministre with Cartonnier Louis XV Signed Dubois, Paris, ca. 1740.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Claude Monet. "La Route de la Roche-Guyon", 1880. Oil on Canvas, Signed. 60×81 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Early Meissen Porcelain.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Ferdinand Hodler. "Die Überfahrt", 1879-80. Oil on Canvas, Signed. 52×80 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Figures and Groups from Meissen, Höchst and Ludwigsburg.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Frank Buchser. Oil on Canvas, Signed. 71×58 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Jan van Goyen (Leyden 1596-1656 The Hague). Oil on Panel, Monogrammed and Dated 1638. 26×42 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Johann Georg Hainz (Active in Altona and Hamburg, 1666-1700, Died in Hamburg). Oil on Canvas, Signed. 39×54,5 cm. Certificate Dr. I. Bergström.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Lacquer commode Louis XV, Signed Dubois, Paris, ca. 1740.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Louis XV Chest of Drawers Signed A. Levesque, Paris, ca. 1750.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Madonna with Child, Tirol, about 1490. Hans Klocker and Workshop. Elm with Original Polychromy. H 102 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Marc Chagall. "Les amoureux", 1949-50. Oil on Canvas, Signed and Dated. 73×47 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Maurice Utrillo. "Maison bombardée (Grande guerre 1914-1918)", about 1915. Oil on Canvas, Signed. 58×78 cm. Literature: Paul Pétridès, "L'œuvre complet de Maurice Utrillo", Paris 1974, Vol. V, No. 2566 (ill.).
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Pablo Picasso. "Tête de femme de profil." Dry-Point Etching, 1905. A Rare Proof, Pulled before the Steel Facing of the Copper Plate. Signed. Bloch 6. Geiser 7.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Rare Elephant Automaton. Augsburg around 1620. Bronze Gilt-Metal, Silver-Plated Decorations. Figures Move in the Tower. Mechanism Built into Base. Probably by David Jungmair. Height 27 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Redouté, J. P. Les Liliacées. 8 Parts in 4 vols. Paris, J. P. Redouté-Didot, 1802-1808 (-1816). Imp. fol. With 486 Copper Plates, Stipple Printed in Colours. Half-Leather Binding with Gilt Stamped Back.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Urne à l'aigle. Sign. Daum Frères, Nancy 1892. H 29 cm.
Attributed works:
[Galerie Koller, Rämistrasse 8, Zurich] Yves Tanguy. Untitled. Gouache and India Ink, 1943. Signed. 34.1×26.5 cm. Matisse 322.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Villerville, by Antoine Guillemet. Signed, 55 × 73.5 cm.
Attributed works:
[Kunsthaus Am Museum, Drususgasse 1-5, Cologne] Achenbach, Andreas (1815 Kassel-1910 Düsseldorf) Oil on Panel, Signed and Dated 1858. 51.5 × 67 cm.
Attributed works:
[Mia N. Weiner and Marcello Aldega, 36 East 64th Street, New York] Carlo Maratta (Camerano 1625-1713 Rome) Study for Figures Supporting Frame of Central Panel in the Great Hall of the Palazzo Altieri; Red Chalk, 21 × 31.5 cm
Attributed works:
[Neumeister, Barer Straße 37, Munich] Jörg Breu the Elder (1475 Augsburg - 1537). Lamentation over the Dead Christ. Panel, 87 by 54.5 cm
Attributed works:
[Richard J. Collins, 605 Madison Avenue, New York] Johann Liss (1595-1629). David with the Head of Goliath. Pen and Brown Ink and Wash and Grey Wash ca. 1623 230 × 206 mm. (9 1/16 × 8⅛ Inches)
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] Carl Hofer, "Woman with Begonia Plant," Circa 1926. Oil on Canvas, 109.9 by 80 cm Initiated Lower Right: "CH."
Attributed works:
[Schmit, 396 St. Honoré, Paris] "Clocher de St-Tropez" by Signac Canvas. H. 81 cm.-L. 65 cm. Signed and Dated on the Lower Left 96.
Attributed works:
[Somerville & Simpson Ltd, II Savile Row, London] Biagio Pupini, Called Dalle Lame (c. 1500-1575) The Scourging of a Male Saint Pen and Brown Ink and Wash, Heightened with White, with an Inscription in Pen and Black Ink F. Parmagiano and Numbered 8. 247 × 196 cm., Arched Top.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Anthony Frederick Augustus Sandys, Morgan Le Fay, Ink and Brush Point on Paper, 52 by 44 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Dante Gabriel Rossetti, Study for Desdemona's Death-Song, Black Chalk 105.5 by 76 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Ford Madox Brown, Elijah and the Widow's Son, Watercolour, Signed with Monogram and Dated '64, 39.5 by 25.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-Etienne Liotard, The Artist's Son, 63 by 70 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] John Melhuish Strudwick, Passing Days, Oil on Paper, Laid down on Paper, 37 by 113 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Pickford Marriot, The Annunciation, Watercolour on Ivory, Mother-of-Pearl and Gesso, 61 by 91.5 cm. Exhibited: Edinburgh Royal Scottish Academy, 1902, No.709. Collection of the Artist's Family.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sir Edward Coley Burne-Jones, Bt., A. R. A., A Presentation Album of Initial Studies for Pygmalion; the Ring Given to Venus and Atlanta's Race, nine illustrations, the largest 12.5 by 17.5 cm., the smallest 12 by 9.5 cm. Collection: George Howard, 9th Earl of Carlisle.
Attributed works:
[Sotheby's, 34-5 New Bond Street, London] Thomas Whitcombe, An Executive View of Blackett's Wharf, Limehouse Reach, with the Ship Granada, Signed and Dated 1811, 81 by 122 cm.
Attributed works:
[The Art Book Company, 91 Great Russell Street, London] The illustrated Bartsch. H. S. Beham, "Impossible" 81 × 52 mm.
Non-western art unattributed:
[Entwistle, 70 South Audley Street, London] A magnificent chief's stool supported by a kneeling female figure, one of five such stools known by the Master of Buli. The extant oeuvre of this artist comprises some eighteen masterpieces whose strongly characteristic style allows them to be identified as the work of one hand. The singular perfection of his accomplishment has led scholars to grant him a title distinguishing him from the unknown body of African artists and taken from the name of the Congo village where he is believed to have worked.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Bronze Figure of a Buddha, Ming Dynasty. H 63,5 cm.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Cabinet, China Lacquer, Polychrome, Dresden, ca. 1750.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Chinese Ceramics and Cloisonné Enamel of 17th/18th C.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Chorassan, about 1870. 650×500 cm.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Large Figure of the White Tara. Tibet, ca. 18th C. H 33 cm.
Non-western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Ran-ryô-ô Dancer. Wood, Ivory and Lacquer. Signed Mitsuyasu. Heigh with Base 44 cm.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] A Selection from Our Highly Important Jewellery Sale.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Baroque Two-Piece, Frankfurt Area, ca. 1750.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Entombment, The Netherlands about 1480. Oak Relief with Traces of Original Polychromy. H 42 cm, w 35 cm.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Louis XIV Bureau Plat, Paris, ca. 1700.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Meissen Service with Augsburg Gold Decoration.
Western art unattributed:
[Galerie Koller, Rämistrasse 8, Zurich] Triptych, Probably Mainz, about 1480. Wood with Original Polychrome. Total h 65 cm, w Open 103 cm, Heigth of the Figures 53 cm.
Western art unattributed:
[Gruppe Editoriale Electa, via Goldoni 1, Milan] Alfieri, Edizioni d'Arte. A Division of Gruppo Editoriale Electa
Article
'Bois des Indes' and the Economics of Luxury Furniture in the Time of David Roentgen
12/1978 | 909 | 120
Pages: 799-805+807
related names
Author:
Stürmer, Michael (Stürmer, Michael)
Subjects
artists:
dates:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
2. Bureau-Bookcase, Attributed to J. G. Fiedler. c.1765. (Private Collection).
Attributed works:
3. Marquetry Cutting, Illustrated in L'Art du menuisier, by André Jacob Roubo.
Attributed works:
4. Veneer Cutting, Illustrated in L'Art du menuisier, by André Jacob Roubo.
Attributed works:
5. Secrétaire à abattant, Stamped N. A. Lapie and M. Ohneberg. 1770-75. (Private Collection).
Attributed works:
6. Commode, Stamped P. Roussel. c.1765. (Private Collection).
Attributed works:
8. Secrétaire à abattant, by David Roentgen. c.1775. (Private Collection).
Attributed works:
9. Detail of Fig.8. [Secrétaire à abattant, by David Roentgen. c.1775. (Private Collection).]
Western art unattributed:
7. Chest of Drawers. Marburg or Kassel. c.1780-90. (Private Collection).
load more