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2 articles
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Advertisements March 1997 (front)
03/1997 | 1128 | 139
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Bernardo Bellotto, Called Canaletto (Venice 1720 - 1780 Warsaw), The Old Marketplace at Dresden (View from Seestraße). Etching 1752. De Vesme 18; Print with Little Spots (Plate), but without Perceptible Patches of Rust and Verdigris on the Plate. 54,5 × 84,2 cm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red. 21.2 × 33.8 cm
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Pierre Bonnard (1867-1947). Place le Soir. Lithograph in Four Colours on Thin Velin. 1899. Signed in Pencil Lower Right "P. Bonnard". R-M. 62. B. 64. 28:38 cm
Attributed works:
[ C. G. Boerner GmbH, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Augustin Hirschvogel (Nuremberg 1503-1553 Vienna). Landscape with High Rock and a Castle at Left. Etching. 1546. Bartsch and Schwarz 74. Hollstein 47.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Giovanni Bilivert (1585-1664) and Studio, Tancrède retrouve Clorinde blessée. Oil on Canvas, 121.5 × 160 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Cornelis van Haarlem 1562 - Haarlem - 1638. A Study of Two Goddesses. Oil on Panel: 38.2 × 26.5 mm.
Attributed works:
[ Concorde Art Associates ] Thomas Hovenden (American Genre Artist). Reverie. Signed 'T. H. Hovenden' with Initials in Monogram. Dated 1873, Lower Left. Oil on Canvas, 27 × 22 ins.
Attributed works:
[ Cover ] Rinaldo and Armida, by Domenichino, after Cleaning. 1620-21. 121 by 167 cm. (Louvre, Paris).
Attributed works:
[ Emmanuel Mpoatti, 134 Rue du Faubourg St. Honoré, Paris ] Willem van Mieris, the Elder Leiden 1662 - Leiden 1747. Sarah Bringing Hagar to Abraham. Oil on Panel. Signed Upper Right: "W. van Mieris...". 44.2 cm × 36.3 cm. Circa 1685 - 1690
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Edouard Manet (1832 - 1883) L'enfant à l'épée 1861. Brush and Brown India Ink on Tracing Paper. 25.4 × 18.2 cm. From the H. Guérard Collection.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Melchior de Hondecoeter (1636-1695). Study of Ten Ducklings. Around 1669. Oil on Canvas. 32×40 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr., 38, Düsseldorf ] Giovanni Battista Tiepolo.The Madonna of the Goldfinch. Canvas 62 by 49.5 cm (24½ by $19frac{2}{3}$ in.)
Attributed works:
[ Hall & Knight Ltd, 15 Duke Street, St. James, London / 21 East 67th Street, New York ] Joos de Momper II (1546-Antwerp-1635) and Jan Breughel the Younger (1601-Antwerp-1678). An Extensive Landscape with Harvesters in the Foreground. Oil on Panel, 32¼ × 56¼ Inches (82 × 144 cm)
Attributed works:
[ Heribert Tenschert, Bibermühle 1, Ramsen / Kirchplatz 14-15, Rotthalmünster ] Petrarch visiting Boccaccio in his dream; large frontispiece miniature of the 8th book of Boccaccio's "De casibus virorum illustrium" in the French translation of Laurent de Premierfait. In our latest catalogue "Boccaccio und Petrarca in Paris" we offer the complete manuscript (illuminated in Paris by the Maître François workshop c. 1460-70) with 88 miniatures: measuring 500 by 350 mm, this is the largest Boccaccio ms. known.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jacopo Negretti, Called Palma il Giovane. The Penitent Mary Magdalene. Pen and Brown Ink, Brown Wash, Heightened with White, over Black Chalk, on Grey Paper. 305 × 200 mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Odoardo Fialetti (Bologna 1573 - Venice 1638) The Academy of Drawing. Etching, Bartsch 210, Only State
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Benedetto Castiglione, Called IL Grechetto Genoa 1609 - Mantua 1664. Pastoral Landscape. Signed in Foreground; Datable to the Late 1640s. Oil on Canvas, 24 × 39 Inches (61 × 99.5 cm.)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Leonaert Bramer, Music Making Figures on a Terrace, 1660-70, Oil on Canvas, 175 by 217 cm. Signed, Lower Centre (On Steps): "Bramer".
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen van der Werff, Portrait of the Artist's Daughter, Maria. Signed and Dated 1718 79 × 67.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Alexandre-François Desportes, Still Life with Dead Game and Fruit in a Niche. 110 × 85 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Denys Calvaert, The Agony in the Garden. Signed with Monogram Oil on Copper 54.3 × 41.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Elm and Mahogany Cylindrical Secretaire Designed by K. F. Schinkel and Made by G. W. Dreusike, Neu Ruppin 217 × 150 × 66 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Francesco Cairo, St Agatha. Panel 33.5 × 24.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Frans Floris I, Arithmetica. Signed and Dated 1557 151.5 × 224.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gérard van Opstal, The Triumph of Silenus. Marble 38 × 58 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Nicholas Berchem, Italianate Mountainous Landscape. Signed and Dated 1670 110.5 × 97.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Painted Ivory Marriage Casket. Early 15th Century ht 8.7 cm wdth 7 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Paulus Potter, Two Cows and a Bull Beside a Fence. Signed and Dated 1647 Panel 49.5 × 37.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre-Paul Prud'hon, Study for Head of Plutus. Black and White Chalk on Blue Paper 35 × 24 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Wilhelm Reinhart Silver Cup of the Hanseatic Order Dated 1591. ht 19cm. wt. 340 kg
Attributed works:
[ The European Fine Art Fair, Maastricht ] Willem van de Velde the Younger, A Calm with a Dutch Smalschip and an English Man o'War at Anchor. Signed with Monogram Panel 50.8 × 45.5 cm.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Mario Balassi, Portrait of Vittoria della Rovere, Copper, 16.5 cm. Commissioned by Cardinal Carlo de' Medici from the Painter in 1637.
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Elijah and the Widow of Sarepta. Mosan, c. 1160-1170. Copper Plaque with Beaded Border, Gilt and Champlevé Enamelled; Height: 59 mm; Width: 75 mm. Gilding Heavily Abraded with Some Areas of Enamel Missing.
Attributed works:
[Dover Street Gallery, 13 Dover Street, London ] Giacomo Ceruti. (1724-?). God the Eternal. Oil on Glass, 66 × 52 cm.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.
Article
Reconstructions-I: A Family Group in the National Gallery
06/1915 | 147 | 27
Pages: 90-93
related names
Author:
Witt, Robert C. (Witt, Robert C.; W., R.; Witt, R. C.; W., R. C.; Witt, Robert; Witt, Robert Clermont)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Plate I. A Family Group, Ascribed Here to Michael Sweerts, Canvas, 1.72 × 2.36 cm. (National Gallery, No. 1699, ascr. to Vermeer of Delft, Formerly in Two Parts, No. 1699, 2764). Reconstructions-I. A Family Group in the National Gallery
Attributed works:
Plate II. B. A Man, Unknown, Canvas, 111¼ × 93½ cm. (Academy, Petrograd, No. 537, Signed by Sweerts, and Dated 1656). Reconstructions-I. A Family Group in the National Gallery
Attributed works:
Plate II. C. A Boy, Unknown, Panel, 61 × 44 cm. (Pinacoteca Communale, Lucca, No. 135). Reconstructions-I. A Family Group in the National Gallery
Attributed works:
Plate II. D. Probably the Sculptor, Van Opstal, Canvas, 64 × 48 cm (Mr. Robert C. Witt). Reconstructions-I. A Family Group in the National Gallery