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Advertisements September 2000 (front)
09/2000 | 1170 | 142
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Coastal Landscape, by Claude Monet. c.1864. 53.2 by 80.7 cm. (Van Gogh Museum, Amsterdam; See the Supplement, p.604).
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Johann Moritz Rugendas (Augsburg 1802 - 1858 Weilheim/Teck) Fight between Chilean Indians (Araucanians) and Soldiers from Argentina. Oil and Pencil on Canvas, about 1845. Study probably to 'La Cautiva' (Cycle). 21 × 25.8 cm. Exhibited: 1998 Augsburg: Städt. Kunstsammlungen, 'Rugendas. Eine Künstlerfamilie in Wandel und Tradition'.
Attributed works:
[Brimo de Laroussilhe, 7 Quai Voltaire, 75007 Paris, France] Morse Ivory Reliquary Pectoral Cross. Late Anglo-Saxon or Ottonian. 11th Century. Height: 8 cm. Width: 5.5 cm.
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Vases Allegorical of Land and Sea. Signed Eugene Cornu and G. Viot. Of Carrara Marble. French. Dated 1867. Exhibited: Paris International Exhibition 1867. Measurements: Height: 45″ (114.5 cm); Width: 30″ (76 cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] A Violinist by Alphonse Legros (1837-1911). Oil on Canvas, Signed Lower Right, 52 × 41 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] François Van Loo (1708 - 1732). A Reclining Nude Seen from the Back. Oil on Canvas: 104 × 142 cms.
Attributed works:
[Exh. Dallas International Art and Antique Fair] Music Szalon, San Francisco. Landau Fine Arts, Montreal
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giulio Carpioni (Venice, 1613 - Vicenza, 1678). Pan and Syrinx. Oil on Canvas, 53.5 by 45.5 cm.
Attributed works:
[Mall Galleries, The Mall, London, UK] Grand Chef - Alexis Pellissou by Christopher Prewett
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] An Italian Empire Giltwood and Composition Console Table (178cm Wide). To be Included in Our 3rd October Sale. Estimate: £25,000-35,000
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Avant Barbizon: Antoine-Laurent Castellan a Fountainebleau Trees at Dusk, 1819. Watercolour, 14.1 × 18.9 cm.
Attributed works:
[Tate Gallery, Millbank, London, UK] John Bettes, A Man in a Black Cap, 1545 (Detail)
Attributed works:
[Tate Gallery, Millbank, London, UK] Lucian Freud, Leigh Bowery, 1991
Attributed works:
[Triple Gallery, P.O. Box CH-3047 Bremgarten-Berne, Switzerland] Stefano della Bella (1610-1664), A Horseman Wrapped in a Cloak Fighting against the Wind in an Extensive Landscape. Black Chalk, Pen and Brown Ink, Grey-Brown Wash, 151 × 193 mm.
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Advertisements October 1997 (front)
10/1997 | 1135 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St. James, London / C. G. Boerner, Kasernenstrasse 13, Dusseldorf ] Karl Friedrich Schinkel (Neurupin 1781 - 1841 Berlin). Lake Traun near Gmunden in Austria. Pen Lithograph Printed in Grey and Black. (Ca. 1811). Winkler 14. 532 × 643 mm. One of Probably Only Two Known Impressions. From C. G. Boerner's Neue Lagerliste 109.
Attributed works:
[ Bassenge, Erdener Strasse, 5 A, Berlin ] Johann König (ca 1586-1642, Nuremberg) Josua's Victory over the Amorites at Gibeon. Signed and Dated 1615. Bodycolour on Vellum. 14.5 × 18.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Ubaldo Gandolfi (1728-1781). Education of the Virgin Pen and Brown Ink, Brown Wash, 158 × 113 mm. A Very Similar Painting in the Church of San Lorenzo in Budrio Is Dated Circa 1750-1755.
Attributed works:
[ Christie's, 502 Park Avenue, New York ] The Pavlovsk Palace Secretaire, a Highly Important Louis XVI Sevres Porcelain-Mounted Secretaire Cabinet from the Boudoir of Empress Maria Feodorovna at Pavlovsk Palace, circa 1780, by Adam Weisweiler. Estimate: $2,500,000-$4,000,000 (£1,500,000-£2,500,000)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Pietro Fabris. Active in Naples between 1754 and 1804 The Entrance to the Grotto of Posilippo from Naples Gouache: 388 × 551 mm Signed in Black Ink at the Lower Left: Fabris P.
Attributed works:
[ cover ] Trompe l'œil with a Bust of Venus, by Caesar van Everdingen. 1665. 74 by 60.8 cm. (Mauritshuis, The Hague; Gift of Mrs. J. H. M. Staring-de Mol van Otterloo, 1992)
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Cornelis Mahu, Antwerpen ca. 1613-1689. A Breakfast Still Life with Lemon, Pomegranate, Grapes, Oysters and a Glided Cup, Oil on Panel, 48×37,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Tiepolo. Venice 1737 - 1776 Madrid. The Triumph of Mars. Etching, after Giambattista Tiepolo; c.1759. Rizzi 229, the Second State of Three with the Number But before the Inscription. Watermark: Three Crescents with Letter W. A Brilliant Impression with Full Deckle Edges All around.
Attributed works:
[ Jack Kilgore & Co., Inc., 154 East 71st Street, New York ] Joachim Beuckelaer. (Circa 1530/33-Antwerp-1573/4). Golgotha. Signed with Monogram and Dated '1567 JB'. Oil on Panel, 22¼ by $22frac{1}{8}$ Inches (56.5 by 56 cm.)
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Richard Green, 44 Dover Street, London ] Sawrey Gilpin, RA (1733-1807). A Grey Horse, a Pomeranian and a Hound in a Rocky Landscape. Signed and Dated 1791. Canvas: 53¼ × 68 in / 135.2 × 172.7 cm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jacob Jordaens (1593-1678). "There Is No Point in Closing the Cage Once the Bird Has Flown" Bears Signature: Jordaens, Pen and Brown Ink and Watercolour, over Black Chalk. On Three Joined Sheets of Paper 232 by 293mm. Estimate: Dfl. 80,000-120,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gable-Shaped Plaque of Two Martyred Saints, Limoges, Circa 1200-1210. 24.4 × 18.2 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jan Gossaert, Called Mabuse ca. 1478-ca 1536. The Madonna and Child Enthroned, with Angels Making Music Panel: 14 × 11 inches (35.5 × 28 c.m.) Painted Circa 1510. Estimate: $1,500,000-2,000,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Joseph Mallord William Turner, R. A. (1775-1851) View of Stoke House near Bristol, the Seat of Lady Lippincote Signed l.r.: William Turner Delin, Pen and Grey Ink and Watercolour 29.5 by 41 cm.; 11½ by 16 in. Estimate: £40,000-60,000
Attributed works:
[ Spink-Leger, 13 Old Bond Street, London ] Sir Peter Lely 1618-1680. The Hon Leonard Grey. Oil Painting on Canvas. Signed with the Artist's Monogram Size: $29frac{3}{4}$ × 25 Inches Painted Circa 1646
Attributed works:
[ Tate Gallery, Millbank, London (Bp) ] Patrick Heron, Horizontal Stripe Painting: November 1957 - January 1958, 1957-8
Western art unattributed:
[ Bruun Rasmussen auctioneers, Bredgate 33, Copenhagen ] Russian Mahogany Writing-Commode. Early 19th Century
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] A Highly Important Royal Silver Cistern and Wine Fountain Commissioned by George, Elector of Hanover and King of England, Maker's Mark of Lewis Dedeke, Circa 1710. The Oval Cistern, 27 in. (68.7 cm.) Long, 12 in. (30.5 cm.) High; The Fountain, 15 in. (38 cm.) Diameter, 28 in. (71 cm.) High.
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] The Tucker-Dayrell Cup: An Important Elizabeth I Parcel-Gilt Silver Cup and Cover, London, 1598, Maker's Mark IE, above Three Pellets - $14frac{3}{4}$ in. (37.5cm.) High.
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Advertisements March 1997 (front)
03/1997 | 1128 | 139
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Bernardo Bellotto, Called Canaletto (Venice 1720 - 1780 Warsaw), The Old Marketplace at Dresden (View from Seestraße). Etching 1752. De Vesme 18; Print with Little Spots (Plate), but without Perceptible Patches of Rust and Verdigris on the Plate. 54,5 × 84,2 cm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red. 21.2 × 33.8 cm
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Pierre Bonnard (1867-1947). Place le Soir. Lithograph in Four Colours on Thin Velin. 1899. Signed in Pencil Lower Right "P. Bonnard". R-M. 62. B. 64. 28:38 cm
Attributed works:
[ C. G. Boerner GmbH, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Augustin Hirschvogel (Nuremberg 1503-1553 Vienna). Landscape with High Rock and a Castle at Left. Etching. 1546. Bartsch and Schwarz 74. Hollstein 47.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Giovanni Bilivert (1585-1664) and Studio, Tancrède retrouve Clorinde blessée. Oil on Canvas, 121.5 × 160 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Cornelis van Haarlem 1562 - Haarlem - 1638. A Study of Two Goddesses. Oil on Panel: 38.2 × 26.5 mm.
Attributed works:
[ Concorde Art Associates ] Thomas Hovenden (American Genre Artist). Reverie. Signed 'T. H. Hovenden' with Initials in Monogram. Dated 1873, Lower Left. Oil on Canvas, 27 × 22 ins.
Attributed works:
[ Cover ] Rinaldo and Armida, by Domenichino, after Cleaning. 1620-21. 121 by 167 cm. (Louvre, Paris).
Attributed works:
[ Emmanuel Mpoatti, 134 Rue du Faubourg St. Honoré, Paris ] Willem van Mieris, the Elder Leiden 1662 - Leiden 1747. Sarah Bringing Hagar to Abraham. Oil on Panel. Signed Upper Right: "W. van Mieris...". 44.2 cm × 36.3 cm. Circa 1685 - 1690
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Edouard Manet (1832 - 1883) L'enfant à l'épée 1861. Brush and Brown India Ink on Tracing Paper. 25.4 × 18.2 cm. From the H. Guérard Collection.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Melchior de Hondecoeter (1636-1695). Study of Ten Ducklings. Around 1669. Oil on Canvas. 32×40 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr., 38, Düsseldorf ] Giovanni Battista Tiepolo.The Madonna of the Goldfinch. Canvas 62 by 49.5 cm (24½ by $19frac{2}{3}$ in.)
Attributed works:
[ Hall & Knight Ltd, 15 Duke Street, St. James, London / 21 East 67th Street, New York ] Joos de Momper II (1546-Antwerp-1635) and Jan Breughel the Younger (1601-Antwerp-1678). An Extensive Landscape with Harvesters in the Foreground. Oil on Panel, 32¼ × 56¼ Inches (82 × 144 cm)
Attributed works:
[ Heribert Tenschert, Bibermühle 1, Ramsen / Kirchplatz 14-15, Rotthalmünster ] Petrarch visiting Boccaccio in his dream; large frontispiece miniature of the 8th book of Boccaccio's "De casibus virorum illustrium" in the French translation of Laurent de Premierfait. In our latest catalogue "Boccaccio und Petrarca in Paris" we offer the complete manuscript (illuminated in Paris by the Maître François workshop c. 1460-70) with 88 miniatures: measuring 500 by 350 mm, this is the largest Boccaccio ms. known.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jacopo Negretti, Called Palma il Giovane. The Penitent Mary Magdalene. Pen and Brown Ink, Brown Wash, Heightened with White, over Black Chalk, on Grey Paper. 305 × 200 mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Odoardo Fialetti (Bologna 1573 - Venice 1638) The Academy of Drawing. Etching, Bartsch 210, Only State
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Benedetto Castiglione, Called IL Grechetto Genoa 1609 - Mantua 1664. Pastoral Landscape. Signed in Foreground; Datable to the Late 1640s. Oil on Canvas, 24 × 39 Inches (61 × 99.5 cm.)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Leonaert Bramer, Music Making Figures on a Terrace, 1660-70, Oil on Canvas, 175 by 217 cm. Signed, Lower Centre (On Steps): "Bramer".
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen van der Werff, Portrait of the Artist's Daughter, Maria. Signed and Dated 1718 79 × 67.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Alexandre-François Desportes, Still Life with Dead Game and Fruit in a Niche. 110 × 85 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Denys Calvaert, The Agony in the Garden. Signed with Monogram Oil on Copper 54.3 × 41.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Elm and Mahogany Cylindrical Secretaire Designed by K. F. Schinkel and Made by G. W. Dreusike, Neu Ruppin 217 × 150 × 66 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Francesco Cairo, St Agatha. Panel 33.5 × 24.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Frans Floris I, Arithmetica. Signed and Dated 1557 151.5 × 224.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gérard van Opstal, The Triumph of Silenus. Marble 38 × 58 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Nicholas Berchem, Italianate Mountainous Landscape. Signed and Dated 1670 110.5 × 97.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Painted Ivory Marriage Casket. Early 15th Century ht 8.7 cm wdth 7 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Paulus Potter, Two Cows and a Bull Beside a Fence. Signed and Dated 1647 Panel 49.5 × 37.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre-Paul Prud'hon, Study for Head of Plutus. Black and White Chalk on Blue Paper 35 × 24 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Wilhelm Reinhart Silver Cup of the Hanseatic Order Dated 1591. ht 19cm. wt. 340 kg
Attributed works:
[ The European Fine Art Fair, Maastricht ] Willem van de Velde the Younger, A Calm with a Dutch Smalschip and an English Man o'War at Anchor. Signed with Monogram Panel 50.8 × 45.5 cm.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Mario Balassi, Portrait of Vittoria della Rovere, Copper, 16.5 cm. Commissioned by Cardinal Carlo de' Medici from the Painter in 1637.
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Elijah and the Widow of Sarepta. Mosan, c. 1160-1170. Copper Plaque with Beaded Border, Gilt and Champlevé Enamelled; Height: 59 mm; Width: 75 mm. Gilding Heavily Abraded with Some Areas of Enamel Missing.
Attributed works:
[Dover Street Gallery, 13 Dover Street, London ] Giacomo Ceruti. (1724-?). God the Eternal. Oil on Glass, 66 × 52 cm.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.