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16 articles
Article
A newly identified drawing by Denys Calvaert in the Uffizi
03/2016 | 1356 | 158
Pages: 189-193
related names
Author:
Vaccaro, Mary (Vaccaro, Mary)
Subjects
artists:
dates:
Illustrations
Attributed works:
29. Inscription, detail of Fig.32
Attributed works:
30. Inscription, detail of the Marriage at Cana, by Denys Calvaert. 1598 (National Gallery of Scotland)
Attributed works:
31. A young woman, by Denys Calvaert. c.1600 (Galleria Estense, Modena)
Attributed works:
32. A young woman, here attributed to Denys Calvaert. 1618 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
33. Kneeling figure seen from behind, verso of Fig.32, here attributed to Denys Calvaert. c.1607 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
34. Virgin and Child, by Denys Calvaert. c.1590 (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
35. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. 1607 (Bob Jones University Museum and Gallery, Greenville)
Attributed works:
36. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Art Institute of Chicago)
Attributed works:
37. St Francis receiving the Christ Child from the Virgin, by Denys Calvaert. c.1607 (Staatsgalerie, Stuttgart)
Article
Denys Calvaert in Rome
03/2016 | 1356 | 158
Pages: 182-188
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
14. Taddeo Zuccari copying Raphael's frescos in the loggia of the Villa Farnesina, by Federico Zuccari. c.1590 (J. Paul Getty Museum, Los Angeles)
Attributed works:
15. Winged putto riding a lion and a sea horse, after Raphael, here attributed to Denys Calvaert. 1574 (Metropolitan Museum of Art, New York)
Attributed works:
16. Detail of Winged putto riding a lion and a sea horse, by Raphael and workshop. 1517-18 (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
17. Denys Calvaert's signature, visible under ultraviolet light; detail of Fig.15
Attributed works:
18. Jacob and Rachel at the well, by Denys Calvaert. 1578 (Musée du Louvre, Paris)
Attributed works:
19. Winged putto with a Gryphon, after Raphael, here attributed to Denys Calvaert. 1574 (Ashmolean Museum, Oxford)
Attributed works:
20. The Three Graces, after Raphael, here attributed to Denys Calvaert, verso of Fig.15. 1574
Attributed works:
21. Cupid introducing the Three Graces, by Raphael and workshop. 1517-18. (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
22. Winged putto holding a vine, after Raphael, here attributed to Denys Calvaert. 1574 (Pinacoteca di Brera, Milan)
Attributed works:
23. Winged putto holding a vine, by Raphael and workshop. 1517-18 (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
24. Male nude, after Michelangelo, by Denys Calvaert. 1574 (British Museum, London)
Attributed works:
25. Study of standing male nude with notes on proportions and two studies of heads, by Denys Calvaert. c.1573-76 (Rijksmuseum, Amsterdam)
Attributed works:
26. Anatomical study of a left leg, a left foot, with studies of joints and muscles and notes on proportions, by Denys Calvaert. c.1576 (Private collection)
Attributed works:
27. Detail of the Sacrifice of Isaac, by Andrea del Sarto. c.1528 (Museo Nacional del Prado, Madrid)
Attributed works:
28. Seated nude man, seen from behind, after Michelangelo(?), from the circle of Denys Calvaert. c.1574-76 (Frits Lugt Collection, Fondation Custodia, Paris)
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Advertisements July 2012 (front)
07/2012 | 1312 | 154
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jacques Albert Gérin (Active in Valenciennes during the 17th century, died in 1702). "The first Master of Watteau". King Bathazar. Oil on canvas, 88.7 by 69 cm (35 by 27 1/4 in). Signed and dated on the back: j. Gérin, 169?]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Denys Calvaert. Antwerp ?, c.1540 - Bologna, 1619. The Marriage at Cana. Oil on copper, 35 x 29.8 cm (13 3/4 x 11 3/4 in). monogrammed and date "DC 1592" at lower center]
Attributed works:
[John Mitchell Fine Paintings. 44 Old Bond Street. London. Jacob Claesz. van Utrecht (c.1480 - after 1530). The Nativity with a Donor and his wife. Oil on oak panel, 25 x 18 3/4 in. (63.3 x 47.8 cm)]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Michele Desubleo (Maubeuge 1602-1676 Parma) St. John the Baptist. Oil on canvas, 38 x 32 inches (96.5 x 79 cm)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Jan Brueghel I & Joos de Momper II (Antwerp 1564 - Antwerp 1635) (Brussels 1568 - Antwerp 1625). A Costal Landscape with Fishermen with their Catch by a Ruined Tower. Oil on panel. 45.1 x 67.3 cm (17 3/4 x 26 1/2 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger (Antwerp 1546 - Prague 1611). Jupiter and Antiope 87x69 cm]
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Advertisements April 2012 (front)
04/2012 | 1309 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Brimo de Laroussilhe. 7 Quai Voltaire. Paris. Agnolo Gaddi. Florentine (1356-1396). Virgin of Humility with six Angels. Circa 1380-1390. Tempera on panel, gold ground, 93.2 x 58.5 cm.]
Attributed works:
[Andrew Edmunds Gallery, London. The Royal Academy of Arts, by Richard Earlom after Zoffany. 1773. Mezzotint, 50 by 71 cm]
Attributed works:
[Austin/Desmond Fine Art, London. Flags, by Denis Mitchell. 1951. Signed and dated in pencil. Woodcut, 27 by 25 cm]
Attributed works:
[Austin/Desmond Fine Arts, London. Topsail, by John Wells, 1950. Signed and dated lower right, inscribed: Trial proof /25 lower left: Engraving, 14 by 12 cm]
Attributed works:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London Jean del Cour. 1631 - Liège - 1707. Saint James Minor. Circa 1690. Terracotta. Height: 43 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, grande arabesque, premier temps]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Eve (B., M., Holl. 1). Engraving, 1504. A fine Meder II a impression, 251 x 194 mm]
Attributed works:
[Christopher Mendez, London. St. Jerome in his cell, by Albrecht Durer (1471-1528). 1514. Engraving, 24.6 by 18.5 cm]
Attributed works:
[Frederick Mulder Limited, London. Visage, by Pablo Picasso. 1928. Signed and numbered in pencil. From the edition of 200 printed on Japan paper. Lithograph, 20.3 by 14.3 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Denys Calvaert. Antwerp ?, c. 1540 - Bologna, 1619. Cleopatra, Oil on panel, 145 x 109 cm (19 1/16 x 16 15/16 in)]
Attributed works:
[Hart Gallery, London. Cell 16, by Jo Ganter, Digital Photograph and etching, 93.5 by 98 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Esaias van de Velde. Amsterdam 1587 - 1630 The Hague. Farms to left of a path. Etching and engraving, 1614. Hollstein 41, Almost surely the second state of two. An extremely fine impression in excellent, fresh condition, trimmed to the borderline all around.]
Attributed works:
[Hill-Stone, New York. War, by Henri Rousseau, called Le Douanier (1855-1910). Pen Lithograph on dark orange paper, 22.2 by 33.1 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Seated Girl with Head Thrown Back. Black crayon, 46 x 29.5 cm. Signed & dated at the lower right. "Egon Schiele 1918".]
Attributed works:
[Mark Murray Fine Paintings. 39 East 72nd Street. New York. Sir Lawrence Alma-Tadema, OM, RA (1836-1912). The Roman Architect. Signed and inscribed L. Alma Tadema OP CXLII. Oil on panel, 11 1/2 x 8 3/4 inches (29.2 x 22.3 cm)]
Attributed works:
[Osborne Samuel Gallery, London. The eight, by Cyril Power. 1930. Edition of 50. Signed, titled and numbered within the image. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Paul Stolper Gallery, London. Union Jack, by Peter Blake, 2011. Signed and numbered. Edition of 50. Inkjet on paper, 46.7 by 63.5 cm]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. "The False Start," Collection Yale University Museum]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. The False Start. c. 1875. (Cheval au Galop Tournant la Tete à droite). 11.4 Inches High. Numbered 32 / J. stamped cire Perdue A.A. Herbrard.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Mel Ramos. Y from the Hollywood Suite. Oil on canvas.]
Attributed works:
[Schiller & Bodo. 120 East 65th Street. New York. Henri Le Sidaner, French. 1862-1939. L'Ecluse, Montreuil-Bellay, 1909. Signed lower right. Oil on canvas, 32 x 39 1/2 inches (81 x 100 cm)]
Attributed works:
[The London Original Print Fair. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen - edition of 40. Sims Reed Gallery.]
Attributed works:
[The Old Print Shop, Inc., New York. American pattern - barn, by Benton Murdoch Spruance. 1940. Edition of 45. Lithograph printed in two colours, 19.2 by 35.2 cm.]
Attributed works:
[The Old Prints Shop, New York. The red scow, by Blanche Lazzell. 1931. Signed, dated and titled in ink. White-line colour woodcut, 30.7 by 35.4 cm]
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10/2010 | 1291 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alice Adam Ltd., Chicago. Family, by Emile Nolde. 1917. One of 16 impressions in the second state. Woodcut, 24.4 by 31.1 cm]
Attributed works:
[Ana Chiclana. Ruiz de Alarcon, 27. Madrid. Thomas Hiepes. c.1600-1674. Grapes in a Basket. Oil on canvas: 63x85 cm.]
Attributed works:
[Brand X Projects, Inc., New York. Vivien, by Alex Katz. 2010. Signed and numbered edition of 75. One of a pair of screenprints, 72.4 by 101.6 cm]
Attributed works:
[C.G. Boerner, New York. Hercules and Cacus, by Hendrick Goltzius. 1588. Woodcut.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Louis-Léopold Boilly (La Bassée 1761 - 1845 Paris). L'acteur Elleviou jouant 'Le Prisonnier'. Oil on panel 54 by 45.5 cm (21 1/4 by 18 cm)]
Attributed works:
[Courtesy Osborne Samuel Ltd., London. Ice Hockey, Lill Tschudi. 1933. Linocut, 26 by 28 cm]
Attributed works:
[Danielle Laube Fine Art, New York. Le départ pour le travail, by Jean-François Millet. Etching.]
Attributed works:
[David Tunick, Inc., New York. Jazz, by Henry Matisse (1869-1954). Complete portofolio of twenty pochoirs printed in colours, after collages and cut paper designs. Book edition of 270]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Denys Calvaert, Dioniso Fiammingo (1540-1619). Holy family with the Infant St. John, 1579, oil on canvas. 58 x 41 cm.]
Attributed works:
[Frederick Baker, Inc., Chicago. Le Pont de Passy, by Marie Laurencin (1885-1956). 1908. Edition of 15. Etching, 14.9 by 21 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michelangelo Cerquozzi, called Michelangelo delle Battaglie. Rome, 1602 - Rome, 1660. The Agreement between the Donkey and the Fox. Oil on canvas, 170 x 120 cm (66 15/16 x 47 1/4 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Augustin-Félix Fortin (1763-1832). Michel Le Peletier de Saint-Fargeau. White marble, pedestal in veined white marble, 72 cm (28 3/8 in) high)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Roderic O'Conor (Ireland 1860 - 1940 France). Landscape with Tree. Etching, circa 1893. Johnston, 20, only state, as published in L'Imaginer, no.4 deluxe edition, 1895. An extremely fine impression in excellent fresh condition, with margines.]
Attributed works:
[Jonathan Clark Fine Art. 18 Park Walk. London. Christopher Bramham. Nest. 2006-07. Oil on canvas. 8 1/4 x 10 5/8 in / 21 x 27 cm]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Jean Bourdichon. The Adoring Madonna. Oil on panel, 45 x 34,5 cm.]
Attributed works:
[Nasher Museum of Art at Duke University. IMAGE: David Bomberg, The Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Old Print Shop Inc, New York. Glow of the city, by Martin Lewis (1881-1962). 1929. Recorded impressions: 110. Drypoint, 28.9 by 36.1 cm]
Attributed works:
[Oskar Reinhard Collection. Haldenstrasse 95. Winterthur. Pierre-Auguste Renoir, Portrait of Victor Chocquet, c.1876.]
Attributed works:
[The Fine Art Society, London. On the road to Ypres, by C.R.W. Nevinson (1889-1946). 1916. Drypoint printed in black ink on laid paper, 11.6 by 21.2 cm]
Attributed works:
[The International Art Fair for Fine Prints and Editions. Félix Vallotton, The Mont-Blanc, 1982, Woodcut.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624). (After a model by Giambologna 1525/29 - 1608). Hercules and Antaeus. Bronze (one of a pair). 39.5 cm]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: An important carved stone architectural 1:40 scale model of Nelsons column.]
Western art unattributed:
[Hill-Stone, New York. Memento Mori, Early Netherlandish School. c.1500. Engraving, with contemporary hand colouring.]
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Advertisements March 1997 (front)
03/1997 | 1128 | 139
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Bernardo Bellotto, Called Canaletto (Venice 1720 - 1780 Warsaw), The Old Marketplace at Dresden (View from Seestraße). Etching 1752. De Vesme 18; Print with Little Spots (Plate), but without Perceptible Patches of Rust and Verdigris on the Plate. 54,5 × 84,2 cm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red. 21.2 × 33.8 cm
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Pierre Bonnard (1867-1947). Place le Soir. Lithograph in Four Colours on Thin Velin. 1899. Signed in Pencil Lower Right "P. Bonnard". R-M. 62. B. 64. 28:38 cm
Attributed works:
[ C. G. Boerner GmbH, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Augustin Hirschvogel (Nuremberg 1503-1553 Vienna). Landscape with High Rock and a Castle at Left. Etching. 1546. Bartsch and Schwarz 74. Hollstein 47.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Giovanni Bilivert (1585-1664) and Studio, Tancrède retrouve Clorinde blessée. Oil on Canvas, 121.5 × 160 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Cornelis van Haarlem 1562 - Haarlem - 1638. A Study of Two Goddesses. Oil on Panel: 38.2 × 26.5 mm.
Attributed works:
[ Concorde Art Associates ] Thomas Hovenden (American Genre Artist). Reverie. Signed 'T. H. Hovenden' with Initials in Monogram. Dated 1873, Lower Left. Oil on Canvas, 27 × 22 ins.
Attributed works:
[ Cover ] Rinaldo and Armida, by Domenichino, after Cleaning. 1620-21. 121 by 167 cm. (Louvre, Paris).
Attributed works:
[ Emmanuel Mpoatti, 134 Rue du Faubourg St. Honoré, Paris ] Willem van Mieris, the Elder Leiden 1662 - Leiden 1747. Sarah Bringing Hagar to Abraham. Oil on Panel. Signed Upper Right: "W. van Mieris...". 44.2 cm × 36.3 cm. Circa 1685 - 1690
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Edouard Manet (1832 - 1883) L'enfant à l'épée 1861. Brush and Brown India Ink on Tracing Paper. 25.4 × 18.2 cm. From the H. Guérard Collection.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Melchior de Hondecoeter (1636-1695). Study of Ten Ducklings. Around 1669. Oil on Canvas. 32×40 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr., 38, Düsseldorf ] Giovanni Battista Tiepolo.The Madonna of the Goldfinch. Canvas 62 by 49.5 cm (24½ by $19frac{2}{3}$ in.)
Attributed works:
[ Hall & Knight Ltd, 15 Duke Street, St. James, London / 21 East 67th Street, New York ] Joos de Momper II (1546-Antwerp-1635) and Jan Breughel the Younger (1601-Antwerp-1678). An Extensive Landscape with Harvesters in the Foreground. Oil on Panel, 32¼ × 56¼ Inches (82 × 144 cm)
Attributed works:
[ Heribert Tenschert, Bibermühle 1, Ramsen / Kirchplatz 14-15, Rotthalmünster ] Petrarch visiting Boccaccio in his dream; large frontispiece miniature of the 8th book of Boccaccio's "De casibus virorum illustrium" in the French translation of Laurent de Premierfait. In our latest catalogue "Boccaccio und Petrarca in Paris" we offer the complete manuscript (illuminated in Paris by the Maître François workshop c. 1460-70) with 88 miniatures: measuring 500 by 350 mm, this is the largest Boccaccio ms. known.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jacopo Negretti, Called Palma il Giovane. The Penitent Mary Magdalene. Pen and Brown Ink, Brown Wash, Heightened with White, over Black Chalk, on Grey Paper. 305 × 200 mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Odoardo Fialetti (Bologna 1573 - Venice 1638) The Academy of Drawing. Etching, Bartsch 210, Only State
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Benedetto Castiglione, Called IL Grechetto Genoa 1609 - Mantua 1664. Pastoral Landscape. Signed in Foreground; Datable to the Late 1640s. Oil on Canvas, 24 × 39 Inches (61 × 99.5 cm.)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Leonaert Bramer, Music Making Figures on a Terrace, 1660-70, Oil on Canvas, 175 by 217 cm. Signed, Lower Centre (On Steps): "Bramer".
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen van der Werff, Portrait of the Artist's Daughter, Maria. Signed and Dated 1718 79 × 67.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Alexandre-François Desportes, Still Life with Dead Game and Fruit in a Niche. 110 × 85 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Denys Calvaert, The Agony in the Garden. Signed with Monogram Oil on Copper 54.3 × 41.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Elm and Mahogany Cylindrical Secretaire Designed by K. F. Schinkel and Made by G. W. Dreusike, Neu Ruppin 217 × 150 × 66 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Francesco Cairo, St Agatha. Panel 33.5 × 24.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Frans Floris I, Arithmetica. Signed and Dated 1557 151.5 × 224.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gérard van Opstal, The Triumph of Silenus. Marble 38 × 58 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Nicholas Berchem, Italianate Mountainous Landscape. Signed and Dated 1670 110.5 × 97.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Painted Ivory Marriage Casket. Early 15th Century ht 8.7 cm wdth 7 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Paulus Potter, Two Cows and a Bull Beside a Fence. Signed and Dated 1647 Panel 49.5 × 37.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre-Paul Prud'hon, Study for Head of Plutus. Black and White Chalk on Blue Paper 35 × 24 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Wilhelm Reinhart Silver Cup of the Hanseatic Order Dated 1591. ht 19cm. wt. 340 kg
Attributed works:
[ The European Fine Art Fair, Maastricht ] Willem van de Velde the Younger, A Calm with a Dutch Smalschip and an English Man o'War at Anchor. Signed with Monogram Panel 50.8 × 45.5 cm.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Mario Balassi, Portrait of Vittoria della Rovere, Copper, 16.5 cm. Commissioned by Cardinal Carlo de' Medici from the Painter in 1637.
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Elijah and the Widow of Sarepta. Mosan, c. 1160-1170. Copper Plaque with Beaded Border, Gilt and Champlevé Enamelled; Height: 59 mm; Width: 75 mm. Gilding Heavily Abraded with Some Areas of Enamel Missing.
Attributed works:
[Dover Street Gallery, 13 Dover Street, London ] Giacomo Ceruti. (1724-?). God the Eternal. Oil on Glass, 66 × 52 cm.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.
Advertisements
Advertisements May 1991 (front)
05/1991 | 1058 | 133
Pages: i-xiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Jacob Esselens (1626-Amsterdam-1687). Black Chalk and Grey Wash. 181 (184) × 307mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Giulio Cesare Procaccini Bologna 1574 - 1625 Milan. A Self-Portrait. Oil on Panel: 42.5 × 27 cms
Attributed works:
[Edmund Peel & Asociados (Spanish representatives for Sotheby's), Plaza de la Independencia 8, Madrid/ Pasaje Domingo 2, Barcelona] Giovanni Paolo Castelli, Called lo Spadino (1659-1730) Still Lifes of Fruit and Exotic Birds in Landscapes, One of a Pair, Oil on Canvas, Each 94 × 131 cm. 12,000,000 - 16,000,000 ptas. (£65,000 - 85,000), the Pair.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "Batelières en Bretagne". Tempera. Monogrammed at Lower Right. Circa 1893-1894. 47 × 63 cm.
Attributed works:
[Galerie Gismondi, 20 Rue Royale, Paris] Jusepe de Ribera, St Jerome Reclining and a Kneeling Female Figure. Cat. Jonathan Brown: Ribera Prints & Drawings, 1973, no.6 etc...
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Paul Klee. Façade. Pen and Ink Drawing, with Wash. 1924. Oeuvrecatalogue 1924. 171. 27.8:30.8 cm.
Attributed works:
[Lempertz, 24 rue aux Laines, Brussels/ Neumarkt 3, Cologne] Aert v.d. Neer. "Eisvergnügen". Oil on Canvas. Signed. 45 cm × 64.8 cm. Estimate DM 250.000,-
Attributed works:
[Marlborough, 6 Albemarle Street, London] Bill Jacklin (b.1943). Onlookers III, 1990-91. Oil on Canvas, 78 × 72 in./198.2 × 182.9 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Maurice Utrillo, "La rue de Mont Cenis", Circa 1921, Signed, Oil on Canvas, 52cm × 75cm. To Be Included in a Sale of Modern Paintings on 26 June
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Denys Calvaert, Tobias and the Angel c. 1560. Signed and Dated on the Reverse 1560, Oil on Copper, $9frac{3}{10} text{by} 7 frac{1}{5}$ Inches (23.6 by 18.3 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] One of a Pair of Victorian Silver Ice Vases and Covers, Benjamin Smith, London, 1847, Height 37cm. To Be Included in the Sale of Silver on 23rd May. Estimate: £25,000-35,000.
Attributed works:
[Spink & Son Ltd, 5,6,7 King Street St James, London] Edward Lear 1812-1888. A Distant View of the Citadel, Corfu. Watercolour. 11¼ × $17frac{3}{4}$ Inches. Signed with Monogram
Attributed works:
[Spink & Son Ltd, 5,6,7 King Street St James, London]Thomas Rowlandson 1756-1827. A Gaming Table at Devonshire House, London. Pen and Ink and Watercolour. $12frac{1}{8}$ × 16½ Inches
Attributed works:
[The Grosvenor House Antiques Fair, London/ Angela Grafin von Wallwitz, 18 Clareville Grove, London] A Meissen Porcelain Figure of a Pagoda, Probably Modelled by Georg Fritzsche, One of Two Examples Known of This Early Date. Circa 1725. Height 23.5 cm (9¼ in).
Attributed works:
[The Grosvenor House Antiques Fair, London/ Wartski, 14 Grafton Street, London] Three Fine Gold Snuff Boxes. (top right) Striated grey brown agate box of cartouche form, the baluster walls with chased gold floral and shell mounts, the cagework on the cover in elaborately chased and granulated golds with a seated girl with a basket of flowers on her back watching a young man with a retriever against a scrolling background of conventionalised trees and flowers. Cagework compositions in this manner derive from the decorative designs of William de la Cour. English, circa 1760. Width 8 cm ($3frac{1}{8}$ in). (top left) Boldly chased rectangular snuff box in four-colour gold, inlaid with dark sepia-coloured mother-of-pearl serving as a background to a series of mythological beasts and birds. The borders round the cover and base chased with flowers, leaves and scrolls in relief over granulated paths. By Gabriel-Raoul Morel. Paris, circa 1820. Length 8.1 cm ($3frac{3}{16}$ in). (front) Oval gold snuff-box chased with scrolling borders framing reserved areas enamelled en plein in the manner of Philippe Parpette with painted vases and bowls of flowers, fruit and, on the cover, a carafe and glass of red wine. The borders are further embellished with emerald-green basse-taille enamel over engraved fields. Each still-life painting is seen against an architectural background, the four round the walls of the box form a continuing enfilade. By Jean Moynat. Paris, 1758. Length 5.7 cm (2¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, 8 St James Chambers, Ryder Street, London] Self-Portrait by Sir Godfrey Kneller (1646-1723). Dated '1710'. Oil on Canvas, 75 × 62.5 cm (29½ × 24½ in).
Attributed works:
[W.M. Brady & Co, 3 East 76th Street, New York] Alexandre-Denis Abel de Pujol (French, 1785-1861). César allant au Sénat le jour des Ides de Mars, 1818. Signed and Dated 1818. Pen and Brown Ink with Washes Heightened with Gouache, 422 × 580 mm
Non-western art unattributed:
[The International Ceramics Fair and Seminar, London] Pair of Tang Pottery Figures of Middle Eastern Merchants, 618-907
Western art unattributed:
[Artur Ramon, Palla 25, Barcelona] A Faenza Blue, Orange, Green, Manganese and White Albarello with a Roundel Enclosing the Portrait Head of a Young Lady in Profile, below a Blue Scroll Inscribed with the Name of the Contents. The Rest Is Decorated with a Continuous Band of Flowers and Foliage. C. 1480. 22.5 cm. High.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] An English (?) Ivory Figure of Christ Early 13th Century. Height: 12.5 cm
Western art unattributed:
[Front cover] Ewer. Byzantine, Seventh Century? Sardonyx, Silver-Gilt, Precious Gems and Pearls, 35.7 cm. High. (Musée du Louvre, Paris; Exhibited in Le Trésor de St-Denis, See p.337 below).
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Advertisements
Advertisements January 1991 (front)
01/1991 | 1054 | 133
Pages: i - xxiv
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antony Embden,Quai Voltaire, Paris] A very rare Maiolica ewer, painted with the arms of Ferdinando Ruiz de Castro, 6th Count of Lemos, Spain and order of Calatrava. Urbino workshop of Antonio Patanazzi about 1575-80. For a flask from the same service see: The Waddesdon Bequest 1898: 64 ill. page 136, No 208, Ceramic Art of the Italian Renaissance. Timothy Wilson. For a salt cellar from this service see: No254 Herzog Anton Ulrich Museum, Braunschweig. Johanna Lessmann.
Attributed works:
[Artemis Group, David Garritt Limited, 15 Duke Street St James, London] Ferdinand Georg Waldmüller (1793-1865) Portrait of Crescentia, Countess Zichy 1828, Oil on Canvas $37frac{3}{4}$ × 30 in.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Rembrandt Harmensz. van Rijn. The Blindness of Tobit: The Larger Plate. Etching and drypoint. 1651. Bartsch 42. Hind 252. White-Boon 42 I (of II). The impression mentioned by White-Boon, printed with strong surface tone, wiped clean on head and beard. From the collections of the Earl of Aylesford, J. H. Hawkins, the Duke of Buccleuch.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] François Boucher (1703-1770) A Farmyard. Black Chalk Heightened by Places with Grey & Brown Wash. H. 327 mm; W. 469 mm. Engraved in Reverse by Papillon de La Ferté in Divers Paysages
Attributed works:
[Charles Plante Fine Art, exh. at The World of Drawings and Watercolours Fair, London] Domenico Maria Canuti (1620-1684). 'Hercules Received into Olympus'
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Pierre-Etienne Monnot (1657-1733). Terracotta. Height Excluding Base: 28 cm
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Basel 1520, Immediate Circle of Urs Graf (c.1485-1527/28). "The Mourning Madonna". Pen and Black Ink, Dated "1520", 17.5 × 10.4 cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Antoine Coypel 1661 - Paris - 1722. The Baptism of Christ. Oil on Canvas: 136.3 × 97.6 cms
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Pieter Neefs, the Elder (1578 - Antwerp -1659). Panel, 33 × 47cm. Signed and Dated: 1638
Attributed works:
[Front cover] Head of St Peter, Detail from the Chairing of St Peter, by Masaccio, Fig. 16 below Fresco. (Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint-Germain, Paris] Berruer P. F. (1733-1797), Le poète Néricault-Destouches. Terre cuite originale 1778/1779
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Cyril A. Farey (1888-1954), The Record Office, London, 1942. Watercolour 18½ × 14 Inches
Attributed works:
[Haboldt & Co., 137 Rue du Faubourg Saint - Honore, Paris/ 42 East 76th Street, New York] Hans Bol (1534-1593). An Idealized View of Antwerp, 1591. Tempera, 81 × 235 mm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Johann Wilhelm Baur Strassbourg 15??-1640 Vienna. Bodycolour on Vellum 137 × 184 mm. Hannibal's Army Crossing the Alps
Attributed works:
[Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich/ Harari & Johns 12 Duke Street, London] Giovanni Battista Franco (Venice c.1510-1561 Venice), 'Mucius Scaevola'. Pen and Brown Ink; 27,7 × 35 cm.
Attributed works:
[Patrick Perrin, 98 Faubourg Saint-Honore, Paris] Jean Henry d'Arles (1732-1784). French School. Deux Paniers. Red Chalk. H. 28.5 cm; W. 34.5 cm. Signed: 'Henry f. 1760'.
Attributed works:
[Phillips, 101 New Bond Street, London] Micheli Marieschi, "The Grand Canal, Venice, at the Mouth of the Rio Ca'Foscari with the Palazzo Foscari and the Palazzo Balbi," $24frac{3}{8}$ ins × $38frac{3}{4}$ Ins (62cm × 98.4cm), on Canvas. Sold 1990 for £115,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Denys Calvaert, Tobias and the Angel, Oil on Copper, Circa 1560, 23.6 by 18.3 cm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume-Guillon Lethière. Sainte Anne (Guadaloupe) 1760-1832 Paris. Metellus Spared by Octavian. Signed, Lower Right, Lethière. Pen and Brown and Grey Inks, with Grey Washes, over Traces of Graphite. $18frac{1}{16}$ × $24frac{11}{16}$ Inches (460 × 602mm)
Attributed works:
[World of Drawings and Watercolours, London] Ellen G. Hill (fl. 1864-93) An Artist's Early Day in Paris. Courtesy The Maas Gallery
Non-western art unattributed:
[Emile Deletaille Antiquaire, Rue Watteau, Brussels] Mayan Ceremonial Flint. Central Maya Lowland 600 to 900 A. D. H. 14.2 cm. L.32.2 cm. Depth 2 cm.
Western art unattributed:
[36th Antiques Fair of Belgium, Brussels] "The Madonna from Liège," Skulpturensaminlung. Staatliche Museen zu Berlin
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Annon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Wartski, 14 Grafton Street, London]The repoussé Silver Mounts Decorated with Moths Drawn to the Flame of a Candle. The Ivory Handle is Carved to Simulate the Wax of the Guttering Light. Decorated with Cabochon Chrysoprases on the Reverse. Copenhagen, c.1900
Supplement
Recent Acquisitions in Edinburgh Museums: Supplement
08/1988 | 1025 | 130
Pages: 655-659
Subjects
artists:
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places:
Illustrations
Attributed works:
100. Woman Bewitched by the Moon No.2, by Alan Davie. Board, 152.5 by 122 cm. (Scottish National Gallery of Modern Art).
Attributed works:
101. Douglas Douglas-Hamilton, 14th Duke of Hamilton, with Elizabeth Duchess of Hamilton, by Oskar Kokoschka. 1969. 89.8 by 129.8 cm. (Scottish National Portrait Gallery).
Attributed works:
102. War games, by Joyce Cairns. Board, 129.4 by 221 cm. (City of Edinburgh Art Centre). Purchased from the 369 Gallery with Jean F. Watson Bequest Funds.
Attributed works:
103. The Regatta (Or The yachting Race), by Stanley Cursiter. 1913. 51 by 61 cm. (Scottish National Gallery of Modern Art)
Attributed works:
104. Man Seated on a Donkey (Don Quixote), by Robert Colquhoun. c.1959. Ink on Paper, 50.8 by 40.6 cm. (City of Edinburgh Art Centre).
Attributed works:
105. Collage, by Günter Brus. 1965. Mixed Media on Panel, 77 by 77 cm. (Scottish National Gallery of Modern Art).
Attributed works:
106. A Man Perceived by a Flea, by Steven Campbell. 1985. 265 by 237.5 cm. (Scottish National Gallery of Modern Art).
Attributed works:
89. James, 1st Duke of Hamilton, by Daniel Mytens. 1629. 221 by 139.7 cm. (Scottish National Portrait Gallery).
Attributed works:
90. Maria Laetitia Ramolino Bonaparte, 'Madame Mère', by François, Baron Gérard. (National Gallery of Scotland).
Attributed works:
91. Mucius Scaevola, by Giovanni Maria Mosca. c. 1523. 34.5 by 21 cm. (National Gallery of Scotland). The subject is taken from Livy 2:12-13. Mosca executed a series of reliefs representing the human virtues as praised in classical and biblical literature. Formerly in the collection of the 10th Duke of Leeds. Acquired with the aid of the National Art-Collections Fund.
Attributed works:
92. Jérôme Bonaparte, by Joseph-Charles Marin. Signed. 1805. Terracotta. 47.5 by 30.5 by 24 cm. (Royal Museum of Scotland).
Attributed works:
93. Holy Family with St John in a Landscape, by Denys Calvaert. 42 by 32 cm. (National Gallery of Scotland).
Attributed works:
94. Edinburgh Castle from the South-West, by Patrick Nasmyth. 1815. 58.4 by 43.2 cm. (University of Edinburgh).
Attributed works:
95. Twilight, by Stanley Cursiter. Signed and Dated 1914. 152.5 by 214 cm. National Gallery of Scotland).
Attributed works:
96. The Winther family, by Emilius Baerentzen. 1827. 70.5 by 65.5 cm. (National Gallery of Scotland).
Attributed works:
97. The Red and White Roses, by Julia Margaret Cameron. 1865. Albumen Print, 26.3 by 23.4 cm. (Scottish National Portrait Gallery).
Attributed works:
98. Battle of the Baltic, by J. M. W. Turner. Water-colour, 14 by 13 cm. (National Gallery of Scotland).
Attributed works:
99. James Hogg, by Sir John Watson Gordon. 1830. 127 by 101.6 cm. (Scottish National Portrait Gallery).
Supplement
Recent Museum Acquisitions in Edinburgh: Supplement
08/1987 | 1013 | 129
Pages: 562-565
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Attributed works:
107-109. La jardinière endormie, L'offrande à la villageoise, and L'aimable pastorale, by François Boucher. Each 229 by 89 cm. (National Gallery of Scotland). A set of three canvases which were formerly in the collection of Marchal de Saincy (d.1789); they were subsequently bought by Baron Meyer Amschel de Rothschild and hung at Mentmore. Purchased by private treaty sale from the estate of H. M. V. Showering.
Attributed works:
110. James Watt and the steam engine: the dawn of the nineteenth century, by James Eckford Lauder. 147.3 by 238.8 cm. (National Gallery of Scotland). Lauder's celebration of the modern age of steam was painted in 1855 and exhibited in the Royal Scottish Academy's half of the newly erected National Gallery of Scotland building. This dramatic painting, with its obvious debt to Wright of Derby, is unusual in Lauder's career, his preferred subjects being generally selected from Scott or Shakespeare.
Attributed works:
113. Seton Palace and the Firth of Forth, by Alexander Keirincx. 45.6 by 68.5 cm. (Scottish National Portrait Gallery). This Landscape, Discovered and Identified Last Year, Contains the Only Known View of the Great Medieval and Renaissance Palace of Seton. It Was Painted for Charles I.
Attributed works:
114. The Musical Contest between Apollo and Masyas, by Giulio Sanuto. Engraving in Three Plates, 51.8 by 42.4 cm Each. (National Gallery of Scotland).
Attributed works:
115. Portrait of Mrs Fuseli, by Johann Heinrich Fuseli. Pen and Grey Wash over Traces of Black Chalk, 22 by 15.4 cm. Inscribed by the Artist '31 May 1800'. (National Gallery of Scotland). Purchased by Private Treaty from a Scottish Private Collection.
Attributed works:
116. Holy Family with St John in a Landscape, by Denys Calvaert. Oil on Copper, 42 by 32 cm. (National Gallery of Scotland). Dated by Stephen Pepper C.1593-94, a Close Variant is in the National Gallery, Warsaw, and Related Drawings are in the Albertina, Vienna and the Budapest Museum. Purchased with the Aid of the Patrons of the National Galleries of Scotland and the NACF.
Attributed works:
117. Close number 46, Saltmarket, by Thomas Annan. 1868-71. Albumen photograph, 27.9 by 22.5 cm. (Scottish National Portrait Gallery). One of thirty-one photographs from Thomas Annan's famous series Old Closes and Streets of Glasgow, taken for the Glasgow Improvement Trust, which is remarkable not just as a social or historical document but as a group of strikingly beautiful photographs.
Attributed works:
118. Alexander III of Scotland rescued from the fury of a stag by the intrepidity of Colin Fitzgerald, by Benjamin West. 1786. 366 by 521 cm. (National Gallery of Scotland). One of the earliest portrayals of Scottish history to be shown at the Royal Academy, it was commissioned by Francis Humberston Mackenzie to illustrate the legendary exploit of his ancestor in the thirteenth century. There is a preparatory oil-sketch at Petworth House, Sussex. Purchased with the aid of the National Heritage Memorial Fund, the NACF, the Pilgrim Trust, Ross and Cromarty District Council and Mr Dennis F. Ward.
Attributed works:
119. Two Sleeping Figures with Still-Life of Flask and Bottles, by Pier Francesco Mola. Pen and Brush with Brown Ink, 20.4 by 28 cm. (National Gallery of Scotland).
Attributed works:
120. Spiral Theme, by Naum Gabo. 1941. Perspex, 7.5 by 11 by 12.5 cm. (Scottish National Gallery of Modern Art).
Attributed works:
121. Clamp, by Bill Woodrow. 1986. Painted Metal, 248 by 67 by 51 cm. (Scottish National Gallery of Modern Art).
Western art unattributed:
111. One of a Set of Eight Carved Oak Panels Made for Cardinal David Beaton, Scottish, before 1546. The Whole Measures 670 by 145 cm. (The Royal Museum of Scotland).
Western art unattributed:
112. Deposition from the Cross, a Miniature from the Murthly Hours. The Manuscript was Written and Illuminated in England in the Late 13th or Early 14th Century, but It Has Been in Scottish Ownership Since 1420. (National Library of Scotland).
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