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10 articles
Letter
A Superb Baroque: Art in Genoa, 1600–1750
03/2021 | 1416 | 163
Pages: 221
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
Exhibition catalogues
museums and institutions:
National Gallery of Art, Washington, United States / Scuderie Papali al Quirinale, Rome, Italy
subjects:
Genoese / Baroque / Exhibitions
Article
Francis Cotes’s portraits of Sir Griffith and Lady Boynton
05/2016 | 1358 | 158
Pages: 349–357
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Cotes, Francis
buildings:
Burton Agnes Hall, Driffield, Great Britain
dates:
1760-1769
museums and institutions:
Frick Collection, New York, United States
subjects:
Companion portraits / Full-length portraits / British painting / Provenance / Commissions / Collections, Private / Collections, Public
subjects:
Patronage
Illustrations
Attributed works:
19. Burton Agnes Hall, by William Marlow. c.1762-65 (Burton Agnes Hall, East Yorkshire)
Attributed works:
20. Sir Griffith Boynton, 6th Baronet (1744-78), by Francis Cotes. 1769 (Collection of Mrs Henry Clay Frick II, on loan to the Frick Collection, New York)
Attributed works:
21. Mary Heblethwayte, Lady Boynton (1749-1815), by Francis Cotes. 1768 (Collection of Mrs Henry Clay Frick II, on loan to the Frick Collection, New York)
Attributed works:
22. Fig.20 in the Drawing Room at Eagle Rock, Prides Crossing, MA, before 1938
Attributed works:
23. Mary Heblethwayte, Lady Boynton (1749-1815), by Samuel Cotes. 1768-69 (Private collection)
Attributed works:
24. Fig.20 in the Drawing Room at Eagle Rock, Prides Crossing, MA, after 1938
Attributed works:
26. Portrait of Lady Boynton in the Great Hall at Burton Agnes Hall, East Yorkshire, before 1911
Attributed works:
27. Sir Peter Byrne Leicester, by Francis Cotes. 1769 (Tabley House, Cheshire)
Attributed works:
28. Mary Heblethwayte, Lady Boynton (1749-1815), by James Watson after Francis Cotes. 1770 (National Portrait Gallery, London)
Attributed works:
29. Monument to Sir Griffith Boynton, by William Mason and John Bacon. c.1778 (Burton Agnes Church, East Yorkshire)
Western art unattributed:
25. Detail of seventeenth-century plasterwork on the ceiling of the Queen's State Bedroom, Burton Agnes Hall, East Yorkshire
Letter
Veronese’s skies in S. Sebastiano
10/2012 | 1315 | 154
Pages: 711-712
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
Gisolfi, Diana
artists:
Veronese, Paolo
subjects:
Correspondence / Restoration (process) / Technical analysis / Pigments
Article
Gasparo Marcaccioni (1620–74), his portrait by Carlo Maratti and his chapel
09/2012 | 1314 | 154
Pages: 629-636
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
Bellori, Giovanni Pietro
artists:
Maratti, Carlo
artists:
Baldini, Pietro Paolo
buildings:
Cappella Marcaccioni, Santa Maria del Suffragio, Rome, Italy
patrons:
Marcaccioni, Gasparo, 1620-1674
print:
Marcaccioni, Carlo
subjects:
Full-length portraits / Portraits / Biographies
subjects:
Italian painting / Sitters
subjects:
Provenance / Patronage
subjects:
Estate inventories / Inventories
subjects:
Commissions
Illustrations
Attributed works:
17. Cardinal Antonio Barberini, by Carlo Maratti. c.1670–71. Canvas, 254 by 162 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
18. Gasparo Marcaccioni, by Carlo Maratti. c.1672–74. Canvas, 98 by 72 cm. (Private collection).
Attributed works:
19. Andrea Sacchi, by Carlo Maratti. c.1661–62. Canvas, 67 by 50 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
21. Monument to Gasparo Marcaccioni, by Paolo Naldini. 1674–77. Marble. (S. Maria del Suffragio, Rome).
Attributed works:
22. Stuccowork, Marcaccioni Chapel, by Paolo Naldini. 1674–76. (S. Maria del Suffragio, Rome).
Attributed works:
24. Gasparo Marcaccioni, by Paolo Naldini. 1674–77. Marble. (S. Maria del Suffragio, Rome).
Attributed works:
26. Annibale Carracci, by Paolo Naldini. 1674. Marble, 88 cm. high. (Protomoteca Capitolina, Rome).
Attributed works:
Giovan Pietro Bellori, by Carlo Maratti. c. 1672-73. Canvas, 97 by 72.5 cm. (Private collection, Rome)
Western art unattributed:
23. Marcaccioni Chapel. 1674–80s. (S. Maria del Suffragio, Rome).
Western art unattributed:
25. Elena Pozzi, by an anonymous sculptor. c.1703. Marble. (S. Maria del Suffragio, Rome).
Article
The restoration of Veronese’s ceiling in S. Sebastiano, Venice
01/2012 | 1306 | 154
Pages: 20-23
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Veronese, Paolo
buildings:
San Sebastiano, Venice, Italy
dates:
2010-2019 / 1550-1559
museums and institutions:
Museo di Palazzo Grimani, Venice, Italy
print:
Veronese, Paolo
subjects:
Italian painting / Ceilings / Architectural components / Restoration (process) / Conservation / Exhibitions
subjects:
Esther
Illustrations
Attributed works:
26. Ceiling, by Paolo Veronese. 1555–56. (S. Sebastiano, Venice).
Attributed works:
27. Repudiation of Vashti, by Paolo Veronese. 1555–56. Canvas, 410 by 295 cm. (S. Sebastiano, Venice).
Attributed works:
28. Triumph of Mordecai, by Paolo Veronese. 1555–56. Canvas, 410 by 295 cm. (S. Sebastiano, Venice).
Attributed works:
29. Coronation of Esther, by Paolo Veronese. 1555–56. Canvas, 300 by 300 cm. (S. Sebastiano, Venice).
Attributed works:
30. Fig.29, before restoration.
Attributed works:
31. Detail of Fig.29.
Attributed works:
32. Detail of Fig.29.
Attributed works:
33. Detail of Fig.27.
Article
The young Ribera
07/2011 | 1300 | 153
Pages: 475-478
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
Papi, Gianni, Florence, Italy
artists:
Ribera, Jusepe de
artists:
Master of the Judgement of Solomon
dates:
2010-2019
museums and institutions:
Museo Nacional del Prado, Madrid, Spain
places:
Spain / Madrid
print:
Ribera, Jusepe de
subjects:
Italian painting / Exhibitions
subjects:
Attribution
Reviewed Items
subjects:
El joven Ribera | institution: Museo Nacional del Prado
Illustrations
Attributed works:
47. St Thomas, by Jusepe de Ribera. c.1612. Canvas, 126 by 97 cm. (Fondazione di Studi di Storia dell’Arte Roberto Longhi, Florence; exh. Museo Nacional del Prado, Madrid).
Attributed works:
48. The Denial of St Peter, by Jusepe de Ribera. c.1613–14. Canvas, 163 by 233 cm. (Galleria Nazionale d’Arte Antica, Palazzo Corsini, Rome; exh. Museo Nacional del Prado, Madrid).
Attributed works:
49. The Raising of Lazarus, by Jusepe de Ribera. c.1615–16. Canvas, 171 by 289 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
50. The Judgment of Solomon, here attributed to the Master of the Judgment of Solomon. After 1612. Canvas, 153 by 201 cm. (Galleria Borghese, Rome; exh. Museo Nacional del Prado, Madrid).
Article
A further drawing for Pietro da Cortona’s ‘Age of Bronze’
03/2011 | 1296 | 153
Pages: 168-171
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Cortona, Pietro da
buildings:
Palazzo Pitti, Florence, Italy
dates:
1640-1649
museums and institutions:
Dulwich Picture Gallery, London, Great Britain
print:
Cortona, Pietro da
subjects:
Preliminary drawings / Drawings / Italian / Collections, Public / Studies (visual works) / Figure studies / Copies
subjects:
Italian painting / Frescoes
Illustrations
Attributed works:
41. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 35 by 25 cm. (Dulwich Picture Gallery, London).
Attributed works:
42. The Age of Bronze, by Pietro da Cortona. 1641. Fresco. (Sala della Stufa, Palazzo Pitti, Florence).
Attributed works:
43. Study for the Age of Iron, by Pietro da Cortona. 1641. Pen and ink and red chalk on paper, 18.7 by 19.4 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
44. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink on paper, 28 by 20 cm. (Galleria degli Uffizi, Florence).
Attributed works:
45. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 33.3 by 26 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
46. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over red chalk on paper, 33.8 by 26.5 cm. (Collection Dr Arthur Feldmann, Brno, Czech Republic. Confiscated by the Gestapo on 15th March 1939. Restituted by the National Gallery in Prague to the Feldmann heirs).
Attributed works:
47. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 23.3 by 17.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
48. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink and brown wash over black chalk on paper, 40.5 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
49. Figure study for the Age of Bronze, by Pietro da Cortona. 1641. Black chalk and white lead on paper, 34.8 by 23.1 cm. (Istituto Nazionale per la Grafica, Rome).
Western art unattributed:
50. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 81.9 by 65.4 cm. (Dulwich Picture Gallery, London).
Western art unattributed:
51. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 83.9 by 62.2 cm. (National Museum of Wales, Cardiff).
Article
The children in Veronese’s portraits of Iseppo and Livia da Porto
12/2009 | 1281 | 151
Pages: 816-818
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Veronese, Paolo
museums and institutions:
Walters Art Gallery, Baltimore, United States / Galleria degli Uffizi, Florence, Italy
patrons:
Porto, Deidamia da / Porto, Iseppo da / Porto, Leonida da / Porto Thiene, Livia da
places:
United States / Italy / Florence / Baltimore
print:
Veronese, Paolo
subjects:
Children / Family portraits / Full-length portraits / Group portraits / Portraits / Identification
subjects:
Collections, Public
Illustrations
Attributed works:
1. Livia da Porto Thiene and her daughter Deidamia, by Paolo Veronese. 1552. Canvas, 208.4 by 121 cm. (Walters Art Museum, Baltimore).
Attributed works:
2. Iseppo da Porto and his son Leonida, by Paolo Veronese. 1552. Canvas, 207 by 137 cm. (Galleria degli Uffizi, Collezione Contini Bonacossi, Florence).
Article
Reconstructing Veronese’s Petrobelli altarpiece
01/2009 | 1270 | 151
Pages: 4-13
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Veronese, Paolo
dates:
1550-1649
dates:
2000-2009
museums and institutions:
Dulwich Picture Gallery, London, Great Britain / National Gallery of Scotland, Edinburgh, Great Britain / National Gallery of Canada, Ottawa, Canada / Blanton Museum of Art, Austin, United States
patrons:
Petrobelli, Antonio / Petrobelli, Girolamo
print:
Veronese, Paolo
subjects:
Italian painting / Altarpieces / Reconstructions / Fragments / Identification / Provenance / Collections, Public / Exhibitions
subjects:
Lost works / Damage to works of art
subjects:
Restoration (process) / Conservation
Illustrations
Attributed works:
1. St Jerome and Girolamo Petrobelli (before the 1948–53 restoration), by Paolo Veronese. c.1563. Canvas, 227.2 by 120 cm. (Dulwich Picture Gallery, London).
Attributed works:
10. Reconstruction of Veronese’s Petrobelli altarpiece, by Peter and Linda Murray. 1977. (Dulwich Picture Gallery, London).
Attributed works:
12. Head of St Michael, by Paolo Veronese. c.1563. Canvas, 41 by 32.1 cm. (Blanton Museum of Art, Austin, Texas).
Attributed works:
13. Reconstruction of Veronese’s Petrobelli altarpiece, by Stephen Gritt and Xavier F. Salomon. 2008.
Attributed works:
2. St Anthony Abbot and Antonio Petrobelli (before the 1958 restoration), by Paolo Veronese. c.1563. Canvas, 199.5 by 120.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
3. Dead Christ supported by angels, by Paolo Veronese. c.1563. Canvas, 221 by 250.5 cm. (National Gallery of Canada, Ottawa).
Attributed works:
4. Reconstruction of Veronese’s Petrobelli altarpiece, by Stanley Cursiter. 1932. (National Gallery of Canada, Ottawa).
Attributed works:
5. Reconstruction of Veronese’s Petrobelli altarpiece, by Eric Brown. 1933. (National Gallery of Scotland, Edinburgh).
Attributed works:
6. Reconstruction of Veronese’s Petrobelli altarpiece, by Stanley Cursiter. 1933. (National Gallery of Canada, Ottawa).
Attributed works:
7. St Jerome and Girolamo Petrobelli (after restoration), by Paolo Veronese. c.1563. Canvas, 227.2 by 120 cm. (Dulwich Picture Gallery, London).
Attributed works:
8. Reconstruction of Veronese’s Petrobelli altarpiece, by William Dale. 1952. (National Gallery of Canada, Ottawa).
Attributed works:
9. St Anthony Abbot and Antonio Petrobelli (after restoration), by Paolo Veronese. c.1563. Canvas, 199.5 by 120.8 cm. (National Gallery of Scotland, Edinburgh).
Western art unattributed:
11. Dead Christ supported by angels, by an anonymous Italian painter. Seventeenth century. Canvas, dimensions unknown. (S. Giuseppe, Lendinara).
Short Notice
The contract for Giuliano Finelli's monument to Cardinal Pietro Aldobrandini
12/2004 | 1221 | 146
Pages: 815-819
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Finelli, Giuliano
buildings:
Basilica di San Giovanni in Laterano, Rome, Italy
dates:
1600-1649
patrons:
Aldobrandini family
patrons:
Aldobrandini, Pietro, Cardinal, 1571-1621
places:
Italy / Rome
print:
Finelli, Giuliano
subjects:
Italian sculpture
Illustrations
Attributed works:
12. Monument to Cardinal Giulio Antonio Santori, by Giuliano Finelli. 1630-35. Marble. (S. Giovanni in Laterano, Rome).
Attributed works:
13. Monument to Cesare Firrao, by Giuliano Finelli. 1640-42. Marble. (S. Paolo Maggiore, Naples; photo: Tim Benton).
Attributed works:
14. St Clement, by Ippolito Buzio. c.1604-11. Marble. (S. Maria sopra Minerva, Rome).
Attributed works:
15. Cardinal Pietro Aldobrandini, by Ottavio Leoni. c.1604. Black chalk on drab paper, 23.1 by 16 cm.