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3 articles
Book Review
Creative Gatherings: Meeting Places of Modernism
02/2021 | 1415 | 163
Pages: 194
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
Reviewed Items
subjects:
Creative Gatherings: Meeting Places of Modernism By Mary Ann Caws. 352 pp. incl. 133 col. + 78 b. & w. ills. (Reaktion Books, London, 2019), £25. ISBN 978–1–78914–055–2. | :
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Article
Cardinal Federico Borromeo and the choice of painters to fresco the Collegio Borromeo at Pavia
08/2013 | 1325 | 155
Pages: 534-540
related names
Author:
Berra, Giacomo (Berra, Giacomo)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. S. Carlo founds colleges and seminaries, by Cesare Nebbia. Fresco. (Southern part of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
11. S. Carlo and the plague in Milan; the translation of the relic of the Holy Nail, by Cesare Nebbia. Fresco. (Northern side wall of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
12. Portrait of Federico Zuccari, by Fede Galizia (Galleria degli Uffizi, Florence)
Attributed works:
5. Eastern façade of the Collegio Borromeo, Pavia. Designed by Pellegrino Pellegrini, called il Tibaldi
Attributed works:
6. Courtyard of the Collegio Borromeo, Pavia. Designed by Pellegrino Pellegrini, called il Tibaldi
Attributed works:
7. Scenes from the life of S. Carlo Borromeo (vault, south side), by Cesare Nebbia; and S. Carlo Borromeo receives his cardinal's hat (south wall), by Federico Zuccari. Frescoes. (Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio Borromeo, Pavia)
Attributed works:
8. The translation of the Holy Nail relic, by Cesare Nebbia. Fresco. (Central section of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)
Attributed works:
9. S. Carlo's pilgrimage to Turin for S. Sindone and the meeting with the Dukes of Savoy, by Cesare Nebbia. Fresco. (Southern part of the vault of the Salone del Collegio Borromeo, Pavia; Archivio fotografico Almo Collegio, Pavia)