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29 articles
Book Review
Cottages Ornés: The Charms of the Simple Life. By Roger White
01/2019 | 1390 | 161
Pages: 89-90
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
12/2018 | 1389 | 160
Pages: 1077-1078
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Exhibition Review
Monet & Architecture. National Gallery, London
07/2018 | 1384 | 160
Pages: 589-591
related names
Reviewer:
Adler, Kathleen (Adler, Kathleen)
Subjects
artists:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
17. The Grand Canal, by Claude Monet. 1908. Canvas, 73 by 92 cm. (Fine Arts Museums of San Francisco; exh. National Gallery, London).
Attributed works:
18. The Quai du Louvre, by Claude Monet. 1867. Canvas, 65.1 by 92.6 cm. (Gemeente- museum, The Hague; exh. National Gallery, London).
Attributed works:
19. The Boulevard des Capucines, Paris, by Claude Monet. 1873. Canvas, 61 by 80 cm. (State Pushkin Museum of Fine Arts, Moscow; exh. National Gallery, London).
Book Review
Under the Banyan Tree: Relocating the Picturesque in British India, R. Ray
05/2014 | 1334 | 156
Pages: 319-320
related names
Reviewer:
Willcock, Sean (Willcock, Sean)
Subjects
dates:
places:
Illustrations
Attributed works:
28. Maharaja Dalip Singh, by Franz Xaver Winterhalter (Royal Collection, Windsor)
Book Review
Ireland and the Picturesque: Design, Landscape Painting and Tourism, 1700–1840, F. O’Kane
04/2014 | 1333 | 156
Pages: 246-247
related names
Reviewer:
O'Byrne, Robert (O'Byrne, Robert)
Subjects
dates:
places:
Book Review
Le Beau Langage de la Nature; l’Art du Paysage au Temps de Mazarin, A. Lemoine and O. Svatier Sjöholm, eds.
03/2014 | 1332 | 156
Pages: 175
related names
Reviewer:
Langdon, Helen (Langdon, Helen)
Subjects
dates:
dates:
places:
Book Review
Uvedale Price (1747–1829): Decoding the Picturesque
04/2013 | 1321 | 155
Pages: 264-265
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
art literature:
collectors and dealers:
dates:
Illustrations
Attributed works:
59. Study of a dragon pierced by a lance, by Guercino. c.1637-39. Pen and brown ink, 19.4 by 18.6 cm. (Jean-Luc Baroni Ltd., London).
Book Review
Visual Planning and the Picturesque
04/2011 | 1297 | 153
Pages: 265
related names
Reviewer:
Woodward, Christopher H. (Woodward, Christopher H.)
Subjects
art literature:
dates:
dates:
places:
subjects:
Reviewed Items
subjects:
Visual Planning and the Picturesque | editor: Aitchison, Mathew , author: Pevsner, Nikolaus
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