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53 articles
Article
Concealing portraits in Renaissance Venice: Jacometto’s painted box
02/2024 | 1451 | 166
Pages: 126–1139
related names
Author:
Manges Nogueira, Alison (Manges Nogueira, Alison)
Subjects
dates:
sources:
subjects:
Illustrations
Attributed works:
1. and 2. A tethered roebuck (recto) and Alvise Contarini (verso), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (recto), oil on panel (verso), 11.7 by 8.6 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
10. Portrait of a woman, possibly a Novice of San Secondo, by Jacometto Veneziano. c.1490. Oil on panel, 24 by 15.5 cm. (Cleveland Museum of Art).
Attributed works:
11. Rendering of the figural outlines in the painting in Fig.3.
Attributed works:
12. Auditus, by Cornelis Cort after Frans Floris I. 1561. Engraving, 21.5 by 26.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Detail of Orpheus (‘The Widener Orpheus’), showing the figure of Orpheus. Venice, c.1515. Oil on panel transferred to canvas, 39.5 by 81 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
14. Orpheus and Charon, by Nicola da Urbino. Urbino, c.1515. Maiolica, diameter 28.2 cm. (Museo Correr, Venice).
Attributed works:
15. The wedding of Orpheus and Eurydice, Eurydice bitten by a snake, and Orpheus and Charon, after Benedetto Bordon. 1497. Woodcut, 29.8 by 20.6 cm. (page). (From Ovidio Metamorphoseos vulgare, transl. Giovanni de’ Bonsignori, Venice 1497, fol.83v; Metropolitan Museum of Art, New York).
Attributed works:
16. Daniel in the cave of the lions, by Cima da Conegliano. c.1495. Tempera and gold on panel, 57.7 by 43.5 cm. (Pinacoteca Ambrosiana, Milan; Bridgeman Images).
Attributed works:
17. Orpheus charming the animals, by the workshop of Cima da Conegliano. Early 16th century. Pen and wash on paper, 25 by 20 cm. (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence).
Attributed works:
18. Orpheus redeeming Eurydice, by Moderno. Late 15th or early 16th century. Bronze, diameter 10.6 cm. (National Gallery of Art, Washington).
Attributed works:
19. Petrarch, Laura and Orpheus, attributed to the Petrarch Master. 1463–64. Coloured pigments, gold and ink on parchment, 23 by 14 cm. (From Sonnets and Triumphs by Petrarch, Victoria and Albert Museum, London, L.101-1947).
Attributed works:
20. Portrait medal of Cristoforo Civran. Venice, late 15th century. Bronze, diameter 4.9 cm. (Private collection).
Attributed works:
21. Stag at rest chained to a tree, by Giulio Campagnola. c.1510–15. Engraving with stipple, 18.2 by 11.8 cm. (British Museum, London).
Attributed works:
22. Deer chained to a laurel tree. Venice, late 15th century. Tempera on vellum. (From Rime, by Niccolò Lelio Cosmico, Biblioteca Nazionale Marciana, Venice, MS Marciano It. IX 152 (=7057), fol. 2v.).
Attributed works:
23. Tiberius. Roman, 14–20, in a mount with a Medici emblem and inscription, Italian or French, 16th century. Sardonyx, gold, pearl and enamel, 8 by 4.8 cm. (Art Institute of Chicago).
Attributed works:
24. Staurotheke with a double-sided sliding lid. Constantinople (?), early 9th century. Gilded silver, gold, enamel worked in cloisonné and niello, 2.7 by 10.3 by 7.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. and 4. A scene here identified as Orpheus and Charon (verso) and Portrait of a woman here identified as Daria Querini (recto), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (verso), oil on panel (recto), 10.2 by 7.3 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
5. Portrait effigy of Elisabeth Krauss, with a sliding cover. Nuremberg, c.1640. Coloured wax and wood, 13.5 by 12.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
6. Giovanna de’ Rossi, by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.6 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
7. Allegory of Chastity (cover for Giovanna de’ Rossi), by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.7 cm. (National Gallery of Art, Washington).
Attributed works:
8. Philipp Melanchthon and cover with grotteschi and an inscription, by Hans Holbein the Younger. 1535. Oil on panel, diameter 9 cm. (Landesgalerie, Niedersachsisches Landesmuseum, Hannover).
Attributed works:
9. Portrait of a boy, by Giovanni Bellini. c.1474. Oil on panel, 38 by 23 cm. (Barber Institute of Fine Arts, Birmingham).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Article
Hans Memling’s Nájera altarpiece: new documentary evidence
02/2018 | 1379 | 160
Pages: 101-105
related names
Author:
Fransen, Bart (Fransen, Bart)
Subjects
artists:
dates:
media:
places:
places:
Illustrations
Attributed works:
1. God the Father surrounded b singing and musician angels (central panel), by Hans Memling. 1483–94. Panel, 169.7 by 212.7 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
2. God the Father surrounded b singing and musician angels (left flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231.5 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
3. God the Father surrounded b singing and musician angels (right flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231 cm. (Royal Museum of Fine Arts Antwerp).
Exhibition Review
Monochrome. London
02/2018 | 1379 | 160
Pages: 146-147
related names
Reviewer:
Stahlbuhk, Katharine (Stahlbuhk, Katharine)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
7. Head of a woman, by Albrecht Dürer. 1520. Black and grey bodycolour heightened with white on paper, 32.4 by 22.8 cm. (British Museum, London; exh. National Gallery, London).
Attributed works:
8. St Christopher carrying the Infant Christ and St Anthony Abbot, from the Donne triptych, by Hans Memling. c.1478. Panel, each 71 by 30.5 cm. (National Gallery, London).
Attributed works:
9. Helga Matura with her fiancé, by Gerhard Richter. 1966. Canvas, 200 by 100 cm. (Museum Kunstpalast, Düsseldorf; © Gerhard Richter 2017; exh. National Gallery, London).
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Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
Publication Received
Wirklichkeit und Wahrnehmung: Hans Memlings Turiner Passion und die Bildgruppe der Passionspanoramen
07/2011 | 1300 | 153
Pages: 487
related names
Reviewer:
Borchert, Till-Holger (Borchert, Till-Holger)
Subjects
artists:
museums and institutions:
print:
subjects:
Reviewed Items
subjects:
Wirklichkeit und Wahrnehmung: Hans Memlings Turiner Passion und die Bildgruppe der Passionspanoramen | author: Gerth, Julia
Book Review
Hans Memling: Master Painter in Fifteenth-Century Bruges
02/2010 | 1283 | 152
Pages: 102-103
related names
Reviewer:
Borchert, Till-Holger (Borchert, Till-Holger)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Hans Memling: Master Painter in Fifteenth-Century Bruges | author: Lane, Barbara G.
Exhibition Review
Memling's portraits. Madrid, Bruges and New York
08/2005 | 1229 | 147
Pages: 573-575
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Memling's Portraits | institution: Frick Collection , institution: Groeningemuseum , institution: Museo Thyssen-Bornemisza
Illustrations
Attributed works:
49. Portrait of a man in a red hat, by Hans Memling. c.1465-70. panel, 41.8 by 30.6 cm. (Städelsches Kunstinstitut, Frankfurt; exh. Groeningemuseum, Bruges).
Attributed works:
50. Portrait of a man, by Hans Memling. c.1475-80. Panel, 33.5 by 23 cm. (Frick Collection, New York; exh. Groeningemuseum, Bruges).
Attributed works:
51. Portrait of a young man, by Hans Memling. c.1475-80. Panel, 39.5 by 28.3 cm. (Robert Lehman collection, Metropolitan Museum of Art, New York; exh. Groeningemuseum, Bruges).
Advertisements
Advertisements May 2005 (Front)
05/2005 | 1226 | 147
Pages: i-xvi
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Ben Elwes, London. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005.A Neapolitan coastal view from Pozzuoli, by Thomas Jones (British, 1742-1802). 1781. Oil on canvas, 73.6 by 97.8 cm.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. JUSTUS SUSTERMANS (Anvers 1597-Florence 1681). Portrait of Ferdinando II de'Medici, Grand Duke of Tuscany. Oil on canvas, 128.5 x 105.2 cm. Stretcher and lining recent.]
Attributed works:
[Didier Aaron, Inc., New York. The Internationa Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The abduction of Oreithya, by François-André Vincent 81746-1816). 89 by 70.5 cm. Signed and dated lower left: 'Vincent 1781']
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The Favourite or the elder sister, by Louis Léopold Boilly (1761-1845). Charcoal with white heightening on grey paper, 35.4 by 29.7 cm. Signed lower right: 'OEL Boilly']
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Orazio BORGIANNI. Florence, 1574-1616. Saint Charles Borromeo Visiting the Plague-Stricken. Oil on canvas. cm 63 x 49,8 (24 13x16 x 19 5/8). This bozzetto is a preparatory study for the celebrated altarpiece of the same subject, executed by the artist for the Mercedarian Fathers of Sant'Adriano in Rome.]
Attributed works:
[Galerie Cazeau-Beraudiere, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Poeme II, by Joan Mirò (1893-1983). Oil and acrylic on canvas, 205 by 174 cm. Signed on the back: 'MIRO./POEME/17/V/68']
Attributed works:
[Galerie Eric Coatalem, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Seated oriental, by Eugène Delacroix (1798-1863). c. 1840. 43.5 by 44 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. ANTON RAPHAEL MENGS. (Aussig 1728-Rome 1779). Allegory of Pleasure. Oval, pastel on paper, H.620 mm. L. 490 mm]
Attributed works:
[Galerie Fabien Boulakia, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Le vase bleu, by Georges Braque (1882-1963). c. 1941. Oil on canvas, 65 by 50 cm. Signed lower left: 'G. Braque']
Attributed works:
[Guarisco Gallery, Washington. The Interantional Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. La maison sous l'église, le matin, by Henry Le Sidaner. (1862-1939). 1930. Oil on canvas, 91.4 by 71.1 cm. Signed lower right.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. MASTER OF ALZIRA (active between 1527 and 1533). The Deposition. Oil on panel 50 x 41 cm. 19 5/8 x 16 1/8 in.]
Attributed works:
[Jack Kilgore & co., New York. The International FIne Art Fair. The seventh Regiment Armory, New York, 13th-18th May 2005. Moses striking the rock, by Hendrick van Balen and Jan Brueghel the Elder. Oil on copper, 44.5 by 66.7 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Cornelius Varley (1781-1873). Watercolour.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. A wooded river landscape with travellers resting near a tower, by Thomas Gainsborough, R.A. (1727-1788). c. 1750. Oil on canvas, 23.5 by 31.1 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Madonna of humility and blessing... with saints and other figures. Portable devotional triptych by the Master of the Terni Dormitio (active and 14th c to 1415).]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Ernst Ludwig Kirchner. Franzi in front of carved Chair, 1910.]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Hans Memling. Portrait of a young man at preyer, c. 1485.]
Attributed works:
[Neumeister. Fine Art Auctioneer. Barer Strasse 37. 80799 Munich. Urbino, dat. 1545. Francesco Durantino.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. FRANCISCO DE ZURBARAN, 1598-1664, Spanish School. The Virgin presenting the Habit of Mercy to St. Peter Nolasco. 42 1/2 x 32 inches (108 x 81 cm)]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Maestro della Madonna del Giunchetto. Arezzo (Italy), circa 1490-1510. Virgin and Child. Terracotta. Height: 110 cm]
Attributed works:
[Stiebel. New York, Upper Eastside. "Cosimo de' Medici III" by Antonio Montauti.]
Attributed works:
[Stoppenbach & Delestre, London. The International Fine Art Fair. The Sevent Regiment Armory, New York, 13th-18th May 2005. Paysage à l'Estaque, by André Derain (1880-1954). 1906. Oil on canvas, 53.5 by 65.5 cm]
Attributed works:
[Thomas Le Claire, Hamburg. The International FIne Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Rearing Horse, by Edgar Degas (1834-1917). Charcoal on paper, 31.7 by 22.8 cm. Stamped lower left with the red signature stamp of the estate (Lugt 658).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. BENEDETTI LUTI. Florence 1666-1724 Rome. Portrait of a Boy Wearing a Blue Jacket, 1717. Pastel. Inscribed and dated on a label attached to the back of the frame, Rome 1717/Il Caval. Benedetto Luti Fec[it]. 16 x 13 inches (405 x 330 mm)]
Western art unattributed:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Franco-Flemish artist, active in Burgundy (c.1400). The Adoration of the Magi with St. Anthony Abbot. Panel, 34 3/4 x 67 1/2 in.]
Western art unattributed:
[Trinity Fine Art, London. The International fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Standing angel, attribuited to Giovanni Rinaldi, called 'Monsu' Giovanni' (active 1668-1672). Roman, 17th century. Silver and gilt bronze.]
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Advertisements March 2005 (Front)
03/2005 | 1224 | 147
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. DANTE GABRIEL ROSSETTI (1828-1882). Elizabeth Siddal seated in a chair. Verso: Studies of THree Female Figures. Pencil, 8 x 15 1/2 in (20.5 x 14 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. Study of St. Joseph in Glory, by Giuseppe Passeri (1654-1714). Pen and brown ink over black chalk heightened with white on paper washed brown, 291 x 241 mm. Inscribed 'Passeri' and 'du Passeri' on the mount.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Albrecht Durer 1471-1528. St. Sebastian, bund to a column. Engraving c. 1498-9.]
Attributed works:
[Arturo Cuellar, Zurich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Homme buvant du café, by Vincent van Gogh (1853-1890). Pencil on paper, 310 x 240 mm. Signed: 'Vincent'. Circa 1882.]
Attributed works:
[Arturo Cuellar. Burglistrasse 18, 8002, Zurich. PABLO PICASSO (Malaga 1881-1973 Mougins) Two studies of heads (1931). Signed: Picasso lower right. Pencil, 25.5 x 33 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Claude Gellée, called Le Lorrain (1600-1682). Landscape with Large Tree 1640-45. Pen and brown ink with wash and white heightening over black chalk underrawing on blue paper, 21 x 31 cm. Signed at bottom center. Claudio fecit.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Landscape Plauen (Saxony), by Ernst Ferdinand Oehme (1797-1855). Watercolour, 130 x 215 mm. Circa 1830.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. GIOVANNI DOMENICO CERRINI (Perugia 1605-Rome 1681). Head of an Angel. Black, white and red chalk on blue paper, 270 x 222 mm. Inscription on the recto: Cerrino nel quadro dell'Assunta in sagrestia dell Chiesa nuova di Roma. Inscription on the verso: Cerrino da Perugia.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Gerrit Dou (Leiden 1613-1675). A sleeping dog beside a terracotta jug, a basket and a pile of kindling wood. Signed and dated 1650. Oil on panel. 7 x 9 in. (17.8 x 22.9 cm. $2,000,000-3,000,000 (£1,060,828-1,591,323)]
Attributed works:
[David Tunick, Inc., New York. Saint Jerome in the Wilderness, by Titian (1477-1576) Woodcut, 384 x 529 mm. Circa 1525-30.]
Attributed works:
[Day & Faber, London. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Face of a Native American, study for the decoration at Wuzburg, by Giovanni Battista Tiepolo (1696-1770) Black chalk, heightened with white, on blue Venetian paper, 293 x 202 mm.]
Attributed works:
[Day & Faber. 173 New Bond Street, London. François Boucher. Paris 1703-1770 Paris. Charlotta Sparre, aged twenty-one. Red, black and white chalk: 343 x 265 mm. Drawn in Paris 1740-41.]
Attributed works:
[Dickinson, London & New York. En marche, by Georges Seurat (1859-1891). Conté crayon on paper, 305 x 230 mm. With the red signature stamp Seurat (Lugt 282a) lower right.]
Attributed works:
[Dr. Jorn Gunther Rare Books Ltd., Hamburg. Missale Fratrum Minorum, manuscript on vellum written by the German scribe Henricus Haring for the convent of S. Francesco di Montone near Perugia. Miniatures by Bartolomeo Caporali, probably assisted by his Brother Giapeco. Vellum, 350 x 250 mm. Italy, Perugia, 1469.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of Baccio, by Bartolomeo Passarotti (1529-1592). Pen and brown ink, 420 x 275 mm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré, 75008, Paris. JEAN, DIT ALEXIS GRIMOU (Romont 1678 - Paris 1733) La marquise de La Salle dite l'Espagnolette. Three crayons on blue paper, H. 355 mm. L. 290 mm.]
Attributed works:
[Galerie Normand, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Le lavoir des capucins à Rome, by François-Marius Granet (1775-1849). Signed. Watercolour and ink, 120 x 150 mm.]
Attributed works:
[Galerie Normand. 35 rue de Lille, 75007 Paris. Théodore ROUSSEAU 1812-1867. La mare aux fées, foret de Fontainebleau, circa 1848. Initial 'THR' on lower left. Oil on canvas, 59 x 114 cm (23 1/4 x 44 3/4 inches)]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Attributed to Valentin Sonneenschein. (Stuttgart, 1749-Berne, 1828) A meeting of men of letters. Sculpture in Lorrain stone, 25 by 56.6 cm. Tablet in white marble, 39 by 51.5 cm. Dated 1777.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-BAPTISTE OUDRY. (1686-1755) A Hare looking back to the left. Black and white chalk on blue paper, 27.8 x 42.2 cm (11 x 16 3/4 in)]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Book of Hours, by Jean Dreux (?= Master of the Sachsenheim-prayerbook). Illuminated manuscript on vellum, with 12 large miniatures and one historiated inital. Calligraphy with superb cadels on every text page by Nicolas Spierinc.]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG. Bibermuhle 1, CH 8262, Ramsen. THE ROSSI MISSAL. Missal for the major feasts. Parma or Pavia, c. 1530-1540. Illuminated manuscript on vellum, with 3 miniatures (one full page) by Guernerius Beretta, who signed the crucifixion - a renowned and highly praised artist (nella miniatura pittore singolare) but not all defined until the discovery of the signature here. Made for a member of the Rossi family, viz. Giovan Girolamo de' Rossi, bishop of Pavia from 1530. Still in its original binding with the Rossi coats of arms: Folio (350 x 245 mm).]
Attributed works:
[Kunsthandlung Helmut H. Rumbler. Frankfurt. Portrait of Emperor Maximilian I, by Lucav von Leyden. 1520. Etching with engraving, 257 x 193 mm. Watermark: crowned coat of arms with sun (Hollstein 4, 1520).]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. FRANCIS COTES, R.A. 1726-1770. Lieutenant-colonel the Hon. Edmund Craggs Nugent, Wearing van Dyck costume. Pastel on paper laid on canvas. 23 1/4 x 17 inches; 590 x 437 mm. In its original frame. Signed and dated 1748.]
Attributed works:
[Maggs Brothers. 50 Berkeley Square, London, W.C. Workshop of Jean Pucelle. Illuminated leaf from a Pontifical. Paris. Circa 1330.]
Attributed works:
[Museo Thyssen-Bornemisza. Ernst Ludwig Kirchner. Franzi in front of carved chair. 1910.]
Attributed works:
[Museo Thyssen-Bornemisza. Hans Memling. Portrait of a Young Man at Prayer, c. 1485.]
Attributed works:
[Noortman, Maastricht. Les repasseuses, by Edgar Degas (1834-1917). Charcoal and pastel on three pieces of paper joined and laid down on heavy cardboard, 600 x 760 cm. Signed in charcoal upper left; Degas.]
Attributed works:
[Pandora, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of a Bishop, by Giovanni Mannozzi, called Giovanni da San Giovanni (1592-1636). Pastel, black and red chalk on blue paper, 304 x 202 mm.]
Attributed works:
[Pandora. P.O. Box 1761, New York. Detail of LUIGI SABATELLI (Florence 1772-1850 Milan), Study of a Lion, pen and brown ink, 299 x 418 mm.]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Jacques Louis DAVID. Paris 1748 - Bruxelles 1825. A naked woman with left arm raised (recto). Figure of Love crying, sitting with a bow (verso). Pencil, 229 x 149 mm, squared.]
Attributed works:
[Paul Proute, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study for a portrait of a seated man, writing, seen in left profile, by François de Troy (1645-1730). Red, Black and white chalk on chamois paper, 243 x 210 mm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Gregorio di Lorenzo. Maestro delle Madomme di Marmo. Firenze, 1470/80. S. Giovanni Battista Fauciullo. Marmo. 38 x 22 x 15 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON. 1767 Montargis, Loiret - Paris 1824. Armin Witnessing the Death of his Children. Pen and ink and gray wash, over charcoal, with white heightening. 219 x 254 mm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. The death of Lucretia, by Etienne-Barthélemy Garnier (1759-1849). Black pen and blue brush with white heightening on beige paper, 525 x 770 mm.]
Attributed works:
[Thomas Williams Fine Art, London. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. View of Lahnstein on the River Rhine, by Wenceslaus Hollar (1607-1677). Pen and brown ink over black and red chalk, 98 x 238 mm. Inscribed by the artist, Lahnstein (verso).]
Attributed works:
[Thomas Williams, fine art Ltd. 22 Old Bond Street, London. W1S 4PY. WENCESLAUS HOLLAR. Prague 1607-1677 London. A View of Tangier from the South-East. Watercolour and pen and brown ink over black chalk, 157 x 623 mm; 6 1/8 x 24 1/2 in.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. François Bonvin. Paris 1827-1887 Saint-Germain-en-Layne. A man seated at a Table Reading a Newspaper, 1852. Watercolour and black chalk. Signed and dated, lower left, f. Bonvin. 52. 11 3/4 x 9 1/4 inches (300 x 235 mm). Exhibiting at the SALON DU DESSIN, March 16-21, 2005, Stand no.5]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait studies of a girl and an older woman, by Adolph von Menzel (1815-1905). Graphite with stumping, 133 x 199 mm. Signed with initials and dated: 'A.M/1886'.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study of fingers on the march, by François Boucher (1703-1770) Signed or inscribed lower right, F. Boucher. Black and white chalk on buff-coloured paper, 306 x 413.]
Western art unattributed:
[Charles Edwin Puckett. 3867 West Market Street, #253. Akron, Ohio 44333. DAVID IN PREYER. Tempera and gold on vellum, 160 x 115 mm. From a book of Hours. France (Use of Rouen), circa 1490.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. The Hourse of Guyot II Le Peley of Troyes, manuscript on vellum illuminated by Jean Colombe and atelier. c. 1485. 128mm x 95mm. £250,000-350,000.]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Biblia Sacra, by Mainz, Johannes Fust & Peter Schoffer, 14 August 1462. Two volumes, complete. Printed on vellum and illuminated throughout by the Fust-Master, 400 x 300 mm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Circle of Giovanni Bellini. Head and Shoulders portrait of a young man. Black chalk. 291 by 272 mm. Sold for $800,000, Sotheby's New York 26 January 2005.]
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