7. Sketch for the Rape of Europa, by Peter Paul Rubens. 1636. Panel, 18.9 by 13.7 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
8. The recognition of Phililpoemen, by Peter Paul Rubens and Frans Snyders. c.1609. Canvas, 201 by 311 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
9. Sketch for The recognition of Phililpoemen, by Peter Paul Rubens. c.1609. Panel, 50.5 by 66.5 cm. (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam).
Exhibition Review
Between Rubens and Van Dyck: Gaspar de Crayer. Musée de Flandre, Cassel; Gaspar de Crayer and Ghent: An unbreakable bond. Museum voor Schone Kunsten, Ghent
10. The Martyrdom of St Catherine, by Gaspar de Crayer. c.1622. Canvas, 242 by 188 cm. (Musée des Beaux-Arts, Grenoble; photograph J.-L. Lacroix; exh. Musée de Flandre, Cassel).
Attributed works:
11. Adolescent Virgin decorated by angels in the presence of Joachim and St Anne, by Gaspar de Crayer. Canvas, 155 by 111 cm. (Royal Museums of Fine Arts of Belgium, Brussels; photograph J. Geleyns; exh. Musée de Flandre, Cassel).
Attributed works:
12. Philip IV of Spain in parade armour, by Gaspar de Crayer. c.1627– 30. Canvas, 182.9 by 118.1 cm. (Metropolitan Museum of Art, New York; exh. Musée de Flandre, Cassel).
Book Review
Felipe III de Velázquez: Donación de William B. Jordan. With contributions by John Elliott, Jaime García-Máiquez, M. Dolores Gayo, William B. Jordan and Javier Portús
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
29. Detail of Fig.30, showing Vulcan, Thetis and the Cyclops
Attributed works:
30. Mount Etna, with the theatre and pedestals erected in the piazzo del Duomo, Milan, designed by Francesco Maria Richini, drawn by Carlo Biffi and engraved by Cesare Bassano. 1630 (From Emanuele Tesauro: Racconto delle publiche allegrezze fatte dalla città di Milano alli IV febraro MDCXXX per la felice Nascita del Sereniss. Primogenito di Spagna Baldasar Carlo Dominico, appresso gli heredi di Melchior Malatesta, Milan 1630)
Attributed works:
31. Studies of buckler-type shields (rotelle), burning balls, an armoured waggon and an architectural drawing, by Leonardo da Vinci. Here dated 1485-87. Fol.59r of Manuscript B (Institut de France, Paris)
Attributed works:
32. Studies of burning balls, two figure studies (not by Leonardo) and annotations, by Leonardo da Vinci. Here dated 1485-87. Fol.4r of Manuscript B (Institut de France, Paris)
Attributed works:
33. Studies of ballistics, by Leonardo da Vinci. Here dated 1485-87 (Ecole nationale supérieure des beaux-arts, Paris, EBA 423)
Attributed works:
34. Study for a temporary structure or triumphal arch, by Leonardo da Vinci. Here dated 1487-90. Fol.22r of the Codex Trivulziano (Biblioteca Trivulziana, Milan)
Article
Velázquez in Fraga: a new hypothesis about the portraits of El Primo and Philip IV
10. Portrait of a dwarf, here proposed to be El Primo (rather than Sebastián de Morra), by Diego Velázquez. Here dated 1644. Canvas, 106 by 81 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
11. Authors’ drawing based on the X-radiograph of Fig.10, showing the area of original canvas.
Attributed works:
12. Weave density maps by Thread Count Automation Project of vertically oriented threads of Figs.9 (below) and 10 (above).
Attributed works:
13. Diego de Acedo, by Diego Velázquez. c.1644. Canvas, 107 by 82 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
14. Portrait of a dwarf, here proposed to be El Primo (rather than Sebastián de Morra), by the workshop of Diego Velázquez. c.1644. Canvas, 103 by 82 cm. (Private collection; courtesy of Christie’s).
Attributed works:
9. Philip IV, by Diego Velázquez. 1644. Canvas, 133.3 by 101.6 cm. (Frick Collection, New York).
Article
Weaving together an identity in Nicolas Poussin’s ‘Landscape with an anchorite saint’
13. Landscape with an anchorite saint, here identified as Landscape with St Paul the Hermit, by Nicolas Poussin. c.1636–37. Canvas, 155 by 234 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
14. Sts Paul the Hermit and Anthony Abbot, by Andrea Sacchi. c.1630–40. Canvas, 141 by 141 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
15. St Paul the Hermit, by Jusepe de Ribera. 1640. Canvas, 143 by 143 cm. (Museo Nacional del Prado, Madrid).
Article
New information on Velázquez’s portrait of Philip IV at Fraga in The Frick Collection, New York
1. King Philip IV of Spain, by Diego Velázquez. 1644. Canvas, 133.3 by 101.6 cm. (The Frick Collection, New York).
Attributed works:
2. Virgin of Montserrat with a donor, by Juan Andrés Rizi. c.1635. Canvas, 264.4 by 167.6 cm. (Bowes Museum, Barnard Castle).
Attributed works:
3. Allegorical portrait of Philip IV, by Juan de Noort. 1641 (reprinted in 1644). Engraving, approximately 18.9 by 13.8 cm. (Biblioteca Universitaria, Seville).
Attributed works:
4. Detail from The recapture of Bahía, by Juan Bautista Maíno. c.1635. Canvas, 309 by 381 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Allegorical portrait of Philip IV, by Diego Velázquez, Juan Bautista Martínez del Mazo and workshop. c.1645. Canvas, 393 by 267 cm. (Galleria degli Uffizi, Florence).
Attributed works:
6. Philip IV, from the workshop of Diego Velázquez. c.1645 or later(?). Canvas, 128.2 by 96 cm. (Dulwich Picture Gallery, London).
Attributed works:
7. Philip IV, from the workshop of Diego Velázquez (perhaps Juan Bautista Martínez del Mazo). c.1644(?). Canvas, 136 by 99 cm. (Private collection, London).
Article
Guido Reni’s royal patrons: a drawing and a proposal
24. Abduction of Helen of Troy, by Guido Reni. c.1626–29. Canvas, 253 by 265 cm. (Musée du Louvre, Paris).
Attributed works:
25. Don Juan before the Battle of Lepanto, by Guido Reni. 1620s. Pen and brown ink with brown wash on cream paper, 18.2 by 21.8 cm. (Private collection).