museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
Attributed works:
1. Seated Girl, by Henry Moore. Signed and Dated 1929. Black Chalk, Grey and Black Wash on Paper, 51.8 by 29 cm. (British Museum).
Attributed works:
100. The Shelterers, by Henry Moore. Signed and Dated 1941. Pencil, Charcoal and Coloured Chalk on Paper, 39.3 by 55.8 cm. (British Museum).
Attributed works:
101. Architectural Composition, by Saul Steinberg. Signed. Pen and Ink. (British Museum).
Attributed works:
102. Studies for Helmets, by Henry Moore. Signed and Dated 1950. Water-Colour, Pen and Ink and Coloured Crayons. (British Museum).
Attributed works:
103. La Corrida, by Pablo Picasso. Signed and Dated 1950. Water-Colour. (British Museum).
Attributed works:
104. On the Man Haulage (the Run), by Henry Moore. Signed and Dated 1942. Crayon, Pen and Black Ink, Squared with Pencil, White Painted Margin, 25.1 by 17.8 cm. (British Museum).
Attributed works:
105. Tête, by Jean Dubuffet. Signed and Dated 1954. Water-Colour, Pen and Ink. (British Museum).
Attributed works:
106. A drawing, by William Tucker. Signed and Dated 1975. Felt Pen on Newsprint, 41.1 by 29.7 cm. (British Museum).
Attributed works:
107. Four Serial Drawings, by Kenneth Martin. Dated 1958. Pen and Ink, 33.3 by 20.8 cm. (British Museum).
Attributed works:
81. Ino and Bacchus, by R. J. Wyatt. Marble; Height, 130.2 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
82. Venus Verticordia, by John Gibson. c.1850. Marble; Height, 174 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
83. Maternal Love, by E. H. Bailey. Signed and Dated 1841. Marble; Height, 91.5 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
84. 'Red and White Roses' - Katie and Lizzie Keown, by Julia Margaret Cameron. c.1867. Photograph. (National Portrait Gallery, London).
Attributed works:
85. Thomas Carlyle, by Julia Margaret Cameron. c.1867. Photograph. (National Portrait Gallery, London).
Attributed works:
86. On the Brink, by Alfred Elmore. R. A. 1865. Canvas, 114 by 83.5 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
87. Pêcheuse de Vignot, by Jean Baptiste Carpeaux. 1874. Bronze; Height, 70.1 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
88. 'Choosing' (Ellen Terry), by G. F. Watts. R. A. 1864. Panel, 47 by 35.5 cm. (National Portrait Gallery, London).
Attributed works:
89. L'Eglise de Vétheuil, by Claude Monet. Signed and Dated (Later) 1880. Canvas, 51 by 61 cm. (Southampton Art Gallery).
Attributed works:
90. Study for the Portrait of Serena Lederer, by Gustav Klimt. 1898-99. Conté Crayon on Paper, 45.3 by 30.5 cm. (British Museum).
Attributed works:
91. Bordellszene, by Ernst Ludwig Kirchner. 1913. Woodcut; Untrimmed sheet, 14.9 by 9 cm. (British Museum).
Attributed works:
92. Kathedrale, by Kurt Schwitters. One of 8 Lithographs. 1920. Page Size, 22.4 by 14.3 cm. (British Museum).
Attributed works:
93. Kathedrale, by Kurt Schwitters. One of 8 Lithographs. 1920. Page Size, 22.4 by 14.3 cm. (British Museum).
Attributed works:
94. Scofield Thayer, by E. E. Cummings. 1921. Oil on Cardboard, 44.25 by 23.5 cm. (National Portrait Gallery, Washington D. C.).
Attributed works:
95. Angel, by Natalia Gontcharova. Pencil on Paper, 40.4 by 31 cm. (British Museum).
Attributed works:
96. Working Sketch for 'Abstract Composition', by Cecil Stephenson. 1937. Bodycolour, Pencil and Ink on Graph Paper, 25.4 by 18.5 cm. (British Museum).
Attributed works:
97. Abstract Composition Based on Type, by Stella Steyn. Signed. 1931-32. Lithograph and Bodycolour on Newsprint, 20.3 by 24.4 cm. (British Museum).
Attributed works:
98. Breakfast Table Bankshead/Villa Capriccio, by Ben Nicholson. c.1928-29. Pencil on Paper, 34.4 by 43.4 cm. (British Museum).
Attributed works:
99. Composition, by Alastair Morton. Signed and Dated 1938. Wash, Pencil and Ink on Paper, 25 by 35.3 cm. (British Museum).
