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93 articles
Exhibition Review
Making New Worlds: Li Yuanchia & Friends
02/2024 | 1451 | 166
Pages: 201–205
related names
Reviewer:
Bolwell, Sarah (Bolwell, Sarah)
Subjects
subjects:
Reviewed Items
subjects:
Making New Worlds: Li Yuanchia & Friends Kettle’s Yard, Cambridge 11th November 2023–18th February 2024 | :
Illustrations
Attributed works:
27. Road along the Roman wall (landscape with two houses), by Winifred Nicholson. 1926. Oil on canvas, 126.5 by 189.5 cm. (Kettle’s Yard, Cambridge; courtesy Trustees of Winifred Nicholson).
Attributed works:
28. Installation view of Making New Worlds: Li Yuan-chia & Friends at Kettle’s Yard, Cambridge, 2023–24. (Photograph Jo Underhill).
Attributed works:
29. Untitled, by Li Yuan-chia. 1994. Hand-coloured photographic print, 40.5 by 43.5 cm. (Courtesy Li Yuan-chia Foundation; exh. Kettle’s Yard, Cambridge).
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Advertisements (front)
10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
Exhibition Review
Barbara Hepworth: Art & Life
11/2021 | 1424 | 163
Pages: 1056-1058
related names
Reviewer:
Rudd, Natalie (Rudd, Natalie)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Barbara Hepworth: Art & Life The Hepworth Wakefield 21st May 2021–27th February 2022 | :
Illustrations
Attributed works:
1. Oval sculpture, by Barbara Hepworth. 1943. Plane wood with painted white concavities, 34.9 by 46.2 by 29.9 cm. (© Bowness, Hepworth Estate; courtesy Pier Arts Centre, Stromness; photograph David Lambert / Rod Tidnam).
Attributed works:
2. Fenestration of the ear (The microscope), by Barbara Hepworth. 1948. Oil and pencil on board, 34.5 by 44.5 cm. (Courtesy Ingram Collection; photograph J.P. Bland).
Attributed works:
3. Installation view of Barbara Hepworth: Art & Life at the Hepworth Wakefield, 2021, showing in the foregroud Oval form (Trezion), by Barbara Hepworth. 1961–63. Bronze, 94 by 144 by 87 cm. (Courtesy Hepworth Wakefield; photograph Lewis Ronald).
Book Review
Working Against the Grain: Women Sculptors in Britain c.1885–1950
11/2020 | 1412 | 162
Pages: 1006-1007
related names
Reviewer:
Eustace, Katharine (Eustace, Katharine; E., K.; Eustace, Katherine)
Subjects
artists:
Reviewed Items
subjects:
Working Against the Grain: Women Sculptors in Britain c.1885–1950 By Pauline Rose. 336 pp. incl. 22 col. + 99 b. & w. ills. (Liverpool University Press, Liverpool, 2020), £30. ISBN 978–1–789–62156–3. | :
Illustrations
Attributed works:
7. Gertrude Alice Meredith Williams, with the plaster cast of The spirit of the Crusaders, in her studio at 19 Circus Lane, Edinburgh, 1923. (Photograph Phyllida Shaw).
Article
Avatars of Antiquity I: From the nude warrior in Florence to the alien maiden in Piccadilly
11/2020 | 1412 | 162
Pages: 956-971
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Theseus and the minotaur, by Antoine-Louis Barye. Modelled 1841 or 1842. Bronze, height 45.9 cm., including the integral plinth. (Private collection).
Attributed works:
10. Bronze head, by John Samuel Agar. 1809. Stipple engraving of a marble copy of an archaic bronze head (from Specimens of Antient Sculpture published 1809).
Attributed works:
12. Detail of Lady Caroline Crichton and her Grandfather the 4th Earl of Bristol and Bishop of Derry, by Hugh Douglas Hamilton. 1790. Oil on canvas, 224.4 by 199.5 cm. (National Gallery of Ireland, Dublin).
Attributed works:
13. Speranza, by Bertel Thorvaldsen. 1859. Marble, height 160.5 cm. (Thorvaldsen Museum, Copenhagen).
Attributed works:
14. Detail of the sculpture in Fig.1, showing Theseus’s head.
Attributed works:
16. St Cecilia with angels, by Paul Delaroche. 1836. Oil on canvas, 202 by 162 cm. (Victoria and Albert Museum, London).
Attributed works:
17. Mrs Robert Hollond, by Ary Scheffer. 1851. Oil on canvas, 81.9 by 60.3 cm. (National Gallery, London).
Attributed works:
18. Preparatory painting for the St Pelagia in the frieze in Saint-Vincent-de- Paul, Paris, by Hippolyte Flandrin. c.1850. Oil on canvas, 73 by 60 cm. (Musée des Beaux Arts, Besançon).
Attributed works:
19. Rachel in the role of Phèdre, by Jean Jacques Barre. 1848. Ivory, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
2. Atalanta (right), by Pierre Lepautre. 1703–04. Carrara marble, height 126 cm.; with Hippomenes (left) by Guillaume Coustou I. 1711–12. Carrara marble, height 134 cm. (Both Musée du Louvre, Paris; photograph © RMN-Grand Palais/Tony Querrec).
Attributed works:
20. ‘Pourtalès Aphrodite’. Hellenistic, 200–100 BC. Bronze, height 25.4 cm. (British Museum, London).
Attributed works:
21. Gentle spring, by Frederick Sandys. 1864–65. Oil on canvas, 121 by 64 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
22. Salome, by Paul Manship. 1915. Bronze, height 47 cm. (Smithsonian Museum of American Art, Washington; SCALA Archives).
Attributed works:
23. Artemis (kneeling dancer), with a portion of its integral pedestal, by Elie Nadelman. 1916–18. Limestone, height 114.3 cm. (Chrysler Art Museum, Norfolk, VA).
Attributed works:
24. Figure V, by Barbara Hepworth. Cast 1925. Bronze, height 42 cm. (Daniel Katz Gallery, London).
Attributed works:
25. Peace, by Alfred F. Hardiman. 1946 (based on a model of 1920–24). Bronze, life-size. (Memorial Garden, St James’s Piccadilly, London).
Attributed works:
3. Princely glory, by Giovanni Baratta. Dated 1715. Carrara marble, 335.5 cm., excluding the later English pedestal. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Detail of Marriage à-la-mode: Scene 2 The tête-à-tête, by William Hogarth, showing the mantel shelf. c.1743. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Engraving after ‘Quonin Household God of the Chinese’, by Bernard Picart. (From B. Picart: Ceremonies et coutumes Religieuses des peoples idolatres, Amsterdam 1728, II, pp.222–23).
Attributed works:
6. Detail of Battle relief, by Bertoldo di Giovanni. 1480s. Bronze, 99 by 45 cm. (Museo Nazional del Bargello, Florence; Bridgeman Images).
Attributed works:
7. Warriors fighting, by Raphael. c.1510. Red chalk over stylus on paper, 37.9 by 28.1 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
9. Detail of The fire in the Borgo, by Raphael. 1516– 17. (Stanza dell’Incendio, Vatican; Bridgeman Images).
Western art unattributed:
11. Apollo of Piombino. Greek, First century BC. Bronze, height 115 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
15. Detail of a Greek or Etruscan statue of an athlete. c.Fifth century BC. Bronze, height 45.8 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
8. Juno Ludovisi (portrait of the deified Antonia Minor, mother of Emperor Claudius). First century AD. Luna marble, height 115 cm. (Palazzo Altemps, Rome; Bridgeman Images).
Obituary
Hester Diamond (1928–2020)
06/2020 | 1407 | 162
Pages: 554-556
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
patrons:
places:
subjects:
Illustrations
Attributed works:
1. Hester Diamond, photographed in her apartment in the El Dorado building, New York City, 2008. Behind her is The Vestal Virgin Tuccia as an allegory of chastity, by Moretto da Brescia. c.1540–44. (Photograph Jason Schmidt).
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11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
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Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
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09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
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06/2018 | 1383 | 160
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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